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2<br />

sarCevi<br />

saerTaSoriso konkursis Jiuri ...............................................................................................................6<br />

moklemetraJiani filmebis konkursis Jiuri .......................................................................11<br />

gaxsnis filmi ...............................................................................................................................................................14<br />

daxurvis filmi .........................................................................................................................................................16<br />

saerTaSoriso konkursi ..................................................................................................................................18<br />

moklemetraJiani mxatvruli filmebis konkursi ............................................................29<br />

evropuli kinos forumi ..................................................................................................................................45<br />

germanul-franguli megobroba kinoSi ........................................................................................72<br />

arte <strong>safrangeTi</strong> warmogidgenT ................................................................................................81<br />

arte germania warmogidgenT .........................................................................................................87<br />

maxmalbafis kinos saxli warmogidgenT .....................................................................................93<br />

msaxiobi fokusSi: jankarlo janini................................................................................................98<br />

filmebi sazRvrebs gareSe ........................................................................................................................104<br />

qarTuli panorama................................................................................................................................................112<br />

qarTuli kulturfilmi –<br />

saqarTvelos erovnuli arqivis saganZuridan .................................................................125<br />

saqarTvelos Teatrisa da kinos universiteti warmogidgenT ...................134<br />

festivali „Tofuzi“ warmogidgenT ..............................................................................................136<br />

specialuri Cveneba ............................................................................................................................................138<br />

PITCH.DOC ............................................................................................................................................... 151<br />

saZieblebi .....................................................................................................................................................................156<br />

CONTENT<br />

JURY OF INTERNATIONAL COMPETITION ............................................................................................. 6<br />

JURY OF SHORT FILM COMPETITION ....................................................................................................11<br />

OPENING FILM ................................................................................................................................................14<br />

CLOSING FILM .................................................................................................................................................16<br />

INTERNATIONAL COMPETITION ..............................................................................................................18<br />

SHORT FILM COMPETITION ......................................................................................................................29<br />

FORUM OF EUROPEAN CINEMA ..............................................................................................................45<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA ........................................................................................72<br />

ARTE FRANCE PRESENTS ..................................................................................................................81<br />

ARTE DEUTSCHLAND PRESENTS ...................................................................................................87<br />

MAKHMALBAF FILM HOUSE PRESENTS ...............................................................................................93<br />

ACTOR IN FOCUS: GIANCARLO GIANNINI ...........................................................................................98<br />

FILMS ACROSS BORDERS ........................................................................................................................ 104<br />

GEORGIAN PANORAMA .......................................................................................................................... 112<br />

GEORGIAN KULTURFILM –<br />

TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA ..................................................... 125<br />

GEORGIAN STATE UNIVERSITY OF THEATRE AND FILM PRESENTS ....................................... 134<br />

FESTIVAL TOFUZI PRESENTS .................................................................................................................. 136<br />

SPECIAL SCREENINGS ............................................................................................................................... 138<br />

PITCH.DOC .................................................................................................................................................... 151<br />

INDICES ........................................................................................................................................................... 156


Zvirfaso megobrebo, festivalis Zvirfaso stumrebo,<br />

Tbilisis saerTaSoriso kinofestivalis arseboba gansakuTrebiT<br />

mniSvnelovania kinos iseTi tradiciebis mqone<br />

qveyanaSi, rogoric saqarTveloa. am festivaliT saqarTvelos<br />

Tavisi wvlili Seaqvs saerTaSoriso kulturul<br />

procesSi. moxaruli var, rom festivali ukve tradiciul<br />

movlenad iqca da wels mecameted tardeba. mjera, rom festivali<br />

welsac saintereso da warmatebuli iqneba da xels<br />

Seuwyobs saerTaSoriso kavSirebis gaRrmavebas kinoindustriaSi,<br />

kinoxelovnebis popularizacias, axalgazrda qarTveli<br />

kinematografistebis warmoCenas msoflio asparezze, da<br />

rac kidev ufro mniSvnelovania, kinoxelovnebis saSualebiT<br />

zogadsakacobrio Rirebulebebis, humanizmis, demokratiisa<br />

da adamianis uflebebis gaazrebas da damkvidrebas. Tbilisis<br />

kinofestivali, rogorc saerTaSoriso forumi, evropuli<br />

integraciisken saqarTvelos swrafvis gamoxatulebacaa.<br />

darwmunebuli var, rom Cvens qveyanaSi mimdinare cvlilebebis<br />

Sedegad festivali kidev ufro gaZlieredeba da Rirseul<br />

adgils daimkvidrebs evropul da msoflio kinorukaze.<br />

maia fanjikiZe<br />

saqarTvelos sagareo saqmeTa ministri<br />

Dear Friends, dear Festival Guests,<br />

Existence of Tbilisi International Film Festival is of special importance<br />

in a country with such cinematic history as Georgia. This festival is the<br />

contribution of Georgia into the international cultural process.<br />

I am delighted the Festival has become a traditional event and is<br />

having its 13th edition this year. I do believe the new edition will<br />

be interesting and successful and will support establishing new<br />

connection in film industry, popularization of cinema, promotion<br />

of young Georgian filmmakers all around the world, and moreover,<br />

realization and establishing of humanism, democracy and human<br />

rights through cinema. Tbilisi Film Festival as the international forum<br />

is expressions of Georgain strive to integration into Europe.<br />

I am assured, on background of the changes in our Country; the<br />

Festival will grow stronger and mark its place in Europe and world<br />

cinematic map.<br />

MAIA PANJIKIDZE<br />

Minister of Foreign Affairs of Georgia<br />

Tbilisis saerTaSoriso kinofestivali 2000 wels<br />

daarsda da radgan mecameted imarTeba, niSnavs, rom es<br />

kinoforumi Sedga.<br />

minda es dResaswauli pirvel rigSi kinos moyvarulT<br />

mivuloco. kinofestivali Zalian mniSvnelovani movlenaa<br />

qveynis kulturul cxovrebaSi, amitom aucilebelia<br />

saxelmwifos mxardaWera.<br />

saqarTvelos kulturisa da ZeglTa dacvis saministro<br />

wlebia TanamSromlobs kinoxelovnebis centr „prome-<br />

TesTan“, romelic am kinofestivalis sulisCamdgmelia<br />

da udidesi wvlili Seaqvs Cveni qveynis kulturis, ker-<br />

Zod, kinoxelovnebis ganviTarebis saqmeSi.<br />

minda me-13 kinofestivals, organizatorebs, masSi<br />

monawile yovel adamians warmateba vusurvo, mayurebels<br />

ki _ sasiamovno STabeWdilebebi.<br />

guram odiSaria<br />

saqarTvelos kulturisa da ZeglTa dacvis ministri<br />

Tbilisi International Film Festival was launched in 2000 and since<br />

this is the 13th time it has been running, it means this cinema forum<br />

has been successful.<br />

First of all I would like to congratulate the cinema goers and fans.<br />

Film festival is a very important event in the country’s cultural life<br />

therefore, it needs support from the state.<br />

The Ministry of Culture and Monument Protection of Georgia has<br />

been working in close cooperation with the Cinema Art Centre<br />

Prometheus, a founder and inspirer of the Festival for years. The<br />

Centre has significantly contributed to development of art and<br />

cinematography in our country.<br />

I wish the organizers and participants of the 13th Festival good<br />

luck and success, and I hope the cinema fans will greatly enjoy it.<br />

GURAM ODISHARIA<br />

Minister of Culture and Monument Protection of Georgia<br />

3


Zvirfaso megobrebo,<br />

keTili iyos Tqveni mobrZaneba Tbilisis me-13 saerTaSoriso kinofestivalze. wlevandeli festivali<br />

gansakuTrebiT uxvfilmiani da saintereso programiT gamoirCeva. Tumca, mTavari principebi<br />

ucvleli rCeba _ vaCvenoT xarisxiani kino da Tanabrad warmovaCinoT Cvens programebSi<br />

rogorc axali saxeebi, ise ukve aRiarebuli ostatebis namuSevrebi.<br />

festivalis sapatio stumari legendaruli italieli msaxiobi, jankarlo janinia - lina vertmiulerisa<br />

da lukino viskontis filmebis mcire retrospeqtiviT.<br />

gaxsnis filmi, „kari“, msoflio kinos kidev erT legendas, iStvan sabos ekuTvnis - sabo festivalis<br />

stumaria da qarTveli axalgazrdebisTvis masterklasebsac Caatarebs. aseve gvewveva<br />

britaneli scenaristi da daramturgi, oskarosani kristofer hemptoni da Sexvedras moawyobs<br />

qarTvel scenaristebTan.<br />

saerTaSoriso konkursi evropeli reJisorebis 10 sadebiuto namuSevars SemogTavazebT. konkursis<br />

Jiuris Tavjmdomare ki aRiarebuli iraneli kinoreJisori, mohsen maxmalbafi iqneba. swored<br />

misi xelmZRvanelobiT gadawyvets Jiuri, vin gaxdeba ori mTavari prizis, oqrosa da vercxlis<br />

promeTes mflobeli (saukeTeso filmisa da reJisurisaTvis). amas garda, maxmalbafebis cnobili<br />

kinoojaxi wels 4 films warmoadgens specialur programaSi.<br />

pirvelad Catardeba moklemetraJiani filmebis konkursi. 15 moklemetraJiani filmis beds ki<br />

saerTaSoriso Jiuri gadawyvets, cnobili frangi msaxiobis, greguar kolenis xelmZRvanelobiT.<br />

goeTes instituti da franguli instituti elizes xelSekrulebisadmi miZRvnil specialur programaSi<br />

„germanul-franguli megobroba kinoSi“ - msoflio kinos klasikas gTavazobT - pabstis,<br />

ofulsis, triufos, Slendorfis da sxvaTa filmebs... aseve calke seqcia daeTmoba cnobili<br />

frangul-germanuli telearxis, „artes“ dokumenturi filmebis koleqcias.<br />

„evropuli kinos forumi“ - Cveni yvelaze didi da titulovani filmebiT daxunZluli seqciaa,<br />

romelic 26 namuSevars aerTianebs, maT Sorisaa Zmebi tavianebis, hanekes, moretis, kaurismekis,<br />

louCis, munjius, garones, zaidlis, petcoldis da mravali sxva reJisoris filmi. es seqcia,<br />

tradiciulad, wlis ganmavlobaSi saerTaSorisod aRiarebul filmebs warmogidgenT. aseve ixilavT<br />

qarTul panoramas.<br />

erTi sityviT, 3-dan 9 dekembramde 100-ze meti filmi gelodebaT Tbilisis kinoTeatrebSi. arCevani<br />

didia da vimedovnebT, wlevandeli festivalis mravalferovani programa yvelaze momTxovni<br />

mayureblis gemovnebasac daakmayofilebs.<br />

uRrmesi madloba yvela Cvens mxardamWers, sponsorsa da partniors, maT gareSe festivali<br />

saqarTveloSi yvelaze masStabur kinoRonisZiebad ver Sedgeboda.<br />

gansakuTrebuli madloba ki Cvens mayurebels. SevxvdebiT kinoTeatrSi.<br />

gaga CxeiZe<br />

nino anjafariZe<br />

4


Dear Friends,<br />

Welcome to the 13 th edition of Tbilisi International Film Festival. This year is special both with the number of films<br />

and variety of interesting programs as well. Though our main principles have remained the same: we are screening<br />

quality films and equally represent new faces and acclaimed masters of cinema.<br />

The honorary guest of the festival is the legendary Italian actor, Giancarlo Giannini - with the retrospective of Lina<br />

Wertmuller’s and Luchino Visconti’s films.<br />

Opening film THE DOOR is the latest work of world cinema legend, Istvan Szabo - he will be the guest of the festival<br />

and hold a workshop for young Georgian filmmakers. Famous British screenwriter and playwright, Oscar winner<br />

Christopher Hampton will also visit the festival and have a conversation with his Georgian colleagues.<br />

International Competition presents 10 first or second feature films of European directors, the head of the Jury will<br />

be famous Iranian film director Mohsen Makhmalbaf; together with the juries, he will award Golden and Silver<br />

Prometheus for the best film and the best directing. Besides, we are presenting 4 films in Makhmalbaf family retrospective.<br />

For the first time in its history, the festival presents the competition of shorts. 15 short films will be judged by the<br />

Jury headed by acclaimed French actor, Gergoire Colin.<br />

Goethe Institut and French Institute dedicate a special program to the anniversary of Élysée Treaty. “German-French<br />

Friendship in Cinema” - includes classical works of cinema by Pabst, Ophüls, Truffaut, Schlöndorff and others. Selection<br />

of documentaries of famous French-German channel ARTE will include 10 films.<br />

Forum of European Cinema - our largest section, with the most acclaimed films of the past year will include 26 films,<br />

among them Taviani Brothers, Haneke, Morreti, Kaurismäki, Loach, Mungiu, Garrone, Seidl, Petzold and many more.<br />

This section presents a collection of the award winning and most successful European films of the year.<br />

To sum it up - starting from 3rd of December , till 9th of December, over 100 films are awaiting you in Tbilisi cinemas;<br />

there is a vast choice and we do hope, even the most pretentious cinephiles will be happy with the variety of the<br />

program.<br />

We would like to express our deepest gratitude to all our supporters, sponsors and partners, without them we<br />

would never be able to organize TIFF as the largest cinema event of the year in Georgia.<br />

Special thanks to our audiences and see you in cinema.<br />

Gaga Chkheidze<br />

Nina Anjaparidze<br />

5


6<br />

saerTaSoriso<br />

konkursis Jiuri<br />

JURY OF INTERNATIONAL<br />

COMPETITION


mohsen maxmalbafi<br />

MOHSEN MAKHMALBAF<br />

daibada 1957 wels TeiranSi.<br />

kinoreJisori, mwerali, scenaristi, memontaJe, prodiuseri da adamianis<br />

uflebaTa damcveli.<br />

bolo aTi wlis ganmavlobaSi mohsen maxmalbafis filmebi farTodaa warmodgenili<br />

sxvadasxva saerTaSoriso kinofestivalebze. mravali jildos<br />

mflobeli reJisori iranuli kinos axali talRis wamomadgenelia. Jurnalma<br />

„Taimma“ maxmalbafis 2001 wels gadaRebuli filmi „yandaari“ (Kandahar)<br />

yvela drois 100 saukeTeso films Soris daasaxela.<br />

mohsen maxmalbafi iranuli kinos erT-erTi mniSvnelovani warmomadgenelia.<br />

misi filmebi, rogorc wesi, individisa da zogad socialur / politikur<br />

garemos urTierTdamokidebulebas asaxavs. Sesabamisad, misi namuSevrebi<br />

iranis da iraneli xalxis uaxlesi istoriis yvelaze kargi qronikaa. maxmalbafis<br />

filmebi erTi JanriT ar Semoifargleba. mis filmebSi gvxvdeba<br />

rogorc wminda realisturi, aseve siurealisturi xedva, minimalizmic da<br />

yoveldRiuri cxovrebis didi freskebic.<br />

pirveli filmi TOBEH NOSUH maxmalbafma 1983 wels gadaiRo. 1985 wels gadaRebuli<br />

misi meore filmis „boikotis“ moqmedeba revoluciamdel iranSi<br />

xdeba da axalgazrda qalis istorias mogviTxrobs, romelsac komunisturi<br />

Sexedulebebis gamo sikvdili aqvs misjili.<br />

1996 wels maxmalbafma sakuTari kinoskola _ Makhmalbaf Film House _ daaarsa<br />

axalgazrda kinematografistebisTvis, romelic maleve iqca ojaxur kinokompaniad<br />

sadac reJisoris mravalricxovani ojaxis wevrebi kinoxelovnebas<br />

daeuflnen. 1997 wels misma 17 wlis qaliSvilma samiram srulmetraJiani<br />

mxatvruli filmi „vaSli“ gadaiRo, romlis scenaris avtori da memontaJe<br />

mamamisi iyo.<br />

moxsen maxmalbafis meuRle marzie meSkini Tavdapirvelad Tavisi qaliSvilis<br />

asistentad muSaobda, mogvianebiT ki TviTonac daiwyo filmebis gadaReba.<br />

2006 wels mohsen maxmalbafi veneciis kinofestivalis Jiuris wevri iyo,<br />

2007 wlis ganmavlobaSi ki - aziis kinoakademiis prezidenti.<br />

2005 wels, ahmadinejadis xelisuflebaSi mosvlis Semdeg, mohsen maxmalbafma<br />

irani diqtaturis winaaRmdeg protestis niSnad datova. amJamad reJisori<br />

ojaxTan erTad parizSi cxovrobs.<br />

Born in 1957 in Tehran, Iran.<br />

Filmmaker, novelist, screenwriter, editor, producer, human right activist.<br />

Makhmalbaf’s films have been widely presented in international film festivals in the past<br />

ten years. The multi-award-winning director belongs to the new wave movement of Iranian<br />

cinema. Time magazine selected Makhmalbaf’s 2001 film, Kandahar, as one of top 100<br />

films of all time.<br />

Mohsen Makhmalbaf is a major figure in Iranian cinema. His films have explored the relationship<br />

between the individual and a larger social and political environment. As a result,<br />

his work serves as an extended commentary on the historical progression of the Iranian<br />

state and its people. Makhmalbaf focuses on several genres, from realist films to fantasy<br />

and surrealism, from minimalism to large frescos of everyday life, with a predilection for<br />

the themes of childhood and cinema.<br />

He made his first film TOBEH NOSUH in 1983. Boycott is a 1985 film by Mohsen Makhmalbaf,<br />

set in pre-revolutionary Iran. The movie tells the story of a young man named Valeh<br />

who has sentenced to death for his communist tendencies.<br />

Makhmalbaf took time off from directing in 1996 to form the Makhmalbaf Film House, a<br />

school for young filmmakers. It quickly became a private production house for the increasing<br />

number of filmmakers in his family. In 1997 his seventeen year old daughter, Samira<br />

directed THE APPLE, using him as a scriptwriter and editor. Mohsen Makhmalbaf’s wife,<br />

Marziyeh Meshkini, worked as assistant director to her daughter and then took up directing<br />

herself.<br />

In 2006, Mohsen Makhmalbaf was a member of the Jury at the Venice film festival and during<br />

2007 - the president of Asian Film Academy.<br />

In 2005 when Ahmadinejad came into power, Mohsen Makhmalbaf left Iran as a protest<br />

against the Iranian dictatorship and at present lives in exile with his family. He has been<br />

living in Afghanistan, Tajikistan, India and France in recent years.<br />

7


nikola vadimovi<br />

NICOLAS WADIMOFF<br />

kinosa da Teatris msaxiobi, daibada 1970 wels. 1991 wels daamTavra SoTa<br />

rusTavelis saxelobis Tbilisis Teatrisa da kinos saxelmwifo universiteti.<br />

1993 wlidan aris samefo ubnis Teatris erT-erTi damfuZnebeli da<br />

xelmZRvaneli. 1997 wlidan marjaniSvilis saxelobis saxelmwifo akademiuri<br />

Teatris msaxiobia.<br />

Sesrulebuli aqvs mTavari rolebi sofokles, Seqspiris, anuis, Cexovis,<br />

uaildis, mroJekis piesebSi.<br />

2008 wels daarsa axalgazrduli Teatraluri festivali „ardifesti“.<br />

Sesrulebuli aqvs 20-ze meti roli qarTul da rusul mxatvrul filmebsa<br />

da telefilmebSi.<br />

aleko cabaZis filmSi „rene midis holivudSi“ Sesrulebuli mTavari<br />

rolisTvis 2011 wels portugaliaSi, avankas saerTaSoriso kinofestivalze<br />

dajildovda priziT mamakacis rolis saukeTeso SesrulebisaTvis.<br />

Film and theatre actor, born in 1970. Graduated from Shota Rustaveli State Theatre and<br />

Film University in 1991. In 1993 established Royal District Theatre, being its manager up till<br />

present. Actor at Marjanishvili State Drama Theatre since 1997. Ha splayed leading roles in<br />

the plays of Sophocles, Shakespeare, Anouihl, Chekhov, Wilde, Mrozek etc.<br />

In 2008 established a youth theatre festival ARDIfest.<br />

Nika Tavadze has played over 20 roles in Georgian and Russian feature and TV films.<br />

In 2011 for the title role in Aleko Tsabadze’s Rene Goes to Hollywood received the best actor<br />

prize in Portugal, at AVANCA International Film Festival.<br />

8<br />

daibada 1964 wels JenevaSi. tele-kinoreJisori da rok-musikosi. 1987 wels<br />

monrealSi kvebekis universiteti daamTavra reJisoris specialobiT. 1991<br />

wels gadaiRo pirveli moklemetraJiani dokumenturi filmi Le Bol. 1992-96<br />

wlebSi Sveicaruli televiziisTvis (Télévision Suisse Romande) muSaobda reJisorad,<br />

iRebda dokumentur filmebs, maT Soris, libiaSi, alJirSi, palestinasa<br />

da ruandaSi. 1996-2001 wlebSi muSaobda reJisorad da prodiuserad<br />

Caravan Films-Si. 2003 wels daaarsa mxatvruli da dokumenturi filmebis saprodiusero<br />

kompania Akka Films. pirveli srulmetraJiani mxatvruli filmi<br />

„aralegalebi“ deni SuinarTan erTad gadaiRo 1997 wels. filmi ramdenime<br />

saerTaSoriso kinofestivalis priziT dajildovda.<br />

nikola vadimovis meore mxatvrulma filmma „mondialito“ Tbilisis me-2<br />

saerTaSoriso kinofestivalze „vercxlis promeTe“ moipova saukeTeso re-<br />

JisurisTvis 2001 wels.<br />

misi uaxlesi, rigiT mexuTe, srulmetraJiani mxatvruli filmis „operacia<br />

libertadis“ premiera wels kanis kinofestivalze Sedga programaSi „re-<br />

JisorTa orkvireuli“.<br />

Born in 1964 in Geneva. TV/ film director and rock musician. 1987 Degree in Communications<br />

at UQAM (University du Quebec à Montreal), field of studies: Cinema. He made his<br />

first documentary LE BOL in 1991. 1996-2001 Producer and director of films on behalf of<br />

the Caravan Films company. 2003 Creates Akka Films devoted to the development of fiction<br />

films and production of documentaries.<br />

In 1997 Nicolas Wadimoff made his first fiction feature CLANDESTINS (with Denis Chouinard)<br />

selected for numerous festivals. His second feature MONDIALITO won the 2th Tbilisi<br />

Film Festival award Silver Prometheus.<br />

OPERATION LIBERTAD, his fifth feature film, was premiered at the Directors’ Fortnight<br />

(Quinzaine des réalisateurs) in Cannes this year.<br />

nika TavaZe<br />

NIKA TAVADZE


dinara drukarova<br />

DINARA DRUKAROVA<br />

daibada 1976 wels sanqt-peterburgSi. rusi msaxiobi dinara drukarova<br />

ruseTsa da safrangeTSi cxovrobs, Tumca rolebis umetesoba swored safrangeTSi<br />

aqvs naTamaSebi. misi debiuti kinoSi 1989 wels Sedga filmSi „es<br />

iyo zRvasTan axlos“ (reJisori - aian Saxmalieva), magram warmateba imave<br />

wels gadaRebulma meore filmma, „ar gainZre, mokvdi da aRsdeqi!“, moutana:<br />

filmis reJisori, vitali kanevski kanis kinofestivalis „oqros kameriT“<br />

dajildovda. 1990-ian wlebSi TamaSobda rusul mcirebiujetian filmeb-<br />

Si. 1996 wels greguar kolenTan erTad Seasrula erT-erTi mTavari roli<br />

paskal obies filmSi „gaskonis Svili“. Semdeg musikaSi scada bedi da pirveli<br />

singli MADE IN LENINGRAD Cawera, romelsac warmateba ar mohyolia da<br />

aRarc drukarovas gaugrZelebia musikaluri kariera.<br />

drukarovas mcirericxovani rusuli rolebidan 90-ian wlebSi erT-erTi<br />

aleqsei balabanovis sakulto filmSi „maxinjebisa da adamianebis Sesaxeb“<br />

naTamaSebi lizas personaJia. am rolisTvis drukarova 1998 wels evropuli<br />

kinoakademiis jildoze waradgines „saukeTeso evropeli msaxiobi qalis“<br />

nominaciaSi. amave wels miiwvies strasburgis evropuli filmebis festivalis<br />

Jiuris wevrad.<br />

2003 wels dinara drukarovam qarTveli qalis, adas roli Seasrula Juli<br />

bertuCelis filmSi „mas Semdeg, rac oTari wavida“. films didi warmateba<br />

xvda wilad da kanis kinofestivalis kritikosTa kvireulis gran-priT dajildovda.<br />

bolo wlebSi dinara drukarovas Sesrulebul rolebs Soris aris valentina<br />

fernando meirelesis dramaSi „360“ (2011) da eqTnis personaJi mixael hanekes<br />

filmSi „siyvaruli“ (<strong>2012</strong>).<br />

Russian actress. Born in 1976 in St. Petersburg, Russia.<br />

Dinara Drukarova lives and works in Russia and France, where she tends to pursue most<br />

of her film roles. She made her debut in the 1989 film IT WAS NEAR THE SEA by Ayan<br />

Shakhmaliyeva, but it was her second film, DON’T MOVE, DIE AND RISE AGAIN! directed<br />

by Vitali Kanevsky, which first saw her receiving attention, when the film won the Golden<br />

Camera Award at the 1990 Cannes Film Festival. She starred in a number of minor Russian<br />

films in the early 1990s, but began to pursue European (and predominantly French) productions<br />

after making her first film there, THE SON OF GASCOGNE in 1996. She made a brief<br />

foray into music soon after, recording a not-widely-released single, MADE IN LENINGRAD.<br />

However, Drukarova has remained focused on acting, and has not recorded anything since.<br />

One of Drukarova’s few Russian films during the latter half of the 1990s was the controversial<br />

1998 cult film OF FREAKS AND MEN, in which she played the female lead role of<br />

Lisa. This performance saw her nominated in the category of “Best European Actress” at<br />

the 1998 European Film Awards. She was subsequently interviewed in a number of prominent<br />

French magazines, including Elle, Premiere, and Vogue. In addition, Drukarova was<br />

appointed as a member of one of the juries at the 1998 Strasbourg European Film Festival.<br />

In 2003 Dinara Drukarova took a key part of Ada, a Georgian woman, in Julie Bertuccelli’s<br />

film SINCE OTAR LEFT. The film received a wide arthouse release in several countries, winning<br />

the Critics Week Grand Prize at Cannes. Her recent roles were Valentina in Fernando<br />

Meirelles’s drama 360 (2011) and a nurse character in Michael Haneke’s AMOUR (<strong>2012</strong>).<br />

9


kristofer hemptoni<br />

CHRISTOPHER HAMPTON<br />

10<br />

daibada 1946 wels azoris kunZulebze. msoflioSi aRiarebuli britaneli<br />

dramaturgi, scenaristi da kinoreJisori. amerikuli kinoakademiis prizis,<br />

oskaris mflobeli saukeTeso scenarisTvis: `saxifaTo kavSirebi~ (1988, reJ.<br />

stiven frirzi)<br />

1966 wels hemptoni gaxda Tanamedrove epoqis yvelaze axalgazrda dramaturgi,<br />

romlis piesa londonis vest-endis TeatrebSi daidga. mas mere igi<br />

aqtiurad da warmatebiT moRvaweobs sxvadasxva sferoSi. misi Teatraluri<br />

Semoqmedeba, sakuTari piesebis garda, moicavs Cexovis, ibsenis, molieris,<br />

horvatis, rezas adaptaciebsa da Targmanebs.<br />

kinoscenaristi hemptoni ki saqveynod ganTqmulia Tavisi brwyinvale ekranizaciebiT<br />

iseTi avtorebisa, rogorebic arian jozef konradi, Soderlo de<br />

laklo, koleti, grem grini, ian makiueni, anita brukneri da mravali sxva.<br />

hemptonma reJisoris ampluaSi 3 mxatvruli filmi gadaiRo.<br />

Born in 1946 in Faial, Azores. The world-renowned British playwright, screen writer and film<br />

director. Academy Award winner for the Screenplay of Dangerous Liaisons (1988, directed<br />

by Stephen Frears).<br />

In 1966 Hampton became the youngest writer to have a play performed in the West End<br />

in the modern era. Since then he has been active and successful in many fields, his theatre<br />

work besides his own plays includes adaptations and translations of Chekhov, Ibsen, Moliere,<br />

Horvath, Reza etc.<br />

As a scriptwriter Hampton has gained the reputation with his brilliant adaptations of Joseph<br />

Conrad, Choderlos de Laclos, Colette, Graham Greene, Ian McEwen, Anita Brookner<br />

and many more.<br />

As a film director, Christopher Hampton produced 3 feature films.


moklemetraJiani mxatvruli<br />

filmebis konkursis Jiuri<br />

JURY OF SHORT FILM<br />

COMPETITION<br />

11


greguar koleni<br />

GRÉGOIRE COLIN<br />

daibada 1959 wels varSavaSi, poloneTSi. varSavis saerTaSoriso kinofestivalis<br />

direqtori 1991 wlidan. 1980-ian wlebSi iyo varSavis grand festivalis<br />

erT-erTi organizatori, rok jgufebis promouteri da menejeri. var-<br />

Savis kinofestivalze muSaoba 1986 wels daiwyo. 1987 wels miiRo magistris<br />

xarisxi sainJinro saqmeSi varSavis politeqnikur universitetSi. 1990 wels<br />

gaxda ITI-s Teatraluri distribuciis xelmZRvaneli da amerikuli studiebis<br />

(Warner Bros.) pirveli poloneli distributori. 1994 wels muSaobda kinoxelovnebis<br />

fondSi (Film Art Foundation) distribuciasa da ucxour kontaqtebze.<br />

1995 wels daaarsa varSavis kinofondi, romelic amave wlidan atarebs<br />

varSavis kinofestivals. 1996 wlidan aris poloneTis scenarebis saagentos<br />

eqsperti, 2000 wlidan ki – evropuli kinoakademiis wevri. laudini mudmivad<br />

wers kinoze statiebs sxvadasxva JurnalebSi („Gazeta Wyborcza”, “Film<br />

Pro”, “Rezyser”, “Machina”, “Isskustvo kino” (Russia), “Variety” (USA). stefan laudini<br />

erT-erTi maTgania, vinc polonuri kinos qveynis sazRvebs gareT gatanaze<br />

zrunavs, is mravali kinofestivalis konsultantia.<br />

Born in 1959 in Warsaw, Poland. Director of the Warsaw International Film Festival since<br />

1991. In the 1980s he was involved in Warsaw rock music scene as concert promoter &<br />

band manager and one of the organizers of Grand Festival. In 1986 he started working for<br />

the Warsaw Film Festival and does it ever since; in 1987 he got an M. Sc. degree in engineering<br />

at Warsaw Polytechnics. 1990 he became head of theatrical distribution at ITI, the first<br />

Polish distributor to represent US studios (Warner Bros.); until 1994 he worked with Film<br />

Art Foundation, where he was responsible for foreign contacts and distribution contracts.<br />

In 1995 he founded the Warsaw Film Foundation, which since then organizes the Warsaw<br />

Film Festival. Since 1996 he is an expert of Polish Script Agency, and in 2000 he became<br />

member of the European Film Academy. Laudyn writes about film for “Gazeta Wyborcza”,<br />

“Film Pro”, “Rezyser”, “Machina”, “Isskustvo kino” (Russia), “Variety” (USA) and translates dialogue<br />

lists. He is involved in the international promotion of Polish films and an advisor to<br />

numerous film festivals.<br />

12<br />

daibada 1975 wels parizSi. frangi msaxiobi, prodiuseri, scenaristi da<br />

reJisori.<br />

greguar koleni frangul scenaze 12 wlisa gamoCnda. pirvelad kinokritikosebis<br />

yuradReba 1992 wels miipyro, agneSka holandis fsiqologiur<br />

saojaxo dramaSi „olivie, olivie“ Sesrulebuli olivies roliT. 1993 wels<br />

am rolisTvis sezarze iyo wardgenili. 1994 wels daiwyo misi nayofieri<br />

TanamSromloba frang reJisor kler denisTan. filmisTvis „neneti da boni“<br />

1996 wels kler deni lokarnos kinofestivalze oqros leopardiT dajildovda<br />

saukeTeso reJisurisTvis, koleni ki - specialuri priziT.<br />

greguar kolenma pirvelad 20 wlisam daiwyo eqsperimentuli filmebis<br />

gadaReba da scenarebis wera, amave dros agrZelebda damoukidebeli re-<br />

Jisorebis (Jak riveti, erik zonka, benua Jako, katrin bria) filmebSi TamaSs.<br />

2008 wels sakuTari saprodiusero kompania Tsilaosa Films daaarsa, sadac ori<br />

moklemetraJiani filmi „meliis yure“ da „zRvarze“ gadaiRo.<br />

Born in 1975 in Paris. French actor, producer, screenwriter and director.<br />

Grégoire Colin started acting on the French stage at age 12. He first caught the eye of critics<br />

in the 1992 Agnieszka Holland’s psychological family drama OLIVIER, OLIVIER when he<br />

was just 17. He got a nomination for best newcoming actor at the 1993 Cesars. In 1994,<br />

he started a fructuous collaboration with Claire Denis. Colin won the Special Prize at the<br />

Locarno International Film Festival for his role in the film NÉNETTE ET BONI.<br />

In his twenties, he directed experimental films and wrote his first scenarios. He kept acting<br />

with independent auteurs (Jacques Rivette, Erick Zonca, Benoit Jacquot, Catherine Breillat…).<br />

In 2008, he created his production company Tsilaosa Films.<br />

stefan laudini<br />

STEFAN LAUDYN


maik dauni<br />

MIKE DOWNEY<br />

ganaTleba miRebuli aqvs varvikis da parizis (Sorbonne-Nouvelle, Nanterre) universitetebSi.<br />

80-ian wlebSi safrangeTSi, germaniaSi, didi britaneTsa da<br />

iugoslaviaSi muSaobda Teatris reJisorad da prodiuserad, 90-ian wlebSi<br />

ki gamoscemda yovelTviur Jurnals Moving Pictures International.<br />

2000 wels didi britaneTSi daaarsa damoukidebeli saprodiusero kompania<br />

Film and Music Entertainment. dReisTvis am kompanias ukve 40 filmi aqvs gadaRebuli.<br />

amJamad maik dauni Sefildis universitetis kinokursebis leqtori da<br />

ohaios Tomas evingis saxelobis universitetis miwveuli profesoria. is<br />

aris agreTve oklahomis universitetis kinoskolis mrCeveli da xorvatiaSi<br />

motovunis saerTaSoriso kinofestivalis mrCevelTa sabWos prezidenti.<br />

mas gamoqveynebuli aqvs ramdenime wigni prodiusingis Sesaxeb evropaSi,<br />

romelTagan gansakuTrebiT aRsaniSnavia Media Business School-is gamocemuli<br />

„filmis dafinansebis saxelmZRvanelos“ ortomeuli. dauni evrokavSiris<br />

regularuli eqspertia mediis sakiTxebSi.<br />

maik dauni aseve muSaobs Amnesty International-isTvis, romelic mTeli msoflios<br />

masStabiT awesebs prizebs sxvadasxva kinofestivalebze.<br />

2004 wels is evropuli kinoakademiis bordis wevri gaxda, sadac axla ukve<br />

meoTxe vadiTaa arCeuli.<br />

2006 wels maik dauni britaneTis kinosa da televiziis akademiis (BAFTA) sab-<br />

WoSi airCies, 2008 wels ki _ amave akademiis kinokomitetSi.<br />

Educated at the Universities of Warwick, Paris III (Sorbonne-Nouvelle), and Paris X (Nanterre),<br />

Mike Downey spent most of the eighties as a theatre director and producer in<br />

France, Germany, the former Yugoslavia and the U.K., and the nineties as the publisher of<br />

the Moving Pictures International group of media publications.<br />

In 2000, He founded the UK-based independent production house Film and Music Entertainment<br />

(F&ME) and to date has production credits on 40 films.<br />

Downey is a tutor on Sheffield University’s Creative Writing for Film course, is Thomas Ewing<br />

Visiting Professor of Film at Ohio University, a member of the Board of Advisors in the<br />

film school of Oklahoma University and the President of the Board of Advisors of the Motovun<br />

International Film Festival in Croatia. He has published several lengthy tomes about<br />

producing in Europe, notably The Film Finance Handbook published by the Media Business<br />

School in two volumes. Downey acts regularly as an expert for the European Union<br />

on MEDIA affairs.<br />

Downey currently also works in an advisory capacity with Amnesty International establishing<br />

humanitarian film prizes at festivals around the world. He joined the board of the<br />

European Film Academy in 2004 and is currently serving his fourth term of office.<br />

In 2006 he was voted on to the Council of the British Academy of Film and Television Arts<br />

(BAFTA) and in 2008 he was elected to the BAFTA Film Committee.<br />

13


gaxsnis<br />

filmi<br />

kari<br />

THE DOOR<br />

OPENING<br />

FILM


gaxsnis filmi<br />

OPENING FILM<br />

AZ AJTÓ<br />

kari ungreTi / germania <strong>2012</strong><br />

warmatebuli mwerali magda Tavisi koxta saxlis mned moxuc mezobels, emerenc<br />

seredaSs qiraobs. Tavisi qmrisgan gasxvavebiT, magdas moxuci qalis ucnaurobebze<br />

dakvirveba moswons. magaliTad, ratom eSinia emerencs Weqa-quxilis? ratom<br />

aris ase maniakalurad mowesrigebuli? ratom cxovrobs sul marto? ratom malavs<br />

Tavis warsuls?<br />

Filmography (selected):<br />

<strong>2012</strong> The Door<br />

2006 Rokonok<br />

2004 Being Julia<br />

2001 Taking Sides<br />

1999 Sunshine<br />

1992 Édes Emma, drága Böbe - vázlatok, aktok<br />

1991 Meeting Venus<br />

1988 Hanussen<br />

1985 Colonel Redl<br />

1981 Mephisto<br />

1980 Der grüne Vogel<br />

1980 Bizalom<br />

1977 Várostérkép (short)<br />

Director:<br />

István Szabó<br />

Screenplay:<br />

István Szabó, Andrea Vészits<br />

Cinematography:<br />

Elemér Ragályi<br />

Production Design:<br />

Lóránt Jávor<br />

Costumes:<br />

Györgyi Szakács<br />

Editing:<br />

Réka Lemhényi<br />

Sound:<br />

Christian Conrad<br />

Producer:<br />

Jenő Hábermann, Sándor Sőth<br />

Cast:<br />

Helen Mirren, Martina Gedeck, Károly<br />

Eperjes, Gábor Koncz, Enikő Börcsök,<br />

Ági Szirtes<br />

1977 Budapesti mesék<br />

1973 Tüzoltó utca 25.<br />

1972 Dream About a House (short)<br />

1971 Budapest, Why I Love It<br />

1970 Lovefilm<br />

1967 Piety (short)<br />

1966 Father<br />

1965 The Age of Illusions / Álmodozások kora<br />

1965 Traffic-Rule Tale for Children (short)<br />

1963 You (short)<br />

1963 I Koncert (short)<br />

1961 Variációk egy témára (short)<br />

1960 Bill Poster (short)<br />

1959 A Hetedik napon (short)<br />

THE DOOR HUNGARY / GERMANY <strong>2012</strong><br />

reJisori:<br />

iStvan sabo<br />

scenari:<br />

iStvan sabo, andrea visiCi<br />

operatori:<br />

elemir rogai<br />

mxatvari:<br />

loran iavori<br />

kostiumebi:<br />

georgi sakaCi<br />

montaJi:<br />

rika lemhini<br />

xma:<br />

qristian konradi<br />

prodiuseri:<br />

ienu habermani, Sandor Suti<br />

monawileoben:<br />

helen mireni, martina<br />

gedeki, karoli epereSi,<br />

gabor konci, eniku borCuki,<br />

agi sirteSi<br />

Production:<br />

Film Art KFT<br />

Coproduction:<br />

Intuit Pictures<br />

International sales:<br />

Bankside Films<br />

Successful writer Magda hires a housekeeper, elderly neighbor Emerenc Sherdás, to clean her<br />

elegant home. Unlike her husband, Magda is willing to overlook the woman’s odd behavior:<br />

Why, for example, is she afraid of storms? Why is she so anxiously obsessive about order? Why<br />

does she lead such a lonely life? What is she hiding about her past?<br />

iStvan sabo<br />

ISTVÁN SZABÓ<br />

97 wT, feradi<br />

97 min, colour<br />

daibada 1938 wels budapeStSi. ungreli kinoreJisori, scenaristi<br />

da operis reJisori. iStvan sabom msoflios masStabiT<br />

kinokritikosebisa da publikis aRiareba moipova ara mxolod<br />

Tavisi filmebis uCveulo vizualuri silamazis, aramed maTSi<br />

asaxuli mniSvnelovani politikuri da socialuri Temebis<br />

gamoc. 1965 wels gadaRebuli pirveli srulmetraJiani filmis<br />

(Álmodozások kora / ocnebis dro) warmatebis Semdeg sabo ungreli<br />

kinematografistebis 60-iani wlebis Taobis liderad iqca<br />

da ukve TiTqmis 50 welia am statuss inarCunebs.<br />

Born in 1938 in Budapest. Hungarian film director, screenwriter, and opera director.<br />

István Szabó has won worldwide acclaim from both critics and audiences,<br />

not only for the extraordinary beauty of his impressive slate of films, but also for<br />

the historic and contemporary importance of the messages that they carry within<br />

their social and political themes. His first feature film, THE AGE OF ILLUSIONS<br />

(1965), which won Szabó several international prizes, made him a leading figure<br />

in a new generation of Hungarian filmmakers in the ‘60’s and 50 years on he retains<br />

his position as one of the principal forces within the country’s film industry.<br />

15


16<br />

daxurvis<br />

filmi<br />

SemoWra<br />

INVASION<br />

CLOSING<br />

FILM


daxurvis filmi<br />

CLOSING FILM<br />

INVASION<br />

SemoWra germania / avstria <strong>2012</strong><br />

ormocdaaTs gadacilebuli iozefi colis sikvdilis Semdeg ganmartoebiT cxovrobs<br />

Tavis Zvel vilaSi, sadac yvelaferi warsuls agonebs. erT dRes mas moulodnelad<br />

stumrebi ecxadebian, romlebic misi gardacvlili colis naTesavebad<br />

acnoben Tavs. Tavdapirvelad stumrebi iozefs zrunvasa da siyvaruls ar akleben,<br />

magram nel-nela viTareba icvleba _ mosiyvarule stumrebi agresiul dampyroblebad<br />

iqcevian. isini cdiloben, Tavidan moiSoron iozefi da mis saxls, mis<br />

samyaros, mis fiqrebs daepatronon. iqneb es mxolod xnieri kacis paranoiaa, Tu<br />

is rac xdeba, marTlac daundobeli Tavdasxmaa?<br />

Filmography / filmografia<br />

<strong>2012</strong> Invasion<br />

2008 Mediator<br />

2006 Reverse (TV)<br />

2006 The Man from the Embassy / Der Mann von der<br />

Botschaft<br />

2003 Gun-shy / Schussangst<br />

2002 An Erotic Tale / Eine erotische Geschichte (short)<br />

Director:<br />

Dito Tsintsadze<br />

Screenplay:<br />

Dito Tsintsadze<br />

Cinematography:<br />

Ralf M. Mendle<br />

Music:<br />

Gio Tsintsadze<br />

Production Design:<br />

Jutta Freyer<br />

Costumes:<br />

Nadine Kremeier<br />

Editing:<br />

Karina Ressler<br />

Sound:<br />

Johannes Doberenz<br />

Producer:<br />

Thanassis Karathanos, Karl Baumgartner,<br />

Ebba Sinzinger, Vincent<br />

Lucassen<br />

Cast:<br />

Burghart Klaußner, Anna F, Merab<br />

Ninidze, Heike Trinker, David Imper,<br />

Jasper Barwasser<br />

2000 Lost Killers<br />

1993 On The Border / Zgvarze<br />

1991 Home / Sakhli (TV)<br />

1990 Guests / Stumrebi (short)<br />

1988 Drawn Circle / Dakhatuli Tsre (TV)<br />

1984 White Nights / Tetri ghame (short)<br />

INVASION GERMANY / AUSTRIA <strong>2012</strong><br />

reJisori:<br />

dito cincaZe<br />

scenari:<br />

dito cincaZe<br />

operatori:<br />

ralf m. mendle<br />

musika:<br />

gio cincaZe<br />

mxatvari:<br />

iuta fraieri<br />

kostiumebi:<br />

nadin kremaieri<br />

montaJi:<br />

karina resleri<br />

xma:<br />

iohanes doberenci<br />

prodiuseri:<br />

Tanasias karaTanosi,<br />

karl baumgartneri,<br />

eba zincingeri, vinsent<br />

lukaseni<br />

monawileoben:<br />

burghart klausneri, ana<br />

f., merab niniZe, haike<br />

trinkeri, david imperi,<br />

iasper barvaseri<br />

Production:<br />

Pallas Film GmbH<br />

Twenty Twenty Vision<br />

WILDart Film<br />

World Sales:<br />

Neue Visionen Filmverleih GmbH<br />

www.neuevisionen.de<br />

Joseph is an elderly man in his mid-fifties and just lost his beloved wife. He remains lonely and<br />

isolated in his old Villa, where everything painfully reminds him of the past. One day some visitors<br />

turn up unexpectedly, who appear to be relatives of his deceased wife. At the beginning,<br />

the uninvited guests support Joseph with loving care, but bit by bit the situations starts to<br />

change. The friendly visitors are slowly becoming hostile, aggressive invaders. They try to get<br />

rid of Joseph and occupy his house, his world, his thoughts. Is this just the paranoia of an old<br />

man or really a brutal invasion?<br />

dito cincaZe<br />

DITO TSINTSADZE<br />

102 wT, feradi<br />

102 min, colour<br />

daibada 1957 wels TbilisSi. 1981 wels daamTavra saqarTvelos<br />

Teatrisa da kinos saxelmwifo instituti. misi pirveli srulmetraJiani<br />

mxatvruli filmi „zRvarze“ lokarnos kinofestivalis<br />

„vercxlis leopardiT“ aRiniSna 1993 wels. filmma „SemoWra“<br />

wels monrealis msoflio kinos festivalis Jiuris specialuri<br />

granpri moipova, xolo sanqt-peterburgis pirvel saerTaSoriso<br />

kinofestivalze am filmSi Sesrulebuli rolisTvis merab niniZe<br />

dajildovda priziT saukeTeso mamakaci msaxiobisTvis, burghart<br />

klausnerma ki Jiuris specialuri aRniSvna daimsaxura.<br />

Writer, director. Born in 1957 in Tbilisi, Georgia. From 1975 to 1981 he attended<br />

the Tbilisi Theater and Film Institute. His first feature film ON THE BORDER won<br />

the Silver Leopard in Locarno. His latest film INVASION was awarded special<br />

Grand Prix of the jury at the World Film Festival in Montreal in <strong>2012</strong>. Since 1996<br />

Dito Tsintsadze lives and works in Berlin.<br />

17


18<br />

saerTaSoriso<br />

konkursi<br />

Tolia<br />

dRis brwyinvaleba<br />

saraevos Svilebi<br />

istalgia<br />

gaiRimeT<br />

katinkas wveuleba<br />

siyvaruli<br />

espaneTi<br />

vakuumi<br />

yvela wavida<br />

CHAIKA<br />

THE SHINE OF A DAY<br />

CHILDREN OF SARAJEVO<br />

EASTALGIA<br />

KEEP SMILING<br />

CERTAIN PEOPLE<br />

LOVE<br />

SPAIN<br />

VACUUM<br />

EVERYBODY’S GONE<br />

INTERNATIONAL<br />

COMPETITION


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

CHAIKA<br />

Tolia espaneTi / ruseTi / saqarTvelo / <strong>safrangeTi</strong> <strong>2012</strong><br />

meZavi qalisa da uiRblo mezRvauris siyvarulis ambavi, romelSic cimbiris maradiul<br />

zamTars yazaxeTis ukacrieli tramalebis xvati enacvleba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Chaika<br />

2009 The Two / Ori<br />

2007 Días de El Abanico (doc.)<br />

2001 Las Huellas (short)<br />

Director:<br />

Miguel Angel Jiménez<br />

Screenplay:<br />

Luis Moya, Miguel Angel Jiménez<br />

Cinematography: Gorka Gómez<br />

Andreu<br />

Music:<br />

Pascal Gaigne<br />

Production Design:<br />

Diego Rodríguez, Irakli Bagaturia<br />

Costumes:<br />

Nikoloz Gurapashvili, Teo Berianidze<br />

Editing:<br />

Imanol Gómez De Segura<br />

Sound:<br />

Benoit Gargonne<br />

Producer:<br />

Miguel Angel Jiménez, Imanol Gómez<br />

De Segura, Gorka Gómez Andreu,<br />

Luis Moya<br />

Co-Producer:<br />

Zurab Magalashvili, Rustam<br />

Ibrahimbekov<br />

Cast:<br />

Salome Demuria, Giorgi Gabunia,<br />

Aytuar Issayev, Bolatbek Raimkulov<br />

CHAIKA SPAIN / RUSSIA / GEORGIA / FRANCE <strong>2012</strong><br />

reJisori:<br />

migel anxel ximenesi<br />

scenari:<br />

luis moia, migel anxel<br />

ximenesi<br />

operatori:<br />

gorka gomes andreu<br />

musika:<br />

paskal gainie<br />

mxatvari:<br />

diego rodrigesi, irakli<br />

baRaTuria<br />

kostiumebi:<br />

nikoloz gurapaSvili, Teo<br />

berianiZe<br />

montaJi:<br />

imanol gomes de segura<br />

xma:<br />

benua gargoni<br />

prodiuseri:<br />

migel anxel ximenesi,<br />

imanol gomes de segura,<br />

gorka gomes andreu, luis<br />

moia<br />

Tanaprodiuseri:<br />

zurab maRalaSvili,<br />

rustam ibragimbekovi<br />

monawileoben:<br />

salome demuria, giorgi<br />

gabunia, aituar isaevi,<br />

bolatbek raimkulovi<br />

Production:<br />

Kinoskopik Film Produktion<br />

15, Albert Einstein St, Of. 124.<br />

01510 Miñano- Álava- Spain<br />

Miguel Angel: 685 459 713<br />

miguelangel@kinoskopik.com<br />

CHAIKA is a love story between a prostitute and a loser sailor, rebuilt between two seasons: the<br />

eternal winter of Siberia and the summer in the dusty steppes of Kazakhstan.<br />

migel anxel ximenesi<br />

MIGUEL ÁNGEL JIMÉNEZ<br />

100 wT, feradi<br />

100 min, colour<br />

daibada 1979 wels madridSi. 1999 wels datova iuridiuli<br />

fakulteti da saoperatoro saqmis Seswavla daiwyo. 2001 wels<br />

gadaiRo pirveli moklemetraJiani filmi LAS HUELLAS, romlis<br />

prodiuseric aki kaurismeki iyo. muSaobda industriuli videosa<br />

da reklamis sferoSi. 2007 wels partniorebTan erTad<br />

daaarsa saprodiusero kompania Kinoskopik. 2009 wels misi sadebiuto<br />

mxatvruli filmi „ori“ san sebastianis kinofestivalze<br />

kritikosTa priziT aRiniSna (seqcia „axali reJisorebi“).<br />

„Tolia“ misi meore srulmetraJiani mxatvruli filmia.<br />

Born in 1979 in Madrid. In 1999 he dropped out of his Law degree to study<br />

Camera and Film Photography. In 2001 he shot LAS HUELLAS, his first<br />

short, produced by Aki Kaurismäki. Having worked in industrial video and<br />

corporate advertising, in 2007 he and three partners founded Kinoskopik<br />

Film Produktion. In 2009, his first feature, ORI (The two), received prize<br />

from the critics during its premiere in San Sebastian International Film Festival<br />

(New Directors section). CHAIKA is his second feature film.<br />

19


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

DER GLANZ DES TAGES<br />

dRis brwyinvaleba avstria <strong>2012</strong><br />

filip hoxmairi axalgazrda warmatebuli msaxiobia, romelic venisa da hamburgis<br />

mniSvnelovan TeatrebSia dakavebuli. teqstebis swavla, repeticiebi da speqtaklebi<br />

mTel mis dros moiTxovs, amitom is TandaTan kargavs kavSirs yoveldRiur<br />

realur cxovrebasTan. rodesac is valters Sexvdeba, romelTanac ambivalentur<br />

megobrobas gaabams da Tavisi mezoblis, viqtoris ambavs gaigebs, filips imis<br />

gaxseneba mouwevs, rom cxovreba scena ar aris.<br />

Filmography / filmografia<br />

<strong>2012</strong> The Shine of a Day / Der Glanz des Tages<br />

2009 La Pivellina<br />

2005 Babooska (doc.)<br />

2001 That’s all / Das ist alles (doc.)<br />

Director:<br />

Tizza Covi, Rainer Frimmel<br />

Screenplay:<br />

Tizza Covi, Rainer Frimmel, Xaver<br />

Bayer<br />

Cinematography:<br />

Rainer Frimmel<br />

Editing:<br />

Tizza Covi, Emily Artman<br />

Sound:<br />

Manuel Grandpierre<br />

Producer:<br />

Rainer Frimmel<br />

Cast:<br />

Philipp Hochmair, Walter Saabel<br />

20<br />

THE SHINE OF A DAY AUSTRIA <strong>2012</strong><br />

reJisori:<br />

tica kovi, rainer frimeli<br />

scenari:<br />

tica kovi, rainer frimeli,<br />

qsaver baieri<br />

operatori:<br />

rainer frimeli<br />

montaJi:<br />

tica kovi, emili artmani<br />

xma:<br />

manuel granpieri<br />

prodiuseri:<br />

rainer frimeli<br />

monawileoben:<br />

filip hoxmairi, valter<br />

zaabeli<br />

Production<br />

Vento Film, Leitermayergasse 33/20<br />

A-1180 Vienna<br />

Tel: +43 1 406 03 92, Fax: +43 1 25 33 033 7999<br />

contact@ventofilm.com<br />

www.ventofilm.com<br />

World Sales<br />

AFC - Salesdesk, Stiftgasse 6<br />

A-1070 Vienna, Austria<br />

Tel: +43 1 526 33 23 ext 202, Fax: +43 1 526<br />

68 01<br />

salesdesk@afc.at<br />

www.AustrianFilm.Com<br />

Philipp Hochmair is a young and successful actor working for the most important theatres in<br />

Vienna and Hamburg. He spends his time learning new texts, rehearsing and performing, gradually<br />

losing touch with everyday reality. But when Philipp meets Walter, with whom he starts an<br />

ambiguous friendship, and has to face his neighbor Victor’s destiny, he is reminded that life is<br />

more than a stage.<br />

tica kovi<br />

rainer frimeli<br />

TIZZA COVI<br />

RAINER FRIMMEL<br />

90 wT, feradi<br />

90 min, colour<br />

tica kovi 1971 wels daibada bolcanoSi, italiaSi. cxovrobda<br />

parizsa da berlinSi, Semdeg venis grafikuli xelovnebis<br />

akademiaSi swavlobda fotografias. swavlis damTavrebis Semdeg<br />

romSi gaemgzavra, sadac fotografad muSaobda.<br />

rainer frimeli 1971 wels daibada venaSi, avstriaSi. daamTavra<br />

venis grafikuli xelovnebis akademia fotografis specialobiT.<br />

1996 wlidan tica kovi da rainer frimeli erTad muSaoben<br />

fotografiaSi, Teatrsa da kinoSi. 2002 wels maT sakuTari<br />

kinosaprodiusero kompania Vento Film daaarses. erToblivi dokumenturi<br />

filmebisTvis miRebuli aqvT araerTi jildo.<br />

Tizza Covi was born in Bolzano, Italy, in 1971. She lived in Paris and Berlin before<br />

studying photography at the Vienna Higher College for Graphic Art. After<br />

finishing her studies she went to Rome where she worked as a photographer.<br />

Rainer Frimmel was born in Vienna, Austria, in 1971. He graduated as a<br />

photographer from the Vienna Higher College for Graphic Art. Since 1996<br />

Tizza Covi and Rainer Frimmel are working together in photography, theatre,<br />

movie projects. In 2002 they founded their own film production company<br />

Vento Film to produce their films independently. They won several awards<br />

for their documentaries.


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

DJECA<br />

saraevos Svilebi bosnia-hercogovina / germania / <strong>safrangeTi</strong> / TurqeTi <strong>2012</strong><br />

omianobis Semdeg saraevoSi, sadac cxovreba jer kidev ar Camdgara kalapotSi,<br />

korufcia da Zaladoba mefobs. qalaqs jer kidev Tavs dastrialebs warsulis<br />

aCrdilebi. am movlenebis fonze 23 wlis rahima dilidan saRamomde muSaobs<br />

restoranSi sakuTari Tavis da patara Zmis sarCenad. isini omis Semdeg daobldnen.<br />

gardatexis asakis Semdeg, rodesac kriminalur saqmeebSi iyo gaxveuli, rahimam<br />

Zala da nugeSi muslimur rwmenaSi hpova da imedi aqvs, rom misi Zmac igives<br />

izams. magram biWi metismetad CaiTria kriminalurma samyarom.<br />

Filmography / filmografia<br />

<strong>2012</strong> Children of Sarajevo<br />

2011 Do Not Forget Me Istanbul<br />

2008 Snow<br />

2003 North Went Mad (short)<br />

2001 Prvo smrtno iskustvo (short)<br />

Director:<br />

Aida Begic<br />

Screenplay:<br />

Aida Begic<br />

Cinematography:<br />

Erol Zubcevic<br />

Production Design:<br />

Sanda Popovac<br />

Costumes:<br />

Sanja Dzeba<br />

Editing:<br />

Miralem Zubcevic<br />

Sound:<br />

Igor Camo<br />

Producer:<br />

Aida Begic<br />

Cast:<br />

Marija Pikic, Ismir Gagula, Bojan<br />

Navojec<br />

reJisori:<br />

aida begici<br />

scenari:<br />

aida begici<br />

operatori:<br />

erol zubcevici<br />

mxatvari:<br />

sandra popovaci<br />

kostiumebi:<br />

sania Zeba<br />

montaJi:<br />

miralem zubcevici<br />

xma:<br />

igor camo<br />

prodiuseri:<br />

aida begici<br />

monawileoben:<br />

maria pikici, izmir gagula,<br />

boian navoieci<br />

Production:<br />

Filmhouse Sarajevo<br />

Rohfilm<br />

Les Films De L’Apres-midi<br />

Kaplan Film<br />

World sales:<br />

Pyramide International<br />

CHILDREN OF SARAJEVO BOSNIA-HERZEGOVINA / GERMANY / FRANCE / TURKEY <strong>2012</strong><br />

Ghosts of the past loom large in Sarajevo, where the transition from wartime to reconstruction<br />

remains incomplete, and corruption and violence thrive. Against this backdrop, 23-year-old<br />

Rahima works long hours in a restaurant to support herself and her 14-year-old brother, both<br />

orphans of the war. After a crime-prone adolescence, Rahima has found strength and solace<br />

in the Muslim faith, and only hopes her brother will do the same. Instead, she discovers his<br />

dangerously close link to criminal activities.<br />

aida begici<br />

AIDA BEGIC<br />

90 wT, feradi<br />

90 min, colour<br />

daibada 1976 wels saraevoSi. aqve swavlobda saraevos saSemsruleblo<br />

xelovnebis akademiaSi. misi pirveli srulmetraJiani<br />

filmi „Tovli“ kanis kinofestivalis (2008) „kritikosTa kvireulis“<br />

granpriT dajildovda, nominirebuli iyo agreTve evropuli<br />

kinoakademiis jildoze kategoriaSi „wlis aRmoCena“. „saraevos<br />

Svilebis“ premierac kanSi Sedga seqciaSi „gansakuTrebuli mzera“<br />

(<strong>2012</strong>), sadac Jiuris specialuri aRniSvna daimsaxura.<br />

Born in 1976 in Sarajevo, where she attended the Sarajevo Academy of<br />

Performing Arts. Her debut feature film SNOW (2008) won the Grand Prix<br />

at the Cannes film festival’s Critics Week and numerous awards at festivals<br />

worldwide. SNOW was nominated for a European Academy Award – Discovery<br />

Section. CHILDREN OF SARAJEVO (<strong>2012</strong>) was awarded Un Certain<br />

Regard Special Distinction in Cannes in <strong>2012</strong>.<br />

21


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

EASTALGIA<br />

istalgia germania / ukraina / serbeTi <strong>2012</strong><br />

sami qalaqi. sami siyvarulis ambavi. erTi Rame evropaSi.<br />

germaniaSi emigrirebuli Suaxnis ukraineli qali da yofili mokrive serbeTidan<br />

enis barieris gamo izolirebulebi arian germanuli sazogadoebisgan. maT<br />

slavuri kulturis garda kidev erTi ram akavSirebs: maTi Svilebi samSobloSi _<br />

erTi ukrainaSi, meore ki serbeTSi _ arCeven cxovrebas. ra akavebs iq maT?<br />

Filmography / filmografia<br />

<strong>2012</strong> Eastalgia<br />

2010 Dogs of Ukrainka / Sobaki mista Ukrayinka (short)<br />

Director: Daria Onyshchenko<br />

Screenplay: Daria Onyshchenko,<br />

Miroslav Mandic<br />

Cinematography: Erol Zubcevic<br />

Music: Superstrings<br />

Production Design: Markus<br />

Dicklhuber<br />

Costumes: Gloria Ambros<br />

Editing: Wolfgang Weigl<br />

Sound: Andre Bendocchi-Alves,<br />

Claudia Enzmann<br />

Producer: Simon Amberger,<br />

Korbinian Dufter, Rafael Parente,<br />

Anna Palenchuk, Maria Govorukha<br />

Co-Producer: Nenad Dukic<br />

Cast: Nina Nizheradze, Karl<br />

Markovics, Vuk Kostic, Lea Mornar,<br />

Ivan Dobronravov<br />

22<br />

93 wT, feradi<br />

93 min, colour<br />

EASTALGIA GERMANY / UKRAINE / SERBIA <strong>2012</strong><br />

reJisori:<br />

daria oniSCenko<br />

scenari:<br />

daria oniSCenko, miroslav<br />

mandiCi<br />

operatori: erol zubCeviCi<br />

musika: Superstrings<br />

mxatvari: markus diklhuberi<br />

kostiumebi: gloria ambrosi<br />

montaJi: volfgang vaigli<br />

xma: andre bendoki-alvesi,<br />

klaudia encmani<br />

prodiuseri: zimon ambergeri,<br />

korbinian dufteri, rafael<br />

parente, ana palenCuki, maria<br />

govoruxa<br />

Tanaprodiuseri: nenad dukiCi<br />

monawileoben: nina niJeraZe,<br />

karl markoviCi, vuk<br />

kostiCi, lea momari, ivan<br />

dobronravovi<br />

Production:<br />

NEUESUPER GmbH & Co. KG<br />

Einsteinstr. 28<br />

81675 Munich, Germany<br />

www.neuesuper.de<br />

435 Films<br />

Filatova Str. 10-A, office 2/14<br />

01042, Kyiv, Ukraine<br />

SEE FILM PRO d.o.o.<br />

Omladinskih brigada 224<br />

11070 Novi Beograd-Belgrade, Serbia<br />

Three cities. Three love stories. One night in Europe.<br />

A middle-aged woman, Ukrainian emigrant, and a former Serbian boxer are separated from German<br />

society by a language barrier. They have a common ground - Slavic culture and their own<br />

children who are still living in Ukraine and Serbia – what makes them stay there?<br />

daria oniSCenko<br />

DARIA ONYSHCHENKO<br />

daibada 1983 wels kievSi, yofil sabWoTa ukrainaSi. daamTavra<br />

kievis taras SevCenkos saxelobis universitetis bakalavriati<br />

saerTaSoriso kvlevebis mimarTulebiT. swavlis paralelurad<br />

muSaobda msaxiobad TeatrSi „Savi kvadrati“ da Tavisufal<br />

Jurnalistad _ adgilobriv gazeTebSi. 2004 wels dariam<br />

internatura gaiara bremenis Seqspiris TeatrSi, Semdeg swavla<br />

ganagrZo miunxenis televiziisa da kinos umaRles skolaSi,<br />

romelic 2011 wels daamTavra. „istalgia“ misi pirveli srulmetraJiani<br />

mxatvruli filmia.<br />

Born 1983 in Kiev, in the former Soviet Union. She acquired her Bachelor<br />

degree at the Taras Schevchenko University in Kiev (international analytics).<br />

During university studies she was an actress at the theater „Black Square“<br />

and worked as a freelance journalist for different newspapers. In 2004 Daria<br />

was doing an internship at the Shakespear Theater in Bremen. In 2005 she<br />

started her studies at the University of Television and Film in Munich which<br />

she completed in 2011. EASTLAGIA is her debut film.


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

GAIGHIMET<br />

gaiRimeT saqarTvelo / <strong>safrangeTi</strong> / luqsemburgi <strong>2012</strong><br />

filmi dedebis konkursis dramatul movlenebzea, romlis aTi monawilidan xuTi<br />

mosaxleobis uRaribesi fenis warmomadgenelia. sasowarkveTili dedebi nebismier<br />

fasad cdiloben mogebas, radgan mTavari prizi bina da 25.000 dolaria. magram<br />

maTi ocnebebi maleve icvleba damamcirebeli realobiT, radgan konkursis<br />

organizatorebi maTi warsuliT da piradi problemebiT manipulirebas iwyeben,<br />

rom Sous „skandalis“ elementebi SesZinon, Sous, romelic sabolood tragediiT<br />

mTavrdeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Keep Smiling<br />

2007 C’est la vie (short)<br />

Director:<br />

Rusudan Chkonia<br />

Screenplay:<br />

Rusudan Chkonia<br />

Cinematography:<br />

Konstantine Mindia Esadze<br />

Production Design:<br />

Sopo Bazghadze<br />

Costumes:<br />

Giorgi Nadiradze<br />

Editing:<br />

Rusudan Chkonia, Jean-Pierre Bloc,<br />

Levan Kukhashvili<br />

Sound:<br />

Paata Godziashvili<br />

Producer:<br />

Rusudan Chkonia, M. Nicolas Blanc<br />

Cast:<br />

Ia Sukhitashvili, Gia Roinishvili, Olga<br />

Babluani, Tamuna Bukhnikashvili,<br />

Nana Shonia, Shorena Begashvili,<br />

Maka Chichua<br />

Photo: Eric Catarina<br />

91 wT, feradi<br />

91 min, colour<br />

KEEP SMILING GEORGIA / FRANCE / LUXEMBURG <strong>2012</strong><br />

reJisori:<br />

rusudan Wyonia<br />

scenari:<br />

rusudan Wyonia<br />

operatori:<br />

konstantine mindia esaZe<br />

mxatvari:<br />

sofo bazRaZe<br />

kostiumebi:<br />

giorgi nadiraZe<br />

montaJi:<br />

rusudan Wyonia, Jan-pier<br />

bloki, levan kuxaSvili<br />

prodiuseri:<br />

rusudan Wyonia, m. nikola<br />

blani<br />

monawileoben:<br />

ia suxitaSvili, gia<br />

roiniSvili, olga babluani,<br />

Tamuna buxnikaSvili, nana<br />

Sonia, Sorena begaSvili,<br />

maka CiCua<br />

Production:<br />

Nikê Studio<br />

Ex Nihilo<br />

in co-production with:<br />

Samsa Films<br />

Alvy Production<br />

World Sales:<br />

Doc & Film International<br />

13, rue Portefoin, 75003 Paris, France<br />

Phone: +33 (0)1 42775687<br />

Fax: +33 (0)1 42773656<br />

www.docandfilm.com<br />

The film recounts the dramatic events that take place at a beauty contest involving ten mothers,<br />

five of whom belong to the poorest sections of society, and their many children. The<br />

mothers are desperately trying to win a beauty contest which main prize is an apartment and<br />

$25,000. Dreams are quick to vanish as realization dawns that the competition is a complete<br />

farce. The media and organizers of the show are exploiting the misfortunes of the participants:<br />

Georgian women, the Abkhazian war and patriotism are all themes constituting a ploy to create<br />

entertainment for the audience, ending up causing a massive fight among participants.<br />

rusudan Wyonia<br />

RUSUDAN CHKONIA<br />

daibada 1978 wels TbilisSi. 2001 wels daamTavra Tbilisis<br />

Teatrisa da kinos saxelmwifo universitetis kinosareJisoro<br />

fakulteti. amave wels gadaiRo sadiplomo filmi „usaxelo bavSvebi“,<br />

romelic mravali priziT dajildovda. ramdenime proeqt-<br />

Si monawileobis da grantis miRebis Semdeg <strong>2012</strong> wels sadebiuto<br />

filmi „gaiRimeT“ gadaiRo, romlis scenaris avtori da prodiuseric<br />

Tavadvea. filmis premiera wels veneciis kinofestivalze<br />

Sedga paralelur seqciaSi „veneciis dReebi“, antaliis kinofestivalze<br />

ki „gaiRimeT“ Jiuris specialuri priziT aRiniSna.<br />

Born in 1978 in Tbilisi, Georgia. Graduated from film directing studies in 2001. That<br />

same year, she directed CHILDREN WITHOUT A NAME - her diploma film, which<br />

earned her numerous prizes. The following year, she followed with SPRING AND<br />

LAND OF PROMISE. After receiving a number of scholarships and taking on several<br />

projects, in <strong>2012</strong>, she produced, wrote and directed KEEP SMILING. The film was<br />

premiered at the Venice Film Festival, in parallel section Venice Days, and won Jury<br />

Special Prize at the Antalya IFF.<br />

23


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

KATINKAS KALAS<br />

katinkas wveuleba SvedeTi <strong>2012</strong><br />

erTgvari kulturuli elitis warmomadgeneli hipsterebis jgufi erT-erTi<br />

megobris, katinkas dabadebis dRes aRniSnavs. yvelaferi SesaniSnavad midis, vidre<br />

wveulebas daupatiJebeli stumari ar Seemateba. satelevizio viqtorinis wamyvani<br />

qeraTmiani linda laRi da mxiaruli adamiania, mas Tavdapirvelad Tbilad<br />

xvdebian. magram male linda jgufis uxilav socialur kanonebs arRvevs, rasac<br />

konfliqti moyveba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Äkta människor (TV series, 4 episodes)<br />

2011 Anno 1790 (TV series, 4 episodes)<br />

2011 Certain People / Katinkas kalas<br />

2009 Livet i Fagervik (TV series, 3 episodes)<br />

2008 De sista sakerna (short)<br />

2007 Labyrint mobisodes (TV mini-series)<br />

Director:<br />

Levan Akin<br />

Screenplay:<br />

Levan Akin, Lisa Östberg<br />

Cinematography:<br />

Linus Rosenqvist<br />

Music:<br />

Fredrik Emilson<br />

Production Design:<br />

Erika Stark<br />

Costumes:<br />

Linn Eklund, Josefine Olsson, Hanna<br />

Olsson<br />

Editing:<br />

Gustav Wachtmeister, Johanna<br />

Perhult<br />

Sound:<br />

Anders Niva<br />

Producer:<br />

Erika Stark<br />

Cast:<br />

Mia Mountain, Ludde Hagberg,<br />

Fredrik Lundqvist<br />

24<br />

CERTAIN PEOPLE SWEDEN <strong>2012</strong><br />

97 wT, feradi<br />

97 min, colour<br />

reJisori:<br />

levan akini<br />

scenari:<br />

levan akini, lisa ostbergi<br />

operatori:<br />

linus rozenkvisti<br />

musika:<br />

fredrik emilsoni<br />

mxatvari:<br />

erika starki<br />

kostiumebi:<br />

lin eklundi, Josefin<br />

olsoni, hana olsoni<br />

montaJi:<br />

gustav vaxtmaisteri,<br />

iohana perhulti<br />

xma:<br />

anders niva<br />

prodiuseri:<br />

erika starki<br />

monawileoben:<br />

mia mounteni, lude<br />

hagbergi, fredrik<br />

lundkvisti<br />

Production:<br />

Filmlance International AB<br />

Box 27156<br />

102 52 Stockholm, Sweden<br />

filmlance@filmlance.se<br />

A group of hipsters who belong to a sort of cultural elite are gathered to celebrate their friend<br />

Katinka’s birthday party. Things are all going swimmingly well until an uninvited guest turns up.<br />

With her free and easy personality, blonde game show hostess Linda gets a warm welcome at<br />

first. But she soon begins to stretch their hospitality and a culture clash ensues.<br />

levan akini<br />

LEVAN AKIN<br />

daibada 1979 wels stokholmSi, SvedeTSi. misi mSoblebi 1970iani<br />

wlebis dasawyisSi gadasaxldnen SvedeTSi saqarTvelodan.<br />

pirveli warmatebuli moklemetraJiani filmis „ukanaskneli<br />

saqmis“ (2008) Semdeg levan akinma ramdenime seriali gadaiRo<br />

Sveduri televiziisTvis (SVT). „katinkas wveuleba“ misi pirveli<br />

srulmetraJiani mxatvruli filmia.<br />

Born in 1979 in Stockholm, Sweden. His parents came to Sweden as immigrants<br />

from Georgia in the early 1970s. He often works with co-creator<br />

Erika Stark with whom he made the award-winning short THE LAST THINGS<br />

(2008). Levan Akin has directed several drama series for pubcaster SVT.<br />

CERTAIN PEOPLE is his debut as a feature film director.


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

MILOSC<br />

siyvaruli poloneTi <strong>2012</strong><br />

maria da tomeki aTi wlis col-qmaria. orivem gadaabija ocdaaTs. isini patara<br />

qalaqSi cxovroben. qmari sadizainero kompaniaSi muSaobs, coli _ qalaqis<br />

meriaSi. momavali pataras molodinSi isini erTad awyoben TavianT binas. erTi<br />

SexedviT, TiTqos arafers SeuZlia maTi mSvidi cxovrebis amRvreva. magram erT<br />

dResac qalaqis meri, romelmac didi xania Tvali daadga marias, gaaupatiurebs<br />

mas. qali policiaSi ar ganacxadebs da arc qmars eubneba. magram am dRidan maT<br />

siyvaruls gamocda elis.<br />

Filmography / filmografia<br />

<strong>2012</strong> Love / Miłość<br />

2005 Retrieval / Z odzysku<br />

2001 The Man Thing / Męska Sprawa (short)<br />

1999 Bratobójstwo / Fratricide (short)<br />

1999 Kate, Poteen and Motorbike / Kaśka, bimber i<br />

motocykl (short)<br />

Director:<br />

Sławomir Fabicki<br />

Screenplay:<br />

Marek Pruchniewski, Sławomir Fabicki<br />

Cinematography:<br />

Piotr Szczepański<br />

Production Design:<br />

Dorota Łacek-Gorczyca<br />

Editing:<br />

Maciej Pawliński<br />

Sound:<br />

Tomasz Sikora<br />

Producer:<br />

Leszek Rybarczyk, Marek Rudnicki<br />

Cast:<br />

Marcin Dorociński, Julia Kijowska,<br />

Adam Woronowicz, Agata Kulesza,<br />

Dorota Kolak, Marian Dziędziel,<br />

Wojciech Mecwaldowski<br />

LOVE POLAND <strong>2012</strong><br />

105 wT, feradi<br />

105 min, colour<br />

1998 On the Other Side of the Forest / Po drugiej<br />

stronie lasu (short)<br />

1998 Extension Number 55 / Wewnętrzny 55 (short)<br />

1996 By night / Nocą (short)<br />

reJisori:<br />

slavomir fabicki<br />

scenari:<br />

marek pruxnevski,<br />

slavomir fabicki<br />

operatori:<br />

piotr SCepanski<br />

mxatvari:<br />

dorota lacek-gorCica<br />

montaJi:<br />

macei pavlinski<br />

prodiuseri:<br />

leSek ribarCiki,<br />

marek rudnicki<br />

monawileoben:<br />

marCin doroCinski, iulia<br />

kiovska, adam voronoviCi,<br />

agata kuleSa, dorota<br />

kolaki, marian Zeli, voicex<br />

mecvaldovski<br />

Production:<br />

Odeon Rybarczyk Productions<br />

Address: ul.Rakowiecka 4<br />

02-519 Warsaw, Poland<br />

Phone: +48 22 646 69 00, +48 22 646 66 43<br />

e-mail: odeon@odeon.com.pl<br />

Maria and Tomek are in their thirties and have been married ten years. They live in a small<br />

town. Both find professional fulfilment in their jobs – he in a design company, she at the town<br />

hall. They are working together on the decoration of their apartment and are expecting a baby.<br />

It seems that nothing is capable of disturbing their peaceful lives. But one day the mayor, who<br />

has long lusted after Maria, rapes her. She decides not to report this to the police. Nor does she<br />

tell her husband. From that day forth, their love is put to the test.<br />

slavomir fabicki<br />

SŁAWOMIR FABICKI<br />

daibada 1970 wels varSavaSi, poloneTSi. daamTavra sascenaro<br />

studia da loZis kinoskolis kinosareJisoro fakulteti. aris<br />

loZis da gdinias kinoskolebis sascenaro studiebis leqtori.<br />

misi sadiplomo filmi „kacis saqme“ 2002 wels „oskarze“ iyo<br />

wardgenili saukeTeso moklemetraJiani mxatvruli filmis nominaciaSi<br />

da araerTi jildo miiRo saerTaSoriso kinofestivalebze.<br />

aseve warmatebuli aRmoCnda fabickis 2006 wels gadaRebuli<br />

pirveli srulmetraJiani filmi „gamosworeba“, romelmac kanis<br />

kinofestivalis ekumenuri Jiuris prizi miiRo. „siyvaruli“ re-<br />

Jisoris meore srulmetraJiani mxatvruli filmia.<br />

Born in 1970 in Warsaw, Poland. He is a graduate of the Screenplay Studio<br />

and Film Direction Faculty at the Lodz Film School. He is a Screenplay Studio<br />

lecturer at the Lodz and Gdynia film schools. His diploma film MĘSKA<br />

SPRAWA (THE MAN THING) was nominated for an Oscar in 2002 for best<br />

short feature film. It has also won awards at many prestigious international<br />

film festivals. Fabicki’s debut full-length feature film was Z ODZYSKU (RE-<br />

TRIEVAL, 2006), which won the independent Ecumenical Jury feature film<br />

award at the Cannes Film Festival. LOVE is the director’s second full-length<br />

feature film.<br />

25


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

SPANIEN<br />

espaneTi avstria / bulgareTi <strong>2012</strong><br />

avstriaSi iZulebiT moxvedrili ucxoeli cdilobs, samarTali ipovos da rogorme<br />

mainc moxvdes espaneTSi. is idumalebiT mocul qals gadaeyreba, romlis<br />

yofili qmari, agresiuli policieli, tkbili sityviT cdilobs colis dabrunebas.<br />

am dros ki amwes memanqane, romelic azartuli moTamaSea, beds eTamaSeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Spanien / Spain<br />

2006 Kurz davor ist es passiert (doc.)<br />

2003 Das wirst du nie verstehen (doc.)<br />

2002 Projektionen eines Filmvorführers in einem Pornokino (short)<br />

2000 Carmen (short)<br />

Director:<br />

Anja Salomonowitz<br />

Screenplay:<br />

Dimitre Dinev, Anja Salomonowitz<br />

Cinematography:<br />

Sebastian Pfaffenbichler<br />

Music:<br />

Max Richter<br />

Production Design:<br />

Maria Gruber<br />

Costumes:<br />

Tanja Hausner<br />

Editing:<br />

Frederic Fichefet<br />

Sound:<br />

Nikolay Urumov<br />

Producer:<br />

Danny Krausz, Kurt Stocker<br />

Co-Producer:<br />

Dimitar Gochev<br />

Cast:<br />

Tatjana Alexander, Grégoire Colin,<br />

Cornelius Obonya, Lukas Miko<br />

26<br />

SPAIN AUSTRIA / BULGARIA <strong>2012</strong><br />

102 wT, feradi<br />

102 min, colour<br />

reJisori:<br />

ania salomonoviCi<br />

scenari:<br />

dimitre dinevi,<br />

ania salomonoviCi<br />

operatori:<br />

sebastian pfafenbixleri<br />

musika:<br />

maqs rixteri<br />

mxatvari:<br />

maria gruberi<br />

kostiumebi:<br />

tania hausneri<br />

montaJi:<br />

frederik fixefeti<br />

xma:<br />

nikolai urumovi<br />

prodiuseri:<br />

dani krausci, kurt<br />

Stokeri<br />

Tanaprodiuseri:<br />

dimitar goCevi<br />

monawileoben:<br />

tatiana aleqsanderi,<br />

greguar koleni, kornelius<br />

obonia, lukas miko<br />

Production:<br />

Dor Film (Vienna)<br />

office@dor-film.at<br />

www.dor-film.at<br />

in co-production with:<br />

Camera Film OON (Sofia)<br />

World Sales:<br />

doc&film international<br />

13, rue Portefoin<br />

F-75003 Paris<br />

Tel: +33 1 42 77 89 65<br />

Fax: +33 1 42 77 36 56<br />

d.elstner@docandfilm.com<br />

www.docandfilm.com<br />

A stranded stranger ends up in the wrong place and embarks upon a search for justice. Instead<br />

he finds a mysterious woman, whose desperately aggressive ex-husband is searching for words<br />

that might bring her back to him, while a crane operator with a gambling addiction is tempting<br />

fate.<br />

ania salomonoviCi<br />

ANJA SALOMONOWITZ<br />

daibada 1976 wels venaSi. swavlobda venis kinoakademiaSi da<br />

konrad volfis kinosa da televiziis umaRles skolaSi (potsdam-babelsbergi).<br />

is dRes venaSi cxovrobs da muSaobs, rogorc<br />

scenaristi da kinoreJisori. „espaneTi“ ania salomonoviCis<br />

pirveli srulmetraJiani mxatvruli filmia.<br />

Born in 1976 in Vienna. She studied at the Vienna Film Academy and at<br />

the Film and Television University Konrad Wolf in Potsdam-Babelsberg. She<br />

lives and works in Vienna as a scriptwriter and film director. SPANIEN is her<br />

fiction debut.


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

VACUUM<br />

vakuumi italia <strong>2012</strong><br />

axali sicocxlis dasawyisi ararsebobis istoriad iqceva. axalgazrda qalis,<br />

arianas brZolas mSobiarobis Semdgom depresiasTan klaustrofobiuli Segr-<br />

Znebebic erTvis Tan. misi cxovreba vakuumSi eqceva. am dros arianaSi faruli<br />

Tavdacvis instinqti iRviZebs.<br />

Filmography / filmografia<br />

<strong>2012</strong> Vacuum<br />

2011 Elisa #1 (short)<br />

2011 Come prima #3 (short)<br />

2010 Autunno (short)<br />

2009 Walls and borders (collective film)<br />

2009 New record (short)<br />

2006 Unexhausted (short)<br />

2006 Lingue di canarini (short doc.)<br />

2006 Che fine fanno gli italiani? (doc.)<br />

2004 Esopo #1 (short)<br />

Director:<br />

Giorgio Cugno<br />

Screenplay:<br />

Giorgio Cugno<br />

Cinematography:<br />

Davide Dusnasco<br />

Music:<br />

Luca Vicini<br />

Production Design:<br />

Claudia Rolando<br />

Editing:<br />

Carlo Cagnasso<br />

Producer:<br />

Marta Giordanino<br />

Cast:<br />

Simonetta Ainardi, Loris Morcolongo,<br />

Giorgio Cugno, Stefano Gorno,<br />

Marianna Musacchio<br />

2003 Harmony (short)<br />

2002 Serata a casa di Paolo (short)<br />

2002 Pokerdog (short)<br />

2002 Il posto delle fragole (short)<br />

2002 Antonio il processo (short)<br />

2001 Pippo e i suoi amici (short)<br />

2000 Parcheggiatore (short)<br />

2000 Onde elettromagnetiche (short doc.)<br />

2000 MC Mucchen (short)<br />

2000 Loverman (short)<br />

VACUUM ITALY <strong>2012</strong><br />

94 wT, feradi<br />

94 min, colour<br />

reJisori:<br />

jorjo kunio<br />

scenari:<br />

jorjo kunio<br />

operatori:<br />

davide dusnasko<br />

musika:<br />

luka viCini<br />

mxatvari:<br />

klaudia ronaldo<br />

montaJi:<br />

karlo kaniaso<br />

prodiuseri:<br />

marta jordanino<br />

monawileoben:<br />

simoneta ainardi, loris<br />

morkolonio, jorjo kunio,<br />

stefano gorno, mariana<br />

musaCo<br />

Production:<br />

Ganglio Film<br />

World Sales:<br />

Ganglio Film<br />

The story of a birth turns into being the story of an absence. A young woman’s battle against<br />

postpartum depression viewed with her claustrophobic feelings. At the same time her existence<br />

is being sucked into a large vacuum.<br />

jorjo kunio<br />

GIORGIO CUGNO<br />

daibada 1979 wels turinSi, italiaSi. reJisori, scenaristi<br />

da msaxiobi. turinis samxatvro akademiaSi swavlobda qandakebas<br />

da reJisuras. gadaRebuli aqvs mravali moklemetraJiani<br />

mxatvruli da dokumenturi filmi. „vakuumi“ misi pirveli<br />

srulmetraJiani mxatvruli namuSevaria.<br />

Born in Turin in 1979. Giorgio Cugno has studied directing and sculpture at<br />

the Academy of Fine Arts in Turin. He has produced several short films and<br />

documentaries. VACUUM is his first feature film.<br />

27


saerTaSoriso konkursi<br />

INTERNATIONAL COMPETITION<br />

VSE USHLI<br />

yvela wavida ruseTi / saqarTvelo / CexeTi <strong>2012</strong><br />

mravali wlis ganSorebis Semdeg gari mSobliur qalaqSi brundeba, magram iq ve-<br />

Rarafers cnobs. is aq Tavisi bavSvobisdroindeli mogonebebis _ kargi Tu cudi,<br />

sasiamovno Tu mtkivneuli mogonebebis gasacocxleblad dabrunda. iqneb moxucma<br />

ninam, qalaqSi cnobilma mkiTxavma da sizmrebis Semgrovebelma SeZlos warsulis<br />

mZime tvirTisgan misi gaTavisufleba? an iqneb ninam moisvenos, rodesac gari<br />

Tavisuflebas moipovebs...<br />

Filmography / filmografia<br />

<strong>2012</strong> Everybody’s Gone / Vse ushli<br />

2010 Prima (doc.)<br />

2010 Valerik (short, in: Moscow Stories)<br />

2007 Adam’s Children / Deti adama (doc.)<br />

2004 I Died in Childhood / Ya umer v detstve (doc.)<br />

2000 I’m a Seagull / Ya – Chaika! (doc.)<br />

1993 Dzhado (short)<br />

Director:<br />

Georgiy Paradzhanov<br />

Screenplay:<br />

Georgiy Paradzhanov<br />

Cinematography:<br />

Sergei Machilski<br />

Production Design:<br />

Yuri Grigorovich<br />

Costumes:<br />

Polina Rudchik<br />

Editing:<br />

Sergey Ivanov<br />

Producer:<br />

Ekaterina Filippova, Petr Tikhi<br />

Cast:<br />

Avtandil Makharadze, Zurab<br />

Kipshidze, Natalia Kalyakanova<br />

28<br />

120 wT, feradi<br />

120 min, colour<br />

reJisori:<br />

giorgi farajanovi<br />

scenari:<br />

giorgi farajanovi<br />

operatori:<br />

sergei maCilski<br />

mxatvari:<br />

iuri grigoroviCi<br />

kostiumebi:<br />

polina rudCiki<br />

montaJi:<br />

sergei ivanovi<br />

prodiuseri:<br />

ekaterina filipova, petr<br />

tixi<br />

monawileoben:<br />

avTandil maxaraZe,<br />

zurab yifSiZe, natalia<br />

kaliakanova<br />

Production:<br />

Atlantic Film Company<br />

World Sales:<br />

Atlantic Film Company<br />

studio_atlantic@mail.ru<br />

EVERYBODY’S GONE RUSSIA / GEORGIA / CZECH REPUBLIC <strong>2012</strong><br />

Childhood memories play on the mind of the central character, Garry. Many years on, he returns<br />

to his native town. Everything feels alien and strange. Our hero comes back to recover his<br />

memories, the good ones and the bad ones, the pleasant ones and the painful ones. Will the old<br />

fortune-teller Nina, a well-known dream gatherer in the city, be able to set an already grownup<br />

man free of the chains of the past which had become unbearable by that time? Or will our hero,<br />

Garry alleviate her life by discovering his freedom?<br />

giorgi farajanovi<br />

GEORGIY PARADZHANOV<br />

daibada 1963 wels TbilisSi. daamTavra saqarTvelos Teatrisa<br />

da kinos instituti (1983) da moskovis kinoinstituti „vgiki“<br />

(1994). misi dokumenturi filmi „me Tolia var!“ naCvenebi<br />

iyo veneciis 57-e saerTaSoriso kinofestivalze 2000 wels,<br />

aRiniSna „Zmebi lumierebis oqros medliT“ da dasaxelda 2000<br />

wlis 20 saukeTeso dokumentur films Soris. 2004 wels filmma<br />

„me movkvdi bavSvobaSi“ azia-wynari okeanis kinofestivalze<br />

Jiuris specialuri prizi da erevnis saerTaSoriso kinofestivalze<br />

Jiuris specialuri aRniSvna daimsaxura kategoriaSi<br />

„saukeTeso dokumenturi filmi“. „yvela wavida“ giorgi farajanovis<br />

pirveli srulmetraJiani mxatvruli filmia.<br />

Born in 1963 in Tbilisi, Georgia. He was graduated from Georgian Institute of<br />

Theatre and Film (1983) and Moscow film institute VGIK (1994). In 2000 his documentary<br />

film I’M A SEAGULL participated in the 57th Venice Film Festival. It was<br />

awarded the “Golden Medal of the Lumiere brothers” and got into the list of 20<br />

best European documentaries in 2000. His film I DIED IN CHILDHOOD recieved<br />

the Special Jury Award at the Asia-Pacific Film Festival and Special mention in<br />

the category Best Documenary Film at the Yerevan International Film Festival in<br />

2004. EVERYBODY’S GONE is Paradzhanov’s first full-length feature film.


moklemetraJiani mxatvruli<br />

filmebis konkursi<br />

TeTri sisxli<br />

saavtoro meTodi<br />

saxli<br />

puri<br />

19 Tebervali<br />

gamomgonebeli kaci<br />

gasali<br />

GQ<br />

werili<br />

pepela<br />

Savi TuTa<br />

vika venera sabnis piri<br />

saxlidan Sors<br />

sazamTro<br />

bude<br />

SHORT FILM<br />

COMPETITION<br />

WHITE BLOOD<br />

THE AUTHOR’S METHOD<br />

HOME<br />

BREAD<br />

FEBRUARY 19<br />

INVENTOR MAN<br />

GASSAL<br />

GQ<br />

THE LETTER<br />

THE BUTTERFLY<br />

BLACK MULBERRY<br />

VIKA VENUS DUVET COVER<br />

AWAY<br />

WATERMELON<br />

THE NEST<br />

29


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

AG GAN<br />

TeTri sisxli azerbaijani <strong>2012</strong><br />

momTabare ojaxis cxovrebis wesi dairRva. coli cdilobs qmris ukanaskneli<br />

survili aasrulos. imedi bolos kvdeba _ es aris filmis mTavari saTqmeli.<br />

Filmography / filmografia<br />

<strong>2012</strong> White Blood / Ag Qan (short)<br />

Director:<br />

Khayyam Abdoullayev,<br />

Elmaddin Aliyev<br />

Screenplay:<br />

Khayyam Abdoullayev,<br />

Elmaddin Aliyev<br />

Cinematography:<br />

Elman Aliyev<br />

Music:<br />

Khayal Mamadov<br />

Production Design:<br />

Ibrakhim Kerimov<br />

Costumes:<br />

Narmina Novruzova<br />

Editing:<br />

Ilkham Yasharoglu<br />

Sound:<br />

Rasim Mekhtizade<br />

Producer:<br />

Zovgu Guliyev, Jeyran Bayramova<br />

Cast:<br />

Svetlana Khakimova, Vagif Kerimov<br />

30<br />

WHITE BLOOD AZERBAIJAN <strong>2012</strong><br />

reJisori:<br />

xaiam abdulaevi,<br />

elmadin alievi<br />

scenari:<br />

xaiam abdulaevi,<br />

elmadin alievi<br />

operatori:<br />

elman alievi<br />

musika:<br />

xaial mamadovi<br />

mxatvari:<br />

ibraxim kerimovi<br />

kostiumebi:<br />

narmina novruzova<br />

montaJi:<br />

ilxam iaSaroRlu<br />

xma:<br />

rasim mextizade<br />

prodiuseri:<br />

zovRu gulievi,<br />

jeiran bairamova<br />

monawileoben:<br />

svetlana xakimova,<br />

vagif kerimovi<br />

Production:<br />

EXA production<br />

Contact:<br />

Elmaddin Aliyev<br />

Phone: +994 050 3800312<br />

Address: Huseyn Javid Avenue.<br />

558 discrict, home 4, apartment 38.<br />

Email: exaproduction@gmail.com<br />

A nomadic family whose way of life has been destroyed and a wife’s resourcefulness in seeking<br />

to realise her husband’s dying wish. The message is that there is always hope.<br />

xaiam abdulaevi<br />

KHAYYAM ABDOULLAYEV<br />

elmadin alievi<br />

ELMADDIN ALIYEV<br />

14 wT, feradi<br />

14 min, colour<br />

daibada 1979 wels azerbaijanSi. azerbaijanis kulturisa<br />

da xelovnebis saxelmwifo universitetis kinosareJisoro<br />

fakultetis damTavrebis Semdeg reJisorad muSaobda sxvadasxva<br />

telearxebze. 2007-2010 wlebSi swavlobda rustam<br />

ibrahimbekovis kinoskolaSi. 2007 wlidan muSaobs elmadin<br />

alievTan erTad. „TeTri sisxli“ maTi bolo erToblivi namuSevaria.<br />

Born in1979 in Azerbaijan. After graduating from Azerbaijan State University<br />

of Culture & Arts / Faculty of Filmmaking, he was working for different TV<br />

channels as a director. During 2007-2010 periods Khayyam was studying<br />

at the Film School of Rustam Ibrahimbayov. Since 2007 with cooperation<br />

to Elmaddin Aliyev he has produced a number of short films. The last film<br />

worked out by both of them is WHITE BLOOD.<br />

daibada 1984 wels azerbaijanSi. 2001 wlidan swavlobda azerbaijanis<br />

kulturisa da xelovnebis saxelmwifo universitet-<br />

Si, kinoreJisuris fakultetze. amave periodSi reJisorad<br />

muSaobda sxvadasxva telearxebze. 2007-2010 wlebSi swavlobda<br />

rustam ibrahimbekovis kinoskolaSi.<br />

Born in Azerbaijan in 1984. In 2001, he entered Azerbaijan State University<br />

of Culture & Arts / Faculty of Filmmaking. That period Elmaddin was working<br />

for different TV channels as director. During 2007-2010 periods he was<br />

studying at the Film School of Rustam Ibrahimbayov.


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

AVTORSKIY METOD<br />

saavtoro meTodi ruseTi <strong>2012</strong><br />

mwerlis Sesaxeb, romelic Tamamad da laRad qmnis sxvebis beds, radgan gulubryvilod<br />

sjera, rom sakuTari bedi mis xelTaa.<br />

Filmography / filmografia<br />

<strong>2012</strong> The Author’s Method / Avtorskiy metod (short)<br />

2011 Without Words / Bez slov (short)<br />

Director:<br />

Ivan Shakhnazarov<br />

Screenplay:<br />

Ivan Shakhnazarov, with participation<br />

from Ivan Zavaruev<br />

Cinematography:<br />

Yevgeni Musin<br />

Music:<br />

Vasiliy Buylov<br />

Production Design:<br />

Maria Pasichnik<br />

Sound:<br />

Oleg Suvorov, Yulia Bazhenova<br />

Producer:<br />

Anastasia Akopian<br />

Cast:<br />

Timur Khabitsov, Nikolai Zakharov,<br />

Vladimir Ananiev, Petr Rykov<br />

THE AUTHOR’S METHOD RUSSIA <strong>2012</strong><br />

reJisori:<br />

ivan Saxnazarovi<br />

scenari:<br />

ivan Saxnazarovi,<br />

ivan zavaruevis monawileobiT<br />

operatori:<br />

evgeni muzini<br />

musika:<br />

vasili builovi<br />

mxatvari:<br />

maria pasiCniki<br />

xma:<br />

oleg suvorovi,<br />

iulia baJenova<br />

prodiuseri:<br />

anastasia akopiani<br />

monawileoben:<br />

timur xabicovi, nikolai<br />

zaxarovi, vladimir ananievi,<br />

piotr rikovi<br />

A writer safely and easily handles the destiny of his character, as he naively believes that his<br />

own destiny lies in his hands.<br />

ivan Saxnazarovi<br />

IVAN SHAKHNAZAROV<br />

14 wT, feradi<br />

14 min, colour<br />

Production:<br />

VGIK<br />

daibada 1993 wels moskovSi, ruseTSi. ruseTis saxelmwifo<br />

kinoinstitutis (VGIK) sareJisoro fakultetis mesame kursis<br />

studenti (vladimir xotinenkos saxelosno).<br />

Born in 1993 in Moscow. Third-year student of the director’s faculty at the<br />

Film Institute VGIK (workshop of Vladimir Khotinenko).<br />

31


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

DOM TSIA<br />

saxli ruseTi <strong>2012</strong><br />

realur movlenebze dafuZnebuli es filmi erTi adamianis istorias mogviTxrobs,<br />

romelic omis Semdgom groznoSi cxovrobs. is martoxelaa da wasasvleli arsad<br />

aqvs. saxlia erTaderTi, rac mas darCa.<br />

Filmography / filmografia<br />

<strong>2012</strong> Home / Dom TSIA<br />

Director:<br />

Ruslan Magomadov<br />

Screenplay:<br />

Ruslan Magomadov<br />

Cinematography:<br />

Evgenyi Savenkov,<br />

Ruslan Magomadov<br />

Editing:<br />

Ruslan Magomadov<br />

Producer:<br />

Ruslan Magomadov<br />

Cast:<br />

Evgenyi Martinov<br />

32<br />

HOME RUSSIA <strong>2012</strong><br />

26 wT, feradi<br />

26 min, colour<br />

reJisori:<br />

ruslan magomadovi<br />

scenari:<br />

ruslan magomadovi<br />

operatori:<br />

evgeni savenkovi,<br />

ruslan magomadovi<br />

montaJi:<br />

sinan serteli<br />

xma:<br />

demir baran kutlu<br />

prodiuseri:<br />

melmet iSleri<br />

monawileoben:<br />

osman doRani, muaz ete<br />

Contact:<br />

Ruslan Magomadov<br />

ruslan_magomadov@mail.ru<br />

This film, based on real-life events, tells the story of a man who stays behind in the devastated<br />

city of Grozny during the Chechen war. He is lonely and he has nowhere to go; his house is all<br />

that he has left to him.<br />

ruslan magomadovi<br />

RUSLAN MAGOMADOV<br />

daibada 1983 wels sverdlovskSi (dRevandeli ekaterinburgi),<br />

CrdiloeT kavkasiaSi (ruseTi). 2002-2006 wlebSi swavlobda<br />

ekaterinburgis demidovebis saxelobis xelovnebisa da mxatvruli<br />

rewvis akademiaSi. 2010 wlidan swavlobs moskovis re-<br />

JisorTa da scenaristTa umaRles kursebze. filmma „saxli“<br />

specialuri prizi moipova kotbusis 22-e kinofestivalze da<br />

gaimarjva yazanis musulmanuri kinos festivalze nominaciaSi<br />

„saukeTeso moklemetraJiani filmi“.<br />

Born in 1983 in Sverdlovsk (now Yekaterinburg), North Caucasus, Russia.<br />

In 2002-2006 studied at the Demidov Academy of Arts in Yekaterinburg.<br />

Since 2010 Ruslan Magomadov studies at the Moscow Higher Courses for<br />

Directors and Scriptwriters. His short HOME won the Special Prize at the<br />

22. Cottbus Film Festival and the main prize for the Best Short Film at the<br />

Eighth Kazan International Muslim Film Festival.


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

EKMEK<br />

puri TurqeTi <strong>2012</strong><br />

bavSvTa dacvis sazogadoebis meTvalyure aRmoaCens, rom sakuWnaodan yovel<br />

diliT TiTo puri qreba. Tavdapirvelad hgonia, rom sacxobSi akleben purs,<br />

Tumca mere xvdeba, rom romeliRac bavSvi iparavs. meTvalyure gadawyvets, Tvali<br />

daiWiros qurdze.<br />

Filmography / filmografia<br />

<strong>2012</strong> Bread / Ekmek<br />

Director:<br />

Koray Sevindi<br />

Screenplay:<br />

Koray Sevindi, Muhammet<br />

Abdülgafur Şahin<br />

Cinematography:<br />

Sedat Şahin<br />

Music:<br />

Nazım Çınar<br />

Production Design:<br />

Hakan Sevindi, Fatih Özdemir<br />

Editing:<br />

Sinan Sertel<br />

Sound:<br />

Demir Baran Kutlu<br />

Producer:<br />

Meltem İşler<br />

Cast:<br />

Osman Doğan, Muaz Ete<br />

BREAD TURKEY <strong>2012</strong><br />

reJisori:<br />

korai sevindi<br />

scenari:<br />

korai sevindi, muhamet<br />

abdulgafur Sahini<br />

operatori:<br />

sedat Sahini<br />

musika:<br />

nazim Cinari<br />

mxatvari:<br />

hakan sevindi,<br />

fatih ozdemiri<br />

montaJi:<br />

sinan serteli<br />

prodiuseri:<br />

demir baran kutlu<br />

monawileoben:<br />

osman doani, muaz ete<br />

Contact:<br />

Koray Sevindi<br />

Address: Aksu Osmaniye Yolu Ozyasar Apt.<br />

No:9 D:14<br />

Bakirkoy Istanbul Turkey<br />

Tel: +90 554 280 37 06<br />

E-mail: koraysevindi@gmail.com, info@<br />

koraysevindi.com<br />

Website: www.koraysevindi.com<br />

The attendant in the Society for the Protection of Children realizes that every morning one loaf<br />

of bread is missing in the storeroom. First, he thinks it’s the bakery’s fault but later finds out<br />

that a child is filching the bread. So, he decides to keep an eye on him.<br />

korai sevindi<br />

KORAY SEVINDI<br />

9 wT, feradi<br />

9 min, colour<br />

stambolis teqnikuri universitetis sainJinro meqanikis specialobiT<br />

damTavrebis Semdeg muSaobda sareklamo rgolebze,<br />

sxvadasxva moklemetraJian da dokumentur filmebze reJisoris<br />

asistentad. swavlobda kinoreJisuras niu-iorkis kinoakademiaSi.<br />

misi pirveli moklemetraJiani filmi „puri“ (<strong>2012</strong>)<br />

bevr Turqul Tu saerTaSoriso kinofestivalze iyo naCvenebi<br />

da ramdenime jildoc moipova.<br />

After studying Mechanical Engineering at Istanbul Technical University, he<br />

worked as assistant director in various short films, documentaries and advertisements.<br />

He studied film directing at New York Film Academy. His first<br />

short film Ekmek (Bread) was officially screened and won various awards in<br />

many international and national film festivals.<br />

33


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

FEBRUARY 19<br />

19 Tebervali somxeTi / libani / <strong>safrangeTi</strong> 2011<br />

matarebeli Tbilisi-erevnis gzaze. ana da aleqsi da TeTri kedeli. yru, civi,<br />

TeTri kedeli.<br />

Filmography / filmografia<br />

<strong>2012</strong> Embers (doc.)<br />

2011 February 19 (short)<br />

2010 Little Stones (doc. short)<br />

Director:<br />

Tamara Stepanyan<br />

Screenplay:<br />

Tamara Stepanyan<br />

Cinematography:<br />

Tammam Hamza<br />

Music:<br />

Cynthia Zaven<br />

Production Design:<br />

Ivana Krcadinac<br />

Editing:<br />

Farah Fayed<br />

Sound:<br />

Raed Younnan<br />

Producer:<br />

Ashkal Alwan<br />

Cast:<br />

Ofelia Zakaryan, Vakhtang<br />

Harutyunyan<br />

34<br />

22 wT, feradi<br />

22 min, colour<br />

FEBRUARY 19 ARMENIA / LEBANON / FRANCE 2011<br />

reJisori:<br />

Tamara stepaniani<br />

scenari:<br />

Tamara stepaniani<br />

operatori:<br />

Tamam hamza<br />

musika:<br />

sintia zaveni<br />

mxatvari:<br />

ivana krcadinaci<br />

montaJi:<br />

farah faiedi<br />

xma:<br />

raed iunani<br />

prodiuseri:<br />

aSkal alvani<br />

monawileoben:<br />

ofelia zaqariani,<br />

vaxtang hariutuniani<br />

Contact:<br />

Tamara Stepanyan<br />

131 Rue de la Roquette<br />

75011 Paris, France<br />

Phone: +33762702829<br />

E-mail: tamarastepanyan@gmail.com<br />

A train between Yerevan and Tbilisi. Anna and Alex. And a white wall. A dull, cold, white wall.<br />

Tamara stepaniani<br />

TAMARA STEPANYAN<br />

daibada somxeTSi. 1994 wels, sabWoTa kavSiris daSlis Semdeg<br />

misi ojaxi sacxovreblad libanSi gadavida. 2005 wels<br />

daamTavra libanis amerikuli universiteti. 2011 wels misma<br />

moklemetraJianma filmma „19 Tebervali“ libanis kinofestivalze<br />

saukeTeso mxatvruli filmis nominaciaSi gaimarjva. am-<br />

Jamad Tamara stepaniani safrangeTSi cxovrobs, sadac pirveli<br />

srulmetraJiani filmis scenarze muSaobs.<br />

Born in Armenia. During the breakdown of the Soviet Union, she moved to<br />

Lebanon with her parents in 1994. In 2005 she graduated from the Lebanese<br />

American University (LAU) having studied in Communication Arts<br />

with an emphasis in Radio/TV/Film. FEBRUARY 19 a short narrative fiction<br />

that won the Best Fiction Film Award at Lebanese Film Festival. After studying<br />

and working in Lebanon she moved recently to France where she is<br />

starting to write her first feature fiction script.


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

GAMOMGONEBELI KATSI<br />

gamomgonebeli kaci saqarTvelo <strong>2012</strong><br />

filmi gamomgoneblis Sesaxeb, romelic droisa da sivrcis miRma cxovrobs da<br />

mTels dros adamianisTvis aucilebeli, sxvadasxva yofiTi nivTebis gamogonebaSi<br />

atarebs. filmi alegoriulia da personaJis TiTqmis yvela gamogonebas simboluri<br />

datvirTva aqvs.<br />

Filmography / filmografia<br />

<strong>2012</strong> Inventor Man / Gamomgonebeli katsi<br />

Director:<br />

Zura Menteshashvili<br />

Screenplay:<br />

Khatia Khosroshvili<br />

Cinematography:<br />

Goglik Khaindrava<br />

Music:<br />

Shete<br />

Production Design:<br />

Tamta Gligvashvili<br />

Editing:<br />

Zura Menteshashvili<br />

Sound:<br />

Zura Menteshashvili, Zaza<br />

Chincharauli<br />

Producer:<br />

Avtandil Gasviani, Goglik Khaindrava,<br />

Khatia Khosroshvili<br />

Cast:<br />

Kakha Bakuradze, Levan Khaindrava,<br />

Khvtiso Melashvili, Zaza Chincharauli<br />

INVENTOR MAN GEORGIA <strong>2012</strong><br />

reJisori:<br />

zura menTeSaSvili<br />

scenari:<br />

xatia xosroSvili<br />

operatori:<br />

goglika xaindrava<br />

musika:<br />

SeTe<br />

mxatvari:<br />

TamTa RliRvaSvili<br />

montaJi:<br />

zura menTeSaSvili<br />

xma:<br />

zura menTeSaSvili, zaza<br />

WinWarauli<br />

prodiuseri:<br />

avTandil gasviani,<br />

goglika xaindrava, xatia<br />

xosroSvili<br />

monawileoben:<br />

kaxa bakuraZe, levan<br />

xaindrava, xvTiso<br />

melaSvili, zaza WinWarauli<br />

Production:<br />

Mentesh Production<br />

The inventor is a short feature film telling the story in a groundbreaking way of the inventor who<br />

exists beyond the time and space, without the limits of relocation. The inventor devotes all his<br />

time to inventing different existential things important for the development of human being.<br />

The inventor invents everything the others need. In the end the inventor invents the mountain,<br />

the shack on its bottom and peaceful life in it. As the people discover the existence of the inventor,<br />

they ask for being invented as well. Thus, the inventor invents all of us. Then he invents the<br />

long, endless way and follows it.<br />

zura menTeSaSvili<br />

ZURA MENTESHASHVILI<br />

15 wT, feradi<br />

15 min, colour<br />

daibada 1981 wels. 2000 wels daamTavra saqarTvelos Teatrisa<br />

da kinos institutis kinosareJisoro fakulteti. 2000-dan<br />

2004 wlamde muSaobda musikalur arxze „Music Box“ programul<br />

reJisorad, 2004 wlidan dRemde aris Mentesh Production-is re-<br />

Jisori.<br />

Georgian film director, producer and writer. Born in 1981. In 2000-2004<br />

studied film directing at Shota Rustaveli Theatre and Film Georgian State<br />

University. He was tech director at entartament TV “Music Box” in 2000-<br />

2004, also director in Mentesh Production till now.<br />

35


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

GASSAL<br />

gasali TurqeTi <strong>2012</strong><br />

gaupatiurebis Sedegad demets (gasals) qaliSvili uCndeba. gadatanili Zaladobis<br />

Semdeg is materialuri samyarosgan gaucxovdeba da sakuTar samyaros qmnis,<br />

romelic misi qaliSviliT da RmerTis winaSe valdebulebebiT Semoifargleba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Gassal (short)<br />

Director:<br />

Merve Ince<br />

Screenplay:<br />

Merve Ince<br />

Cinematography:<br />

Tayman Tekin<br />

Music:<br />

Gursel Celik<br />

Production Design:<br />

Tuncay Ozcan, Kubra Kaptan<br />

Editing:<br />

Serdar Borcan<br />

Sound:<br />

Korhan Oraydın<br />

Producer:<br />

Melis Berkman<br />

Cast:<br />

Nursel Kose, Ebru Ojen Sahin, Tolga<br />

Cıklacıftcı, Beste Biçer, Seyhan Arman,<br />

Kısmet Tekinbas<br />

36<br />

GASSAL TURKEY <strong>2012</strong><br />

10 wT, feradi<br />

10 min, colour<br />

reJisori:<br />

merve inje<br />

scenari:<br />

merve inje<br />

operatori:<br />

taiman tekini<br />

musika:<br />

gursel jeliki<br />

mxatvari:<br />

tunjai ozjani,<br />

kubra kuptani<br />

montaJi:<br />

serdar borjani<br />

xma:<br />

korhan oraidini<br />

prodiuseri:<br />

melis berkmani<br />

monawileoben:<br />

nursel kose, ebru<br />

oen sahini, tolga<br />

jiklajiftji, beste<br />

biCeri, seihan armani, kismet<br />

tekinbasi<br />

Contact:<br />

Melis Berkman<br />

Phone:+905333309898<br />

berkmanmelis@gmail.com<br />

Consequent to her rape, Demet (Gassal) gives birth to a baby girl. After all she has been through,<br />

she is alienated from everything on the material world. She builds herself a world between her<br />

child and her duties against God.<br />

merve inje<br />

MERVE INCE<br />

daibada 1987 wels stambolSi, TurqeTSi. sareklamo saqmesa da<br />

kinematografias swavlobda stambolis bilgi universitetSi.<br />

Born in 1987 in Istanbul,Turkey. Studied advertising and film at the İstanbul<br />

Bilgi University.


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

GQ<br />

GQ ruseTi <strong>2012</strong><br />

Cveuli cxovreba SeiZleba nebismier wuTs dasruldes, Tu Cvevebi ufro mniSvnelovania<br />

SenTvis, vidre cxovreba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Inventor Man / Gamomgonebeli katsi<br />

Director:<br />

Andrey Merzlikin<br />

Screenplay:<br />

Mikhail Segal<br />

Cinematography:<br />

Denis Madyshev<br />

Production Design:<br />

Vitali Trukhanenko<br />

Editing:<br />

Diana Petrenko<br />

Sound:<br />

Konstantin Stetkevich<br />

Producer:<br />

Anastasia Kavunovskaya,<br />

Andrey Kretov<br />

Cast:<br />

Konstantin Yushkevich, Alena<br />

Konstantinova, Yuri Vaksman<br />

GQ RUSSIA <strong>2012</strong><br />

reJisori:<br />

andrei merzlikini<br />

scenari:<br />

mixail segali<br />

operatori:<br />

denis madiSevi<br />

mxatvari:<br />

vitali truxanenko<br />

montaJi:<br />

diana petrenko<br />

xma:<br />

konstantin stetkeviCi<br />

prodiuseri:<br />

anastasia kavunovskaia,<br />

andrei kretovi<br />

monawileoben:<br />

konstantin iuSkeviCi,<br />

aliona konstantinova, iuri<br />

vaksmani<br />

Production:<br />

RUmedia<br />

Life as usual can end at any moment if habit is more important for you than life.<br />

andrei merzlikini<br />

ANDREY MERZLIKIN<br />

13 wT, feradi<br />

13 min, colour<br />

Teatrisa da kinos msaxiobi. daibada 1973 wels koroliovSi,<br />

ruseTSi. kosmosuri manqanaTmSeneblobis dargSi radioinJinris<br />

kvalifikaciis miRebis Semdeg daamTavra moskovis kinoinstitutis<br />

(VGIK) samsaxiobo fakulteti. 2001-2011 wlebSi iyo<br />

armen jigarxanianis Teatris msaxiobi. gadaRebulia ocamde<br />

kinofilmSi da teleserialSi. GQ misi sareJisoro debiutia.<br />

Actor of theatre and cinema. Born in Korolev in 1973. First education as<br />

radio engineer of space communications; graduated from the acting faculty<br />

of the Film Institute VGIK. In 2001-11 – actor at the Theatre of Armen<br />

Dzhigarkhanian. He has appeared in about twenty fi lms and serials. GQ is<br />

his directorial debut.<br />

37


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

NAMEH<br />

werili irani 2011<br />

ori italieli patimari erT sakanSi zis. erTs, ufro axalgazrdas, moyvaruli<br />

coli hyavs da misgan yovel Tves iRebs werilebs, meore ki gakotrebuli yalbi<br />

fulis mWrelia, romelsac Tavisi axalgazrda mezobeli sjuls. erT dRes is<br />

erT-erT werils moiparavs da TviTon Seudgeba pasuxis weras: „mapatie, aq axal<br />

adamians Sevxvdi da damiviwye.“<br />

Filmography / filmografia<br />

2011 The Letter / Nameh<br />

2010 Didar<br />

Director:<br />

Majid Movasseghi<br />

Screenplay:<br />

Majid Movasseghi<br />

Cinematography:<br />

Ivan Finogeev<br />

Production Design:<br />

Sergei Jakulin<br />

Editing:<br />

Mehdi Hossenivand<br />

Sound:<br />

Mahmoud Mousavi nejad<br />

Producer:<br />

Majid Movasseghi<br />

Cast:<br />

Andre Stergaard , Sampo Mansnerus ,<br />

Georgy Shahed , Artur Vedenmier<br />

38<br />

THE LETTER IRAN 2011<br />

20 wT, S-T<br />

20 min, B-W<br />

reJisori:<br />

majid movaseRi<br />

scenari:<br />

majid movaseRi<br />

operatori:<br />

ivan finogievi<br />

mxatvari:<br />

sergei iakulini<br />

montaJi:<br />

mehdi hosenivandi<br />

xma:<br />

mahmud musavi nejadi<br />

prodiuseri:<br />

majid movaseRi<br />

monawileoben:<br />

andre Stergaardi, sampo<br />

mansnerusi, georgi Sahedi,<br />

artur vedenmiri<br />

Contact:<br />

Majid Movasseghi<br />

majmov@yahoo.com<br />

Two Italian prisoners live together. One of them who is younger, has a loving wife and every<br />

month receives a new letter from her. Another prisoner is a banknote counterfeiter and he hates<br />

the new young prisoner, finally he stool one of the letter and he started to write a fake latter,<br />

with this topic “forgive me I met a new person and forget me” but ...<br />

majid movaseRi<br />

MAJID MOVASSEGHI<br />

daibada 1977 wels iranSi. swavlobda iranis Tavisufali universitetis<br />

xelovnebisa da arqiteqturis institutis dramis<br />

fakultetze. 2003 wels Caabara ruseTis saxelmwifo kinoinstitutSi<br />

(VGIK), sadac swavlobda vadim abdraSitovis saxelosnoSi.<br />

majid movaseRis filmebi sxvadasxva saerTaSoriso<br />

festivalze iyo naCvenebi, rogorc iranSi, ise sxva qveynebSi.<br />

Born in 1977 in Iran. He studied at the drama department of the Arts and<br />

Architecture Institute at Azad University Tehran and worked both as a theatre<br />

director and assistant of directors in Iranian cinema and television. In<br />

2003 he enrolled in the All-Russian State Film Academy (VGIK) in Moscow<br />

where studied directing in the workshop of Vadim Abdrashitov. Majid Movasseghi’s<br />

films was shown in the different festival in Iran and abroad.


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

PEPELA<br />

pepela saqarTvelo <strong>2012</strong><br />

axalgazrda kacs avadmyofi coli hyavs. materialuri mdgomareoba maT saSualebas<br />

ar aZlevs, rom qalma imkurnalos. erT dResac qmars moTmineba amoewureba<br />

da gadawyvets, rogorRac Tavi daaRwios gaWirvebas. is Cumad iRebs saxlidan iaraRs<br />

da fulis saSovnelad midis. ganvlil gzaze mas gangebis mxridan movlenili<br />

gansacdelis gadalaxva da sakuTar TavSi maradiuli Rirebulebebis aRmoCena da<br />

danaxva mouwevs.<br />

Filmography / filmografia<br />

<strong>2012</strong> The Butterfly / Pepela<br />

Director:<br />

Tengiz Asitashvili, Giorgi Okriashvili<br />

Screenplay:<br />

Tengiz Asitashvili<br />

Cinematography:<br />

Irakli Akhalkatsi<br />

Music:<br />

Joni Asitashvil<br />

Production Design:<br />

Shota Begalishvili<br />

Editing:<br />

Irakli Akhalkatsi<br />

Sound:<br />

Giorgi Zedginidze<br />

Producer:<br />

Giorgi Okriashvili<br />

Cast:<br />

Gia Urushadze, Keta Shatirishvili,<br />

Anka Chochia, Nika Kvantaliani,<br />

Temur Amoevi<br />

THE BUTTERFLY GEORGIA <strong>2012</strong><br />

reJisori:<br />

Tengiz asitaSvili,<br />

giorgi oqriaSvili<br />

scenari:<br />

Tengiz asitaSvili<br />

operatori:<br />

irakli axalkaci<br />

musika:<br />

joni asitaSvili<br />

mxatvari:<br />

SoTa begaliSvili<br />

montaJi:<br />

irakli axalkaci<br />

xma:<br />

giorgi zedginiZe<br />

prodiuseri:<br />

giorgi oqriaSvili<br />

monawileoben:<br />

gia uruSaZe, qeTa<br />

SaTiriSvili, anka CoCia,<br />

nika kvantaliani, Temur<br />

amoevi<br />

A young man has a sick wife. Their financial situation does not allow her to undergo a thorough<br />

treatment. One day a young man could not tolerate the situation and decided to somehow<br />

escape from the dead-end road and change their lives for the better.<br />

He secretly took a gun from the house and went away torise funds. He had to overcome the<br />

danger, correctly pass all tests sent by Lord on his life way in order to get self-revelation of<br />

eternal values, sight and perception of them, what is the basis of getting closer to the God.<br />

Tengiz asitaSvili<br />

TENGIZ ASITASHVILI<br />

giorgi oqriaSvili<br />

GIORGI OKRIASHVILI<br />

26 wT, feradi<br />

26 min, colour<br />

Tengiz asitaSvili daibada 1987 wels. 2008 wels daamTavra<br />

saqarTvelos Teatrisa da kinos universitetis tele-kinosareJisoro<br />

fakulteti. „pepela“ misi sadebiuto moklemetra-<br />

Jiani filmia.<br />

Tengiz Asitashvili was born in 1987. In 2008 graduated from the department<br />

of Film Directing of Georgian State University of Film and Theatre.<br />

BUTTERFLY is his debute short.<br />

giorgi oqriaSvili daibada 1989 wels. swavlobs stirlingis<br />

universitetSi kinosa da mediis kvlevis fakultetze. „pepela“<br />

misi sadebiuto moklemetraJiani filmia.<br />

Giorgi Okriashvili was born in 1989. Student of department of Film and<br />

Media Research at the University of Stirling , UK. BUTTERFLY is his debute<br />

work.<br />

39


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

SHAVI TUTA<br />

Savi TuTa saqarTvelo / <strong>safrangeTi</strong> <strong>2012</strong><br />

industriul qalaq WiaTuraSi ori mozardi xvdeba erTmaneTs. isini mxolod erT<br />

dRes atareben erTad, Tumca did kvals toveben erTmaneTis cxovrebaSi. Wia-<br />

Tureli nikasTvis Tbiliseli anis gamoCena mniSvnelovan movlenad iqceva. maTi<br />

istoria dacarielebuli qalaqis, mZlavri imperiis nangrevebis fonze viTardeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Black Mulberry / Shavi tuta<br />

Director:<br />

Gabriel Razmadze<br />

Screenplay:<br />

Tinatin Kajrishvili, Gabriel Razmadze<br />

Cinematography:<br />

Goga Devdariani<br />

Music:<br />

Ream Lawrence<br />

Production Design:<br />

Konstantine Japaridze<br />

Producer:<br />

Tinatin Kajrishvili, Sebastian Aubert<br />

Cast:<br />

Maxime Machaidze, Nata Beradze,<br />

Zura Begalishvili<br />

40<br />

22 wT, feradi<br />

22 min, colour<br />

BLACK MULBERRY GEORGIA / FRANCE <strong>2012</strong><br />

reJisori:<br />

gabriel razmaZe<br />

scenari:<br />

TinaTin yajriSvili,<br />

gabriel razmaZe<br />

operatori:<br />

goga devdariani<br />

musika:<br />

rim lourensi<br />

mxatvari:<br />

konstantine jafariZe<br />

prodiuseri:<br />

TinaTin yajriSvili,<br />

sebastian oberi<br />

monawileoben:<br />

maqsime maCaiZe, nata beraZe,<br />

zura begaliSvili<br />

Production:<br />

LTD Gemini<br />

Ad Astra Films<br />

Two teenagers meet in an industrial town Chiatura. The only day they spend together leaves a<br />

huge trace on their lives. For Nika who lives in Chiatura arrival of Tbilisian girl Ani turns into an<br />

important event. Their story unfolds against the background of an emptied town, among the<br />

ruins of the powerful empire.<br />

gabriel razmaZe<br />

GABRIEL RAZMADZE<br />

daibada 1977 wels. 1999 wels daamTavra saqarTvelos Teatrisa<br />

da kinos institutis telesareJisoro fakulteti. 2011<br />

wlidan saqarTvelos Teatrisa da kinos universitetis kinosareJisoro<br />

fakultetis magistrantia. „Savi TuTa“ reJisoris<br />

sadebiuto namuSevaria.<br />

Born in 1977. Graduated from Tbilisi Institute of Theatre and Film TV department<br />

in 1999. Since 2011 Razmadze continues his studies, MA in Film<br />

Directing. BLACK MULBERRY in his debut short film.


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

VIKA VENERA PODODEAL’NIK<br />

vika venera sabnis piri ruseTi <strong>2012</strong><br />

msubuqi da sasacilo ambavi ori gogonasa da maTi mamakacebTan da sabnis pirebTan<br />

urTierTobis Sesaxeb.<br />

Filmography / filmografia<br />

<strong>2012</strong> Vika Venus Duvet Cover (short)<br />

<strong>2012</strong> Meine kleine Zeitmaschine namens Pentacon (short)<br />

2010 Intersections (short)<br />

2007 In the Clouds (short)<br />

2006 Another Moscow (doc.)<br />

Director:<br />

Omari Zverkov<br />

Screenplay:<br />

Omari Zverkov<br />

Cinematography:<br />

Omari Zverkov<br />

Music:<br />

Omari Zverkov<br />

Sound:<br />

Omari Zverkov<br />

Producer:<br />

Omari Zverkov<br />

Cast:<br />

Vika Trunova, Venera Bikchentaeva,<br />

Danila Shironin, Dmitri Musanev,<br />

Anton Tsakul, Alexei Zhadan<br />

VIKA VENUS DUVET COVER RUSSIA <strong>2012</strong><br />

reJisori:<br />

omari zverkovi<br />

scenari:<br />

omari zverkovi<br />

operatori:<br />

omari zverkovi<br />

musika:<br />

omari zverkovi<br />

xma:<br />

omari zverkovi<br />

prodiuseri:<br />

omari zverkovi<br />

monawileoben:<br />

vika trunova, venera<br />

bikCentaeva, danila<br />

Sironini, dmitri musanevi,<br />

anton cakuli, aleqsei<br />

Jadani<br />

Light and humorous story of two young girls and their mutual relations with men and quilt covers.<br />

omari zverkovi<br />

OMARI ZVERKOV<br />

15 wT, feradi<br />

15 min, colour<br />

2007 wels daamTavra moskovis reJisorTa da scenaristTa<br />

umaRlesi kursebi (irakli kvirikaZisa da andrei dobrovolskis<br />

saxelosno). Tavisi mikrobiujetiani moklemetraJiani<br />

filmebisTvis saxsrebis mosapoveblad muSaobs profesional<br />

fotografad.<br />

Graduated from the Higher Courses for Directors and Scriptwriters (2007,<br />

class of Irakli Kvirikadze and Andrey Dobrovolsky). Now he is earning for<br />

independent production of his mini-budget shorts as professional photographer.<br />

41


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

V PUT’<br />

saxlidan Sors ruseTi <strong>2012</strong><br />

axalgazrda kacs sazRvargareT samuSaos sTavazoben da isic gadawyvets, ramdenime<br />

wliT gadaixvewos mSobliuri qalaqidan. mas rTuli arCevanis gakeTeba<br />

uwevs: „aq“ Cveuli garemo, megobrebis wre da Seyvarebuli rCeba, „iq“ ki bundovani<br />

da gaurkveveli momavali elodeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Away / V Put’<br />

Director:<br />

Anna Sarukhanova<br />

Screenplay:<br />

Anna Sarukhanova<br />

Cinematography:<br />

Danila Goryunkov<br />

Music:<br />

Vasiliy Filatov<br />

Production Design:<br />

Nino Surguladze, Mariya Slavina<br />

Editing:<br />

Roman Perepelkin<br />

Sound:<br />

Vasiliy Filatov<br />

Producer:<br />

Ivan Lopatin<br />

Cast:<br />

Nika Ksnelashvili, Keti Surguladze,<br />

Vakhtang Kirkvalidze, Marisha Osipov<br />

42<br />

AWAY RUSSIA <strong>2012</strong><br />

17 wT, feradi<br />

17 min, colour<br />

reJisori:<br />

ana saruxanova<br />

scenari:<br />

ana saruxanova<br />

operatori:<br />

danila goriunkovi<br />

musika:<br />

vasili filatovi<br />

mxatvari:<br />

nino surgulaZe,<br />

maria slavina<br />

montaJi:<br />

roman perepelkini<br />

prodiuseri:<br />

ivan lopatini<br />

monawileoben:<br />

nika qsnelaSvili, qeTi<br />

surgulaZe, vaxtang<br />

kirkvaliZe, mariSa osipovi<br />

Production Company:<br />

Leevandia Entertainment<br />

info@leevandia.ru<br />

www.leevandia.ru<br />

The young man has got invitation for some job abroad and have to leave his native town for<br />

several years. A choice is to be done - whether to leave habitual environment and connencted<br />

with some plans for the uncertainty or to stay and continue living at the place so well known<br />

from childhood not interrupting started relations with girlfriend and not leving grandparents for<br />

forever. The controversy of situation brings him to inner conflict and makes him feel lonely and<br />

alien both in native and in the unknown abroad.<br />

ana saruxanova<br />

ANNA SARUKHANOVA<br />

daibada 1988 wels TbilisSi. 2005 wels Caabara moskovis universitetis<br />

Jurnalistikis fakultetze. 2010 wels swavla ganagrZo<br />

scenaristebisa da kinoreJisoebis umaRles kursebze<br />

(vladimir xotinenkos, pavel finisa da vladimir fenCenkos<br />

saxelosno).<br />

Born in 1988 in Tbilisi, Georgia. In 2005 graduated from high school in<br />

Moscow and entered Moscow State University, journalism faculty. In 2010<br />

entered Postgraduate School of Scriptwriters and Film Directors, Vladimir<br />

Khotinenko, Pavel Finn and Vladimir Fenchenko’s workshop.


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

SAZAMTRO<br />

sazamTro saqarTvelo / poloneTi <strong>2012</strong><br />

udabnos SuagulSi, zafxulis mcxunvare mzis gulze, sazamTros ori gamyidveli<br />

gadaeyreba erTmaneTs da paeqrobas iwyeben.<br />

Filmography / filmografia<br />

<strong>2012</strong> Watermelon / Sazamtro<br />

Director:<br />

Tato Kotetishvili<br />

Screenplay:<br />

Nikoloz Mdivani, Tato Kotetishvili<br />

Cinematography:<br />

Tato Kotetishvili<br />

Production Design:<br />

Guga Kotetishvili<br />

Costumes:<br />

Guga Kotetishvili<br />

Editing:<br />

Wojciech Janas,Tato Kotetishvili<br />

Sound:<br />

Kasia Szczerba<br />

WATERMELON GEORGIA / POLAND <strong>2012</strong><br />

reJisori:<br />

tato kotetiSvili<br />

scenari:<br />

nikoloz mdivani,<br />

tato kotetiSvili<br />

operatori:<br />

tato kotetiSvili<br />

mxatvari:<br />

guga kotetiSvili<br />

kostiumebi:<br />

guga kotetiSvili<br />

montaJi:<br />

voiCex ianasi,<br />

tato kotetiSvili<br />

xma:<br />

kasia SCerba<br />

Production:<br />

PWSFTviT<br />

ZANGO DESIGN<br />

In the middle of a Georgian desert, on the hottest day of summer two watermelon sellers cross<br />

paths and their competition begins.<br />

tato kotetiSvili<br />

TATO KOTETISHVILI<br />

10 wT, feradi<br />

10 min, colour<br />

daibada 1987 wels saqarTveloSi. kinoreJisuras swavlobda<br />

loZis kinoskolaSi.<br />

Born in 1987 in Georgia. Studied filmmaking at Łódź Film School.<br />

43


moklemetraJiani mxatvruli filmebis konkursi<br />

SHORT FILM COMPETITION<br />

YUVA’<br />

bude azerbaijani <strong>2012</strong><br />

usaxlkaro mawanwalis gamoCenis Semdeg metyevis ojaxis saqme sul ufro ukeT<br />

midis, magram veravin xvdeba, vin imaleba „usaxlkaros“ niRbis miRma.<br />

Filmography / filmografia<br />

<strong>2012</strong> The Nest<br />

2009 Absheron Monument<br />

2008 Only Blood<br />

2007 0:1<br />

Director:<br />

Emin Efendiyev<br />

Screenplay:<br />

Emin Efendiyev<br />

Cinematography:<br />

Adil Abbasov<br />

Music:<br />

Firuddin Allahverdi<br />

Production Design:<br />

Chingiz Rasulzadeh<br />

Editing:<br />

Asif Rustamov<br />

Sound:<br />

Parviz Ramizoglu, Huseyn Monk<br />

Producer:<br />

Ilgar Najaf<br />

Cast:<br />

Namig Aghayev, Abbas Gahramanov,<br />

Munavvar Aliyeva, Shebnem Nasirova<br />

44<br />

THE NEST AZERBAIJAN <strong>2012</strong><br />

22 wT, feradi<br />

22 min, colour<br />

reJisori:<br />

emin efendievi<br />

scenari:<br />

emin efendievi<br />

operatori:<br />

adil abasovi<br />

musika:<br />

firudin alahverdi<br />

mxatvari:<br />

Cingiz rasulzade<br />

montaJi:<br />

farviz ramizoRlu,<br />

husein monki<br />

prodiuseri:<br />

ilgar najafi<br />

monawileoben:<br />

namig aRaievi, abas<br />

gahramanovi, munavar alieva,<br />

Sebnem nasirova<br />

Production:<br />

Buta Film<br />

World Sales:<br />

Buta Film<br />

Asif Rustamov<br />

asif_rustamov@yahoo.com<br />

Phone: +994124372337<br />

Fax: +994124921856<br />

Cell Phone: +994502058817<br />

butafilm.info@gmail.com<br />

There are positive changes with the advent of homeless beggar in forester’s family. Nobody<br />

guesses about who is behind the appearance of “homeless.”<br />

emin efendievi<br />

EMIN EFENDIYEV<br />

daibada 1987 wels azerbaijanSi. 2009 wels daamTavra azerbaijanis<br />

xelovnebisa da kulturis universitetis kinoreJisuris<br />

fakulteti.<br />

Born in 1987 in Azerbaijan. In 2009 graduated from Azerbaijan State University<br />

of Art & Culture, film direction department.


evropuli kinos<br />

forumi<br />

siyvaruli<br />

Wama Zili sikvdili<br />

sunTqva<br />

barbara<br />

keisari unda mokvdes<br />

usircxvilod<br />

gorakebs miRma<br />

mkvdari kaci da bednierad yofna<br />

Cven gvyavs papi<br />

moulodneli gaCereba<br />

havri<br />

simaRlis SiSi<br />

Seyvarebulebi<br />

operacia libertadi<br />

aRlumi<br />

samoTxe: siyvaruli<br />

sanam Rame gagvyrides<br />

pulsari<br />

realoba<br />

roza<br />

xarisTava<br />

sebe<br />

sircxvili<br />

angelozTa wili<br />

maisis 4 dRe<br />

jurRmuli<br />

LOVE<br />

EAT SLEEP DIE<br />

BREATHING<br />

BARBARA<br />

CAESAR MUST DIE<br />

SHAMELESS<br />

BEYOND THE HILLS<br />

THE DEAD MAN AND BEING HAPPY<br />

WE HAVE THE POPE<br />

STOPPED ON TRACK<br />

LE HAVRE<br />

FEAR OF FALLING<br />

BELOVED<br />

OPÉRATION LIBERTAD<br />

THE PARADE<br />

PARADISE: LOVE<br />

TILL NIGHT DO US PART<br />

PULSAR<br />

REALITY<br />

ROSE<br />

BULLHEAD<br />

SEBBE<br />

SHAME<br />

THE ANGELS’ SHARE<br />

4 DAYS IN MAY<br />

INSIDE<br />

FORUM OF EUROPEAN<br />

CINEMA<br />

45


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

AMOUR<br />

siyvaruli <strong>safrangeTi</strong> / germania / avstria <strong>2012</strong><br />

jorji da ana oTxmoc wels mitanebuli wyvilia. warsulSi musikis maswavleblebi,<br />

axla pensiaze arian da bednierad cxovroben. maTi qaliSvili _ isic musikosi<br />

_ Tavis ojaxTan erTad sazRvargareT cxovrobs. erT dRes anas janmrTelobis<br />

mdgomareoba mkveTrad uaresdeba. wyvilis siyvaruli mZime gamocdis winaSe dgeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Amour<br />

2009 The White Ribbon<br />

2007 Funny Games U.S.<br />

2005 Hidden<br />

2003 Le temps du loup<br />

2001 The Piano Teacher<br />

2000 Code Unknown: Incomplete Tales of Several<br />

Journeys<br />

1997 Funny Games<br />

1997 Das Schloß<br />

1995 Lumière and Company (doc.)<br />

1994 71 Fragments of a Chronology of Chance<br />

Director:<br />

Michael Haneke<br />

Screenplay:<br />

Michael Haneke<br />

Cinematography:<br />

Darius Khondji<br />

Production Design:<br />

Jean-Vincent Puzos<br />

Costumes:<br />

Karen Serreau, Catherine Leterrier<br />

Editing:<br />

Nadine Muse, Monika Willi<br />

Sound:<br />

Guillaume Sciama, Jean-Pierre Laforce<br />

Producer:<br />

Margaret Ménégoz<br />

Co-Producer:<br />

Veit Heiduschka, Michael Katz, Stefan<br />

Arndt<br />

Cast:<br />

Jean-Louis Trintignant, Emmanuelle<br />

Riva, Isabelle Huppert<br />

46<br />

LOVE FRANCE / GERMANY / AUSTRIA <strong>2012</strong><br />

127 wT, feradi<br />

127 min, colour<br />

1993 Die Rebellion (TV movie)<br />

1992 Benny’s Video<br />

1991 Nachruf für einen Mörder (TV movie)<br />

1989 The Seventh Continent<br />

1986 Fräulein (TV movie)<br />

1985 Wer war Edgar Allan? (TV movie)<br />

1983 Variation (TV movie)<br />

1979 Lemminge, Teil 2 Verletzungen (TV movie)<br />

1979 Lemminge, Teil 1 Arkadien (TV movie)<br />

1976 Three Paths to the Lake (TV movie)<br />

1976 Sperrmüll (TV movie)<br />

1974 After Liverpool (TV movie)<br />

reJisori:<br />

mixael haneke<br />

scenari:<br />

mixael haneke<br />

operatori:<br />

darius xonji<br />

mxatvari:<br />

Jan-vensan puzo<br />

kostiumebi:<br />

karen sero, keTrin leterie<br />

montaJi:<br />

nadin muze, monika vili<br />

xma:<br />

giiom skiama, Jan-pier<br />

laforsi<br />

prodiuseri:<br />

margaret menegosi<br />

Tanaprodiuseri:<br />

fait haiduSka, mixael<br />

katci, Stefan arndti<br />

monawileoben:<br />

Jan-lui trentiniani,<br />

emanuel riva, izabel<br />

iuperi<br />

Production:<br />

Les Films du Losange (Paris)<br />

X Filme Creative Pool GmbH (Berlin)<br />

Wega Filmproduktionsgesellschaft mbH<br />

(Wien)<br />

in co-production with:<br />

France 3 Cinéma S.A.<br />

ARD Degeto Film<br />

Westdeutscher Rundfunk<br />

Bayerischer Rundfunk<br />

World Sales:<br />

Les Films du Losange<br />

Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter,<br />

who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple’s<br />

bond of love is severely tested.<br />

mixael haneke<br />

MICHAEL HANEKE<br />

daibada 1942 wels miunxenSi. 1967-1970 wlebSi redaqtorad da<br />

dramaturgad muSaobda televiziaSi (Südwestfunk / ARD). 1970 wlidan<br />

Tavisufali reJisori da scenaristia. germaniasa da avstriaSi<br />

ganxorcielebuli aqvs Teatraluri da saopero dadgmebi.<br />

dajildoebulia araerTi kinopriziT, romelTa Soris aris evropuli<br />

kinoakademiis jildo filmisTvis „benis video“ (1993), kanis<br />

kinofestivalis Jiuris gran-pri filmisTvis „musikis maswavlebeli“<br />

(2001), kanis kinofestivalis prizi saukeTeso reJisurisTvis<br />

da evropuli kinoakademiis jildo filmisTvis „dafaruli“ (2005),<br />

kanis kinofestivalis oqros palmis rto da evropuli kinoakademiis<br />

jildo filmisTvis „TeTri lenti“ (2009), kanis kinofestivalis<br />

oqros palmis rto filmisTvis „siyvaruli“ (<strong>2012</strong>).<br />

Born in Munich in 1942. 1967-1970 producer and TV movie dramaturge at<br />

Südwestfunk (ARD). Since 1970 freelance director and screenwriter. Theatre<br />

productions in Germany and Austria. Numerous awards, including European<br />

Film Prize 1993 for BENNY’S VIDEO, Grand Prize of the Jury 2001 in<br />

Cannes for THE PIANO TEACHER, Best Director 2005 in Cannes and European<br />

Film Prize for HIDDEN, Palme d’Or in Cannes and European Film Prize<br />

2009 for THE WHITE RIBBON, Palme d’Or <strong>2012</strong> in Cannes for AMOUR.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

ÄTA SOVA DÖ<br />

Wama Zili sikvdili SvedeTi <strong>2012</strong><br />

odesme dafiqrebulxarT, vin fuTavs axalmomzadebul salaTs, romelsac sadilad<br />

miirTmevT? vin arian patara qalaqebis mcxovreblebi, romlebic gamudmebiT<br />

kargaven samsaxurs? mzad xarT sxvanairi SvedeTis gasacnobad? Svedur-balkanuri<br />

fabrikis muSa, mtkice xasiaTis da cxovrebaze optimisturi Sexedulebebis mqone<br />

axalgazrda muslimi raSa samuSaos kargavs. diplomis gareSe samsaxurs veRar<br />

Soulobs, magram mSobliur qalaqSi fesvebi metismetad myarad aqvs gadgmuli.<br />

aqedan iwyeba raSas konfliqti sazogadoebasTan da biurokratiisa da pirobiTobebis<br />

komikur samyarosTan.<br />

Filmography / filmografia<br />

<strong>2012</strong> Eat Sleep Die<br />

2009 Scratches (short)<br />

Director:<br />

Gabriela Pichler<br />

Screenplay:<br />

Gabriela Pichler<br />

Cinematography:<br />

Johan Lundborg<br />

Music:<br />

Andreas Svensson, Jonas Isaksson<br />

Editing:<br />

Gabriela Pichler, Johan Lundborg<br />

Sound:<br />

Martin Hennel<br />

Producer:<br />

China Ahlander<br />

Cast:<br />

Nermina Lukac, Milan Dragisic,<br />

Jonathan Lampinen, Peter Falt, Ruzica<br />

Pichler<br />

EAT SLEEP DIE SWEDEN <strong>2012</strong><br />

reJisori:<br />

gabriela pixleri<br />

scenari:<br />

gabriela pixleri<br />

operatori:<br />

iuan lundborgi<br />

musika:<br />

andreas svensoni,<br />

iunas isaksoni<br />

montaJi:<br />

gabriela pixleri,<br />

iuan lundborgi<br />

xma:<br />

martin heneli<br />

prodiuseri:<br />

hina olanderi<br />

monawileoben:<br />

nermina lukaCi, milan<br />

dragiSiCi, iunaTan<br />

lampineni, peter falti,<br />

ruJica pixleri<br />

Production:<br />

Anagram Film<br />

www.anagramproduktion.se/<br />

World Sales:<br />

The Yellow Affair<br />

www.yellowaffair.com<br />

Ever wondered who packs the fresh plastic-sealed salad you are having for lunch? Who are<br />

the people getting laid off from their factory jobs in the small rural towns? Ready for a visit to<br />

another kind of Sweden? When the forceful young Muslim Swedish / Balkan factory worker<br />

Raša who has no-shit, never-say-die attitude to life, loses her job, she faces unemployment.<br />

With no high school diploma, no job – but her boots deeply stained with the mud of the small<br />

town she grew up in – Rasa finds herself on collision course with society and comical world of<br />

bureaucracy and contradicting values and expectations.<br />

gabriela pixleri<br />

GABRIELA PICHLER<br />

104 wT, feradi<br />

104 min, colour<br />

gabriela stokholmis emigrantebiT dasaxlebul gareubanSi daibada.<br />

mogvianebiT misi warmoSobiT avstrieli da bosnieli mSoblebi<br />

provinciaSi gadavidnen sacxovreblad da gogonac iq gaizarda.<br />

daamTavra geteborgis universiteti kinoreJisuris specialobiT.<br />

2009 wels mis sadiplomo namuSevars „nakawrebi“ SvedeTis erovnuli<br />

kinojildo guldbageni gadaeca, prizebiT aRiniSna saerTaSoriso<br />

kinofestivalebzec, maT Soris, karlovi varis studenturi filmebis<br />

festivalze (Fresh Film Fest) saukeTeso filmisTvis. „Wama Zili<br />

sikvdili“ gabriela pixleris pirveli srulmetraJiani mxatvruli<br />

filmia, romelmac wels veneciis kinofestivalze „kritikosTa<br />

kvireulis“ mayurebelTa prizi daimsaxura.<br />

Gabriela was born to working class parents in segregated suburb of Stockholm.<br />

Her Bosnian and Austrian born parents later moved the family out<br />

of the provincial countryside where she grew up. She studied film directing<br />

at the Göteborg University. In 2009, her graduation project, the short film<br />

SCRATCHES was awarded the Swedish national film award Guldbaggen. Internationally,<br />

the film won several awards, among them Best Film at Fresh<br />

Film Fest in Karlovy Vary. EAT SLEEP DIE, her debut feature film, won Audience<br />

Award of Critics’ Week at the <strong>2012</strong> Venice Film Festival.<br />

47


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

ATMEN<br />

sunTqva avstria 2011<br />

19 wlis roman kogleri SeiZleba vadaze adre gaaTavisuflon sasjelaRsrulebis<br />

dawesebulebidan. magram mas arc ise kargi Sansebi aqvs _ Caketilia da martosuli,<br />

arc ojaxi hyavs, rac mis resocializacias arTulebs. mravali uSedego cdis<br />

Semdeg romani gamosacdeli vadiT venis municipalur morgSi iwyebs muSaobas.<br />

swored es samsaxuri da sikvdilTan Sexeba apovninebs mas gzas ukan, cxovrebaSi<br />

dasabruneblad.<br />

Filmography / filmografia<br />

2011 Breathing / Atmen<br />

Director:<br />

Karl Markovics<br />

Screenplay:<br />

Karl Markovics<br />

Cinematography:<br />

Martin Gschlacht<br />

Music:<br />

Herbert Tucmandl<br />

Production Design:<br />

Isidor Wimmer<br />

Costumes:<br />

Caterina Czepek<br />

Editing:<br />

Alarich Lenz<br />

Sound:<br />

William Edouard Franck<br />

Producer:<br />

Dieter Pochlatko, Nikolaus Wisiak<br />

Cast:<br />

Thomas Schubert, Karin Lischka,<br />

Gerhard Liebmann, Georg Friedrich<br />

48<br />

BREATHING AUSTRIA 2011<br />

94 wT, feradi<br />

94 min, colour<br />

reJisori:<br />

karl markoviCi<br />

scenari:<br />

karl markoviCi<br />

operatori:<br />

martin gSlaxti<br />

musika:<br />

herbert tukmandli<br />

mxatvari:<br />

izidor vimeri<br />

kostiumebi:<br />

katerina Cepeki<br />

montaJi:<br />

alarix lenci<br />

xma:<br />

uiliam edvard franki<br />

prodiuseri:<br />

diter poxlatko,<br />

nikolaus viziaki<br />

monawileoben:<br />

Tomas Suberti, karin liSka,<br />

gerhard libmani, georg<br />

fridrixi<br />

Production:<br />

Epo- Film Produktiongesellschaft<br />

Phone: +43 1 812 37 18<br />

office@epofilm.com<br />

World Sales:<br />

Films Distribution<br />

Phone +33 1 53 10 33 99<br />

info@filmsdistribution.com<br />

www.filmsdistribution.com<br />

19-year-old Roman Kogler has a chance to be released early from his young offenders’ institution.<br />

The odds are against him, however: he is an uncommunicative and solitary character without a<br />

family and doesn’t seem to be fit for re-socialization. As a day-release prisoner he has a job at a<br />

funeral home. Of all things, it is this job dealing with death that shows him the path back to life.<br />

karl markoviCi<br />

KARL MARKOVICS<br />

Teatrisa da kinos msaxiobi karl markoviCi 1963 wels daibada venaSi.<br />

misi bolo wlebSi gansaxierebuli kinorolebidan aRsaniSnavia<br />

salomon soroviCis saxe Stefan ruzovickis filmSi „gamyalbeblebi“,<br />

romelic „oskariT“ dajildovda kategoriaSi „saukeTeso<br />

ucxoenovani filmi“ (2008). karl markoviCis sareJisoro debiutis,<br />

„sunTqvis“ premiera kanSi, „reJisorTa orkvireulis“ farglebSi<br />

Sedga, sadac is evropis kinoqselis priziT (Label Europa Cinemas)<br />

aRiniSna. amis Semdeg filmi kidev 50-mde kinofestivalze aCvenes,<br />

sadac man araerTi jildo daimsaxura. filmma <strong>2012</strong> wels 6 kategoriaSi<br />

moipova avstriis kinoakademiis prizi, maT Soris „saukeTeso<br />

mxatvruli filmisTvis“, „saukeTeso reJisurisTvis“ da „sauke-<br />

Teso scenarisTvis“; nominirebuli iyo „oskarze“ kategoriaSi<br />

„saukeTeso ucxoenovani filmi“.<br />

Born in 1963 in Vienna (Austria), he is a respected stage actor, appearing in<br />

many theater plays and musicals. He starred as Salomon Sorowitsch in Stefan<br />

Ruzowitzky’s 2007 film THE COUNTERFEITERS (Die Fälscher), which was<br />

awarded the Academy Award for Best Foreign Language Film. BREATHING<br />

is his first feature film as a writer and director.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

BARBARA<br />

barbara germania <strong>2012</strong><br />

1980 wlis zafxuli. barbaras ganacxadi Seaqvs germaniis demokratiuli respublikidan<br />

gasasvleli vizis misaRebad. amas sasjeli moyveba _ barbara berlinidan<br />

patara provinciul saavadmyofoSi gadayavT samuSaod. misi Seyvarebuli iorgi,<br />

romelic dasavleTSi cxovrobs, barbaras gaqcevis gegmas adgens. barbara icdis.<br />

magram mas axali Sefi, andre aforiaqebs _ misi ndoba, misi yuradReba, misi Rimili.<br />

barbaras TvalTvali aqvs davalebuli? Tu Seyvarebulia? barbara TandaTan<br />

kontrols kargavs _ Tavis Tavze, gegmebze, siyvarulze. misi gaqcevis dRe ki<br />

axlovdeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Barbara<br />

2010 Dreileben - Beats Being Dead / Etwas besseres<br />

als den Tod<br />

2008 Jerichow<br />

2007 Yella<br />

Director:<br />

Christian Petzold<br />

Screenplay:<br />

Christian Petzold<br />

Cinematography:<br />

Hans Fromm<br />

Music:<br />

Stefan Will<br />

Production Design:<br />

Kade Gruber<br />

Costumes:<br />

Anette Guther<br />

Editing:<br />

Bettina Böhler<br />

Sound:<br />

Andreas Mücke-Niesytka<br />

Producer:<br />

Florian Koerner von Gustorf,<br />

Michael Weber<br />

Cast:<br />

Nina Hoss, Ronald Zehrfeld, Jasna<br />

Fritzi Bauer, Mark Waschke, Rainer<br />

Bock<br />

BARBARA GERMANY <strong>2012</strong><br />

105 wT, feradi<br />

105 min. colour<br />

2005 Ghosts / Gespenster<br />

2003 Wolfsburg<br />

2002 Something To Remind Me / Toter Mann<br />

2001 The State I Am In / Die innere Sicherheit<br />

1995 Cuba Libre<br />

reJisori:<br />

kristian petcoldi<br />

scenari:<br />

kristian petcoldi<br />

operatori:<br />

hans fromi<br />

musika:<br />

Stefan vili<br />

mxatvari:<br />

kade gruberi<br />

kostiumebi:<br />

anete guTeri<br />

montaJi:<br />

betina boeleri<br />

xma:<br />

andreas miuke-nizitka<br />

prodiuseri:<br />

florian koerner von<br />

gustorfi, mixael veberi<br />

monawileoben:<br />

nina hosi, ronald<br />

cerfeldi, iasna fritci<br />

baueri, mark vaSke, rainer<br />

boki<br />

Production:<br />

Schramm Film Koerner & Weber (Berlin)<br />

In coproduction with:<br />

ZDF (Mainz)<br />

World Sales:<br />

The Match Factory<br />

Summer, 1980. Barbara, a doctor, has applied for an exit visa from the GDR (East Germany).<br />

Now, as punishment, she has been transferred from Berlin to a small hospital out in the country,<br />

far from everything. Jörg, her lover from the West, is already planning her escape. Barbara<br />

waits, keeping to herself. But Andre confuses her. His confidence, his caring attitude, his smile.<br />

Does he have an assignment to keep track of her? Is he in love? But as the day of her planned<br />

escape quickly approaches, Barbara starts to lose control. Over herself, her plans, over love.<br />

kristian petcoldi<br />

CHRISTIAN PETZOLD<br />

daibada 1960 wels hildenSi. berlinis Tavisufal universitet-<br />

Si swavlobda germanistikasa da Teatris istorias, Semdeg<br />

swavla ganagrZo berlinis germanuli kinosa da televiziis akademiaSi,<br />

romelic 1994 wels daamTavra pirveli srulmetraJiani<br />

mxatvruli filmiT „piloti qalebi“. misi filmebi mravali<br />

jildoTia aRniSnuli, maT Soris germanuli kinoakademiisa da<br />

germanel kinokritikosTa asociaciis prizebiT. <strong>2012</strong> wels filmiT<br />

„barbara“ kristian petcoldi berlinis kinofestivalis<br />

„vercxlis daTvis“ mflobeli gaxda saukeTeso reJisurisTvis.<br />

filmma miiRo agreTve germanuli kinoakademiis „vercxlis<br />

lola“ saukeTeso mxatvruli filmis kategoriaSi.<br />

Born in Hilden in 1960, he moved to Berlin in 1981. He studied German<br />

language and literature, then worked as a film critic and had several different<br />

jobs in television. From 1988-94 he studied at the German Film and<br />

Television Academy in Berlin (dffb). In 1995 he directed his first feature film.<br />

He received the Silver Berlin Bear for Best Direction and the German Film<br />

Award in Silver for the Best Feature Film for “Barbara” in <strong>2012</strong>.<br />

49


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

CESARE DEVE MORIRE<br />

keisari unda mokvdes italia <strong>2012</strong><br />

mTavrdeba Seqspiris „iulius keisari“ da msaxiobebs aRtacebuli ovaciiT ajildoeben.<br />

sinaTle qreba, msaxiobebi scenidan gadian da TavianT saknebSi brundebian:<br />

isini romis mkacri reJimis cixis „rebibias“ patimrebi arian. erTi maTgani<br />

ambobs: „mas Semdeg, rac xelovneba aRmovaCine, es sakani marTla cixed meqca“.<br />

Filmography / filmografia<br />

<strong>2012</strong> Caesar Must die / Cesare deve morire<br />

2007 The Lark Farm / La masseria delle allodole<br />

1998 You Lough / Tu ridi<br />

1996 Efective Affinities / Le affinita elettive<br />

1993 Fiorile / Fiorile<br />

1990 Night Sun / Il sole anche di note<br />

1987 Good Morning, Babylon<br />

1984 Kaos<br />

Director:<br />

Paolo Taviani, Vittorio Taviani<br />

Screenplay:<br />

Paolo Taviani, Vittorio Taviani<br />

Cinematography:<br />

Simone Zampagni<br />

Original Music By:<br />

Giuliano Taviani, Carmelo Travia<br />

Editing:<br />

Roberto Perpignani<br />

Producer:<br />

Donatella Palermo<br />

Cast:<br />

Cosmio Rega, Salvatore Striano,<br />

Ciovanni Arcuri, Antonio Frasca, Juan<br />

Dario Bonetti, Vincenzo Gallo<br />

50<br />

CAESAR MUST DIE ITALY <strong>2012</strong><br />

76 wT, S-T / feradi<br />

76 min, b-w / colour<br />

1982 The Night of the Shooting Stars / La note di<br />

San Lorenzo<br />

1979 Il Prato<br />

1977 Padre Padrone<br />

1974 Allonsanfan<br />

1972 St. Michael Had a Rooster/San Michele aveva<br />

un gallo<br />

1969 Sotto il segno dello scorpione<br />

1967 The Subversives / I sovversivi<br />

reJisorebi:<br />

paolo taviani,<br />

vitorio taviani<br />

scenari:<br />

paolo taviani,<br />

vitorio taviani<br />

operatori:<br />

simone Zampani<br />

musika:<br />

juliano taviani,<br />

karmelo travia<br />

montaJi:<br />

roberto perinani<br />

prodiuseri:<br />

donatela palermo<br />

monawileoben:<br />

kosmio rega, salvatore<br />

striano, jovani arkuri,<br />

antonio fraska, xuan dario<br />

boneti, vinCenco galo<br />

Production<br />

Kaos Cinematografica<br />

00192 Rome, Italy<br />

tel: + 39 6 5884003<br />

kaoscinematografica@alice.it<br />

World Sales<br />

RAI Trade<br />

Rom, Italien<br />

+39 6 374981<br />

info@raitrade.it<br />

The performance of Shakespeare’s Julius Caesar comes to an end and the performers are rewarded<br />

with rapturous applause. The lights go out; the actors leave the stage and return to their cells.<br />

They are all inmates of the Roman maximum security prison Rebibbia. One of them comments:<br />

‘Ever since I discovered art this cell has truly become a prison’.<br />

paolo da vitorio<br />

tavianebi<br />

PAOLO AND VITTORIO<br />

TAVIANI<br />

Zmebi paolo (1931) da vitorio (1929) tavianebi italiis qalaq<br />

san miniatoSi daibadnen. kariera orivem JurnalistikaSi daiwyo,<br />

1960 wlidan ki kinoSi gadainacvles da sxvadasxva reJisorebTan<br />

TanamSromlobdnen. pirveli damoukidebeli filmi „meamboxeebi“<br />

Zmebma 1967 wels gadaiRes. 1977 wels gadaRebulma filmma „mama batoni“<br />

paolo da vitorio tavianebs kanis kinofestivalis „oqros<br />

palmis rto“ da saerTaSoriso aRiareba moutana. filmi „keisari<br />

unda mokvdes“ berlinis <strong>2012</strong> wlis kinofestivalis „oqros daTvis“<br />

mflobelia.<br />

Brothers – Paolo and Vittorio Taviani (born November 8, 1931 and September<br />

20, 1929, respectively) were born in San Miniato, Italy. Both of them<br />

began their careers as Journalists. But from 1960 they continued working<br />

to direct films collaborating with several directors. Their first autonomous<br />

film was I SOVVERSIVI (THE SUBVERSIVES) in 1976. Taviani brothers won<br />

Palme d’Or for the film PADRE PADRONE in 1967 in Cannes. CAESAR MUST<br />

DIE won the Golden Bear at the Berlin International Film Festival <strong>2012</strong>.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

BEZ WSTYDU<br />

usircxvilod poloneTi <strong>2012</strong><br />

Tvrameti wlis taZiki ardadegebze Tavis ufros naxevardasTan, ankasTan Cadis<br />

stumrad. male irkveva, rom dis mimarT taZikis grZnobebi socialurad miRebul<br />

normebs scdeba. anka, Tavis mxriv, emociurad meryevia, mas usixarulo urTier-<br />

Toba aqvs adgilobrivi neonacistebis meTaurTan da ukeTes momavalze ocnebobs.<br />

Filmography / filmografia<br />

<strong>2012</strong> Shameless / Bez wstydu<br />

2008 Just Like Heaven / Jak w niebie (doc. short)<br />

2005 Melodrama / Melodramat (short)<br />

2004 Cyrano (short)<br />

2004 Poor-Land (doc. short)<br />

Director:<br />

Filip Marczewski<br />

Screenplay:<br />

Grzegorz Łoszewski<br />

Cinematography:<br />

Szymon Lenkowski<br />

Music:<br />

Paweł Mykietyn<br />

Production Design:<br />

Anna Wunderlich<br />

Costumes:<br />

Agata Culak<br />

Editing:<br />

Rafał Listopad<br />

Sound:<br />

Tomasz Wieczorek<br />

Producer:<br />

Michał Kwieciński<br />

Co-Producer:<br />

Andrzej Białas, Dominique Lesage<br />

Cast:<br />

Mateusz Kościukiewicz, Agnieszka<br />

Grochowska, Maciej Marczewski,<br />

Anna Próchniak<br />

SHAMELESS POLAND <strong>2012</strong><br />

reJisori:<br />

filip marCevski<br />

scenari:<br />

gJegoJ voSevski<br />

operatori:<br />

Simon lenkovski<br />

musika:<br />

pavel mikitini<br />

mxatvari:<br />

ana vunderlixi<br />

kostiumebi:<br />

agata culaki<br />

montaJi:<br />

rafav listopadi<br />

xma:<br />

tomaS viCoreki<br />

prodiuseri:<br />

mixav kviCinski<br />

Tanaprodiuseri:<br />

anjei biavasi,<br />

dominik lasaJi<br />

monawileoben:<br />

mateuS koSCukeviCi, agneSka<br />

groxovska, maCei marCevski,<br />

ana proxniaki<br />

Production:<br />

Akson Studio Sp. z o.o.<br />

in co-production with:<br />

Telewizja Polska - Agencja Filmowa<br />

Odra Film<br />

Telekomunikacja Polska<br />

World Sales:<br />

TVP SA<br />

Eighteen-year-old Tadzik arrives at the home of his elder half-sister Anka for vacation. It soon<br />

comes to light that the feelings the young man entertains for his sister overreach socially accepted<br />

norms. Anka herself is somewhat emotionally unstable, floundering as she is in a less<br />

than joyous relationship with the leader of a local neo-Nazi group; she dreams of a better<br />

future.<br />

filip marCevski<br />

FILIP MARCZEWSKI<br />

80 wT, feradi<br />

80 min, colour<br />

daibada 1974 wels loZSi, poloneTSi. varSavis universitetis<br />

damTavrebis Semdeg 2002 wels swavla ganagrZo loZis kinoskolaSi.<br />

muSaobda reJisoris asistentad lex maevskisTan, leSek<br />

davidTan da mamasTan, voicex marCevskisTan. aris ramdenime<br />

saerTaSoriso prizis mflobeli, misi moklemetraJiani filmi<br />

„melodrama“ studentur „oskarze“ iyo nominirebuli 2006<br />

wels.<br />

Born in 1974 in Łódź, Poland. He graduated from university in Warsaw and<br />

began studying at PWSFTViT in Łódź in 2002. He has worked as assistant<br />

to directors Lech Majewski, Leszek Dawid, and his father Wojciech Marczewski.<br />

His movies have received a number of international awards, and his<br />

short film MELODRAMA was nominated for a 2006 student Oscar. SHAME-<br />

LESS is his feature debut.<br />

51


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

DUPA DEALURI<br />

gorakebs miRma rumineTi / <strong>safrangeTi</strong> / belgia <strong>2012</strong><br />

alina, romelic germaniaSi mosawyen, erTferovan samsaxurSi muSaobda, samSobloSi,<br />

rumineTSi dabrunda. aq is Tavisi bavSvobis megobris, voiCitas monastridan daxsnas<br />

cdilobs. Tvrameti wlis asakSi orive gamoricxes obolTa TavSesafridan da voiCita<br />

monasterSi gagzavnes. Seupovari xasiaTis mqone alinas ver warmoudgenia, rom misma<br />

morCilma da Tavmdabalma megobarma marTlac moipova simSvide primitiuli rwmeniT da<br />

daiviwya is xanmokle lesbosuri urTierToba, romelic maT akavSirebdaT da erTi suli<br />

aqvs, vidre warsuls gaaxsenebdes. maT Soris ki Seupovari „sulieri mama“, monastris<br />

winamZRvari dgas, romelic alinas agresias xisti dogmatizmiT pasuxobs. winamZRvari<br />

maleve midis im daskvnamde, rom alina demonebiTaa Sepyrobili da misi sulis xsnaze<br />

unda izrunos. erTaderTi, rac winamZRvars mxedvelobidan gamorCeba, alinas sxeulia.<br />

Filmography / filmografia<br />

<strong>2012</strong> Beyond the Hills<br />

2009 Tales from the Golden Age<br />

2007 4 Months, 3 Weeks and 2 Days<br />

Director:<br />

Cristian Mungiu<br />

Screenplay:<br />

Cristian Mungiu<br />

Cinematography:<br />

Oleg Mutu<br />

Production Design:<br />

Calin Papura, Mihaela<br />

Poenaru<br />

Costumes:<br />

Dana Paparuz<br />

Editing:<br />

Mircea Olteanu<br />

Sound:<br />

Dana Bunescu<br />

Producer:<br />

Cristian Mungiu<br />

Cast:<br />

Cosmina Stratan, Cristina Flutur,<br />

Valeriu Andriuta, Dana Tapalaga,<br />

Catalina Harabagiu<br />

52<br />

2002 Occident<br />

2000 Corul pompierilor (short)<br />

2000 Nici o întâmplare (short)<br />

2000 Zapping (short)<br />

150 wT, feradi<br />

150 min, colour<br />

reJisori:<br />

kristian munjiu<br />

scenari:<br />

kristian munjiu<br />

operatori:<br />

oleg mutu<br />

mxatvari:<br />

kalin papura, mihaela<br />

poenaru<br />

kostiumebi:<br />

dana paparuzi<br />

montaJi:<br />

mirCea olteanu<br />

xma:<br />

dana bunesku<br />

prodiuseri:<br />

kristian munjiu<br />

monawileoben:<br />

kosmina stratani, kristina<br />

fluturi, valeriu<br />

andriuta, dana tapalaga,<br />

katalina harabajiu<br />

Production:<br />

Mobra Films<br />

Why Not Productions<br />

World sales:<br />

Wild Bunch<br />

BEYOND THE HILLS ROMANIA / FRANCE / BELGIUM <strong>2012</strong><br />

In an isolated Orthodox convent in Romania, Alina has just been reunited with Voichita after spending<br />

several years in Germany. The two young women have supported and loved each other since<br />

meeting as children in an orphanage. Alina wants Voichita to leave and return with her to Germany,<br />

but Voichita has found refuge in faith and a family in the nuns and their priest, and refuses. Alina cannot<br />

understand her friend’s choice. In her attempt to win back Voichita’s affection, she challenges the<br />

priest. She is taken to hospital and the people of the monastery start to suspect that she is possessed.<br />

kristian munjiu<br />

CRISTIAN MUNGIU<br />

daibada 1968 wels rumineTis qalaq iasSi. iasis universitetis<br />

inglisuri literaturis kursis damTavrebis Semdeg ramdenime<br />

weli maswavleblad da Jurnalistad muSaobda. mogvianebiT<br />

buqarestis universitetSi ganagrZo swavla kinoreJisuris<br />

fakultetze. misi pirveli srulmetraJiani namuSevari „dasavleTi“<br />

(2002) kanis kinofestivalze „reJisorTa orkvireulSi“<br />

aCvenes, momdevno filmma ki „4 Tve, 3 kvira da 2 dRe“ aseve kanis<br />

festivalze „oqros palmis rto“ moipova 2007 wels saukeTeso<br />

filmisTvis. films „gorakebs miRma“ kanis wlevandel kinofestivalze<br />

sami „oqros palmis rto“ ergo: kristian munjius _<br />

saukeTeso scenarisTvis da kosmina stratansa da qristina<br />

fluturs _ qalis rolis saukeTeso SesrulebisTvis.<br />

Born in 1968 in Iaşi, Romania. After studying English literature at the University<br />

of Iaşi, he worked for a few years as a teacher and as a journalist.<br />

After that, he enrolled at the University of Film in Bucharest to study film directing.<br />

After graduating in 1998, Mungiu made several short films. In 2002,<br />

his first feature film, OCCIDENT, was featured in Director’s Fortnight at the<br />

2002 Cannes Film Festival. In 2007 Mungiu’s second feature, 4 MONTHS, 3<br />

WEEKS AND 2 DAYS, was being selected in the official competition at the<br />

2007 Cannes Film Festival, where it won the Palme d’Or for feature film.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

EL MUERTO Y SER FELIZ<br />

mkvdari kaci da bednierad yofna<br />

espaneTi / <strong>safrangeTi</strong> / argentina <strong>2012</strong><br />

mkvleli, romelic buenos airesis saavadmyofoSi wevs, xvdeba, rom misi aRsasruli<br />

moaxlovda. is saavadmyofodan garbis da CrdiloeTisken mimaval TviTmfrinavSi<br />

jdeba. sikvdilis gamudmebul siaxloves SeCveuli mogzaurobs migdebul<br />

gzebze da Tavs uamravi Tavgadasavali gadaxdeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> The Dead Man and Being Happy<br />

2009 Woman Without Piano<br />

2006 What I Know about Lola / Lo que sé de Lola<br />

2003 En camas separadas (short)<br />

Director:<br />

Javier Rebollo<br />

Screenplay:<br />

Lola Mayo, Javier Rebollo, Salvador<br />

Roselli<br />

Cinematography:<br />

Santiago Racaj<br />

Production Design:<br />

Miguel Ángel Rebollo<br />

Costumes:<br />

Marisa Urruti<br />

Editing:<br />

Ángel Hernández Zoido<br />

Producer:<br />

José Nolla, Luis Miñarro, Damián París<br />

Cast:<br />

Valeria Alonso, Roxana Blanco, Lisa<br />

Caligaris, José Sacristán<br />

94 wT, feradi<br />

94 min, colour<br />

2001 Diminutos del calvario (short) (segment “El<br />

preciso orden de las cosas”)<br />

1999 El equipaje abierto (short)<br />

1998 Hello, Stranger (short)<br />

1997 En medio de ninguna parte (short)<br />

reJisori:<br />

xavier rebolo<br />

scenari:<br />

lola maio, xavier rebolo,<br />

salvador roseli<br />

operatori:<br />

santiago rakaxi<br />

mxatvari:<br />

migel anxel rebolo<br />

kostiumebi:<br />

marisa uruti<br />

montaJi:<br />

anxel ernandes soido<br />

prodiuseri:<br />

xose nola, luis minaro,<br />

damian pari<br />

monawileoben:<br />

valeria alonso, roqsana<br />

blanko, lisa kaligarisi,<br />

xose sakristani<br />

Production:<br />

Lolita Films<br />

Eddie Saeta<br />

Icónica<br />

Noodles Production<br />

Utópica Cine<br />

World Sales:<br />

Urban Distribution International<br />

14, rue du 18 Août<br />

93100 Montreuil<br />

Phone: +33 1 48 70 46 55<br />

Fax: +33 1 49 72 04 21<br />

THE DEAD MAN AND BEING HAPPY SPAIN / FRANCE / ARGENTINA <strong>2012</strong><br />

A murderer who is dying in a hospital in Buenos Aires, to realize that your time is up, escapes<br />

and embarks on a flight to the north through Argentina. Accustomed to the constant presence<br />

of death and next, moving quietly towards it, while traveling the back roads in a long wandering<br />

with a lot of romances, as the film director.<br />

xavier rebolo<br />

JAVIER REBOLLO<br />

daibada 1969 wels madridSi. espanelma kinoreJisorma, mweralma<br />

da prodiuserma xavier rebolom kariera 1996 wels<br />

moklemetraJiani filmebis gadaRebiT daiwyo, romelTagan<br />

erT-erTma - En camas separadas (2002) - goias ori nominacia da<br />

asamde prizi miiRo. 2006 wels rebolom pirveli srulmetra-<br />

Jiani mxatvruli filmi „rac vici lolas Sesaxeb“ gadaiRo.<br />

reJisoris momdevno filmi „qali pianinos gareSe“ (2009) sansebastianis<br />

kinofestivalis „vercxlis niJariT“ dajildovda,<br />

gavlenianma kinoJurnalma „kaie du sinemam“ ki wlis saukeTeso<br />

espanur filmad aRiara. „mkvdari kaci da bednierad yofna“<br />

rebolos <strong>2012</strong> wlis namuSevaria, romlis premierac san-sebastianis<br />

kinofestivalze Sedga.<br />

Spanish director, writer and producer. Born in 1969 in Madrid. He started his<br />

career in 1996 directing a series of shorts with Lola Duenas. With his short<br />

EN CAMAS SEPARADAS (2002), he garnered around a hundred awards and<br />

two Goya nominations. His first feature film WHAT I KNOW ABOUT LOLA<br />

from 2006 won several awards. In 2009 his second film WOMAN WITHOUT<br />

PIANO won the Silver Shell for Best Director at the San Sebastian festival<br />

and the award for best film at the Los Angeles festival; it was elected Best<br />

Spanish Film by ‘Cahiers du Cinéma’. THE DEAD MAN AND BEING HAPPY is<br />

his latest film and premiered at the San Sebastian Film Festival.<br />

53


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

HABEMUS PAPAM<br />

Cven gvyavs papi italia / <strong>safrangeTi</strong> 2010<br />

axalarCeuli papi panikaSia. es maSin, rodesac konklavis gadawyvetilebas da wminda<br />

petres aivanze mis gamosvlas uamravi morwmune elodeba. mrCevlebi profesionali<br />

fsiqoanalitikosis (da aTeistis) daxmarebiT cdiloben mis darwmunebas, rom Tavisi<br />

axali mdgomareobisTvis savsebiT Sesaferisi adamiania. magram moulodneli SiSi pasuxismgeblobis<br />

winaSe axalma papma Tavad, martom unda daZlios.<br />

Filmography / filmografia<br />

2011 We Have a Pope<br />

2007 To Each His Own Cinema (segment “Diaro di<br />

uno Spettatore”)<br />

2006 Cinema16: European Short Films (video short)<br />

(segment: Opening Day of Close-Up)<br />

2006 The Caiman<br />

2003 The Last Customer (documentary short)<br />

2001 The Son’s Room / La stanza del figlio<br />

2001 Il grido d’angoscia dell’uccello predatore (20<br />

tagli d’Aprile) (documentary short)<br />

1998 Aprile<br />

1996 Il giorno della prima di Close Up (short)<br />

Director:<br />

Nanni Moretti<br />

Screenplay:<br />

Nanni Moretti, Francesco Piccolo,<br />

Federica Pontremoli<br />

Cinematography:<br />

Alessandro Pesci<br />

Music:<br />

Franco Piersanti<br />

Production Design:<br />

Paola Bizzarri<br />

Costumes:<br />

Lina Nerli Taviani<br />

Editing:<br />

Esmeralda Calabria<br />

Sound:<br />

Alessandro Zanon<br />

Producer:<br />

Nanni Moretti, Domenico Procacci<br />

Cast:<br />

Michel Piccoli, Nanni Moretti, Jerzy<br />

Stuhr, Renato Scarpa, Franco Graziosi,<br />

Margherita Buy, Dario Cantarelli<br />

54<br />

1994 L’unico paese al mondo (short)<br />

1993 Dear Diary / Caro diario<br />

1990 The Thing (documentary)<br />

1989 Red Lob<br />

1985 La messa è finita<br />

1984 Bianca<br />

1981 Sogni d’oro<br />

1978 Ecce bombo<br />

1976 I Am Self Sufficient<br />

1974 Come parli, frate?<br />

1973 La sconfitta (short)<br />

1973 Paté de bourgeois (short)<br />

104 wT, feradi<br />

104 min, colour<br />

WE HAVE THE POPE TALY / FRANCE 2010<br />

reJisori:<br />

nani moreti<br />

scenari:<br />

nani moreti, franCesko<br />

pikolo, federika<br />

pontremoli<br />

operatori:<br />

alesandro peSi<br />

musika:<br />

franko piersanti<br />

mxatvari:<br />

paola bicarri<br />

kostiumebi:<br />

lina nerli taviani<br />

montaJi:<br />

esmeralda kalabria<br />

xma:<br />

alesandro Zanoni<br />

prodiuseri:<br />

nani moreti, domeniko<br />

prokaCi<br />

monawileoben:<br />

miSel pikoli, nani moreti,<br />

ierJi sturi, renato<br />

skarpa, franko graciozi,<br />

margerita bui, dario<br />

kantareli<br />

Production:<br />

Fandango Portobello<br />

Sacher Films<br />

Le Pacte<br />

in co-production with:<br />

RAI<br />

France 3 Cinema<br />

World Sales:<br />

Fandango portobello<br />

The newly elected Pope suffers a panic attack just as he is due to appear on St Peter’s balcony to<br />

greet the faithful, who have been patiently awaiting the conclave’s decision. His advisors, unable to<br />

convince him he is the right man for the job, seek help from a renowned psychoanalyst (and atheist).<br />

But his fear of the responsibility suddenly thrust upon him is one that he must face on his own.<br />

nani moreti<br />

NANNI MORETTI<br />

daibada 1953 wels brunekSi (samxreTi tiroli, CrdiloeTi italia).<br />

italieli reJisori, prodiuseri, scenaristi da msaxiobi.<br />

misi yvelaze cnobili filmebia: „Zvirfaso dRiuro“ (Caro diario,<br />

1993) da „Svilis oTaxi“ (La stanza del figlio, 2001), romelic kanis<br />

festivalis oqros palmis rtoTi dajildovda. samSobloSi<br />

moreti Tavisi eqscentruli da optimisturi iumoriT gamsWvaluli<br />

filmebiTaa cnobili, romlebSic, rogorc wesi, Tavadve<br />

TamaSobs. <strong>2012</strong> wels nani moreti kanis kinofestivalis<br />

Jiuris Tavmjdomared airCies.<br />

Born in 1953 in Bruneck (South Tyrol, northern Italy). Italian film director,<br />

producer, screenwriter and actor. He is best known for his films CARO DIA-<br />

RIO (Dear Diary, 1993) and La stanza del figlio (The Son’s Room, 2001), the<br />

latter of which won the Palme d’Or at the 2001 Cannes Film Festival. Within<br />

his country Moretti is known as a maker of wryly humorous and eccentric<br />

films, usually starring himself. In <strong>2012</strong>, he was announced as the President<br />

of the Jury at the <strong>2012</strong> Cannes Film Festival.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

HALT AUF FREIER STRECKE<br />

moulodneli gaCereba germania 2011<br />

eqimma simarTle Tqva. dReebi daTvlilia. ratom me da ratom axla? kaci tovebs<br />

colsa da Svilebs, mSoblebs, megobrebs, mezoblebsa da guSindel sayvarels _<br />

yvelas, vinc misi cxovrebis nawili iyo. yoveli dRe damSvidobebaa. sityvebi<br />

iklebs, ufro didxans grZeldeba dumili. fanjris win weliwadis ferebi icvleba.<br />

mxolod erTi saqme darCa gasakeTebeli - sikvdili. iqneb kargia, roca Sens<br />

martoobaSi marto ar xar.<br />

Filmography / filmografia<br />

2011 Stopped on Track / Halt auf freier Strecke<br />

2009 Whiskey with Vodka / Whisky mit Wodka<br />

2008 Cloud 9 / Wolke 9<br />

2005 Summer in Berlin / Sommer vorm Balkon<br />

2004 Willenbrock<br />

Director:<br />

Andreas Dresen<br />

Screenplay:<br />

Andreas Dresen, Cooky Ziesche<br />

Cinematography:<br />

Michael Hammon<br />

Music:<br />

Jens Quandt<br />

Production Design:<br />

Susanne Hopf<br />

Costumes:<br />

Sabine Greunig<br />

Editing:<br />

Jörg Hauschild<br />

Sound:<br />

Peter Schmidt<br />

Producer:<br />

Peter Rommel<br />

Cast:<br />

Steffi Kühnert, Milan Peschel, Talisa<br />

Lilli Lemke, Mika Nilson Seidel, Ursula<br />

Werner, Marie Rosa Tietjen, Otto<br />

Mellies, Christine Schorn<br />

110 wT, feradi<br />

110 min, colour<br />

2002 Herr Wichmann von der CDU (doc.)<br />

2001 Grill Point / Halbe Treppe<br />

2000 The Police Woman / Die Polizistin (TV)<br />

1998 Night Shapes / Nachtgestalten<br />

1997 Changing Skins / Raus aus der Haut (TV)<br />

1992 Silent country / Stilles Land<br />

STOPPED ON TRACK GERMANY 2011<br />

reJisori:<br />

andreas drezeni<br />

scenari:<br />

andreas drezeni, kuki ciSe<br />

operatori:<br />

mixael hamoni<br />

musika:<br />

iens kvandti<br />

mxatvari:<br />

zuzane hopfi<br />

kostiumebi:<br />

zabine groinigi<br />

montaJi:<br />

iorg hauSildi<br />

xma:<br />

peter Smidti<br />

prodiuseri:<br />

peter romeli<br />

monawileoben:<br />

Stefi kiunerti, milan<br />

peSeli, Talisa lili lemke,<br />

mika nilson zaideli,<br />

ursula verneri, mari roza<br />

titieni, oto meliesi,<br />

kristine Sorni<br />

Production:<br />

Rommel Film<br />

in co-production with:<br />

Rundfunk Berlin-Brandenburg<br />

World Sales:<br />

The Match Factory<br />

The doctor told the truth. The days are numbered. Why me and why now? A man leaves wife and<br />

children behind, parents, friends, neighbours and yesterday’s lover, the people in his life. Day by<br />

day a little farewell. Words are getting rare, longer the silence. In front of the window the year<br />

changes its colors. Dying is a final work to do. Not being alone while you are left behind alone,<br />

maybe that’s a good thing.<br />

andreas drezeni<br />

ANDREAS DRESEN<br />

daibada 1963 wels geraSi, yofili gdr. 1979 wlidan iRebda samoyvarulo<br />

filmebs. xmis inJinrad muSaobda Sverinis TeatrSi, kinostudia<br />

DEFA-Si gaiara treningis kursi reJisuraSi. 1986-1991<br />

wlebSi kinoreJisuras swavlobda potsdam-babelsbergis kinosa<br />

da televiziis akademia “konrad volfSi”. 1992 wlidan muSaobs<br />

scenaristad da reJisorad rogorc kinoSi, ise televiziasa da<br />

TeatrSi. drezenis filmebs araerTi nacionaluri da saerTaSoriso<br />

jildo aqvs miRebuli. gaCereba swor gzaze 2011 wels kanis<br />

kinofestivalis seqciaSi „moulodneli gaCereba“ mTavari priziT<br />

aRiniSna, <strong>2012</strong> wels Svidgzis iyo nominirebuli germanuli kinoakademiis<br />

„oqros lolas“ mosapoveblad da gaimarjva oTx kategoriaSi,<br />

maT Soris, saukeTeso reJisurisTvis.<br />

Born in 1968 in Gera, German Democratic Republic. He started shooting his own<br />

amateur movies since the late ‘70s. He worked as a sound engineer at the theater in<br />

Schwerin and completed a traineeship at the DEFA Studio for Feature Films. From<br />

1986 until 1991 Dresen studied directing at the “Konrad Wolf” Academy of Film and<br />

Television in Potsdam-Babelsberg. Since 1992, he has been working as a writer and<br />

director for film, TV and theater. Andreas Dresen’s features for TV and cinema have<br />

won him several awards. At the Cannes film festival 2011 Dresen showcased his<br />

drama STOPPED ON TRACK in the section “Un Certain Regard” and was awarded<br />

the section’s top prize. More prizes and a huge box office success followed. The film<br />

was nominated seven times in the German Film Awards competition in <strong>2012</strong> and<br />

won in 4 categories including the category “Best Director”.<br />

55


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

LE HAVRE<br />

havri fineTi / <strong>safrangeTi</strong> / germania 2011<br />

keTili zRapari keTili boloTi. xnieri mwerlis marselisa da patara afrikeli<br />

biWis idrisas ambavi, romelic emigraciis samsaxurs gamoeqca. marseli samudamod<br />

gamoeTxova literaturas, saporto qalaq havrSi gadmosaxlda da fexsacmlis mwmendavis<br />

profesiiT Soulobs puris fuls. idrisa ki havris sanapiroze konteineridan<br />

moxvda, romelsac ukanono emigrantebi afrikidan londonSi gadayavda.<br />

marseli da misi megobrebi _ mefunTuSe iveti, bostneulis gamyidveli Jan-pieri,<br />

baris mepatrone kleri, marselis kolega Cangi da TviT komisari monec _ biWs<br />

exmarebian, rom londonSi, dedasTan Cavides.<br />

Filmography / filmografia<br />

2011 Le Havre<br />

2006 Lights in the Dusk<br />

2002 The Man Without a Past<br />

1999 Juha<br />

1996 Drifting Clouds<br />

1994 Leningrad Cowboys Meet Moses<br />

1994 Take Care of Your Scarf, Tatiana<br />

1992 La vie de bohème<br />

Director:<br />

Aki Kaurismäki<br />

Screenplay:<br />

Aki Kaurismäki<br />

Cinematography:<br />

Timo Salminen<br />

Production Design:<br />

Wouter Zoon<br />

Editing:<br />

Timo Linnasalo<br />

Sound:<br />

Tero Malmberg<br />

Producer:<br />

Aki Kaurismäki<br />

Cast:<br />

Andre Wilms, Kati Outinen, Jean-<br />

Pierre Darroussin, Blondin Miguel,<br />

Elina Salo, Evelyne Didi, Quoc Dung<br />

Nguyen, Laika<br />

56<br />

1990 I Hired a Contract Killer<br />

1990 The Match Factory Girl<br />

1989 Leningrad Cowboys Go America<br />

1988 Ariel<br />

1987 Hamlet Goes Business<br />

1986 Shadows in Paradise<br />

1985 Calamari Union<br />

1983 Rikos ja rangaistus<br />

1981 The Saimaa Gesture (documentary)<br />

93 wT, feradi<br />

93 min, colour<br />

LE HAVRE FINLAND / FRANCE / GERMANY 2011<br />

reJisori:<br />

aki kaurismeki<br />

scenari:<br />

aki kaurismeki<br />

operatori:<br />

timo salmineni<br />

mxatvari:<br />

voter zoni<br />

montaJi:<br />

timo linasalo<br />

xma:<br />

tero malmbergi<br />

prodiuseri:<br />

aki kaurismeki<br />

monawileoben:<br />

andre vilmsi, kati otineni,<br />

Jan-pier darusini, blondin<br />

migeli, elina salo, ivlin<br />

didi, quok dang ngueni, laika<br />

Production:<br />

Sputnik OY<br />

Pyramide Productions<br />

Pandora Film<br />

Arte France Cinema<br />

ZDF ARTE<br />

World Sales:<br />

The Match Factory<br />

Marcel Marx, a former author and a well-known Bohemian, has retreated into a voluntary exile<br />

in the port city of Le Havre, where he feels he has reached a closer rapport with the people<br />

serving them in the occupation of the honourable, but not too profitable, of a shoe-shiner. He<br />

has buried his dreams of a literary breakthrough and lives happily within the triangle of his favourite<br />

bar, his work, and his wife Arletty, when fate suddenly throws in his path an underage<br />

immigrant refugee from the darkest Africa.<br />

aki kaurismeki<br />

AKI KAURISMÄKI<br />

daibada 1957 wels orimatilaSi, fineTSi. kinoSi mosvlamde aki<br />

kaurismekim uamravi profesia gamoicvala, maT Soris fostalionis,<br />

WurWlis mrecxavisa da kinokritikosis. Tavis ZmasTan,<br />

kinoreJisor mika kaurismekisTan erTad daaarsa saprodiusero<br />

da sadistribucio kompania Villealfa, sadac 80-iani wlebidan moyolebuli<br />

mTeli fineTis kinoproduqciis erTi mexuTedi iwarmoeba.<br />

rogorc wesi, aki kaurismekis filmebi _ sxvadasxva Janris<br />

eqscentruli parodiebi _ sakmaod moklea da 90 wuTs ar scdeba.<br />

Born in 1957 in Orimattila, Finland. Aki Kaurismäki did a wide variety of<br />

jobs including postman, dish-washer and film critic, before forming a production<br />

and distribution company, Villealfa (in homage to Jean-Luc Godard’s<br />

Alphaville (1965) with his older brother Mika Kaurismäki, also a filmmaker.<br />

Both Aki and Mika are prolific film-makers, and together have been<br />

responsible for one-fifth of the total output of the Finnish film industry<br />

since the early 1980s, though Aki’s work has found more favour abroad. His<br />

films are very short, he says a film should never run longer than 90 minutes,<br />

and many of his films are nearer 70, eccentric parodies of various genres.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

LEK WYSOKOSCI<br />

simaRlis SiSi poloneTi 2011<br />

tomekis cxovrebaSi TiTqos yvelaferi SesaniSnavad midis, is warmatebuli<br />

tele-wamyvania da cota xnis win misi pirmSoc moevlina qveyanas. magram erT<br />

dRes mas mSobliuri qalaqidan SemaSfoTebel ambavs atyobineben: fsiqiatriul<br />

hospitalSi moaTavses misi mama, romelic tomeks ukve wlebia, aRar unaxavs.<br />

megobrebisa da ojaxis rCevebis miuxedavad, tomeki Sin brundeba, rom Sexvdes<br />

kacs, romelsac TiTqmis ar icnobs.<br />

Filmography / filmografia<br />

2011 Fear of Fallng / Lek wysokosci<br />

2009 Królik po berlinsku (doc,)<br />

2006 Trójka do wziecia (short)<br />

2004 Ballada o kozie (doc.)<br />

Director:<br />

Bartosz Konopka<br />

Screenplay:<br />

Bartosz Konopka, Piotr Borowski<br />

Cinematography:<br />

Piotr Niemyjski<br />

Production Design:<br />

Elwira Pluta<br />

Costumes:<br />

Katarzyna Lewiñska<br />

Editing:<br />

Jaroslaw Barzan<br />

Producer:<br />

Dariusz Gajewski, Ewa Jastrzêbska,<br />

Jacek Bromski<br />

Co-Producer:<br />

Pawel Mossakowski, Beata<br />

Ryczkowska<br />

Cast:<br />

Marcin Dorociński, Krzysztof Stroiński,<br />

Magdalena Popławska, Dorota Kolak<br />

FEAR OF FALLING POLAND 2011<br />

reJisori:<br />

bartoS konopka<br />

scenari:<br />

bartoS konopka, piotr<br />

borovski<br />

operatori:<br />

piotr nimiiski<br />

mxatvari:<br />

elvira pluta<br />

kostiumebi:<br />

kataJina levinska<br />

montaJi:<br />

iaroslav baJani<br />

prodiuseri:<br />

dariuS gaevski, eva<br />

iastJebska, iacek romski<br />

Tanaprodiuseri:<br />

pavel mosakovski, beata<br />

riCkovska<br />

monawileoben:<br />

marCin doroCinski, kJiStof<br />

stroinski, magdalena<br />

poplavska, dorota kolaki<br />

Production:<br />

Munk Studio<br />

World Sales:<br />

Wide Management Enterprise<br />

Everything seems perfect in Tomek’s life: he is a successful TV anchor and his first child is just<br />

born. That’s when he receives a troubling message from the psychiatric hospital in his hometown:<br />

his father, whom he has not seen in years, has just been admitted. Against the advice of<br />

friends and family, Tomek returns home to face the man he hardly knows.<br />

bartoS konopka<br />

BARTOSZ KONOPKA<br />

87 wT, feradi<br />

87 min, colour<br />

daibada 1872 wels misleniceSi, poloneTSi. kinoreJisuras<br />

swavlobda krakovis iagelonis universitetSi, kislovskis<br />

radiosa da televiziis skolaSi katoviceSi da anjei vaidas<br />

kinoreJisuris skolaSi. ramdenime warmatebuli dokumenturi<br />

da moklemetraJiani mxatvruli filmis Semdeg 2011 wels gadaiRo<br />

pirveli srulmetraJiani mxatvruli filmi „simaRlis<br />

SiSi“.<br />

Born in 1972 in Myslenice, Poland. He holds a Master’s degree in film studies<br />

from Jagiellonian University and has graduated from the directing department<br />

in the Kieœlowski Radio and Television School in Katowice and<br />

the Andrzej Wajda Master School of Film Directing. He received several<br />

awards for his documentary and short films. FEAR OF FALLING is his first<br />

full-length feature film.<br />

57


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

LES BIEN-AIMES<br />

Seyvarebulebi <strong>safrangeTi</strong> / didi britaneTi / CexeTi 2011<br />

60-iani wlebis parizidan 21-e saukunis londonamde. madleni da vera drodadro<br />

ikargebian sayvareli mamakacebis cxovrebidan, mere isev Cndebian... magram dgeba<br />

dro, rodesac msubuqad da udardelad siyvaruli aRar gamodis. rogor unda<br />

gaumklavde drois dinebas, romelic yvelaze Rrma grZnobebzec moqmedebs?<br />

Filmography / filmografia<br />

2011 Beloved / Les Bien-aimes<br />

2010 Man at Bath / Homme au bain<br />

2009 Making Plans for Lena / Non ma fille, tu n’iras<br />

pas danser<br />

2008 The Beautiful Person / La Belle personne<br />

Director:<br />

Christophe Honoré<br />

Screenplay:<br />

Christophe Honoré<br />

Cinematography:<br />

Rémy Chevrin<br />

Music:<br />

Alex Beaupain<br />

Production Design:<br />

Samuel Deshors<br />

Costumes:<br />

Pascaline Chavane<br />

Editing:<br />

Chantal Hymans<br />

Sound:<br />

Guillaume Le Braz<br />

Producer:<br />

Pascal Caucheteux<br />

Cast:<br />

Catherine Deneuve, Chiara<br />

Mastroianni, Ludivine Sagnier, Louis<br />

Garrel, Paul Schneider, Milos Forman<br />

58<br />

135 wT, feradi<br />

135 min, colour<br />

2007 Love Songs / Les Chansons d’amour<br />

2006 In Paris / Dans Paris<br />

2004 My Mother / Ma mère<br />

2002 Seventeen Times Cecile Cassard / Dix-sept fois<br />

Cecile Cassard<br />

BELOVED FRANCE / UK / CZECH REPUBLIC 2011<br />

reJisori:<br />

kristof onore<br />

scenari:<br />

kristof onore<br />

operatori:<br />

remi Sevreni<br />

musika:<br />

aleqs bopeni<br />

mxatvari:<br />

samuel deSori<br />

kostiumebi:<br />

paskalin Savani<br />

montaJi:<br />

Santal imani<br />

xma:<br />

giom le brazi<br />

prodiuseri:<br />

paskal koSeto<br />

monawileoben:<br />

katrin denevi, kiara<br />

mastroiani, ludivan sanie,<br />

lui gareli, paul Snaideri,<br />

miloS formani<br />

Production:<br />

Why Not Productions (France)<br />

France 2 Cinéma (France)<br />

Sixteen Films (UK)<br />

Negativ (Czech Republic)<br />

World Sales:<br />

Celluloid Dreams<br />

sales-assistant@celluloid-dreams.com<br />

www.celluloid-dreams.com<br />

From Paris in the sixties to 21st-century London, Madeleine and her daughter Vera waltz in and<br />

out of the lives of the men they love. But not every era allows us to love blithely and lightheartedly.<br />

How are we to resist the sands of time that attack our most heartfelt sentiments?<br />

kristof onore<br />

CHRISTOPHE HONORÉ<br />

mwerali, scenaristi da reJisori kristof onore 1970 wels<br />

bretanSi daibada. misi pirveli srulmetraJiani mxatvruli filmi<br />

„17-jer sesil kasari“ (2002) naCvenebi iyo kanis kinofestivalze<br />

seqciaSi „gansakuTrebuli mzera“. kanSi Sedga misi kidev ori<br />

filmis premiera: filmi „parizSi“ SerCeuli iyo programisTvis<br />

„reJisorTa orkvireuli“ 2006 wels, xolo „simRerebi siyvarulze“<br />

oficialur konkursSi monawileobda 2007 wels. filmiT „Seyvarebulebi“<br />

kanis 64-e kinofestivali daixura 2011 wels.<br />

Born in Brittany in 1970, Christophe Honoré has written children’s books, novels<br />

and plays. He wrote screenplays before directing DIX-SEPT FOIS CÉCILE CASSARD<br />

in 2002, which was selected for the Cannes Film Festival in the Un Certain Regard<br />

section. At Cannes, he presented DANS PARIS in the Directors’ Fortnight in 2006<br />

and LES CHANSONS D’AMOUR in the Official Selection in 2007. The film LES BIEN-<br />

AIMES closed the 2011 Cannes Film Festival.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

OPÉRATION LIBERTAD<br />

operacia libertadi Sveicaria / <strong>safrangeTi</strong> <strong>2012</strong><br />

1978 wlis aprili. „revolucionerTa avtonomiuri jgufis“ wevrebi Tavs esxmian<br />

ciurixis mTavar banks. maTi mizani Sveicariis sabanko sistemis samxreTamerikul<br />

diqtaturebTan faruli kavSirebis gamoaSkaravebaa. konkretuli mtkicebulebis uzrunvelsayofad<br />

mTels aqcias kameriT iReben. bankis direqtori faqtebs aRiarebs,<br />

magram paragvaeli Suamavali TanamSromlobaze uars ambobs, rac Tavdamsxmelebs<br />

mZime arCevanis winaSe ayenebs. da isev dgeba kiTxva: amarTlebs Tu ara mizani saSualebas?<br />

ocdaaTi wlis Semdeg aRmoCenili videokaseta, romelzec es operaciaa aRbe-<br />

Wdili, axal kiTxvas badebs: riT damTavrda Tavis droze mTeli es ambavi?<br />

Filmography / filmografia<br />

<strong>2012</strong> Operation Libertad<br />

2010 Aisheen (Still Alive In Gaza) (doc.)<br />

2005 L’accord (doc.)<br />

2003 Alinghi, the Inside Story (doc.)<br />

2002 Kadogo, L’enfant Soldat (TV feature film)<br />

2000 15, Rue Des Bains (TV feature film)<br />

Director:<br />

Nicolas Wadimoff<br />

Screenplay:<br />

Nicolas Wadimoff, Jacob Berger<br />

Cinematography:<br />

Franck Rabel<br />

Music:<br />

Christof Steinmann<br />

Production Design:<br />

Georg Bringolf<br />

Costumes:<br />

Cidalia Da Costa<br />

Editing:<br />

Pauline Dairou, Karine Sudan<br />

Sound:<br />

Christophe Giovannoni<br />

Producer:<br />

Samir, Nicolas Wadimoff<br />

Co-Producer:<br />

Alberto Chollet, Serge Lalou,<br />

Charlotte Uzu, Michel Merkt<br />

Cast:<br />

Laurent Capelluto, Stipe Erceg, Karine<br />

Guignard, Natacha Koutchoumov,<br />

Nuno Lopes, Antonio Buil<br />

2000 Mondialito<br />

1998 Nuit Et Jour La Tele (doc.)<br />

1997 Clandestins<br />

1992 Les Gants D’or D’akka (doc.)<br />

1990 Armenie-Jerusalem (doc.)<br />

1989 Yehudi, Arabi, Yemeni (doc.)<br />

OPÉRATION LIBERTAD SWITZERLAND / FRANCE <strong>2012</strong><br />

reJisori:<br />

nikola vadimovi<br />

scenari:<br />

nikola vadimovi,<br />

iakob bergeri<br />

operatori:<br />

frank rabeli<br />

musika:<br />

kristof Stainmani<br />

mxatvari:<br />

georg bringolfi<br />

kostiumebi:<br />

sidalia da kosta<br />

montaJi:<br />

polin deru, karin sudani<br />

xma:<br />

kristof jovanoni<br />

prodiuseri:<br />

zamiri, nikola vadimovi<br />

Tanaprodiuseri:<br />

alberto Sole, serJ sasu,<br />

Sarlot uzu, miSel merkti<br />

monawileoben:<br />

loran kapeluto, staip<br />

erkegi, karin gignari, nataSa<br />

kutCumovi, nuno lopesi,<br />

antonio buili<br />

Production:<br />

Dschoint Ventschr Filmproduktion AG<br />

Phone: +41 44 456 30 20<br />

office@dschointventschr.ch<br />

www.dschointventschr.ch<br />

AKKA FILMS<br />

info@akkafilms.ch<br />

In Co-production with:<br />

Les Films d’Ici (France)<br />

www.lesfilmsdici.fr/en/<br />

World Sales:<br />

Doc & Film International (Paris)<br />

Phone ++33/1/42 77 56 87<br />

Fax ++33/1/42 77 36 56<br />

Email doc@docandfilm.com<br />

www.docandfilm.com<br />

In April 1978, members of “Groupe Autonome Révolutionnaire” (GAR) rob a major bank in<br />

Zurich with the aim of bringing to light the covert ties between the Swiss financial system<br />

and dictatorships in Latin American. Wanting to secure concrete evidence, they film the entire<br />

operation. Although the bank director confesses to GAR, the Paraguayan mediator refuses to<br />

cooperate, confronting the members of GAR with difficult issues. And the agonizing, recurring<br />

question: Does the end really justify the means? Thirty years later, the videotapes of this<br />

operation resurface, thus raising a new question: How did the affair actually end at that time?<br />

nikola vadimovi<br />

NICOLAS WADIMOFF<br />

90 wT, feradi<br />

90 min, colour<br />

daibada 1964 wels JenevaSi. 1987 wels daamTavra monrealis kvebekis<br />

universitetis komunikaciebis fakulteti kinematografiis<br />

mimarTulebiT. 1992-96 wlebSi Sveicaruli televiziisTvis<br />

(Télévision Suisse Romande) muSaobda reJisorad, iRebda dokumentur<br />

filmebs, maT Soris, libiaSi, alJirSi, palestinasa da ruandaSi.<br />

1996 wels daaarsa saprodiusero kompania Caravan Films,<br />

2003 wels _ kompania Akka Films. „operacia libertadi“ nikola<br />

vadimovis mexuTe mxatvruli filmia. misi premiera wels kanis<br />

kinofestivalze Sedga programaSi „reJisorTa orkvireuli“.<br />

Born in 1964 in Geneva. 1987 Degree in Communications at UQAM (University<br />

du Quebec à Montreal), field of studies: Cinema. 1992-96 Director at the<br />

Télévision Suisse Romande. 1996-2001 Producer and director of films on behalf<br />

of his own company Caravan Films. 2003 Creates Akka Films devoted to<br />

the development of fiction films and production of documentaries. In 1997<br />

he made his first fiction feature, CLANDESTINS. His subsequent films were<br />

selected for numerous festivals. OPÉRATION LIBERTAD is his fifth feature film.<br />

59


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

PARADA<br />

aRlumi serbeTi / slovenia / xorvatia / montenegro / makedonia 2011<br />

radomilo da mirko axalgazrda gei-wyvilia, romelsac mudmivad uwevs homofobebis<br />

mxridan Zaladobis atana. garda amisa, mirko lgbt-moZraobis aqtivistia<br />

da belgradSi pirveli warmatebuli gei praidis mowyobaze ocnebobs. 2001 wels<br />

msgavsi cda sisxlisRvriT damTavrda da viTareba didad arc aTi wlis Semdeg<br />

Secvlila _ nacionalisturi da neo-nacisturi organizaciebi gei aRlumis darbeviT<br />

imuqrebian, policia ki uars ambobs aRlumis monawileebis dacvaze.<br />

Filmography / filmografia<br />

2011 The Parade / Parada<br />

2009 Sveti Georgije ubiva azdahu / Saint George<br />

Shoots The Dragon<br />

Director:<br />

Srđan Dragojević<br />

Screenplay:<br />

Srđan Dragojević<br />

Cinematography:<br />

Dušan Joksimović<br />

Music:<br />

Igor Perović<br />

Production Design:<br />

Kiril Spaseski<br />

Costumes:<br />

Stefan Savković, Jelena Đorđević<br />

Editing:<br />

Petar Marković<br />

Sound:<br />

Zoran Maksimović, Ognjen Popić<br />

Producer:<br />

Biljana Prvanović, Srđjan Dragojević<br />

Co-Producer:<br />

Dejan Jocić, Igor Nola, Vladimir<br />

Anastasov, Eva Rohrman, Nikola Kojo,<br />

Mike Downey<br />

Cast:<br />

Nikola Kojo, Miloš Samolov, Hristina<br />

Popović, Goran Jevtić, Goran Navojec<br />

60<br />

115 wT, feradi<br />

115 min, colour<br />

2005 We Are Not Angels 2 / Mi Nismo Andjeli 2<br />

1998 The wounds / Rane<br />

1996 Pretty Village, Pretty Flame / Lepa Sela Lepo Gore<br />

1992 We Are Not Angels / Mi Nismo Andjeli<br />

reJisori:<br />

srjan dragoeviCi<br />

scenari:<br />

srjan dragoeviCi<br />

operatori:<br />

duSan ioksimoviCi<br />

musika:<br />

igor peroviCi<br />

mxatvari:<br />

kiril spaseski<br />

kostiumebi:<br />

stefan savkoviCi,<br />

elena jorjeviCi<br />

montaJi:<br />

petar markoviCi<br />

xma:<br />

zoran maksimoviCi,<br />

ognien popiCi<br />

prodiuseri:<br />

srjan dragoeviCi<br />

Tanaprodiuseri:<br />

deJan iosiCi, igor nola,<br />

vladimir anastasovi, eva<br />

rormani, nikola koio, maik<br />

dauni<br />

monawileoben:<br />

nikola koio, miloS<br />

samolovi, hristina popoviCi,<br />

goran ievliCi, goran navoeci<br />

Production:<br />

Mainframe (Zagreb)<br />

igor@mainframeproduction.com<br />

Sektor Film (Skopje)<br />

office@sektor.co.mk<br />

Forum Film Ljubljana (Ljubljana)<br />

eva.rohrman@mail.ljudmila.org<br />

Film & Music Entertainment (London,)<br />

office@fame.co.uk<br />

World Sales:<br />

Wide Management<br />

Paris, Frankreich<br />

+33 1 53950464<br />

festivals@widemanagement.com<br />

THE PARADE SERBIA / SLOVENIA / CROATIA / MONTENEGRO / REPUBLIC OF MACEDONIA 2011<br />

Radomilo and Mirko are young and successful gay couple. They would be happy anywhere else<br />

except in Serbia. They try to live discreetly but still, every day they are abused by the homophobic<br />

majority. Plus, Mirko is a gay rights activist, and his dream is to organize the first successful<br />

Pride event in Belgrade. In 2001 this is almost a “mission impossible”; an attempt to hold such<br />

march ends up in bloodshed. One decade later, the situation is not much better – nationalist and<br />

neo-Nazi organizations threaten with another massacre in case of holding the gay parade, while<br />

the police refuse to provide protection for the participants.<br />

srjan dragoeviCi<br />

SRĐAN DRAGOJEVIĆ<br />

daibada 1963 wels iugoslaviaSi. daamTavra belgradis universitetis<br />

filosofiis fakulteti klinikuri fsiqologiis specialobiT,<br />

Semdeg _ amave universitetis dramatuli xelovnebis<br />

fakulteti kinoreJisuris specialobiT. 1992 wels gadaiRo sadebiuto<br />

filmi, komedia „Cven angelozebi ara varT“. werda leqsebs,<br />

gamoqveynebuli aqvs ori poeturi krebuli. filmi „aRlumi“ berlinis<br />

kinofestivalze (seqcia „panorama“) sami priziT aRiniSna<br />

<strong>2012</strong> wels.<br />

Born in Yugoslavia in 1963. He first trained as a clinical psychologist before taking<br />

up film studies at Belgrade University. He made his debut in 1992 with a comedy<br />

“We Are Not Angels” and was a published poet before deciding to devote his energies<br />

to film in 1996. His film PARADA won 3 prizes at the <strong>2012</strong> Berlin International<br />

Film Festival including the Panorama Audience Award.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

PARADIES: LIEBE<br />

samoTxe: siyvaruli avstria / germania / <strong>safrangeTi</strong> <strong>2012</strong><br />

keniis sanapiroebze maT „tkbili dedikoebis“ saxeliT icnoben: es evropeli qalebi<br />

afrikel biWebs eZeben, romlebic siyvarulis gayidviT Souloben puris fuls.<br />

tereza, 50 wlis avstrieli qali, Svebulebas am samoTxeSi atarebs. „samoTxe:<br />

siyvaruli“ mogiTxrobT xnier qalebsa da axalgazrda kacebze, evropasa da afrikaze,<br />

da eqsploatirebul adamianebze, vinc Tavis mxriv sxvebis eqploatacias<br />

eweva.<br />

Filmography / filmografia<br />

<strong>2012</strong> Paradise: Faith<br />

<strong>2012</strong> Paradise: Love<br />

2007 Import/Export<br />

2006 Brothers, Let Us Be Merry (doc.)<br />

2003 Jesus, You Know (doc.)<br />

2002 State of the Nation: Austria in Six Chapters (doc.)<br />

2001 Dog Days<br />

1999 Models<br />

1998 Fun Without Limits (doc.)<br />

Director:<br />

Ulrich Seidl<br />

Screenplay:<br />

Ulrich Seidl, Veronika Franz<br />

Cinematography:<br />

Edward Lachman, Wolfgang Thaler<br />

Production Design:<br />

Andreas Donhauser, Maribel Martin<br />

Costumes:<br />

Tanja Hausner<br />

Editing:<br />

Christof Schertenleib<br />

Sound:<br />

Ekkehart Baumung<br />

Producer:<br />

Ulrich Seidl, Philippe Bober,<br />

Christine Ruppert<br />

Cast:<br />

Margarethe Tiesel, Peter Kazungu,<br />

Inge Maux, Dunja Sowinetz<br />

120 wT, feradi<br />

120 min, colour<br />

1997 The Bosom Friend (TV doc.)<br />

1996 Tierische Liebe (doc.)<br />

1996 Pictures at an Exhibition (TV doc.)<br />

1994 The Last Real Men (doc.)<br />

1992 Loss Is to Be Expected (doc.)<br />

1990 Good News: Newspaper Salesmen, Dead<br />

Dogs and Other People from Wienna (doc.)<br />

1984 Look 84<br />

1982 The Prom<br />

1980 One Fourty (doc.)<br />

PARADISE: LOVE AUSTRIA / GERMANY / FRANCE <strong>2012</strong><br />

reJisori:<br />

ulrix zaidli<br />

scenari:<br />

ulrix zaidli,<br />

veronika franci<br />

operatori:<br />

edvard laxmani,<br />

volfgang Taleri<br />

mxatvari:<br />

andreas donhauzeri,<br />

maribel martini<br />

kostiumebi:<br />

tania hausneri<br />

montaJi:<br />

kristof Sertenlaibi<br />

xma:<br />

ekehart baumungi<br />

prodiuseri:<br />

ulrix zaidli, filip<br />

boberi, kristine ruperti<br />

monawileoben:<br />

margarete tiseli, peter<br />

kacungu, inge mauqsi, dunia<br />

zovinetci<br />

Production:<br />

Ulrich Seidl Film Produktion GmbH<br />

Tatfilm<br />

Société Parisienne de Production<br />

World Sales:<br />

Coproduction Office<br />

On Kenya’s beaches they are known as “sugar mamas”: European women who seek out African<br />

boys selling love to earn a living. Teresa, a 50-year-old Austrian woman, travels to this vacation<br />

paradise. “Paradise: Love” tells of older women and young men, of Europe and Africa, and of the<br />

exploited, who end up exploiting others.<br />

ulrix zaidli<br />

ULRICH SEIDL<br />

daibada 1952 wels venaSi. cnobili gaxda dokumenturi filmebiT,<br />

romlebsac araerTi kinofestivalis prizi aqvs miRebuli. verner<br />

hercogma zaidli Tavis aT sayvarel reJisors Soris daasaxela,<br />

mis filmze „cxoveluri siyvaruli“ ki Tqva: „aqamde kinoSi yofnisas<br />

arasodes minaxavs jojoxeTi ase cxadad“. zaidlis pirveli<br />

srulmetraJiani mxatvruli filmi „ZaRluri sicxe“ (2001) veneciis<br />

kinofestivalis Jiuris didi priziT aRiniSna. kanis kinofestivalis<br />

oficialur konkursSi monawileobda misi ori momdevno<br />

mxatvruli filmi, „importi/eqsporti“ (2007) da „samoTxe: siyvaruli“<br />

(<strong>2012</strong>), xolo filmma „samoTxe: rwmena“ veneciaSi wels Jiuris<br />

specialuri prizi moipova.<br />

Born in 1952 in Vienna. Director of numerous award-winning documentaries such<br />

as JESUS, YOU KNOW, MODELS and ANIMAL LOVE. Werner Herzog named Ulrich<br />

Seidl one of his ten favorite filmmakers and said about his film ANIMAL LOVE: “Never<br />

before in cinema have I been able to look straight into hell.” His first fiction feature<br />

DOG DAYS won the Grand Jury Prize at the 2001 Venice Film Festival.<br />

61


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

POKA NOCH NE RAZLUCHIT<br />

sanam Rame gagvyrides ruseTi <strong>2012</strong><br />

mainc, raze laparakoben kacebi da qalebi? filmi moskovis erT Zalian Zvir<br />

restoranSi Jurnalistis mier nanax da gagonil realur ambebs efuZneba.<br />

gamocdili qalebi saqorwino strategiebs irCeven _ fuli Tu siyvaruli? kinoprodiuserebma<br />

ar ician, ra gadaiRon; sakuTar dabadebis dReze ki SeiZleba yvelafers<br />

miafurTxo _ asi grami gadakra da angariSis gadaxda sidedrs Seatovo.<br />

Tumca, mTavari ambebi ara mooqrovil darbazebSi, aramed xmaurian samzareuloSi<br />

viTardeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Poka noch ne razluchit / Till Night Do Us Part<br />

2009 Help Gone Mad / Sumashedshaya Pomoshch<br />

2009 Korotkoe zamykanie (segment “Pozor”)<br />

2006 Free Floating / Svobodnoe Plavanie<br />

Director:<br />

Boris Khlebnikov<br />

Screenplay:<br />

Alexander Rodionov<br />

Cinematography:<br />

Pavel Kostomarov<br />

Music:<br />

Sergei Shnurov<br />

Production Design:<br />

Olga Khlebnikova<br />

Costumes:<br />

Sveta Mikhailova, Marusia<br />

Sevastianova<br />

Editing:<br />

Yulia Batalova<br />

Sound:<br />

Maria Ushenina<br />

Producer:<br />

Yelena Stepanishcheva, Yevgeni<br />

Semin, Alexander Plotnikov, Zaur<br />

Bolotaev, Petr Gudkov, Vlad Ogai<br />

Cast:<br />

Alexander Yatsenko, Yevgeni Syty,<br />

Alena Doletskaya, Agniya Kuznetsova,<br />

Anna Mikhalkova, Avdotya Smirnova,<br />

Alexandra Rebenok, Sergei Shnurov<br />

62<br />

65 wT, feradi<br />

65 min, colour<br />

2003 Roads to Koktebel / Koktebel (with Alexei<br />

Popogrebsky)<br />

2000 The Sly Frog / Khitraya lyagushka (short)<br />

1997 By the Way / Mimokhod (doc., with Alexei<br />

Popogrebsky)<br />

TILL NIGHT DO US PART RUSSIA <strong>2012</strong><br />

reJisori:<br />

boris xlebnikovi<br />

scenari:<br />

aleqsandr rodionovi<br />

operatori:<br />

pavel kostomarovi<br />

musika:<br />

sergei Snurovi<br />

mxatvari:<br />

olga xnebnikova<br />

kostiumebi:<br />

sveta mixailova, marusia<br />

sevastianova<br />

montaJi:<br />

iulia batalova<br />

xma:<br />

maria uSenina<br />

prodiuseri:<br />

elena stepaniSCeva, zaur<br />

bolotaevi, aleqsandr<br />

plotnikovi, evgeni siomini,<br />

piotr gudkovi, vlad ogai<br />

monawileoben:<br />

aleqsandr iacenko, evgeni<br />

siti, aliona doleckaia,<br />

agnia kuznecova, sergei<br />

Snurovi, aleqsandra<br />

rebenoki, ana mixalkova,<br />

avdotia smirnova<br />

Production:<br />

First Creative Union<br />

Look Film<br />

World Sales:<br />

Utopia Pictures<br />

A genuine satiric comedy, based on real conversations - both amusing and sad - overheard by<br />

a journalist in one of the most expensive Moscow restaurants. Hilarious and revealing, this is a<br />

film about women who choose between affection and money, film producers that don’t really<br />

know what they’re filming, and weary businessmen who sometimes say screw it, down a shot<br />

and leave their mother-in-laws to pay the bill. But most of all, it’s about true love that favors<br />

noisy kitchen floor over gilded fine-dining halls.<br />

boris xlebnikovi<br />

BORIS KHLEBNIKOV<br />

daibada 1972 wels moskovSi. 1997 wels daamTavra ruseTis kinematografiis<br />

saxelmwifo institutis (ВГИК) kinomcodneobis<br />

fakulteti. 2003 wels aleqsei popogrebskisTan erTad gadaiRo<br />

pirveli srulmetraJiani mxatvruli filmi „koktebeli“, romelic<br />

im wlis mTavari kinomovlena gaxda ruseTSi (“vercxlis wminda<br />

giorgi” moskovis saerTaSoriso kinofestivalze; karlovi varis<br />

saerTaSoriso kinofestivalis specialuri prizi; evropuli kinos<br />

festivalis Jiuris specialuri prizi briuselSi). 2006 wels<br />

soWis rusuli filmebis festivalze „kinotavri“ da varSavis 22-e<br />

saerTaSoriso kinofestivalze xlebnikovis momdevno filmi _<br />

„Tavisufali curva“ saukeTeso reJisurisTvis dajildovda.<br />

Director, scriptwriter. Prize-winner of national and international film festivals.<br />

Born in 1972 in Moscow. Graduated as film scholar from the Film Institute<br />

VGIK (1997). In 2003, together with Alexei Popogrebsky, made his<br />

first full-length fiction film KOKTEBEL (Silver St. George at Moscow IFF and<br />

FIPRESCI prize for Best Debut; special jury prize at Karlovy Vary and Festival<br />

of European Cinema in Brussels, etc.). FREE FLOATING was his first independent<br />

film as director, which has been awarded a prize for Best Direction<br />

at Kinotavr 2006, as well as other professional awards.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

PULSAR<br />

pulsari belgia 2010<br />

semueli medikamentebis mimwodeblad muSaobs briuselSi. misi momxiblavi megobari<br />

miraeli ki niu-iorkSi miemgzavreba, sadac cnobil arqiteqturul biuroSi<br />

iwyebs internad muSaobas. isini skaipis saSualebiT agrZeleben urTierTobas,<br />

magram sul male semuelis kompiuteri hakeruli Tavdasxmis msxverpli xdeba.<br />

TiTqos idumal hakers semuelis cxovrebis da misi miraelTan urTierTobis dangreva<br />

unda. da iwyeba paranoia...<br />

Filmography / filmografia<br />

2010 Pulsar<br />

2006 Eva reste au placard les nuits de pleine lune<br />

(short)<br />

2000 I Know I’ll See Your Face Again / Verboden te<br />

zuchten<br />

Director:<br />

Alex Stockman<br />

Screenplay:<br />

Alex Stockman<br />

Cinematography:<br />

Sebastien Koeppel<br />

Music:<br />

Guy Van Nueten<br />

Production Design:<br />

Jeff Otte<br />

Editing:<br />

Nico Leunen<br />

Sound:<br />

Senjan Jansen<br />

Producer:<br />

Kaat Camerlynck<br />

Cast:<br />

Matthias Schoenaerts, Tine Van den<br />

Wyngaert, Nico Sturm, Sien Eggers,<br />

Vincent Lecuyer<br />

PULSAR BELGIUM 2010<br />

91 wT, feradi<br />

91 min, colour<br />

1996 Story of a Hurried Young Man / In de vlucht<br />

(short)<br />

1994 Violette (short)<br />

reJisori:<br />

aleqs stokmani<br />

scenari:<br />

aleqs stokmani<br />

operatori:<br />

sebastien kupeli<br />

musika:<br />

gai van nueteni<br />

mxatvari:<br />

jef ote<br />

montaJi:<br />

niko luuneni<br />

xma:<br />

senian ianseni<br />

prodiuseri:<br />

kaat kamerlinki<br />

monawileoben:<br />

maTias sxunertsi, tine van<br />

den vingerti, niko sturmi,<br />

sien egersi, matias Sonerci,<br />

vinsent lekuieri<br />

Production:<br />

Corridor (Brussels)<br />

World Sales:<br />

Corridor<br />

kaat@corridor-films.be<br />

www.corridor-films.be<br />

Samuel works in Brussels as a pharmaceutical delivery man. His gorgeous girlfriend Mireille<br />

heads off to New York to intern at a prestigious architecture firm. Shortly after her departure,<br />

Sam’s computer is hacked. The mysterious hacker seems intent on screwing up Samuel’s life and<br />

his relationship with Mireille. Paranoia kicks in...<br />

aleqs stokmani<br />

ALEX STOCKMAN<br />

daibada 1962 wels belgiaSi. flamandiuri JurnalisTvis Humo<br />

werda statiebs rokze da kinoze. ramdenime moklemetraJiani<br />

filmis Semdeg 2000 wels gadaiRo pirveli srulmetraJiani mxatvruli<br />

filmi „wuxili akrZalulia“, romelmac 2001 wels Tbilisis<br />

saerTaSoriso kinofestivalis mTavari prizi „oqros promeTe“ miiRo.<br />

kaat kamerlinkTan erTad briuselSi daaarsa saprodiusero<br />

kompania Corridor. „pulsari“ aleqs stokmanis meore srulmetraJiani<br />

mxatvruli filmia.<br />

Born in 1962 in Belgium. He started out as rock and film critic for the Flemish magazine<br />

HUMO. His first feature film I KNOW I’LL SEE YOUR FACE AGAIN (2000), shot in<br />

black and white, won the Golden Prometheus at the Tbilisi International Film Festival<br />

in 2001. Together with Kaat Camerlynck, he founded the production company<br />

Corridor. PULSAR is his second feature film.<br />

63


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

REALITY<br />

realoba italia / <strong>safrangeTi</strong> <strong>2012</strong><br />

gulRia, mxiarul luCanos neapolSi Tevzis maRazia aqvs, romelsac warmatebiT<br />

uZRveba. erT dRes luCano Svilebis TxovniT satelevizio realiti-SouSi<br />

monawileobaze Tanxmdeba. amis Semdeg misi cxovreba yiraze dgeba _ teleocnebas<br />

gamokidebuli luCano TandaTan kargavs realobis SegrZnebas.<br />

Filmography / filmografia<br />

<strong>2012</strong> Reality<br />

2008 Gomorrha<br />

2004 First Love / Primo amore<br />

2002 The Embalmer / L’imbalsamatore<br />

2000 Roman Summer / Estate romana<br />

Director:<br />

Matteo Garrone<br />

Screenplay:<br />

Maurizio Braucci, Ugo Chiti, Matteo<br />

Garrone, Massimo Gaudioso<br />

Cinematography:<br />

Marco Onorato<br />

Music:<br />

Alexandre Desplat<br />

Production Design:<br />

Paolo Bonfini<br />

Costumes:<br />

Maurizio Millenotti<br />

Editing:<br />

Marco Spoletini<br />

Sound:<br />

Maricetta Lombardo<br />

Producer:<br />

Domenico Procacci, Matteo Garrone<br />

Co-Producer:<br />

Jean Labadie<br />

Cast:<br />

Aniello Arena, Loredana Simioli,<br />

Nando Paone, Graziella Marina, Nello<br />

Iorio, Nunzia Schiano<br />

64<br />

REALITY ITALY / FRANCE <strong>2012</strong><br />

115 wT, feradi<br />

115 min, colour<br />

1998 Oreste Pipolo, fotografo di matrimoni (doc.)<br />

1998 Guests / Ospiti<br />

1998 Il caso di forza maggiore (short)<br />

1997 Bienvenido espirito santo (doc.)<br />

1996 Land in the Middle / Terra di mezzo<br />

1996 Silhouette (short)<br />

reJisori:<br />

mateo garone<br />

scenari:<br />

mauricio brauCi, ugo<br />

kiti, mateo garone, masimo<br />

gaudiozo<br />

operatori:<br />

marko onorato<br />

musika:<br />

aleqsandre despla<br />

mxatvari:<br />

paolo bonfini<br />

kostiumebi:<br />

mauricio milenoti<br />

montaJi:<br />

marko spoletini<br />

xma:<br />

mariCeta lombardo<br />

prodiuseri:<br />

domeniko prokaCi,<br />

mateo garone<br />

Tanaprodiuseri:<br />

Jan labadie<br />

monawileoben:<br />

anielo arena, loredana<br />

simioli, nando paone,<br />

graciela marina, nelo<br />

iorio, nuncia skiano<br />

Production:<br />

Fandango (Italy)<br />

Archimede (Italy)<br />

Le Pacte (France)<br />

Garance Capital (France)<br />

Rai Cinema (Italy)<br />

World Sales:<br />

Fandango Portobello<br />

fandango@fandango.it<br />

www.fandango.it<br />

Luciano is a Neapolitan fishmonger who supplements his modest income by pulling off little<br />

scams together with his wife Maria. A likeable, entertaining guy, Luciano never misses an opportunity<br />

to perform for his customers and countless relatives. One day his family urge him to<br />

try out for Big Brother. In chasing this dream his perception of reality begins to change.<br />

mateo garone<br />

MATTEO GARRONE<br />

daibada 1968 wels romSi. swavlobda romis xelovnebis liceumSi,<br />

erTxans muSaobda operatoris asistentad, Semdeg ramdenime weli<br />

mxatvrobas dauTmo. misma sadebiuto filmma „Sua xmeleTi“ (1996)<br />

turinis kinofestivalze Jiuris specialuri prizi da Ciputis<br />

prizi moipova. misi bolo ori filmi „gomori“ da „realoba“ kanis<br />

kinofestivalis Jiuris gran-pris mflobeli gaxda.<br />

Matteo Garrone was Born in Rome in 1968, where he attended art school,<br />

worked as an assistant cameraman and dedicated several years to painting.<br />

His debut feature, LAND IN THE MIDDLE, won the Special Jury Award<br />

and the Cipputi Award at the Turin Film Festival. His films GOMORRHA and<br />

REALITY both won the Grand Prix at the Cannes Film Festival.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

ROZA<br />

roza poloneTi 2011<br />

1945 wlis zafxuli. tadeuSi, poloneTis winaaRmdegobis armiis jariskaci,<br />

romelmac yvelaferi dakarga omSi, mazuriaSi Cadis rozas mosaZebnad, rom mas<br />

qmris, germaneli jariskacis daRupvis ambavi Seatyobinos. roza, romelic did<br />

fermaSi marto cxovrobs, tadeuSs civad xvdeba, magram TavSesafars aZlevs. am<br />

sikeTis sanacvlod tadeuSi mas meurneobaSi exmareba. TandaTan tadeuSi rozas<br />

martoobis mizezebs xvdeba. omiT gaveranebuli peizaJis fonze or adamians Soris,<br />

romlebic sxvadasxva samyaros ekuTvnian, SeuZlebeli siyvaruli ibadeba.<br />

Filmography / filmografia<br />

2011 Rose / Róża<br />

2009 The Dark House / Dom zly<br />

2004 The Wedding / Wesele<br />

1998 The Auricle / Malzowina (TV movie)<br />

Director:<br />

Wojciech Smarzowski<br />

Screenplay:<br />

Michal Szczerbic<br />

Cinematography:<br />

Piotr Sobocinski Jr<br />

Music:<br />

Mikolaj Trzaska<br />

Production Design:<br />

Marek Zawierucha<br />

Costumes:<br />

Ewa Helman-Szczerbic,<br />

Magdalena Rutkiewicz<br />

Editing:<br />

Pawel Laskowski<br />

Sound:<br />

Katarzyna Dzida-Hamela, Jacek<br />

Hamela<br />

Producer:<br />

Wlodzimierz Niderhaus<br />

Cast:<br />

Agata Kulesza, Marcin Dorocinski, Kinga<br />

Preis, Jacek Braciak, Malwina Buss<br />

ROSE POLAND 2011<br />

94 wT, feradi<br />

94 min, colour<br />

reJisori:<br />

voicex smaJovski<br />

scenari:<br />

mixal SCerbici<br />

operatori:<br />

piotr soboCinski umcr.<br />

musika:<br />

mikolai tJaska<br />

mxatvari:<br />

marek zaveruxa<br />

kostiumebi:<br />

eva helman-SCerbici,<br />

magdalena rutkeviCi<br />

montaJi:<br />

pavel laskovski<br />

xma:<br />

kataJina Zida-hamela,<br />

iacek hamela<br />

prodiuseri:<br />

vloZimeJ niderhausi<br />

monawileoben:<br />

agata kuleSa, marCin<br />

doroCinski, kinga praisi,<br />

iacek braCakim malvina busi<br />

Production:<br />

WFDiF - Wytwórnia Filmów Dokumentalnych<br />

i Fabularnych<br />

Studio Filmowe Perspektywa<br />

Studio Filmowe OKO<br />

Studio Filmowe TOR<br />

World Sales<br />

Monolith Films<br />

The summer of 1945. Tadeusz, a former Home Army (AK) soldier who lost everything in the<br />

war, is journeying across Masuria. He arrives at the home of a German soldier’s widow. Rose,<br />

who lives alone on a large farm, gives him a cool welcome but lets him stay the night. Tadeusz<br />

repays her by helping around the farm. Gradually Tadeusz discovers the reasons for her<br />

solitude. Amidst a landscape ravaged by war, an impossible love is born between two people<br />

from distant worlds.<br />

daibada 1963 wels korCinSi, poloneTSi. kinoreJisuras<br />

swavlobda krakovis iagelonis universitetSi da loZis kinoskolaSi.<br />

1998 wels gadaiRo pirveli srulmetraJiani mxatvruli<br />

filmi „yuris niJara“. misma mesame filmma „cudi<br />

saxli“ polonuri kinoakademiis ori jildo miiRo 2010 wels<br />

_ saukeTeso reJisurisa da saukeTeso montaJisTvis, xolo<br />

filmma „roza“ polonuri kinoakademiis jildo eqvs kategoriaSi<br />

moipova, maT Soris, saukeTeso filmisTvis da saukeTeso<br />

reJisurisTvis.<br />

Born in 1963 in Korczyn, Poland. He studied filmmaking at Jagiellonian University<br />

in Kraków, and at Łódź Film School. He made his first feature THE<br />

AURICLE in 1998. His feature THE DARK HOUSE won the Polish Film Award<br />

for the Best Director and the Best Editing in 2010, and his latest film RÓŻA<br />

voicex smaJovski gained the Polish Film Award in six categories in <strong>2012</strong>, among them the<br />

WOJCIECH SMARZOWSKI Best Film Award and the Best Director Award.<br />

65


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

RUNDSKOP<br />

xarisTava belgia 2011<br />

policielis mkvleloba da gamoZiebis dawyeba belgiis egreT wodebul „hormonebis<br />

fermis mafiaSi“ panikas iwvevs. am fonze, savaWro garigebis dros, erTmaneTs<br />

xvdebian bavSvobis megobrebi _ zrdis hormonebis aralegaluri dileri<br />

da policiis informatori.<br />

Filmography / filmografia<br />

2011 Bullhead<br />

2005 The One Thing to Do (short)<br />

2005 Selected Shorts (video short)<br />

2004 Carlo (short)<br />

Director:<br />

Michaël R. Roskam<br />

Screenplay:<br />

Michaël R. Roskam<br />

Cinematography:<br />

Nicolas Karakatsanis<br />

Music:<br />

Raf Keunen<br />

Production Design:<br />

Walter Brugmans<br />

Costumes:<br />

Margriet Procee<br />

Editing:<br />

Alain Dessauvage<br />

Sound:<br />

Benoit de Clerck<br />

Producer:<br />

Bart Van Langendonck, Peter<br />

Bouckaert<br />

Cast:<br />

Matthias Schoenaerts, Jeroen<br />

Perceval, Barbara Sarafian, Jeanne<br />

Dandoy, Tibo Vandenborre, Sam<br />

Louwyck<br />

66<br />

BULLHEAD BELGIUM 2011<br />

reJisori:<br />

mixael r. roskami<br />

scenari:<br />

mixael r. roskami<br />

operatori:<br />

nikola karakacanisi<br />

musika:<br />

raf koineni<br />

mxatvari:<br />

valter brugmansi<br />

kostiumebi:<br />

margrit prose<br />

montaJi:<br />

alen desavaJi<br />

xma:<br />

benua de klerki<br />

prodiuseri:<br />

bert van langendonki,<br />

peter bukerti<br />

monawileoben:<br />

matias Sonerci, Jeroen<br />

persivali, barbara<br />

sarafiani, Jan dandoi,<br />

tibo vandenbori, sem<br />

luviki<br />

Production:<br />

Savage Film<br />

in co-production with:<br />

Eyeworks Film & TV Drama NV<br />

Artémis Productions<br />

Waterland Film & TV<br />

World Sales:<br />

Celluloid Dreams<br />

A police murder and the following investigation create panic in the so-called Belgian “cattle hormone<br />

mafia.” During a transaction, an illegal growth hormone dealer and a police informer face<br />

each other in a crime investigation. But then a dark and unsettling story about loyalty and friendship<br />

unfolds through their tormented past as childhood friends.<br />

mixael r. roskami<br />

MICHAËL R. ROSKAM<br />

124 wT, feradi<br />

124 min, colour<br />

daibada 1972 wels sent-trioidenSi, belgiaSi. briuselis<br />

wminda lukasis saxelobis samxatvro akademiaSi swavlobda<br />

Tanamedrove xelovnebas da ferweras. 2005 wels daamTavra<br />

amsterdamis bingeris kinoinstitutis kinodramaturgiisa da<br />

scenaris ganviTarebis fakultetis magistratura. 2011 wels<br />

roskamma pirveli srulmetraJiani mxatvruli filmi „xaris<br />

Tavi“ gadaiRo, romelic amerikuli kinoakademiis jildoze<br />

waradgines saukeTeso ucxoenovani filmis nominaciaSi, re-<br />

Jisori ki „varietes“ mier im aT reJisors Soris dasaxelda,<br />

„romlis filmic aucileblad unda naxo“.<br />

Born in 1972 in Sint-Truiden, Belgium. Roskam attended St. Lucas Academy<br />

of Fine Arts in Brussels, where he studied painting and contemporary art,<br />

and the Binger Film Institute in Amsterdam where he graduated in 2005<br />

with a master degree in script writing and development. Roskam made his<br />

feature film debut with BULLHEAD (2011). The film was nominated for the<br />

Academy Award for Best Foreign Language Film. The director was named<br />

by Variety as one of the “10 directors to watch”.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

SEBBE<br />

sebe SvedeTi <strong>2012</strong><br />

15 wlis biWi, sebe, martoxela dedasTan, evasTan erTad cxovrobs patara binaSi.<br />

bina Zalian pataraa ori adamianisTvis, amitom sebe da dedamisi xSirad Cxuboben.<br />

biWs mama bundovnad axsovs, samagierod evam icis, rom Svili mamis namdvili<br />

aslia da misi saxiT mudam TvalSi eCxireba yofili partniori. magram sebes mama<br />

ukvalod mainc ar dakargula: xandaxan is biWs sizmarSi ecxadeba xolme.<br />

Filmography / filmografia<br />

2010 Sebbe<br />

2008 Jag Förstår Inte (short doc.)<br />

2004 Elixir (short)<br />

2002 Skolan (short)<br />

2002 Gösta Och Lennart (short doc.)<br />

1999 Aprikosgatan (short doc.)<br />

Director:<br />

Babak Najafi<br />

Screenplay:<br />

Babak Najafi<br />

Cinematography:<br />

Simon Pramsten<br />

Production Design:<br />

Gilles Balabaud<br />

Costumes:<br />

Marie Flyckt<br />

Editing:<br />

Andreas Nilsson<br />

Sound:<br />

Per Nyström<br />

Producer:<br />

Mimmi Spång, Rebecka Lafrenz<br />

Cast:<br />

Sebastian Hiort af Ornäs, Eva<br />

Melander, Kenny Wåhlbrink<br />

SEBBE SWEDEN 2010<br />

reJisori:<br />

babak najafi<br />

scenari:<br />

babak najafi<br />

operatori:<br />

simon pramsteni<br />

mxatvari:<br />

Jil balabo<br />

kostiumebi:<br />

mari fliqti<br />

montaJi:<br />

andreas nilsoni<br />

xma:<br />

per nustromi<br />

prodiuseri:<br />

mimi spongi,<br />

rebeka lafrenci<br />

monawileoben:<br />

sebastian hiort af<br />

ornesi, eva melanderi, keni<br />

volbrinki<br />

Production:<br />

Garagefilm International<br />

Kvarngatan 4<br />

118 47 Stockholm<br />

Sweden<br />

Phone: +46 8 545 133 65<br />

info@garagefilm.se<br />

World Sales:<br />

Garagefilm International AB<br />

Sebbe is fifteen and a bit of an inventor. He and his single mother live in an apartment that<br />

is really too small for the pair of them and so it’s inevitable that there’s friction from time to<br />

time. Sebbe only has the vaguest memories of his father, but his mother Eva has a clear picture<br />

of him – for Sebbe looks exactly like his father and so her son is a constant reminder of her<br />

former boyfriend. But Sebbe’s father is not completely lost: sometimes he appears to the boy<br />

in dreams.<br />

babak najafi<br />

BABAK NAJAFI<br />

79 wT, feradi<br />

79 min, colour<br />

daibada 1975 wels karamiSi, iranSi. 1998-2002 wlebSi swavlobda<br />

stokholmis kinos, radios, televiziisa da dramis kolejSi, sadac<br />

gadaRebuli aqvs ramdenime moklemetraJiani dokumenturi<br />

da mxatvruli filmi. „sebe“ misi pirveli srulmetraJiani mxatvruli<br />

filmia.<br />

Born in Karami, Iran in 1975, he studied at the Drama Institute of the College<br />

of Film, Radio, Television and Drama in Stockholm from 1998-2002,<br />

since which time he has made several short feature films and documentaries.<br />

SEBBE is his first feature-length drama.<br />

67


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

SHAME<br />

sircxvili didi britaneTi 2011<br />

sareklamo kompaniis niu-iorkeli menejeri brendoni qalebTan xangrZliv urTierTobas<br />

gaurbis, samagierod misTvis seqsi narkotikiviTaa, romliTac Tavis fantazias<br />

kvebavs. Tavneba umcrosi dis, sisis Camosvlis Semdeg ki brendoni sakuTar<br />

cxovrebaze kontrols kargavs.<br />

Filmography / filmografia<br />

2011 Shame<br />

2008 Hunger<br />

1997 Exodus (short)<br />

Director:<br />

Steve McQueen<br />

Screenplay:<br />

Steve McQueen, Abi Morgan<br />

Cinematography:<br />

Sean Bobbitt<br />

Music:<br />

Harry Escott<br />

Production Design:<br />

Judy Becker<br />

Editing:<br />

Joe Walker<br />

Producer:<br />

Iain Canning, Emile Sherman<br />

Cast:<br />

Michael Fassbender, Carey Mulligan,<br />

James Badge Dale<br />

68<br />

SHAME UK 2011<br />

99 wT, feradi<br />

99 min, colour<br />

reJisori:<br />

stiv maqquini<br />

scenari:<br />

stiv maqquini, ebi morgani<br />

operatori:<br />

Son bobiti<br />

musika:<br />

hari eskoti<br />

mxatvari:<br />

judi bekeri<br />

montaJi:<br />

jo uokeri<br />

prodiuseri:<br />

iein kaningi, emil Sermani<br />

monawileoben:<br />

maikl fasbenderi, keri<br />

maligani, jeims baj deili<br />

Production:<br />

See-Saw Films<br />

Film4<br />

UK Film Council<br />

World Sales:<br />

Momentum Pictures<br />

Brandon is a New Yorker who shuns intimacy with women but feeds his desires with a compulsive<br />

addiction to sex. When his wayward younger sister moves into his apartment stirring memories<br />

of their shared painful past, Brandon’s insular life spirals out of control.<br />

stiv maqquini<br />

STEVE MCQUEEN<br />

daibada 1969 wels londonSi. britaneli artisti da kinore-<br />

Jisori. misi pirveli srulmetraJiani namuSevari „SimSili“ kanis<br />

kinofestivalis „oqros kameriT“ da sxva uamravi saerTaSoriso<br />

kinofestivalis priziT dajildovda. 2002 wels maqquins britane-<br />

Tis imperiis ordeni da oficris wodeba, 2011 wels ki _ sapatio<br />

kavaleris wodeba mieniWa.<br />

Born in 1969 in London. British artist and filmmaker. McQueen’s first feature HUN-<br />

GER won Camera D’Or at the Cannes Film Festival and countless other international<br />

prizes. In 2002 he was awarded the OBE and the CBE in 2011. Steve McQueen<br />

lives and works in Amsterdam and in London


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

THE ANGELS’ SHARE<br />

angelozTa wili didi britaneTi / belgia / <strong>safrangeTi</strong> / italia <strong>2012</strong><br />

axalgamomcxvari mama, robi, Cumad ipareba samSobiaroSi Tavisi megobari gogos<br />

sanaxavad da rodesac is axalSobil luks pirvelad aiyvans xelSi, daificebs,<br />

rom mis Svils masaviT areuli cxovreba ar eqneba. robis axali cxovrebis dawyeba<br />

ase uceb ar gamosdis _ morigi saqmis dros is, marTalia, cixes gadaurCeba,<br />

magram iZulebiT samuSaoebze gagzavnian. mas da mis axal megobrebs rinos, mos<br />

da alberts zedamxedvelad garis dauniSnaven, romelic maT malulad viskis degustacias<br />

aswavlis. robis degustaciis unikaluri niWi aRmoaCndeba. magram raSi<br />

gamoiyeneben is da misi megobrebi am niWs _ TaRliTobisTvis Tu axali momavlis<br />

Sesaqmnelad? es mxolod angelozebma uwyian...<br />

Filmography / filmografia<br />

<strong>2012</strong> Angels’ Share<br />

2009 Looking For Eric<br />

2007 It’s A Free World<br />

2007 Happy Ending (Short film)<br />

2006 The Wind That Shakes The Barley<br />

2004 Tickets (Short film)<br />

2003 Ae Fond Kiss<br />

2002 Sweet Sixteen<br />

2002 11’09’01 (Short film)<br />

2001 The Navigators<br />

2000 Bread and Roses<br />

1998 My Name is Joe<br />

Director:<br />

Ken Loach<br />

Screenplay:<br />

Paul Laverty<br />

Cinematography:<br />

Robbie Ryan<br />

Music:<br />

George Fenton<br />

Production Design:<br />

Fergus Clegg<br />

Editing:<br />

Jonathan Morris<br />

Sound:<br />

Ray Beckett<br />

Producer:<br />

Rebecca O’Brien<br />

Cast:<br />

Paul Brannigan, John Henshaw, Gary<br />

Maitland, Jasmin Riggins, William<br />

Ruane, Roger Allam, Siobhan Reilly<br />

1996 Carla’s Song<br />

1995 Land and Freedom<br />

1994 Ladybird Ladybird<br />

1993 Raining Stones<br />

1991 Riff-Raff<br />

1990 Hidden Agenda<br />

1986 Fatherland<br />

1979 Black Jack<br />

1977 Looks and Smiles<br />

1972 Family Life<br />

1969 Kes<br />

1967 Poor Cow<br />

106 wT, feradi<br />

106 min, colour<br />

reJisori:<br />

ken louCi<br />

scenari:<br />

pol laverti<br />

operatori:<br />

robi raiani<br />

musika:<br />

jorj fentoni<br />

mxatvari:<br />

fergus klegi<br />

montaJi:<br />

jonaTan morisi<br />

xma:<br />

rei beketi<br />

prodiuseri:<br />

rebeka o’braiani<br />

monawileoben:<br />

pol brenigani, jon henSou,<br />

geri meitlandi, jasmin<br />

riginsi, rojer alemi,<br />

sobhan raili<br />

Production:<br />

Sixteen Films<br />

Why Not Productions<br />

Les Films Du Fleuve<br />

Urania Pictures<br />

France 2 Cinema<br />

World Sales:<br />

Wild Bunch<br />

THE ANGELS’ SHARE UK / BELGIUM / FRANCE / ITALY <strong>2012</strong><br />

A bittersweet comedy about a Glasgow boy locked in a family feud who just wants a way out.<br />

When Robbie sneaks into the maternity hospital to visit his young girlfriend Leonie and hold<br />

his newborn son Luke for the first time, he is overwhelmed. He swears that Luke will not lead<br />

the same stricken life he has led. On community service Robbie meets Rhino, Albert and Mo<br />

for whom, like him, work is little more than a distant dream. Little did Robbie imagine that<br />

turning to drink might change their lives - not cheap fortified wine, but the best malt whiskies<br />

in the world. What will it be for Robbie? More violence and vendettas or a new future with<br />

‘Uisge Beatha,’ the ‘Water of Life’? Only the angels know...<br />

ken louCi<br />

KEN LOACH<br />

daibada 1936 wels nanitonSi, varvikSirSi. swavlobda samarTals<br />

oqsfordis universitetis wminda petres kolejSi. TeatrSi msaxiobad<br />

xanmokle muSaobis Semdeg, 1963 wels louCi BBC-Si iwyebs<br />

muSaobas telereJisorad. aqedan iwyeba misi, rogorc reJisoris<br />

xangrZlivi kariera kinosa da televiziaSi.<br />

Ken Loach was born in 1936 in Nuneaton, UK. He read law at St Peter’s College,<br />

Oxford. After a brief spell in the theatre, Loach was recruited by the<br />

BBC in 1963 as a television director. This launched a long career directing<br />

films for television and the cinema.<br />

69


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

VIER TAGE IM MAI<br />

maisis 4 dRe germania / ruseTi / ukraina 2011<br />

germania, meore msoflio omis dasrulebamde oTxi dRiT adre. sabWoTa armiis kapitani<br />

sadazvervo jgufTan erTad zRvis piras ganlagebul obol bavSvTa TavSesafars<br />

ikavebs; iqve, sanapiroze, germanuli armiis danayofia dabanakebuli. miuxedavad<br />

imisa, rom germanelebi ricxviT bevrad aRematebian rusebs, saqme Setakebamde ar<br />

midis. brZola aRaravis unda, 13 wlis oboli biWis, peteris garda, romelsac gmiroba<br />

swyuria da mTeli Tavisi eSmakobis da Zalebis gamoyenebiT mowinaaRmdegeebis<br />

wakidebas cdilobs. Tumca male aRmoaCens, rom savaraudo mteri masze mamasaviT<br />

zrunavs, namdvili mowinaaRmdege ki sadRac sul sxvagan imaleba.<br />

Filmography / filmografia<br />

2011 Four Days in May<br />

2010 Wie einst Lilly (TV series: Tatort)<br />

2010 Der Schmale Grat (TV series: Unter Verdacht)<br />

2008 Das Geld anderer Leute (TV series: Unter<br />

Verdacht)<br />

2006 Epsteins Erbe (TV series: Blond: Eva Blond!)<br />

Director:<br />

Achim von Borries<br />

Screenplay:<br />

Achim von Borries<br />

Cinematography:<br />

Bernd Fischer<br />

Music:<br />

Thomas Feiner<br />

Production Design:<br />

Ariunsaikhan Davaakhuu<br />

Costumes:<br />

Nicole Fischnaller<br />

Editing:<br />

Antje Zynga<br />

Sound:<br />

Martin Müller<br />

Producer: Stefan Arndt<br />

Co-Producer: Aleksei Guskov, Evgeni<br />

Chanin, Oleg Stepanenko, Achim von<br />

Borries<br />

Cast: Pavel Wenzel , Aleksei Guskov,<br />

Grigory Dobrygin, Angelina Häntsch,<br />

Gertrud Roll, Merab Ninidze, Veit<br />

Stübner, Sylke Langenbeck<br />

70<br />

97 wT, feradi<br />

97 min, colour<br />

2006 Hundsheim (TV series: Der Elefant - Mord<br />

verjährt nie)<br />

2006 Der lange Weg zurück (TV series: Der Elefant -<br />

Mord verjährt nie)<br />

2004 Love in toughts / Was nützt die Liebe in Gedanken<br />

2000 England!<br />

1998 Halberstadt (short)<br />

4 DAYS IN MAY GERMANY / RUSSIA / UKRAINE 2011<br />

reJisori:<br />

axim fon borisi<br />

scenari: axim fon borisi<br />

operatori: bernd fiSeri<br />

musika: Tomas faineri<br />

mxatvari: ariusaixan<br />

davaaxuu<br />

kostiumebi: nikol<br />

fiSnaleri<br />

montaJi: antie cinga<br />

xma: martin miuleri<br />

prodiuseri: Stefan arndti<br />

Tanaprodiuseri: aleqsei<br />

guskovi, evgeni Sanini, oleg<br />

stepanenko, axim fon borisi<br />

monawileoben: pavel<br />

venceli, aleqsei guskovi,<br />

grigori dobrigini,<br />

angelina hentSi, gertrud<br />

roli, merab niniZe,<br />

fait Stiubneri, zilke<br />

langenbeki<br />

Production:<br />

X Filme Creative Pool<br />

in co-production with:<br />

ZAO Studio F.A.F. (Moscow)<br />

LLC Aurora Production (Kiev)<br />

NDR (Hamburg)<br />

HR (Frankfurt am Main)<br />

World Sales:<br />

The Match Factory<br />

Four days before the end of the Second World War in Germany. The world is holding its breath.<br />

A Soviet Captain and his patrol have occupied an orphanage by the sea; a German army unit is<br />

camped on the beach; a secret love affair blooms against all odds. Everyone is weary of fighting,<br />

except for the thirteen-year-old orphan Peter, who wants to prove that he is a hero and tries with all<br />

his cunning and power to instigate trouble between the opposing troops until he finds a fatherly<br />

friend in the supposed enemy and has to learn that the real opponent is lurking elsewhere. This<br />

time the boundary lines don’t run between friend and foe, but between good and evil.<br />

axim fon borisi<br />

ACHIM VON BORRIES<br />

daibada 1968 wels miunhenSi. 1989-1993 wlebSi berlinis Tavisufal<br />

universitetSi swavlobda istorias, politikur mecnierebebsa<br />

da filosofias, 1992 wlidan swavla ganagrZo berlinis<br />

germanuli televiziisa da kinos akademiaSi. mis sadebiuto srulmetraJian<br />

films „inglisi!“ didi warmateba da saerTaSoriso aRiareba<br />

xvda wilad. es filmi, romelSic erT-erT mTavar rols<br />

merab niniZe asrulebs, 2000 wels Tbilisis pirveli saerTaSoriso<br />

kinofestivalis sakonkurso programaSi iyo warmodgenili. meore<br />

srulmetraJiani filmis „ras gargebs siyvaruli fiqrebSi“ (2004)<br />

gadaRebis Semdeg borisi didxans muSaobda televiziaSi, iRebda<br />

epizodebs germanuli televiziis popularuli serialebisTvis.<br />

Born 1968 in Munich, studied History, Political Science and Philosophy from<br />

1989 to 1993 at the Freie Universität Berlin. In 1992 he continued his studies<br />

at the German Film and Television Academy (dffb). Borries was highly praised<br />

for his impressive screen debut ENGLAND!, which was also his graduating film<br />

at the dffb. After his second directorial feature film LOVE IN THOUGHTS Achim<br />

von Borries has directed episodes of well-known German television series.


evropuli kinos forumi<br />

FORUM OF EUROPEAN CINEMA<br />

YERALTI<br />

jurRmuli TurqeTi <strong>2012</strong><br />

dostoevskis nawarmoebis „Canawerebi iatakqveSeTidan“ mixedviT. dostoevskis<br />

gmiris msgavsad, muharemic gariyulia, siZulvilisa da damcirebis samyaroSi<br />

gamoketili. Zvel megobrebTan Sexvedra muharems sakuTari cxovrebis ubadrukobas<br />

cxadad agrZnobinebs.<br />

Filmography / filmografia<br />

<strong>2012</strong> Inside / Yeraltı<br />

2009 Envy / Kıskanmak<br />

2006 Destiny / Kader<br />

2003 The Waiting Room / Bekleme Odası<br />

Director:<br />

Zeki Demirkubuz<br />

Screenplay:<br />

Zeki Demirkubuz<br />

Cinematography:<br />

Türksoy Gölebeyi<br />

Production Design:<br />

Başak Emre<br />

Costumes:<br />

Nihan Güneş<br />

Editing:<br />

Zeki Demirkubuz<br />

Sound:<br />

Furkan Atlı<br />

Producer:<br />

Zeki Demirkubuz<br />

Cast:<br />

Engin Günaydın, Nergis Öztürk, Nihal<br />

Yalçın<br />

2001 Fate / Yazgı<br />

2001 Confession / Itiraf<br />

1999 The Third Page / Üçüncü Sayfa<br />

1997 Innocence / Masumiyet<br />

1994 Block C /C Blok<br />

INSIDE TURKEY <strong>2012</strong><br />

107 wT, feradi<br />

107 min, colour<br />

reJisori:<br />

zeki demirkubuzi<br />

scenari:<br />

zeki demirkubuzi<br />

operatori:<br />

Turqsoi golebei<br />

mxatvari:<br />

baSak emre<br />

kostiumebi:<br />

nihan giuneSi<br />

montaJi:<br />

zeki demirkubuzi<br />

xma:<br />

furkan atli<br />

prodiuseri:<br />

zeki demirkubuzi<br />

monawileoben:<br />

engin giunaidini, nergis<br />

ozTiurqi, nihal ialCini<br />

Production:<br />

Mavi Film<br />

Tel.: +90 212 244 90 84<br />

info@zekidemirkubuz.com<br />

World Sales:<br />

Festival on Wheels<br />

Basak Emre<br />

Tel.: +90 312 466 34 84<br />

info@festivalonwheels.org<br />

In “Notes from Underground”, Dostoevsky portrayed one of literature’s most famous anti-heroes.<br />

Like Dostoevsky’s hero, Muharrem is an outsider, locked into a world of hate and contempt.<br />

At dinner with old friends, the squalor of his life is brought home to Muharrem.<br />

zeki demirkubuzi<br />

ZEKI DEMIRKUBUZ<br />

daibada 1964 wels ispartaSi, TurqeTSi. 1980 wlis samxedro<br />

gadatrialebis Semdeg politikuri saqmianobisTvis sami wliT<br />

patimroba miesaja. cixidan gaTavisuflebis Semdeg swavla ganagrZo<br />

da stambolis universitetis komunikaciebis fakulteti<br />

daamTavra. kinoSi muSaoba reJisoris asistentad daiwyo 1986<br />

wels. 1994 wels gadaiRo pirveli damoukidebeli filmi „bloki<br />

C“, momdevno orma filmma ki ukve saerTaSoriso aRiareba moutana.<br />

zeki demirkubuzis filmi „mesame gverdi“ Tbilisis pirveli<br />

saerTaSoriso kinofestivalis sakonkurso programaSi monawileobda<br />

2000 wels, sadac priziT aRiniSna saukeTeso scenarisTvis.<br />

Born in 1964 in Isparta, Turkey. He spent several years after the 1980 military<br />

coup in Turkey in prison. He has been making films since 1986. His<br />

international breakthrough came with the films INNOCENCE (1997) and<br />

THE THIRD PAGE (1999).<br />

71


72<br />

germanul-franguli<br />

megobroba kinoSi<br />

Sobas gilocavT<br />

Juli da jimi<br />

zRva ganTiadisas<br />

siamovneba<br />

madam de...<br />

dasavleTis fronti, 1918<br />

HAPPY CHRISTMAS<br />

JULES AND JIM<br />

CALM AT SEA<br />

LE PLAISIR<br />

THE EARRINGS OF MADAME DE...<br />

THE WESTERN FRONT 1918<br />

GERMAN-FRENCH<br />

FRIENDSHIP IN CINEMA


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

JOYEUX NOËL<br />

Sobas gilocavT<br />

<strong>safrangeTi</strong> / germania / didi britaneTi / belgia / rumineTi / norvegia 2005<br />

msoflio omis dros, erT Soba saRamos germanelebi, frangebi da Sotlandielebi<br />

Serigdebian da im xalxis mosanaxuleblad gaeSurebian, visac araferi aqvs saerTo<br />

sisxlian omTan. es saRamo maTTvis humanurobis gakveTilad iqceva.<br />

Filmography / filmografia<br />

2009 Farewell<br />

2005 Joyeux Noel<br />

2001 The Girl from Paris<br />

1999 Monsieur le député (short)<br />

Director:<br />

Christian Carion<br />

Screenplay:<br />

Christian Carion<br />

Cinematography:<br />

Walther van den Ende<br />

Music:<br />

Philippe Rombi<br />

Production Design:<br />

Jean-Michel Simonet<br />

Costumes:<br />

Alison Forbes-Meyler<br />

Editing:<br />

Judith Rivière Kawa, Andrea<br />

Sedlácková<br />

Producer:<br />

Christophe Rossignon<br />

Cast:<br />

Diane Kruger, Benno Fürmann,<br />

Guillaume Canet<br />

74<br />

116 wT, feradi<br />

116 min, colour<br />

reJisori:<br />

kristian karioni<br />

scenari:<br />

kristian karioni<br />

operatori:<br />

valter van den ende<br />

musika:<br />

filip rombi<br />

mxatvari:<br />

Jan-miSel simone<br />

kostiumebi:<br />

elison forbs-meileri<br />

montaJi:<br />

iudit riviere kava,<br />

andrea sedlakova<br />

prodiuseri:<br />

kristof rosinioni<br />

monawileoben:<br />

daian krugeri, beno<br />

fiurmani, giiom kane<br />

Production:<br />

Nord-Ouest Productions<br />

HAPPY CHRISTMAS FRANCE / GERMANY / UK / BELGIUM / ROMANIA / NORWAY 2005<br />

On Christmas Eve during world War I, the Germans, French, and Scottish fraternize and get to know<br />

the men who live on the opposite side of a brutal war, in what became a true lesson of humanity.<br />

kristian karioni<br />

CHRISTIAN CARION<br />

daibada 1963 wels kambreSi, safrangeTSi. frangi kinoreJisori da<br />

scenaristi. fermerebis ojaxSi dabadebulma karionma uCveulo<br />

gza ganvlo kinosken. 1991 wlamde qalaq arasSi, soflis meurneobis<br />

saministroSi muSaobda. kinoSi Seyvarebuli karioni im periodSi<br />

kameras qiraobda da ase iRebda filmebs. mogvianebiT is<br />

Tavis prodiusers, kristof rosinions Sexvda, romelmac misi,<br />

rogorc reJisoris bedi gansazRvra. karionis pirveli srulmetraJiani<br />

filmis, „parizeli gogonas“ (2001) warmatebam Sesa-<br />

Zebloba misca reJisors, didi xnis Canafiqri aesrulebina da<br />

„Sobas gilocavT“ gadaeRo.<br />

Born in 1963 in Cambrai, Christian Carion lived an original journey before becoming<br />

a filmmaker. Coming from a family of farmers, he pursued his parents’<br />

wishes in studying a sciences secondary education and attending a ministry<br />

of agriculture engineering school at the age of 20, practicing his profession<br />

in Arras until 1991. As a person passionate of the 7th art, he decided to devote<br />

himself to cinema by renting a camera and filming on his own. In this<br />

endeavor he meets and becomes the friend of producer Christophe Rossignon<br />

who definitely guides him towards a career as a director. His debut, THE GIRL<br />

FROM PARIS, launch Christian Carion’s cinematic destiny towards the film that<br />

he carried at heart during a dozen years: MERRY CHRISTMAS.


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

JULES ET JIM<br />

Juli da jimi <strong>safrangeTi</strong> 1962<br />

parizSi, meore msoflio omis dawyebamde, or megobars _ avstriels Juls da<br />

frang jims _ erTi da igive qali, katrini Seuyvardeba. magram katrini Juls<br />

irCevs da coladac mas gayveba. omis Semdeg, roca germaniaSi kvlav Sexvdebian<br />

erTmaneTs, katrins jimi Seuyvardeba... es sami adamianis siyvarulis istoriaa,<br />

siyvarulis, romelic maT megobrobas xels ar uSlis.<br />

Filmography / filmografia<br />

1983 Confidentially Yours<br />

1981 The Woman Next Door<br />

1980 The Last Metro<br />

1979 Love on the Run<br />

1978 The Green Room<br />

1977 The Man Who Loved Women<br />

1976 Small Change<br />

1975 The Story of Adele H<br />

1973 Day for Night<br />

1972 A Gorgeous Girl Like Me<br />

Director:<br />

François Truffaut<br />

Screenplay:<br />

François Truffaut, Jean Gruault<br />

Cinematography:<br />

Raoul Coutard<br />

Music:<br />

Georges Delerue<br />

Production Design:<br />

Fred Capel<br />

Editing:<br />

Claudine Bouché<br />

Producer:<br />

François Truffaut, Marcel Berbert<br />

Cast:<br />

Jeanne Moreau, Oskar Werner, Henri<br />

Serre<br />

1971 Two English Girls<br />

1970 Bed & Board<br />

1970 The Wild Child<br />

1969 Mississippi Mermaid<br />

1968 Stolen Kisses<br />

1968 The Bride Wore Black<br />

1966 Fahrenheit 451<br />

1964 The Soft Skin<br />

1962 Jules and Jim<br />

1959 The 400 Blows<br />

JULES AND JIM FRANCE 1962<br />

105 wT, S-T<br />

105 min, B-W<br />

reJisori:<br />

fransua triufo<br />

scenari:<br />

fransua triufo, Jan gruo<br />

operatori:<br />

raul kutari<br />

musika:<br />

JorJ deleriu<br />

mxatvari:<br />

fred kapeli<br />

montaJi:<br />

klodin buSe<br />

prodiuseri:<br />

fransua triufo,<br />

marsel berberi<br />

monawileoben:<br />

Jan moro, oskar verneri,<br />

anri sere<br />

Production:<br />

Les Films du Carrosse<br />

Sédif Productions<br />

In Paris, before WWI, two friends, Jules (Austrian) and Jim (French) fall in love with the same<br />

woman, Catherine. But Catherine loves and marries Jules. After the war, when they meet again<br />

in Germany, Catherine starts to love Jim... This is the story of three people in love, a love which<br />

does not affect their friendship, and about how their relationship evolves with the years.<br />

fransua triufo<br />

FRANÇOIS TRUFFAUT<br />

(1932 – 1984)<br />

cnobili frangi kinoreJisori da kinokritikosi, franguli axali<br />

talRis erT-erTi damaarsebeli. ocdaxuTwliani kinokarieris<br />

ganmavlobaSi is franguli kinoindustriis simbolod iqca. fransua<br />

triufo iyo agreTve scenaristi, prodiuseri da msaxiobi.<br />

François Truffaut was an influential filmmaker and film critic, one of the<br />

founders of the French New Wave. In a film career lasting over a quarter<br />

of a century, he remains an icon of the French film industry. He was also a<br />

screenwriter, producer and actor, working on over twenty-five films.<br />

75


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

LA MER À L’AUBE<br />

zRva ganTiadisas <strong>safrangeTi</strong> / germania 2011<br />

1941 wlis oqtomberi. weliwadnaxevaria, rac <strong>safrangeTi</strong> germanuli armiis mier<br />

aris okupirebuli. winaaRmdegobis moZraobis axalgazrda komunisti mebrZolebi<br />

vermaxtis armiis oficers klaven. „samagierod“ hitleri 150 frangis daxvretas<br />

iTxovs. eseni umetesad axalgazrda mamakacebi unda iyvnen, romlebic Tavdamsxmelebs<br />

politikurad TanaugrZnoben. msxverpli adgilobrivma frangma administratorma<br />

unda SearCios _ is jer mxolod 35 wlis aris.<br />

Fimlography (selected)<br />

2011 Das Meer am Morgen<br />

2007 Ulzhan - Das vergessene<br />

Licht<br />

2006 Strajk - Die Heldin von<br />

Danzig<br />

2006 Billy Wilder Speaks (TV<br />

doc.)<br />

2004 Der neunte Tag<br />

2000 Die Stille nach dem Schuß<br />

1998 Palmetto<br />

Director:<br />

Volker Schlöndorff<br />

Screenplay:<br />

Volker Schlöndorff<br />

Cinematography:<br />

Lubomir Bakchev<br />

Music:<br />

Bruno Coulais<br />

Production Design:<br />

Stéphane Makedonsky<br />

Costumes:<br />

Agnès Noden<br />

Editing:<br />

Susanne Hartmann<br />

Sound:<br />

Philippe Garnier<br />

Producer:<br />

Bruno Petit<br />

Co-Producer:<br />

Thomas Teubner, Martin Choroba<br />

Cast:<br />

Léo Paul Salmain, Marc Barbé, Martin<br />

Loizillon, Philippe Résimont, Charlie<br />

Nelson, Gilles Arbona<br />

76<br />

1996 Le parfait soldat<br />

1996 Der Unhold<br />

1991 Homo Faber<br />

1990 The Handmaid’s Tale<br />

1984 Un amour de Swann<br />

1981 Die Fälschung<br />

1980 Der Kandidat (doc.)<br />

1979 Die Blechtrommel<br />

1976 Der Fangschuß<br />

1975 Die verlorene Ehre der<br />

Katharina Blum<br />

89 wT, feradi<br />

89 min, colour<br />

CALM AT SEA FRANCE / GERMANY 2011<br />

reJisori:<br />

folker Slendorfi<br />

scenari:<br />

folker Slendorfi<br />

operatori:<br />

lubomir bakCevi<br />

musika:<br />

bruno kule<br />

mxatvari:<br />

stefan makedonski<br />

kostiumebi:<br />

anies nodeni<br />

montaJi:<br />

zuzane hartmani<br />

xma:<br />

filip garnie<br />

prodiuseri:<br />

bruno peti<br />

Tanaprodiuseri:<br />

Tomas toibneri,<br />

martin Coroba<br />

monawileoben:<br />

leo pol salmeni, mark<br />

barbe, martin luazioni,<br />

filip resimoni, Carli<br />

nelsoni, Jil arbona<br />

Production:<br />

Provobis Gesellschaft für Film und Fernsehen<br />

Berlin, Deutschland<br />

+49 30 3069760<br />

office@provobis.de<br />

in co-production with:<br />

Les Canards Sauvages<br />

Arte France<br />

Bayerischer Rundfunk<br />

Norddeutscher Rundfunk<br />

Südwestrundfunk<br />

World Sales:<br />

Provobis Gesellschaft für Film und Fernsehen<br />

October 1941. Eighteen months into France’s occupation by German troops, young Communist<br />

members of the Resistance shoot dead an officer of the German Army. In retaliation, Hitler<br />

demands the deaths of 150 Frenchmen, as ‘retribution’. The targets are to be mostly young<br />

men believed to share the assassins’ political convictions. A 35-year-old French rural administrator<br />

is ordered to select the victims.<br />

folker Slendorfi<br />

VOLKER SCHLÖNDORFF<br />

1975 Les raisons de Georgina<br />

1974 Übernachtung in Tirol (TV<br />

movie)<br />

1972 Strohfeuer<br />

1972 Die Moral der Ruth Halbfass<br />

1970 Baal (TV movie)<br />

1969 Michael Kohlhaas - Der<br />

Rebell<br />

1967 Mord und Totschlag<br />

1966 Der junge Törless<br />

1960 Wen kümmert’s? (short)<br />

daibada 1939 wels visbadenSi, germaniaSi. 1956 wels safrangeTSi<br />

gaemgzavra, parizSi swavlobda ekonomikas, politikur mecnierebebsa<br />

da kinematografias. reJisoris asistentad muSaobda lui mal-<br />

Tan, Jan-pier melvilTan da alen renesTan. „axalgazrda toerlesi“<br />

(1965) axali germanuli kinos pirveli saerTaSoriso warmateba iyo.<br />

margaret fon trotasTan erTad gadaRebulma filmma „kaTarina<br />

blumis dakarguli Rirseba“ (1975) Slendorfs sayovelTao aRiareba<br />

moutana. filmma „Tunuqis doli“ kanis kinofestivalis „oqros<br />

palmis rto“ miiRo 1979 wels da amerikuli kinoakademiis „oskariTac“<br />

aRiniSna. filmebs iRebda safrangeTSi da aSS-Si, 1992-97<br />

wlebSi babelsbergis studias (yofili UFA-DEFA) xelmZRvanelobda.<br />

Born 31.3.1939 in Wiesbaden. He moved to France in 1956, studied politics in Paris<br />

and was assistant to Louis Malle, Jean-Pierre Melville and Alain Renais. YOUNG<br />

TORLESS (1965) was the first international hit of New German Cinema. THE LOST<br />

HONOUR OF KATHARINA BLUM, filmed with Margarethe von Trotta was a huge<br />

international success. THE TIN DRUM received a Golden Palm in Cannes 1979 as<br />

well as an Academy Award. He made several films in France and the USA and ran<br />

the former UFA/DEFA Studios in Babelsberg from 1992-97.


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

LE PLAISIR<br />

siamovneba <strong>safrangeTi</strong> 1952<br />

gi de mopasanis moTxrobebis mixedviT gadaRebuli kinematografiuli triptiqi _<br />

sami ambavi siamovnebis Sesaxeb: „niRabi“, „telies saxli“ da „modeli“.<br />

Filmography / filmografia<br />

1956 Lola Montès<br />

1953 Madame de...<br />

1952 Le plaisir<br />

1950 Vendetta<br />

1950 La ronde<br />

1949 The Reckless Moment<br />

1949 Caught<br />

1948 Brief einer Unbekannten<br />

1947 The Exile<br />

1940 Von Mayerling bis Sarajewo<br />

1940 Ohne ein Morgen<br />

1940 L’école des femmes<br />

1938 Le roman de Werther<br />

Director:<br />

Max Ophüls<br />

Screenplay:<br />

Jacques Natanson, Max Ophüls<br />

Cinematography:<br />

Christian Matras,Philippe Agostini<br />

Music:<br />

Joe Hajos, Maurice Yvain<br />

Production Design:<br />

Jean d’Eaubonne<br />

Costumes:<br />

Georges Annenkov<br />

Editing:<br />

Léonide Azar<br />

Sound:<br />

Pierre Calvet, Jean Rieul<br />

Producer:<br />

Max Ophüls, M. Kieffer,<br />

Édouard Harispuru<br />

Cast:<br />

Jean Gabin, Danielle Darrieux,<br />

Simone Simon, Claude Dauphin,<br />

Madeleine Renaud<br />

1937 Yoshiwara<br />

1936 Komödie ums Geld<br />

1936 Zärtliche Feindin<br />

1936 Valse brillante de Chopin<br />

1936 Ave Maria<br />

1935 Divine<br />

1934 Eine Diva für alle<br />

1934 On a volé un homme<br />

1933 Une histoire d’amour<br />

1933 Lachende Erben<br />

1933 Liebelei<br />

1932 Die verkaufte Braut<br />

1932 Die verliebte Firma<br />

1931 Dann schon lieber Lebertran (short)<br />

LE PLAISIR FRANCE 1952<br />

97 wT, S/T<br />

97 min, b/w<br />

reJisori:<br />

maqs ofulsi<br />

scenari:<br />

Jak naTansoni, maqs ofulsi<br />

operatori:<br />

kristian matrasi,<br />

filip agostini<br />

musika:<br />

jo haiosi, moris iveni<br />

mxatvari:<br />

Jan d’oboni<br />

kostiumebi:<br />

JorJ anenkovi<br />

montaJi:<br />

leonid azari<br />

xma:<br />

pier kalve, Jan rioli<br />

prodiuseri:<br />

maqs ofulsi, m. kiferi,<br />

eduard arispuru<br />

monawileoben:<br />

Jan gabeni, daniel darie,<br />

simon simoni, klod dofeni,<br />

madlen reno<br />

Production:<br />

Compagnie Commerciale Française Cinématographique<br />

S.A. (C.C.F.C.) (Paris)<br />

This cinematic triptych, based on stories of Guy de Maupassant, is subdivided into three shrot stories<br />

all concerning pleasue - Le Masque, La Maison Tellier and Le Modèle.<br />

maqs ofulsi<br />

MAX OPHÜLS<br />

(1902 – 1957)<br />

maqs ofulsis (maqs openhaimeri) kariera 1920-ian wlebSi TeatrSi<br />

msaxiobad da reJisorad muSaobiT iwyeba. 30-iani wlebis dasawyis-<br />

Si is kinematografiiT interesdeba da anatol litvakTan iwyebs<br />

reJisoris asistentad muSaobas. sul male pirvel damoukidebel<br />

filmebs iRebs. 1933 wels emigraciaSi midis safrangeTSi da<br />

momdevno rva wlis ganmavlobaSi safrangeTSi, niderlandebsa da<br />

italiaSi muSaobs. 1941 wels <strong>safrangeTi</strong>danac uwevs emigrireba,<br />

amjerad _ aSS-Si. holivudis TiTqmis aTwliani periodis Semdeg<br />

is 1950 wels isev safrangeTSi brundeba, sadac Tavis ukanasknel<br />

filmebs iRebs.<br />

„siamovneba“1955 wels „oskarze“ iyo nominirebuli saukeTeso mxatvrobisTvis.<br />

Max Ophüls (Max Oppenheimer) began his career as a stage actor and director<br />

in the golden twenties. In the early 1930s Ophüls discovered the movie world<br />

and began to work as an assistant director for Anatole Litvak. He directed his first<br />

movies (Dann schon lieber Lebertran (1931), Die verliebte Firma (1932)) in that<br />

time too. Around 1933 he emigrated to France and also worked in the Netherlands<br />

and Italy for a period of eight years. In 1941 he emigrated again, this time to<br />

the USA where he worked for a period of 10 years before he went back to France<br />

in 1950. Beginning in 1954 he also worked in Germany again, mainly for German<br />

radio in Baden-Baden. Max Ophüls died in March 1957 in Hamburg, Germany<br />

and is buried on the famous cemetery Père-Lachaise in Paris, France.<br />

77


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

MADAME DE...<br />

madam de... <strong>safrangeTi</strong> / italia 1953<br />

parizi me-19 saukunis bolos. generlis coli luiza qmris saqorwino saCuqars,<br />

sayureebs yidis, radgan valebis dasafarad fuli sWirdeba. generali saidumlod<br />

gamoisyidis sayureebs da maT Tavis sayvarels, lolas aCuqebs, romelic konstantinopolSi<br />

miemgzavreba. lola sayureebs kazinoSi waagebs da maT italieli diplomati,<br />

baroni donati iyidis. konstantinopolidan parizSi dabrunebuli donati<br />

luizas gaicnobs... da siyvarulis niSnad gulis formis oqros sayureebs aCuqebs...<br />

Filmography / filmografia<br />

1956 Lola Montès<br />

1953 Madame de...<br />

1952 Le plaisir<br />

1950 Vendetta<br />

1950 La ronde<br />

1949 The Reckless Moment<br />

1949 Caught<br />

1948 Brief einer Unbekannten<br />

1947 The Exile<br />

Director:<br />

Max Ophüls<br />

Screenplay:<br />

Marcel Achard, Max Ophüls,<br />

Annette Wademant<br />

Cinematography:<br />

Christian Matras, Ernest Bourreaud<br />

Music:<br />

Oscar Straus<br />

Production Design:<br />

Jean d’Eaubonne<br />

Costumes:<br />

Georges Annenkov, Rosine Delamare<br />

Editing:<br />

Boris Lewin<br />

Sound:<br />

Antoine Petitjean<br />

Producer:<br />

Henri Deutschmeister<br />

Cast:<br />

Danielle Darrieux, Charles Boyer,<br />

Vittorio De Sica<br />

78<br />

1940 Von Mayerling bis Sarajewo<br />

1940 Ohne ein Morgen<br />

1940 L’école des femmes<br />

1938 Le roman de Werther<br />

1937 Yoshiwara<br />

1936 Komödie ums Geld<br />

1936 Zärtliche Feindin<br />

1936 Valse brillante de Chopin<br />

1936 Ave Maria<br />

1935 Divine<br />

99 wT, S/T<br />

99 min, b/w<br />

reJisori:<br />

maqs ofulsi<br />

scenari:<br />

marsel aSari, maqs ofulsi,<br />

anet vademoni<br />

operatori:<br />

kristian matrasi,<br />

ernest buro<br />

musika:<br />

oskar Strausi<br />

mxatvari:<br />

Jan d’oboni<br />

kostiumebi:<br />

JorJ anenkovi,<br />

rozin delamari<br />

montaJi:<br />

boris levini<br />

xma:<br />

antuan petitJani<br />

prodiuseri:<br />

anri doiCmaisteri<br />

monawileoben:<br />

daniel darie, Sarl boie,<br />

vitorio de sika<br />

Production<br />

Franco-London-Films S.A. (Paris)<br />

Indusfilms (FR)<br />

in co-production with:<br />

Rizzoli Film S.p.A. (Rom)<br />

THE EARRINGS OF MADAME DE... FRANCE / ITALY 1953<br />

In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband<br />

gave her as a wedding gift: she needs money to cover her debts. The general secretly buys the<br />

earrings again and gives them to his mistress, Lola, leaving to go to Constantinople where an<br />

Italian diplomat, Baron Donati, buys them. Back to Paris, Donati meets Louise... So now Louise<br />

discovers love and becomes much less frivolous.<br />

maqs ofulsi<br />

MAX OPHÜLS<br />

(1902 – 1957)<br />

1934 Eine Diva für alle<br />

1934 On a volé un homme<br />

1933 Une histoire d’amour<br />

1933 Lachende Erben<br />

1933 Liebelei<br />

1932 Die verkaufte Braut<br />

1932 Die verliebte Firma<br />

1931 Dann schon lieber Lebertran<br />

(short)<br />

maqs ofulsis (maqs openhaimeri) kariera 1920-ian wlebSi TeatrSi<br />

msaxiobad da reJisorad muSaobiT iwyeba. 30-iani wlebis dasawyis-<br />

Si is kinematografiiT interesdeba da anatol litvakTan iwyebs<br />

reJisoris asistentad muSaobas. sul male pirvel damoukidebel<br />

filmebs iRebs. 1933 wels emigraciaSi midis safrangeTSi da<br />

momdevno rva wlis ganmavlobaSi safrangeTSi, niderlandebsa da<br />

italiaSi muSaobs. 1941 wels <strong>safrangeTi</strong>danac uwevs emigrireba,<br />

amjerad _ aSS-Si. holivudis TiTqmis aTwliani periodis Semdeg<br />

is 1950 wels isev safrangeTSi brundeba, sadac Tavis ukanasknel<br />

filmebs iRebs. „madam de...“1955 wels „oskarze“ iyo nominirebuli<br />

saukeTeso kostiumebisTvis.<br />

Max Ophüls (Max Oppenheimer) began his career as a stage actor and<br />

director in the golden twenties. In the early 1930s Ophüls discovered the<br />

movie world and began to work as an assistant director for Anatole Litvak.<br />

He directed his first movies (Dann schon lieber Lebertran (1931), Die verliebte<br />

Firma (1932)) in that time too. Around 1933 he emigrated to France<br />

and also worked in the Netherlands and Italy for a period of eight years.<br />

In 1941 he emigrated again, this time to the USA where he worked for a<br />

period of 10 years before he went back to France in 1950. Beginning in<br />

1954 he also worked in Germany again, mainly for German radio in Baden-<br />

Baden. Max Ophüls died in March 1957 in Hamburg, Germany and is buried<br />

on the famous cemetery Père-Lachaise in Paris, France.


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

WESTFRONT 1918<br />

dasavleTis fronti, 1918 germania 1930<br />

oTxi germaneli jariskacis ambavi, romlebic pirveli msoflio omis ukanasknel<br />

wels erTad ibrZvian <strong>safrangeTi</strong>s frontze. mxiaruli bavarielisTvis omi, pirvel<br />

rigSi, Tavgadasavalia. berlinel karls frontze dabruneba uxaria, radgan<br />

xanmokle SvebulebiT Sin Casuls colis loginSi sxva kaci daxvda. leitenants, maT<br />

meTaurs, araferi ainteresebs valdebulebis Sesrulebis garda. jgufis meoTxe<br />

wevria studenti, romelsac frangi gogona, iveti Seuyvardeba. omi oTxives saSinel<br />

dasasruls moutans. omi oTxivesTvis cudad sruldeba.<br />

Filmography (selection)<br />

1956 Durch die Wälder, durch<br />

die Auen<br />

1956 Rosen für Bettina<br />

1955 Der letzte Akt<br />

1953 Cose da pazzi<br />

1949 Geheimnisvolle Tiefe<br />

1948 Der Prozeß<br />

1945 Der Fall Molander<br />

Director:<br />

Georg Wilhelm Pabst<br />

Screenplay:<br />

Ladislaus Vajda, Peter Martin Lampel<br />

Cinematography:<br />

Fritz Arno Wagner, Charles Métain<br />

Music:<br />

Alexander Laszlo<br />

Production Design:<br />

Ernö Metzner, Willy Reiber<br />

Editing:<br />

Wolfgang Loë-Bagier, Hans Oser<br />

Sound:<br />

Karl Brodmerkel, Guido Bagier,<br />

Joseph Massolle<br />

Producer:<br />

Seymour Nebenzahl<br />

Cast:<br />

Fritz Kampers, Gustav Diessl, Hans<br />

Joachim Moebis, Claus Clausen,<br />

Gustav Püttjer, Jackie Monnier<br />

1943 Paracelsus<br />

1941 Komödianten<br />

1938 Le drame de Shanghai<br />

1936 Mademoiselle Docteur<br />

1934 A Modern Hero<br />

1933 Don Quixote<br />

1932 Die Herrin von Atlantis<br />

1931 Die Dreigroschenoper<br />

1930 Westfront 1918<br />

97 wT, S-T<br />

97 min, b/w<br />

THE WESTERN FRONT 1918 GERMANY 1930<br />

reJisori:<br />

georg vilhelm pabsti<br />

scenari:<br />

ladislaus vaida, peter<br />

martin lampeli<br />

operatori:<br />

fric arno vagneri, Sarl<br />

meteni<br />

musika:<br />

aleqsander laslo<br />

mxatvari:<br />

erno metcneri, wili<br />

raiberi<br />

montaJi:<br />

volfgang loe-baJie, hans<br />

ozeri<br />

xma:<br />

karl brodmerkeli, gvido<br />

baJie, Jozef masoli<br />

prodiuseri: seimur<br />

nebencali<br />

monawileoben:<br />

fric kampersi, gustav<br />

disli, hans ioaxim moebisi,<br />

klaus clauseni, gustav<br />

pitie, Jaki monie<br />

Production:<br />

Nero-Film AG (Berlin)<br />

The story of four German soldiers of very different personalities and social backgrounds who serve<br />

together on the French front during the last year of World War I. The happy Bavarian is unshakeable<br />

and optimistic. Karl from Berlin has been home on leave, but finds another man in his wife’s<br />

bed and is glad to return to his comrades. The lieutenant only knows his duty and seems not to be<br />

interested in anything but his duty. The fourth man is a student who has fallen in love with a young<br />

French woman named Yvette. The war brings a gruesome end for all four men.<br />

georg vilhelm pabsti<br />

GEORG WILHELM PABST<br />

(1885 – 1967)<br />

1930 Skandal um Eva<br />

1929 Tagebuch einer Verlorenen<br />

1929 Die Büchse der Pandora<br />

1927 Die Liebe der Jeanne Ney<br />

1925 Die freudlose Gasse<br />

1924 Gräfin Donelli<br />

1923 Der Schatz<br />

TeatrSi msaxiobad da reJisorad muSaobis Semdeg 1921 wels pabsti<br />

kinoSi inacvlebs da 1923 wels iRebs Tavis pirvel films<br />

„ganZi“, romlis scenaris Tanaavtoric aris. misTvis pirveli<br />

didi warmateba moaqvs films „usixarulo quCa“ (1925), romelic<br />

dRemde socialkritikuli realizmis Sedevrad iTvleba. „dasavleTis<br />

fronti, 1918“ pabstis pirveli xmovani filmia. filmis<br />

pacifisturi suliskveTeba da germanul-franguli Serigebisken<br />

mowodeba avtors „wiTeli pabstis“ reputacias umkvidrebs. pabstis<br />

nacistebTan TanamSromlobis Tema dRemde sadavod rCeba<br />

im periodSi gadaRebuli ori filmis gamo (“komediantebi”, 1941;<br />

“paracelsusi”, 1943). omis damTavrebis Semdeg pabsti nacisturi<br />

reJimis mimarT kritikul ramdenime films iRebs.<br />

After working as a theatre actor and director Pabst moved to cinema in 1921<br />

and made his first film “Der Schatz” (“The Treasure”) in 1923. He also coauthored<br />

a script for the film. His first successful film “Die freudlose Gasse” (“The<br />

Street of Sorrow”, 1925), starring Asta Nielsen, Greta Garbo and Werner Krauß,<br />

has been considered to be unquestioned masterpiece of socially critical realism<br />

so far. “Westfront 1918” (“The Western Front 1918”, 1930), his first sound<br />

film, established his reputation as “red Pabst” because of its pacifist tendencies<br />

and appeal for for the friendship between the Germans and the French.<br />

79


arte <strong>safrangeTi</strong><br />

warmogidgenT<br />

nakvalevi<br />

los anJelesis qalTa bandebi<br />

samyaro aniS kapuris TvaliT<br />

sastumro mekongi<br />

mocarti - <strong>supervarskvlavi</strong><br />

THE TRACE<br />

FAR FROM HEAVEN<br />

THE WORLD ACCORDING TO KAPOOR<br />

MEKONG HOTEL<br />

MOZART SUPERSTAR<br />

ARTE FRANCE<br />

PRESENTS<br />

81


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

CHIRI<br />

nakvalevi iaponia / <strong>safrangeTi</strong> <strong>2012</strong><br />

naomi kavases amqveynad movlinebisas misi mSoblebi ukve daSorebulebi iyvnen da<br />

gogonas aRzrda dedis uSvilo deidam da biZam TiTqmis dabadebisTanave iTaves _ im<br />

dros orive 65 wlis iyo. „nakvalevi“ dawvrilebiT asaxavs naomi kavases dedobilis<br />

cxovrebis ukanasknel wlebs, romelic 95 wlis asakSi gardaicvala.<br />

Filmography / filmografia<br />

<strong>2012</strong> Chiri<br />

2011 60 Seconds of Solitude in Year Zero (short)<br />

2011 3.11 Sense of Home (segment “Home”)<br />

2011 Hanezu<br />

2010 Genpin (doc.)<br />

2009 Visitors (segment “Koma”)<br />

2009 In Between Days (doc. short)<br />

2008 Nanayo<br />

2007 Mogari no mori<br />

2006 Tarachime (doc. short)<br />

2004 Shadow (doc. short)<br />

Director:<br />

Naomi Kawase<br />

Cinematography:<br />

Naomi Kawase<br />

Music:<br />

Hasiken Hasiken<br />

Editing:<br />

Naomi Kawase<br />

Sound:<br />

Osamu Takizawa<br />

82<br />

THE TRACE JAPAN / FRANCE <strong>2012</strong><br />

45 wT, feradi<br />

45 min, colour<br />

2003 Letter from a Yellow Cherry Blossom (doc.)<br />

2003 Shara<br />

2001 Sky, Wind, Fire, Water, Earth (doc.)<br />

2000 Firefly<br />

1999 Manguekyo (doc.)<br />

1997 The Weald (doc.)<br />

1997 Moe no suzaku<br />

1996 Hi wa katabuki (doc.)<br />

1995 See Heaven (doc. short)<br />

1994 Katatsumori (doc. short)<br />

1992 Embracing (doc. short)<br />

reJisori:<br />

naomi kavase<br />

operatori:<br />

naomi kavase<br />

musika:<br />

hasiken hasikeni<br />

montaJi:<br />

naomi kavase<br />

xma:<br />

osamu takiZava<br />

Production:<br />

Kumie Inc.<br />

Takama-cho<br />

6308241 Nara<br />

www.kawasenaomi.com<br />

in association with<br />

ARTE France<br />

World Sales:<br />

Kumie Inc.<br />

Naomi Kawase was born into a world where her parents were absent. Her mother’s aunt and uncle<br />

had no children, and soon after her birth she was placed in their care when they were already 65<br />

years old. Chiri is the close observation of the end of the life of her foster mother, after she had<br />

turned 95.<br />

naomi kavase<br />

NAOMI KAWASE<br />

iaponeli kinoreJisori. daibada 1969 wels naraSi, iaponiaSi.<br />

1989 wels daamTavra osakas fotografiis skola da oTxi<br />

wlis ganmavlobaSi iqve muSaobda leqtorad. naomi kavase kanis<br />

kinofestivalis „oqros kameris“ yvelaze axalgazrda priziori<br />

gaxda 1997 wels sadebiuto srulmetraJiani filmisTvis<br />

„suzaku“.<br />

Born in 1969 in Nara, Japan. Japanese film director. After graduating in<br />

1989 from the Osaka School of Photography, she spent an additional four<br />

years there as a lecturer. Naomi Kawase became the youngest winner of<br />

the Caméra d’Or award (best new director) at the 1997 Cannes Film Festival<br />

for her first 35mm film, SUZAKU.


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

L.A. GANGS DE FEMMES<br />

los anJelesis qalTa bandebi <strong>safrangeTi</strong> <strong>2012</strong><br />

dokumenturi filmi qalebis Sesaxeb, romlebic Tavis gadasarCenad ibrZvian im<br />

samyaroSi, sadac mxolod tyuilisa da Zaladobis meSveobiT aris SesaZlebeli<br />

arseboba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Far from Heaven (TV documentary)<br />

<strong>2012</strong> Bahrain, the Forbidden Country (documentary)<br />

2011 Un si long voyage (documentary)<br />

Director:<br />

Stephanie Lamorré<br />

Cinematography:<br />

Stephanie Lamorré<br />

Music:<br />

Nicolas Baby<br />

Editing:<br />

Sébastien Touta<br />

Sound:<br />

Stephanie Lamorré<br />

FAR FROM HEAVEN FRANCE <strong>2012</strong><br />

reJisori:<br />

stefani lamore<br />

operatori:<br />

stefani lamore<br />

musika:<br />

nikola bebi<br />

montaJi:<br />

sebastian tuta<br />

xma:<br />

stefani lamore<br />

Production:<br />

Mai Juin Productions<br />

Arte France<br />

Documentary about women who fight to survive in a world where they exist only through lies<br />

and violence.<br />

stefani lamore<br />

STEPHANIE LAMORRÉ<br />

82 wT, feradi<br />

82 min, colour<br />

frangi kinodokumentalisti, romelic mTels msoflioSi<br />

iRebs filmebs <strong>safrangeTi</strong>s televiziisTvis.<br />

French documentary filmmaker working as an international independent<br />

writer/director having produced a diverse array of films for French television.<br />

83


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

LE MONDE SELON ANISH KAPOOR<br />

samyaro aniS kapuris TvaliT <strong>safrangeTi</strong> 2010<br />

filmi Trilers ufro hgavs, vidre dokumenturs da londonSi mcxovrebi monumentalisti<br />

moqandakis aniS kapuris samyaros ikvlevs, romelic abstraqtul<br />

xelovnebas moZrav gamosaxulebebad aqcevs.<br />

Filmography / filmografia<br />

2011 Empreintes - Annette Messager, pudique et<br />

publique (TV series doc.)<br />

2010 Les vies possibles de Christian Boltanski (TV<br />

doc.)<br />

2008 Berlin - Arm aber sexy (TV doc.)<br />

2008 Barroco (doc.)<br />

2008 What About Style? Alex Katz: A Painter’s<br />

Painter (video doc.)<br />

2005 Henri Matisse - Eine filmische Reise (TV doc.)<br />

2005 Die F.C. Flick Collection - Acht Bilder zum<br />

Nachdenken, ob’s so weiter geht (TV doc.)<br />

2004 Baselitz (TV doc.)<br />

Director:<br />

Heinz Peter Schwerfel<br />

Cinematography:<br />

Marcel Neumann<br />

Music:<br />

Ulrich Lask<br />

Editing:<br />

Philippe La Bruyère<br />

Producer:<br />

Anne Schuchman<br />

84<br />

52 wT, feradi<br />

52 min, colour<br />

2004 Hotel Nooteboom - Eine Bilderreise ins Land<br />

der Worte (doc.)<br />

2001 Rasender Stillstand - Das Theater des Christoph<br />

Marthaler (TV doc.)<br />

2000 Utopia - Die Kunst vom Überleben (TV doc.)<br />

1998 Virealitäten - Gibt es ein Leben nach der<br />

Wirklichkeit (TV doc.)<br />

1997 Kunst-Kritik (TV doc.)<br />

1997 Bruce Nauman - Make Me Think<br />

1993 Artcore oder Der Neger<br />

1993 Die Inschrift des Gottes (short)<br />

1991 Die Endlichkeit der Freiheit (doc.)<br />

1988 Ich, Georg Baselitz (TV doc.)<br />

reJisori:<br />

hainc peter Sverfeli<br />

operatori:<br />

marsel noimani<br />

musika:<br />

ulrix laski<br />

montaJi:<br />

filip la bruie<br />

prodiuseri:<br />

an Suxmani<br />

Production:<br />

Arte France<br />

Schuch Conseils et Production<br />

World sales:<br />

Arte France<br />

THE WORLD ACCORDING TO KAPOOR FRANCE 2010<br />

More thriller than documentary, the film explores the universe of Anish Kapoor, London based<br />

master of monumental sculpture and adventurer in unknown territories, transforming abstract<br />

art into moving images.<br />

hainc peter<br />

Sverfeli<br />

HEINZ PETER<br />

SCHWERFEL<br />

daibada 1954 wels kiolnSi. xelovnebaTmcodne, reJisori da<br />

mwerali. swavlobda filosofias da xelovnebis istorias aaxensa<br />

da parizSi, sorbonis universitetSi. 1979 wels muSaobda<br />

politikuri ganyofilebis redaqtorad saagento frans<br />

presSi. 80-ian wlebSi muSaobda Jurnal The Transatlantik-Si, werda<br />

kulturis sakiTxebze. 2002 wels kiolnSi daaarsa „kunstfilmbienale“,<br />

romlis mxatvruli xelmZRvanelic TviTonve<br />

iyo 2010 wlamde. 2007 wlidan dRemde aris Jurnal ART-is korespondenti<br />

safrangeTSi.<br />

Born in 1954 in Köln. Art critic, filmmaker and author. He studied philosophy<br />

and art history at Aachen and Paris (Sorbonne IV). In 1979 he was political<br />

editor at the AFP. In the eighties he worked as a freelance cultural<br />

journalist for The Transatlantik – art magazine. 1998-1999 he was deputy<br />

editor of the art magazine ART. In 2002 he founded the KunstFilmBiennale<br />

in Cologne, he was artistic director until 2010. Since 2007 he has been a<br />

correspondent in France, the art magazine ART.


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

MEKONG HOTEL<br />

sastumro mekongi tailandi / didi britaneTi <strong>2012</strong><br />

„sastumro mekongi“ aris filmi mogonebebze, romelic gadaRebulia amave saxelwodebis<br />

sastumros oTaxebidan da terasidan, saidanac didebuli xedi iSleba am-<br />

Rvreul mdinareze. reJisori apiCatpong virasetakuli egzotikurobis kliSeebs<br />

upirispirdeba da SegrZnebebiT savse, iSviaT mogzaurobas gvTavazobs Caketil<br />

sivrceSi.<br />

Filmography / filmografia<br />

<strong>2012</strong> Mekong Hotel (doc.)<br />

2011 Quattro Hongkong 2 (segment “M Hotel”)<br />

2011 M Hotel (short)<br />

2010 Empire (short)<br />

2010 Uncle Boonmee Who Can Recall His Past Lives<br />

2009 Phantoms of Nabua (short)<br />

2009 A Letter to Uncle Boonmee (short)<br />

2009/II Haiku (short)<br />

2008 Stories on Human Rights (segment “Mobile Men”)<br />

2007 State of the World (segment “Luminous<br />

People”)<br />

2006 Syndromes and a Century<br />

2005 Ghost of Asia (short)<br />

Director:<br />

Apichatpong Weerasethakul<br />

Screenplay:<br />

Apichatpong Weerasethakul<br />

Cinematography:<br />

Apichatpong Weerasethakul<br />

Music:<br />

Chai Bhatana<br />

Editing:<br />

Apichatpong Weerasethakul<br />

Sound:<br />

Chalermrat Kaweewattana<br />

Producer:<br />

Apichatpong Weerasethakul<br />

Cast:<br />

Jenjira Pongpas, Maiyatan Techaparn,<br />

Sakda Kaewbuadee, Chai Bhatana,<br />

Chatchai Suban, Apichatpong<br />

Weerasethakul<br />

57 wT, feradi<br />

57 min, colour<br />

2005 Worldly Desires (short)<br />

2004 Tropical Malady<br />

2003 The Adventures of Iron Pussy<br />

2002 Blissfully Yours<br />

2001 Masumi Is a PC Operator (short)<br />

2000 Mysterious Object at Noon<br />

2000 Boys at Noon (short)<br />

1999 Malee and the Boy (doc. short)<br />

1998 Thirdworld (short)<br />

1996 Like the Relentless Fury of the Pounding<br />

Waves (doc. short)<br />

1994 0016643225059 (short)<br />

1994 Kitchen and Bedroom (short)<br />

1993 Bullet (short)<br />

MEKONG HOTEL THAILAND / UK <strong>2012</strong><br />

reJisori:<br />

apiCatpong virasetakuli<br />

scenari:<br />

apiCatpong virasetakuli<br />

operatori:<br />

apiCatpong virasetakuli<br />

musika:<br />

Cai bhatana<br />

montaJi:<br />

apiCatpong virasetakuli<br />

xma:<br />

Calermrat kaveevatana<br />

prodiuseri:<br />

apiCatpong virasetakuli<br />

monawileoben:<br />

ienjira pongpasi, maiatan<br />

teCapami, sakda kaeubuade,<br />

Cai bhatana, CatCai subani,<br />

apiCatpong virasetakuli<br />

Production:<br />

Illuminations Films<br />

World Sales:<br />

The Match Factory<br />

Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses<br />

“Ecstasy Garden“, a movie expressing the bonds between a vampire-like mother and daughter...<br />

apiCatpong<br />

virasetakuli<br />

APICHATPONG WEERA-<br />

SETHAKUL<br />

daibada 1970 wels bangkokSi. daamTavra xon kaenis universitetis<br />

arqiteqturis fakulteti da Cikagos institutis<br />

xelovnebis skolis magistratura kinoreJisoris profesiiT.<br />

kino- da videofilmebs adreuli 90-ianebidan moyolebuli<br />

iRebda. is erT-erTia im mcirericxovan reJisorTagan, vinc<br />

tailandis mkacri studiuri sistemis gareSe muSaobs.<br />

Born in1970 in Bangkok. He has a degree in Architecture from Khon Kaen<br />

University and a Master of Fine Arts in Filmmaking from The School of the<br />

Art Institute of Chicago. He has been making films and videos since the<br />

early 90s. He is one of the few filmmakers in Thailand who have worked<br />

outside the strict Thai studio system.<br />

85


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

MOZART SUPERSTAR<br />

mocarti - <strong>supervarskvlavi</strong> <strong>safrangeTi</strong> <strong>2012</strong><br />

626 nawarmoebi, 200 saaTze meti xangrZlivobis musika, 12 000-mde biografia, misi<br />

nawarmoebebis sruli krebulis mTels msoflioSi gayiduli 100 milioni asli:<br />

gardacvalebidan 200 wlis Semdeg mocarti kvlav Cartebis saTaveSia. aqedan<br />

gamomdinare, SeiZleba iTqvas, rom is istoriaSi pirveli pop-varskvlavia.<br />

Filmography / filmografia<br />

<strong>2012</strong> Mozart Superstar<br />

Director:<br />

Mathias Goudeau<br />

Screenplay:<br />

Mathias Goudeau, David Sanson<br />

Cinematography:<br />

Laurent Ciron, Arthur Cemin<br />

Editing:<br />

Audrey Simoneau<br />

Sound:<br />

Hervé Dichampt, Jean Luc Cesco<br />

86<br />

52 wT, feradi<br />

52 min, colour<br />

MOZART SUPERSTAR FRANCE <strong>2012</strong><br />

reJisori:<br />

matie godo<br />

scenari:<br />

matie godo, devis sansoni<br />

operatori:<br />

loran sironi,<br />

artiur semani<br />

montaJi:<br />

odri simono<br />

xma:<br />

erve diSampti,<br />

Jan luk sesko<br />

Production:<br />

ARTE France,<br />

Morgane<br />

626 works, more than 200 hours of music, some 12 000 biographies, 100 million copies of his<br />

complete works have sold around the world: two centuries after his death, Mozart still tops<br />

the charts. From there to raising him to the rank of the first pop star in history is a short step!<br />

matie godo<br />

MATHIAS GOUDEAU<br />

frangi Jurnalisti. wers musikis sakiTxebze. aris ocamde<br />

wignis avtori, maT Soris, xelovanTa biografiebis.<br />

French journalist. Writes about music issues. Mathias Goudeau is an author<br />

of more then 20 books, Artists’ biographies amongst them.


arte germania<br />

warmogidgenT<br />

bina<br />

sami sicocxle: aqsel Springeri<br />

gerhard rixteri xatvisas<br />

deda afrika _ miriam makeba<br />

pina<br />

THE FLAT<br />

DREI LEBEN: AXEL SPRINGER<br />

GERHARD RICHTER PAINTING<br />

MAMA AFRICA – MIRIAM MAKEBA<br />

PINA<br />

ARTE DEUTSCHLAND<br />

PRESENTS<br />

87


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

DIE WOHNUNG<br />

bina israeli / germania 2011<br />

reJisor arnon goldfingeris bebia gerda tuxleri 98 wlis asakSi gardaicvala<br />

Tel-avivSi. misi gardacvalebis Semdeg naTesavebma gerda tuxlerisa da misi qmris,<br />

kurtis cxovrebis sruliad ucnobi mxare aRmoaCines: miuxedavad imisa, rom<br />

TviTon ebraelebi iyvnen, gerdasa da kurts Zalian axlo megobroba akavSirebdaT<br />

ss-is oficris, baron leopold fon mildenStainis ojaxTan. dedasTan erTad<br />

arnoni am ucnauri istoriis kvlevas iwyebs.<br />

Filmography / filmografia<br />

2011 Die Wohnung (doc.)<br />

2000 The Komediant (doc.)<br />

1996 Anna’s Way (TV doc.)<br />

1995 Antonella In The Holy Land (TV doc.)<br />

1993 The Benny Zinger Show (TV feature)<br />

Director:<br />

Arnon Goldfinger<br />

Screenplay:<br />

Arnon Goldfinger<br />

Cinematography:<br />

Philippe Bellaiche, Talia Galon<br />

Music:<br />

Yoni Rechter<br />

Editing:<br />

Tali Halter Shenkar<br />

Sound:<br />

Amos Zipori<br />

Producer:<br />

Thomas Kufus, Arnon Goldfinger<br />

Cast:<br />

Arnon Goldfinger, Hannah Goldfinger,<br />

Gertrude Kino<br />

88<br />

THE FLAT ISRAEL / GERMANY 2011<br />

97 wT, feradi<br />

97 min, colour<br />

reJisori:<br />

arnon goldfingeri<br />

scenari:<br />

arnon goldfingeri<br />

operatori:<br />

filip beleSi,<br />

talia galoni<br />

musika:<br />

ioni rexteri<br />

montaJi:<br />

tali halter Senkari<br />

xma:<br />

amos zipori<br />

prodiuseri:<br />

Tomas kufusi,<br />

arnon goldfingeri<br />

monawileoben:<br />

arnon goldfingeri, hana<br />

goldfingeri, gertrude<br />

kino<br />

Production:<br />

zero one film (Berlin)<br />

in co-production with<br />

Noga Communications – Channel 8 (Israel)<br />

ZDF (Mainz)<br />

SWR (Stuttgart)<br />

in association with<br />

Arte Deutschland<br />

World Sales:<br />

Edition Salzgeber<br />

After the grandmother of documentary filmmaker Arnon Goldfinger passed away at the age<br />

of 98, her relatives discover traces of an hitherto unknown aspect of her life in her belongings:<br />

Though they were Jews themselves, Gerda and her husband Kurt were close friends with the<br />

family of SS officer Baron Leopold von Mildenstein. Together with his mother, Arnon Goldfinger<br />

starts researching this unique story.<br />

arnon goldfingeri<br />

ARNON GOLDFINGER<br />

daibada 1963 wels ramat ganSi, israelSi. filosofias da<br />

kinoxelovnebas swavlobda Tel-avivis universitetSi. universitetis<br />

damTavrebis Semdeg israelis ramdenime kinoskolaSi<br />

da Tel-avivis universitetSi kiTxulobda sareJisoro da sascenaro<br />

kurss. „bina“ Zalian piraduli filmia, romelic re-<br />

Jisoris bebiis cxovrebis manamde ucnob mxares exeba. filmi<br />

araerT kinofestivalze aCvenes, mas mieniWa israelis kinoakademiis<br />

jildo (2011) da bavariis kinoprizi (<strong>2012</strong>) saukeTeso<br />

dokumenturi filmisTvis.<br />

Born in Ramat Gan, Israel in 1963. He studied film and philosophy at Tel<br />

Aviv University. After graduation, Goldfinger taught directing and screenwriting<br />

classes at several film schools in Israel and at Tel Aviv University.<br />

“Die Wohnung” is a very personal documentary dealing with an hitherto<br />

unknown aspect of Goldfinger’s late grandmother’s life. The film was<br />

screened at numerous international festivals and went on to win the Israeli<br />

Film Award and the Bavarian Film Award.


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

DREI LEBEN: AXEL SPRINGER<br />

sami sicocxle: aqsel Springeri germania <strong>2012</strong><br />

filmi didi germaneli gamomcemlis, aqsel Springeris dabadebidan 100 wlisTavTan<br />

dakavSirebiT Seiqmna. filmis avtorebi federaciuli respublikis axali istoriis<br />

erT-erTi yvelaze sadavo, magram, amave dros, erT-erTi yvelaze gavleniani<br />

figuris rTul da ambivalentur bunebas sxvadasxva perspeqtividan ikvleven, rom<br />

gvaCvenon, rogori adamiani iyo sinamdvileSi aqsel Springeri.<br />

Directors:<br />

Sebastian Dehnhardt, Jobst Knigge,<br />

Manfred Oldenburg<br />

Producers:<br />

Leopold Hoesch, Sebastian<br />

Dehnhardt<br />

DREI LEBEN: AXEL SPRINGER GERMANY <strong>2012</strong><br />

reJisorebi:<br />

sebastian denhardti, iobst<br />

knige, manfred oldenburgi<br />

prodiuserebi:<br />

leopold hoeSi, sebastian<br />

denhardti<br />

The film was made to commemorate centennial anniversary of a great German publisher Axel<br />

Springer, the founder of Axel Springer Verlag AG. The authors of the film provide a comprehensive<br />

description of the ambivalent character of one of the controversial and influential person in a<br />

modern history of the German Federal Republic to show what kind of person he was in real life.<br />

sebastian denhardti<br />

SEBASTIAN DEHNHARDT<br />

iobst knige<br />

JOBST KNIGGE<br />

manfred oldenburgi<br />

MANFRED OLDENBURG<br />

90 wT, feradi - S/T<br />

90 min, colour – b/w<br />

Production:<br />

BROADVIEW TV<br />

in co-opeation with<br />

ARTE<br />

ZDF<br />

daibada 1968 wels. 1992 wlidan muSaobs sxvadasxva telekompanebisTvis,<br />

rogorc reJisori da avtori. aris saprodiusero<br />

kompaniebisTvis BROADVIEW TV-is TanadamfuZnebeli.<br />

Sebastian Dehnhardt was born in 1968. Since 1992 he has worked for various<br />

TV companies both as a director and author. He is a cofounder of a<br />

production company BROADVIEW TV.<br />

Jurnalisti, istorikosi, dokumentalisti. berlinis Tavisufal<br />

universitetSi swavlobda soflis meurneobas da politikur<br />

mecnierebebs. 1997 wlidan muSaobs redaqtorad da avtorad<br />

sxvadasxva televiziisTvis, aris mravali dokumenturi<br />

filmisa da telereportaJis avtori.<br />

Journalist, historian and documentarian. Jobst Knigge studied agriculture<br />

and political sciences at the Free University of Berlin. Since 1997 he has<br />

worked as an editor and author for various TV companies. He has authored<br />

numerous documentaries and TV reportages.<br />

daibada 1967 wels. swavlobda istoriul da politikur mecnierebebs<br />

triris, sienis, miunsterisa da hamburgis universitetebSi.<br />

1997 wlidan muSaobs sxvadasxva telearxebze redaqtorad da avtorad.<br />

2002 wlidan BROADVIEW TV-is avtoria.<br />

Manfred Oldenburg was born in 1967. He studied history and political sciences<br />

at the Universities of Trier, Siena , Munster and Hamburg . Since 1997<br />

he has worked at various TV channels as an editor and author. In 2002 he<br />

became an author ofBROADVIEW TV.<br />

89


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

GERHARD RICHTER PAINTING<br />

gerhard rixteri xatvisas germania 2011<br />

Tanamedroveobis erT-erTi umniSvnelovanesi artistis, gerhard rixteris dokumenturi<br />

portreti. filmi rixteris Semoqmedebazea koncentrirebuli da saSualebas<br />

gvaZlevs, Tvali gavadevnoT artistis muSaobis process _ mosamzadebeli<br />

etapidan dawyebuli vidre dasrulebul tilomde.<br />

Filmography / filmografia<br />

<strong>2012</strong> Ema auf der Treppe - Gerhard Richter 1966 (TV doc.)<br />

2011 Gerhard Richter Painting (doc.)<br />

2009 24 h Berlin - Ein Tag im Leben (TV doc., segment director)<br />

2009 Porifera - Die wunderbare Welt der Schwämme (TV doc.)<br />

2007 Das Richter Fenster (TV doc.)<br />

2005 Drei Wünsche, drei Frauen, ein Jahr (TV doc.)<br />

2001 Leben nach Microsoft (doc.)<br />

Director:<br />

Corinna Belz<br />

Screenplay:<br />

Corinna Belz<br />

Cinematography:<br />

Johann Feindt, Frank Kranstedt,<br />

Dieter Stürmer<br />

Editing:<br />

Stephan Krumbiegel<br />

Sound:<br />

Gerrit Lucas, Sven Phil Lentzen,<br />

Andreas Hildebrandt<br />

Producer:<br />

Thomas Kufus<br />

Co-Producer:<br />

Christoph Friedel, Claudia Steffen<br />

Cast:<br />

Gerhard Richter, Norbert Arns,<br />

Hubert Becker, Sabine Moritz-Richter,<br />

Konstanze Ell, Marian Goodman,<br />

Benjamin Buchloh, Kasper König,<br />

Ulrich Wilmes, Sandy Nairne, Paul<br />

Moorhouse<br />

90<br />

97 wT, feradi<br />

97 min, colour<br />

reJisori:<br />

korina belci<br />

scenari:<br />

korina belci<br />

operatori:<br />

iohan faindti, frank<br />

kranStedti, diter<br />

Stiurmeri<br />

montaJi:<br />

Stefan krumbigeli<br />

xma:<br />

gerit lukasi, sven<br />

fil lentceni, andreas<br />

hildebrandti<br />

prodiuseri:<br />

Tomas kufusi<br />

Tanaprodiuseri:<br />

kristof frideli,<br />

klaudia Stefeni<br />

monawileoben:<br />

gerhard rixteri, norbert<br />

arnsi, hubert bekeri,<br />

zabine moritc-rixteri,<br />

konstance eli, marian<br />

gudmani, benJamin buxlo,<br />

kasper kionigi, ulrix<br />

uilmsi, sendi nerne, pol<br />

murhausi<br />

Production:<br />

ZERO ONE FILM<br />

in co-production with<br />

TERZ FILM<br />

WDR<br />

MDR<br />

in cooperation with<br />

ARTE<br />

World Sales:<br />

The Match Factory<br />

GERHARD RICHTER PAINTING GERMANY 2011<br />

Documentary on painter Gerhard Richter, one of the most influential artists living today. The<br />

film focuses on Richter’s body of work and offers detailed insight into his creative process.<br />

From preparations through the pondering of ideas up to the actual painting, the camera follows<br />

him till the completion of a new piece.<br />

korina belci<br />

CORINNA BELZ<br />

daibada 1955 wels marburgSi, germaniaSi. swavlobda filosofias,<br />

xelovnebis istoriasa da media-mecnierebebs kiolnSi,<br />

ciurixSi da berlinis Tavisufal universitetSi. muSaobs<br />

dokumentur kinoSi. mis pirvel moklemetraJian filmSi gerhard<br />

rixterze, „rixteris fanjara“ (2007) kiolnis taZrisTvis<br />

vitraJis Seqmnis procesia asaxuli. filmma „gerhard rixteri<br />

xatvisas“ germanuli kinoakademiis prizi „oqros lola“ miiRo<br />

<strong>2012</strong> wels.<br />

Born in 1955 in Marburg, Germany. She studied philosophy, art history, and<br />

media sciences in Cologne, Zurich, and at the Freie Universität Berlin. Her<br />

first film about Richter, a 2007 short called GERHARD RICHTER’S WINDOW<br />

(Das Richter Fenster), documented the creation of his pixelated stained<br />

glass window in the Cologne Cathedral.


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

MAMA AFRICA – MIRIAM MAKEBA<br />

deda afrika - miriam makeba germania / samxreTi afrika / fineTi 2011<br />

mika kaurismekis dokumenturi filmi _ cnobili afrikeli momRerlis, miriam makebas<br />

Sesaxeb, romelic naxevari saukunis ganmavlobaSi mTels msoflioSi mogzaurobda<br />

da politikur mowodebebs avrcelebda rasizmisa da siRatakis winaaRmdeg,<br />

samarTlianobisa da mSvidobis dasacavad. filmi pativs miagebs qals, romelic afrikis<br />

imedsa da saTqmels ganasaxierebda.<br />

Filmography / filmografia<br />

<strong>2012</strong> Road North<br />

2011 Mama Africa (doc.)<br />

2011 Brother<br />

2010 Vesku from Finland (doc.)<br />

2009 The House Of Branching Love<br />

2008 Three Wise Men<br />

2006 Sonic Mirror (doc.)<br />

2005 Brasileirinho (doc.)<br />

2004 Bem-Vindo A São Paulo (Segment “Manha De<br />

Domingo”, doc.)<br />

2003 Honey Baby<br />

2002 Moro No Brasil (music doc.)<br />

1999 Highway Society<br />

1998 Los Angeles Without A Map<br />

1996 Sambólico (shor)<br />

Director: Mika Kaurismäki<br />

Screenplay: Mika Kaurismäki, Don<br />

Edkins<br />

Cinematography: Jacques Cheuiche,<br />

Wolfgang Held, Frank P. Lehmann,<br />

Martina Radwan, Eran Tahor<br />

Music: Miriam Makeba<br />

Editing: Karen Harle, Uwe Dresch,<br />

André Bendocchi-Alves<br />

Sound: Uwe Dresch<br />

Producer: Rainer Kölmel<br />

Co-Producer: Don Edkins, Hans<br />

Robert Eisenhauer, Mika Kaurismäki<br />

Cast: Harry Belafonte, Kathleen<br />

Cleaver, Leopoldo Fleming<br />

91 wT, feradi – S/T<br />

91 min, colour – b/w<br />

1995 Condition Red / Jatkuva Hälytystila<br />

1994 Tigrero -A Film That Was Never Made (doc.)<br />

1993 The Last Border / Viimeisellä Rajalla<br />

1991 Zombie And The Ghost Train / Zombie Ja<br />

Kummitusjuna<br />

1990 Amazon<br />

1989 Paper Star / Paperitähti<br />

1988 Night Work / Yötyö (TV Film)<br />

1987 Helsinki Napoli - All Night Long<br />

1985 Rosso<br />

1984 The Clan - Tale Of The Frogs / Klaani: Tarina<br />

Sammakoitten suvusta<br />

1982 The Worthless / Arvottomat<br />

1981 The Saimaa Gesture / Saimaa-Ilmiö (co-dir.<br />

with Aki Kaurismäki)<br />

reJisori: mika kaurismeki<br />

scenari: mika kaurismeki<br />

operatori: Jak SeuSi,<br />

volfgang heldi, frank<br />

lemani, martina radvani,<br />

eran tahori<br />

musika: miriam makeba<br />

montaJi: karen harle, uve<br />

dreSi, andre bendokialvesi<br />

xma: uve dreSi<br />

prodiuseri: rainer<br />

koelmeli<br />

Tanaprodiuseri: don<br />

edkinsi, hans robert<br />

aizenhaueri, mika kaurismeki<br />

monawileoben:<br />

hari belafonte, qeTlin<br />

kliveri, leopoldo<br />

flemingi<br />

Production:<br />

Starhaus Filmproduktion GmbH<br />

Siegesstr. 15<br />

D-80802 München<br />

Tel.: +49 89 5505740<br />

film@starhaus.de<br />

in co-production with:<br />

Millennium Film, ZDF, ARTE<br />

World Sales:<br />

Fortissimo Films<br />

Van Diemenstraat 100<br />

NL-1013 CN Amsterdam<br />

Tel.: +31 20 6273215<br />

courtney@fortissimo.nl<br />

MAMA AFRICA – MIRIAM MAKEBA GERMANY / SOUTH AFRICA / FINLAND 2011<br />

Mika Kaurismäki’s documentary about world-famous South African singer Miriam Makeba, who<br />

spent half a century travelling the world spreading her political message to fight racism, poverty<br />

and promote justice and peace, is a tribute to a woman who embodied the hopes and the voice<br />

of Africa as no other.<br />

mika kaurismeki<br />

MIKA KAURISMÄKI<br />

daibada 1955 wels orimatilaSi, fineTSi. 1977-81 wlebSi swavlobda<br />

miunxenis televiziisa da kinos akademiaSi. cnobili<br />

gaxda Tavisi ironiuli gangsteruli filmebiT. Tavis ZmasTan,<br />

aki kaurismekisTan da ramdenime megobarTan erTad 1981 wels<br />

daaarsa saprodiusero kompania Villealfa Filmproductions, romelic<br />

sul male dabalbiujetiani da ubiujeto filmebis warmoebis<br />

saxlad iqca da ukve 80-iani wlebis bolos sididiT mesame umsxvilesi<br />

kinokompania iyo fineTSi.<br />

Born in 1955 in Orimattila, Finland. He studied at the Munich College of Television<br />

and Film (1977-81) and made a name for himself with ironic gangster<br />

films. Together with his brother, Aki Kaurismäki, and some friends Mika<br />

founded the production company Villealfa Filmproductions, that soon became<br />

a home of vital low- or no-budget film making. By the end of the 80’s<br />

it was the third biggest film production company in Finland.<br />

91


germanul-franguli megobroba kinoSi<br />

GERMAN-FRENCH FRIENDSHIP IN CINEMA<br />

PINA<br />

pina germania / <strong>safrangeTi</strong> 2011<br />

filmi didi germaneli qoreografis pina bauSis amaRelvebeli da ganumeorebeli<br />

xelovnebis Sesaxeb, gadaRebuli pina bauSis Teatris ansamblis monawileobiT 3D<br />

formatSi.<br />

„es ar iyo Teatri, ar iyo pantomima, ar iyo baleti da, cxadia, arc opera. pinam,<br />

rogorc iciT, xelovnebis axali saxeoba Seqmna. cekvis Teatri.“ _ vim vendersi<br />

Filmography (selected)<br />

2011 Pina (doc.)<br />

2008 Palermo Shooting<br />

2005 Don’t Come Knocking<br />

2004 Land of Plenty<br />

2003 The Soul of a Man (doc.)<br />

2000 The Million Dollar Hotel<br />

1999 Buena Vista Social Club (doc.)<br />

1998 Willie Nelson at the Teatro<br />

1997 Am.Ende.der.Gew@lt.<br />

1995 Lumière et compagnie (doc.)<br />

1995 Die Gebrüder Skladanowsky<br />

1995 Jenseits der Wolken<br />

1994 Lisbon Story<br />

1993 In weiter Ferne, so nah!<br />

Director: Wim Wenders<br />

Screenplay: Wim Wenders<br />

Cinematography: Hélène Louvart,<br />

Jörg Widmer<br />

Choreography: Pina Bausch<br />

Music: Thom Hanreich<br />

Production Design: Peter Pabst<br />

Costumes: Marion Cito, Rolf Borzik<br />

Stereography: Alain Derobe<br />

3D Supervisor: François Garnier<br />

3D Producer: Erwin M. Schmidt<br />

Editing: Wolfgang Bergmann, Dieter<br />

Schneider, Gabriele Heuser<br />

Sound: André Rigaut<br />

Producer: Gian-Piero Ringel, Wim<br />

Wenders<br />

Co-producer: Claudie Ossard, Chris<br />

Bolzli<br />

92<br />

PINA GERMANY / FRANCE 2011<br />

100 wT, 3D, feradi<br />

100 min, Digital 3D, colour<br />

1991 Bis ans Ende der Welt<br />

1987 Der Himmel über Berlin<br />

1984 Paris, Texas<br />

1982 Der Stand der Dinge<br />

1982 Hammett<br />

1980 Lightning Over Water (doc.)<br />

1977 Der amerikanische Freund<br />

1976 Im Lauf der Zeit<br />

1975 Falsche Bewegung<br />

1974 Alice in den Städten<br />

1973 Der scharlachrote Buchstabe<br />

1972 Die Angst des Tormanns beim Elfmeter<br />

1970 Summer in the City<br />

1968 Klappenfilm<br />

1967 Schauplätze (short)<br />

reJisori: vim vendersi<br />

scenari: vim vendersi<br />

qoreografia: pina bauSi<br />

operatori: elen luvari,<br />

iorg vidmeri<br />

musika: Tom hanraixi<br />

mxatvari: peter pabsti<br />

kostiumebi: marion Cito,<br />

rolf borciki<br />

stereografia: alen derobi<br />

3D supervizori: fransua<br />

garnie<br />

3D prodiuseri: ervin<br />

Smidti<br />

montaJi: volfgang bergmani,<br />

diter Sneideri, gabriele<br />

hoizeri<br />

xma: andre rigo<br />

prodiuseri: jan-piero<br />

ringeli, vim vendersi<br />

Tanaprodiuseri: klod<br />

osari, kris bolcli<br />

Production<br />

Neue Road Movies (Berlin)<br />

in co-production with<br />

Eurowide (Paris)<br />

In collaboration with<br />

Tanztheater Wuppertal Pina Bausch<br />

ZDF<br />

ARTE<br />

World Sales<br />

Hanway Films<br />

24 Hanway St.<br />

GB-London W1T 1UH<br />

Tel.: +44 20 72900750<br />

info@hanwayfilms.com<br />

PINA is a film for Pina Bausch. Shot in 3D with the ensemble of the Tanztheater Wuppertal Pina<br />

Bausch, this feature-length dance film portrays the exhilarating and inimitable art of this great<br />

German choreographer who died in the summer of 2009.<br />

„This was not theatre, nor pantomime, nor ballet and not at all opera. Pina is, as you know, the<br />

creator of a new art. Dance theatre.“ – Wim Wenders<br />

vim vendersi<br />

WIM WENDERS<br />

daibada 1945 wels diuseldorfSi, germaniaSi. 1967-70 wlebSi<br />

swavlobda miunxenis televiziisa da kinos akademiaSi. 1971<br />

wlidan mTels msoflioSi iRebs filmebs, rogorc reJisori<br />

da prodiuseri. 1996 wlidan arCeulia evropuli kinoakademiis<br />

prezidentad, aris hamburgis xelovnebis universitetis profesori.<br />

cxovrobs da muSaobs berlinsa da amerikaSi.<br />

Born in Düsseldorf in 1945. Discovering his passion for cinema in Paris, he<br />

studied at the HFF in Munich from 1967-70, and has been directing and<br />

producing films all over the world since 1971. He was made president of<br />

the European Film Academy in 1996 and is also professor of Hamburg Art<br />

College. Wenders lives and works in Berlin and America.


maxmalbafis kinos saxli<br />

warmogidgenT<br />

dRe, rodesac qali gavxdi<br />

salami kinos<br />

rogor iRebda samira `saklaso dafebs~<br />

mebaRe<br />

THE DAY I BECAME A WOMAN<br />

HELLO CINEMA<br />

HOW SAMIRA MADE THE BLACKBOARDS<br />

THE GARDENER<br />

MAKHMALBAF FILM HOUSE<br />

PRESENTS<br />

93


maxmalbafis kinos saxli warmogidgenT<br />

MAKHMALBAF FILM HOUSE PRESENTS<br />

ROOZI KE ZAN SHODAM<br />

dRe, rodesac qali gavxdi irani 2000<br />

filmi sami epizodisgan Sedgeba. pirvel epizodSi patara gogo saxelad hava dilas<br />

iRviZebs da igebs, rom is ukve qali gaxda, radgan 9 weli Seusrulda da amieridan<br />

biWebTan erTad quCaSi veRar iTamaSebs. meore epizodis gmiri axalgazrada qalia,<br />

romelic qmris nebis sawinaaRmdegod velosipedistTa SejibrSi monawileobs. da<br />

bolos, mesame epizodi xnier qals gvacnobs, romelsac cotaodeni fuli gauCnda<br />

da axla SeuZlia is akeTos, rac unda...<br />

Filmography / filmografia<br />

2009 The Man Who Came with the Snow (with Mohsen Makhmalbaf)<br />

2004 Stray Dogs / Sag-haye velgard<br />

2000 The Day I Became a Woman / Roozi ke zan shodam<br />

Director:<br />

Marziyeh Meshkini<br />

Screenplay:<br />

Mohsen Makhmalbaf,<br />

Marziyeh Meshkini<br />

Cinematography:<br />

Mohamad Ahmadi, Ebrahim Ghafori<br />

Music:<br />

Mohammad Reza Darvishi<br />

Production Design:<br />

Akbar Meshkini<br />

Editing:<br />

Maysam Makhmalbaf,<br />

Shahrzad Pouya<br />

Sound:<br />

Abbas Rastegarpour,<br />

Behroz Shahamat<br />

Producer:<br />

Mohsen Makhmalbaf<br />

Cast:<br />

Fatemeh Cherag Akhar, Hassan<br />

Nebhan, Shahr Banou Sisizadeh,<br />

Shabnam Toloui, Sirous<br />

Kahvarinegad, Azizeh Sedighi<br />

94<br />

78 wT, feradi<br />

78 min, colour<br />

THE DAY I BECAME A WOMAN IRAN 2000<br />

reJisori:<br />

marzie meSkini<br />

scenari:<br />

mohsen maxmalbafi,<br />

marzie meSkini<br />

operatori:<br />

mohamad ahmadi,<br />

ebrahim Rafori<br />

musika:<br />

mohamad reza darviSi<br />

mxatvari:<br />

akbar meSkini<br />

montaJi:<br />

maisam maxmalbafi,<br />

Sahrzad puia<br />

xma:<br />

abas rastegarpuri,<br />

behroz Sahamati<br />

prodiuseri:<br />

mohsen maxmalbafi<br />

monawileoben:<br />

fatemeh Cerag axari, hasan<br />

nebhani, Sahr banu sisizade,<br />

Sabnam tolui, sirus<br />

kahvarinegadi, azize sediRi<br />

Production:<br />

Makhmalbaf Productions<br />

A film comprised of three interconnected vignettes that depict women at three stages of life in<br />

Iran. The first part centers on a young girl on her ninth birthday who is told that she can no longer<br />

play with the boys she had been playing with only the day before because she is now a woman.<br />

The second part is about a young woman who decides to enter a bicycle race against her husband’s<br />

wishes. Finally, the third part shows us an old woman who has come into some money and<br />

is now free to do what she wants...<br />

marzie meSkini<br />

MARZIYEH MESHKINI<br />

daibada 1969 wels TeiranSi. 1996-dan 2001 wlamde kinoxelovnebas<br />

swavlobda meuRlis, mohsen maxmalbafis kinoskolaSi.<br />

misi sadebiuto filmi „dRe, rodesac qali gavxdi“<br />

veneciis kinofestivalze „kritikosTa kvireulis“ farglebSi<br />

iyo naCvenebi 2000 wels, sadac sami prizi miiRo. misi meore<br />

filmi „moxetiale ZaRlebi“ veneciis kinofestivalis mTavar<br />

konkursSi iyo SerCeuli 2004 wels. marzie xSirad muSaobs<br />

mohsen maxmalbafTan reJisoris asistentad, is Tavisi qaliSvilebis,<br />

samiras da hanas filmebSic monawileobs, rogorc<br />

scenaristi, operatori da memontaJe.<br />

Born in 1969 in Tehran. She is the wife of celebrated Iranian director Mohsen<br />

Makhmalbaf. She studied film at the Makhmalbaf Film School from 1996<br />

to 2001. Her first film, THE DAY I BECAME A WOMAN, attended the Critics<br />

Week category in Venice International Film Festival in 2000 and won 3<br />

awards. Her second film STRAY DOGS competed in the best film category at<br />

Venice Film Festival in 2004. Marzieh Meshkini has worked as assistant director,<br />

scriptwriter, cinematographer and editor on several films of Mohsen<br />

Makhmalbaf and on films of her daughters, Samira and Hana Makhmalbaf.


maxmalbafis kinos saxli warmogidgenT<br />

MAKHMALBAF FILM HOUSE PRESENTS<br />

SALAAM CINEMA<br />

salami kinos irani 1995<br />

mohsen mahmalbafma momdevno filmisTvis msaxiobebis SerCevis Taobaze gazeTeb-<br />

Si gancxadeba gamoaqveyna. rodesac gancxadebas asobiT adamiani gamoexmaura, re-<br />

Jisorma gadawyvita, gadaeRo filmi kastingisa da SesaZlo monawileebis sasinji<br />

gadaRebebis Sesaxeb.<br />

filmi kinos arsebobis me-100 wlisTavs mieZRvna.<br />

Filmography / filmografia<br />

2009 The Man Who Came with the Snow<br />

2006 Faryad moorcheha<br />

2005 Sex and Philosophy / Sex o phalsapheh<br />

2005 The Chair (short)<br />

2002 Alefbay-e afghan (doc.)<br />

2001 Kandahar / Safar e Ghandehar<br />

2000 Tales of an Island (segment “Testing Democracy”)<br />

1999 Ghessé hayé kish (segment “Door, The”)<br />

1998 The Silence / Sokout<br />

1998 Madresei keh baad bord (short)<br />

1996 A Matter of Innocence / Nun va Goldoon<br />

1996 Gabbeh<br />

Director:<br />

Mohsen Makhmalbaf<br />

Screenplay:<br />

Mohsen Makhmalbaf<br />

Cinematography:<br />

Mahmoud Kalari<br />

Music:<br />

Shahdad Rohani<br />

Editing:<br />

Mohsen Makhmalbaf<br />

Sound:<br />

Nizan Kiyai<br />

Producer:<br />

Abbas Randjbar<br />

Cast:<br />

Shaghayeh Djodat, Behzad Dorani,<br />

Feizola Gashghai, Maryam Keyhan,<br />

Mohsen Makhmalbaf<br />

HELLO CINEMA IRAN 1995<br />

89 wT, feradi<br />

89 min, colour<br />

1995 Salaam Cinema (doc.)<br />

1993 The Actor / Honarpisheh<br />

1993 Images from the Ghajar Dynasty (short)<br />

1992 Nassereddin Shah, Actor-e Cinema<br />

1991 The Nights of Zayandeh-Rood / Shabhaye<br />

Zayendeh-Rood<br />

1990 A Time for Love / Nobat e Asheghi<br />

1989 The Peddler / Dastforoush<br />

1989 Marriage of the Blessed / Arousi-ye Khouban<br />

1987 Bicycleran<br />

1985 Boycott / Baykot<br />

1984 Two Blind Eyes / Do Cheshman Beesu<br />

1984 Fleeing from Evil to God / Este’aze<br />

1983 Tobeh Nosuh<br />

reJisori:<br />

mohsen mahmalbafi<br />

scenari:<br />

mohsen mahmalbafi<br />

operatori:<br />

mahmud kalari<br />

musika:<br />

Sahdad rohani<br />

montaJi:<br />

mohsen mahmalbafi<br />

xma:<br />

nizan kiai<br />

prodiuseri:<br />

abas ranjbari<br />

monawileoben:<br />

SaRaie jodati, behzad<br />

dorani, feizola gaSRai,<br />

mariam keihani, mohsen<br />

mahmalbafi<br />

World Sales:<br />

Makhmalbaf Film House<br />

Mohsen Makhmalbaf has put an advertisement in the papers calling for an open casting for<br />

his next movie. However when hundreds of people show up, he decides to make a movie<br />

about the casting and the screen tests of the would-be actors.<br />

This film was made explicitly for the celebration of the 100th anniversary of cinema.<br />

mohsen maxmalbafi<br />

MOHSEN MAKHMALBAF<br />

Documentary / dokumenturi<br />

iraneli kinoreJisori, mwerali, scenaristi, prodiuseri da<br />

adamianis uflebebis damcveli mohsen maxmalbafi 1957 wels<br />

TeiranSi daibada. misi filmebi uamravi saerTaSoriso priziT<br />

aris aRniSnuli. 1996 wels daaarsa kinoskola Makhmalbaf Film<br />

House, sadac sxvebTan erTad misma colma da Svilebmac iswavles<br />

kinos gadaReba. gamocemuli aqvs 30-mde wigni, romelic<br />

msoflios aTze met enaze iTargmna. 2005 wels, iranis saTaveSi<br />

ahmadinejadis mosvlis Semdeg, mohsen maxmalbafma irani datova<br />

da dRes ojaxTan erTad parizSi cxovrobs.<br />

Iranian film director, novelist, screenwriter, producer and human right activist<br />

Mohsen Makhmalbaf was born in 1957 in Teheran. He has published<br />

around 30 books, which have been translated into over 10 languages, and<br />

has made numerous critically-acclaimed films that have been presented at<br />

international film festivals. The multi-award-winning director formed the<br />

Makhmalbaf Film House to teach film in 1996. Makhmalbaf left Iran in 2005<br />

shortly after the election of Mahmoud Ahmadinejad and now lives in Paris.<br />

95


maxmalbafis kinos saxli warmogidgenT<br />

MAKHMALBAF FILM HOUSE PRESENTS<br />

SAMIRA CHEGHONEH ‘TAKHTÉ SIAH’ ROL SAKHT<br />

rogor iRebda samira „saklaso dafebs“ irani 2000<br />

maisam maxmalbafi videokameriT aRbeWdavs Tavisi ufrosi dis, samiras muSaobas<br />

filmze „saklaso dafebi“, romelic mas 20 wlis asakSi didi warmatebas _ kanis<br />

kinofestivalis Jiuris prizs moutans.<br />

„Cven erT saxlSi vizrdebodiT, bavSvobaSi erTad vTamaSobdiT, erTad vswavlobdiT<br />

kinoskolaSi... es filmi video-dRiuria imis Sesaxeb, Tu rogor gaxda Cvili,<br />

romelic mamis filmSi gamoCnda ekranze, saerTaSorisod aRiarebuli kinoreJisori.“<br />

_ maisam maxmalbafi<br />

Filmography / filmografia<br />

2000 How Samira Made the Blackboards / Samira<br />

cheghoneh ‘Takhté siah’ rol sakht<br />

Director:<br />

Maysam Makhmalbaf<br />

Cinematography:<br />

Maysam Makhmalbaf<br />

Editing:<br />

Maysam Makhmalbaf<br />

Sound:<br />

Mojtaba Mirtahmasb<br />

Cast:<br />

Samira Makhmalbaf, Mohsen<br />

Makhmalbaf<br />

96<br />

76 wT, feradi<br />

76 min, colour<br />

reJisori:<br />

maisam maxmalbafi<br />

operatori:<br />

maisam maxmalbafi<br />

montaJi:<br />

maisam maxmalbafi<br />

xma:<br />

mojtaba mirtahmasbi<br />

monawileoben:<br />

samira maxmalbafi,<br />

mohsen maxmalbafi<br />

Production:<br />

Makhmalbaf Film House<br />

World Sales:<br />

Wild Bunch (France)<br />

HOW SAMIRA MADE THE BLACKBOARDS IRAN 2000<br />

The film and camera of Maysam Mkhamlbaf, Samira’s brother follows her like an invisible eye.<br />

„With this film, I share with my audience, Samira’s life and work during the making of the Blackboard<br />

and follow her to Cannes 2000 where she presented the film and received an award for<br />

it... I grew up with Samira in the same house, I was her childhood playmate, her classmate in the<br />

Makhmalbaf Film House... This is a video diary of how Samira as an infant in her mother’s arms<br />

appearing in her father’s film, went on to become an international filmmaker admired by many.“ –<br />

Maysam Makhmalbaf<br />

maisam maxmalbafi<br />

MAYSAM MAKHMALBAF<br />

Documentary / dokumenturi<br />

mohsen maxmalbafisa da marzie meSkinis vaJi, maisami, 1981 wels<br />

TeiranSi daibada. rva wlis ganmavlobaSi swavlobda kinoxelovnebas<br />

maxmalbafis kinoskolaSi. „rogor iRebda samira<br />

`saklaso dafebs“ misi, rogorc reJisoris, pirveli dokumenturi<br />

filmia, romelic araerT saerTaSoriso kinofestivalze<br />

aCvenes. kinoindustriaSi maisam maxmalbafi muSaobs rogorc<br />

fotografi, operatori, memontaJe, dokumentalisti da prodiuseri.<br />

gamocemuli aqvs erTi fotoalbomi, misi fotoebi gamofenili<br />

iyo TeiranSi, pusanSi, bulgareTSi, bostonSi. maisami<br />

monawileobs mohsen maxmalbafis uaxles filmSi „mebaRe“.<br />

Born in 1981 in Tehran. He is born to a family of filmmakers. He is the brother<br />

of Samira and Hana Makhmalbaf and his father is the celebrated Mohsen<br />

Makhmalbaf. He studied film for 8 years in Makhmalbaf Film school. He directed<br />

his first documentary titled “How Samira Made The Blackboard” in<br />

2000. Maysam has been active in film industry as still photographer, cinematographer,<br />

editor, documentary maker and producer.


maxmalbafis kinos saxli warmogidgenT<br />

MAKHMALBAF FILM HOUSE PRESENTS<br />

THE GARDENER<br />

mebaRe irani <strong>2012</strong><br />

mohsen maxmalbafi da misi vaJi israelSi Cadian msoflios yvelaze axalgazrda<br />

religiis, bahaizmis Sesaswavlad, romelic daaxloebiT 170 wlis win iranSi Caisaxa<br />

da dRes 7 milioni mimdevari hyavs. axalgazrdebi mTeli msofliodan bahaizmis<br />

centrSi, haifaSi Cadian, rom am religias emsaxuron.<br />

filmi religiis Sesaxeb or sruliad gansxvavebul Sexedulebas gvacnobs.<br />

Filmography / filmografia<br />

2009 The Man Who Came with the Snow<br />

2006 Faryad moorcheha<br />

2005 Sex and Philosophy / Sex o phalsapheh<br />

2005 The Chair (short)<br />

2002 Alefbay-e afghan (doc.)<br />

2001 Kandahar / Safar e Ghandehar<br />

2000 Tales of an Island (segment “Testing Democracy”)<br />

1999 Ghessé hayé kish (segment “Door, The”)<br />

1998 The Silence / Sokout<br />

1998 Madresei keh baad bord (short)<br />

1996 A Matter of Innocence / Nun va Goldoon<br />

1996 Gabbeh<br />

Director:<br />

Mohsen Makhmalbaf<br />

Screenplay:<br />

Mohsen Makhmalbaf<br />

Cinematography:<br />

Maysam Makhmalbaf<br />

Music:<br />

Paul Collier, Salar Samadi<br />

Editing:<br />

Maysam Makhmalbaf<br />

Sound:<br />

Asad Rezai<br />

Cast:<br />

Maysam Makhmalbaf, Mohsen<br />

Makhmalbaf, Ririva Eona Mabi, Paula<br />

Asadi, Guillaume Nyagatare, Tjireya<br />

Tjitendero Juzgado, Ian David Huang,<br />

Bal Kumari Gurung<br />

THE GARDENER IRAN <strong>2012</strong><br />

87 wT, feradi<br />

87 min, colour<br />

1995 Salaam Cinema (doc.)<br />

1993 The Actor / Honarpisheh<br />

1993 Images from the Ghajar Dynasty (short)<br />

1992 Nassereddin Shah, Actor-e Cinema<br />

1991 The Nights of Zayandeh-Rood / Shabhaye<br />

Zayendeh-Rood<br />

1990 A Time for Love / Nobat e Asheghi<br />

1989 The Peddler / Dastforoush<br />

1989 Marriage of the Blessed / Arousi-ye Khouban<br />

1987 Bicycleran<br />

1985 Boycott / Baykot<br />

1984 Two Blind Eyes / Do Cheshman Beesu<br />

1984 Fleeing from Evil to God / Este’aze<br />

1983 Tobeh Nosuh<br />

reJisori:<br />

mohsen maxmalbafi<br />

scenari:<br />

mohsen maxmalbafi<br />

operatori:<br />

maisam maxmalbafi<br />

musika:<br />

pol kolie, salar samadi<br />

montaJi:<br />

maisam maxmalbafi<br />

xma:<br />

asad rezai<br />

monawileoben:<br />

mohsen maxmalbafi, maisam<br />

maxmalbafi, ririva<br />

eona mabi, paula asadi,<br />

giom niagatare, tireia<br />

titendero iuzgado, ian<br />

devid huani, bal kumari<br />

guruni<br />

Documentary / dokumenturi<br />

Production:<br />

Makhmalbaf Film House<br />

World Sales:<br />

M-Line Distribution<br />

An Iranian film maker and his son travel to Israel to investigate a world religion with around 7<br />

million followers, which originated in Iran about a hundred and seventy years ago. Youth from<br />

all over the world come to Haifa, the center of this religion, to serve.<br />

This film shows two completely different views on Religion.<br />

mohsen maxmalbafi<br />

MOHSEN MAKHMALBAF<br />

iraneli kinoreJisori, mwerali, scenaristi, prodiuseri da<br />

adamianis uflebebis damcveli mohsen maxmalbafi 1957 wels<br />

TeiranSi daibada. misi filmebi uamravi saerTaSoriso priziT<br />

aris aRniSnuli. 1996 wels daaarsa kinoskola Makhmalbaf Film<br />

House, sadac sxvebTan erTad misma colma da Svilebmac iswavles<br />

kinos gadaReba. gamocemuli aqvs 30-mde wigni, romelic<br />

msoflios aTze met enaze iTargmna. 2005 wels, iranis saTaveSi<br />

ahmadinejadis mosvlis Semdeg, mohsen maxmalbafma irani datova<br />

da dRes ojaxTan erTad parizSi cxovrobs.<br />

Iranian film director, novelist, screenwriter, producer and human right activist<br />

Mohsen Makhmalbaf was born in 1957 in Teheran. He has published<br />

around 30 books, which have been translated into over 10 languages, and<br />

has made numerous critically-acclaimed films that have been presented at<br />

international film festivals. The multi-award-winning director formed the<br />

Makhmalbaf Film House to teach film in 1996. Makhmalbaf left Iran in 2005<br />

shortly after the election of Mahmoud Ahmadinejad and now lives in Paris.<br />

97


98<br />

msaxiobi fokusSi:<br />

jankarlo janini<br />

siyvaruli da anarqia<br />

udanaSaulo<br />

Svidi lamazmani<br />

ucnauri bedisweriT agvistos<br />

laJvardovan<br />

zRvaSi gariyulebi<br />

LOVE AND ANARCHY<br />

THE INNOCENT<br />

SEVEN BEAUTIES<br />

SWEPT AWAY<br />

ACTOR IN FOCUS:<br />

GIANCARLO GIANNINI


jankarlo janini, msoflio kinos italieli varskvlavi, romelmac<br />

TiTqmis yvela mTavari roli iTamaSa gamoCenili reJisoris, lina<br />

vertmiuleris filmebSi (maT Sorisaa oskarze nominirebuli „Svidi<br />

lamazmani“ da kanis festivalze saukeTeso mamakaci msaxiobis prizis<br />

mflobeli „siyvaruli da anarqia“).<br />

janinis ramdenime aTwleuliani kariera moicavs TanamSromlobas iseT<br />

legendarul reJisorebTan, rogorebic arian lukino viskonti („udanaSaulo“),<br />

rainer verner fasbinderi („lili marleni“), etore skola,<br />

valerio Zurlini, stenli krameri da a.S..<br />

janini erT-erTi iSviaTi gamonaklisia Tavis evropel kolegebs Soris,<br />

romelmac 1980-iani wlebis dasawyisidanve moaxerxa gascdenoda<br />

evropul farglebs da emuSava amerikul mxatvrul da satelevizio<br />

kinoSi. misi holivuduri kariera moicavs, magaliTad, ridli skotis<br />

„hanibals“ da toni skotis films „adamiani cecxlSi“.<br />

bolo periodis mniSvnelovani holivuduri rolebi jankarlo janinim<br />

ganasaxiera bondianas seriis or filmSi: „kazino roiali“ da „nugeSis<br />

kvantumi“, romelSic igi frangi agentis, jeims bondis damxmaris, rene<br />

maTisis rols asrulebs.<br />

jankarlo janinis kariera STambeWdavi saerTaSoriso warmatebis nimu-<br />

Sia, igi moicavs farTo speqtrs evropuli art-hausidan holivudur<br />

blokbasterebamde, sadac msaxiobi sxvadasxva enebze da sxvadasxva ampluaSi<br />

Tanabari warmatebiT axerxebs TamaSs.<br />

Giancarlo Giannini, Italian star of the world-cinema, featuring nearly in every major film of Lina Wertmüller (including Academy Awards nominated<br />

Seven Beauties, and Love and Anarchy, winner of the Cannes Film Festival best actor award).<br />

His decades-long career includes collaboration with such great directors as Luchino Visconti (L’innocente), Rainer Werner Fassbinder (Lili Marleen),<br />

Ettore Scola, Valerio Zurlini, Stanley Kramer and many others.<br />

Giannini is one of the rare exceptions among his European colleagues who managed to expanded his work far beyond European cinema since<br />

early 1980-ies, including American features and even TV -movies. Hollywood productions include Hannibal by Ridley Scott , Man on Fire by<br />

Tony Scott etc.<br />

His latest most notable apperances in Hollywood include two of Bond series Casino Royale and Quantum of Solace where he portrays Rene<br />

Mathis, a French agent who appears to aid Bond throughout his adventure.<br />

Giancarlo Giannini serves as a perfect example of trully international cinema artist, appearing in wide range of genres from European art-house<br />

to Hollywood block-busters, equally successful in different languages and roles.<br />

99


msaxiobi fokusSi: jankarlo janini<br />

ACTOR IN FOCUS: GIANCARLO GIANNINI<br />

FILM D’AMORE E D’ANARCHIA,<br />

OVVERO ‘STAMATTINA ALLE 10 IN VIA DEI FIORI<br />

NELLA NOTA CASA DI TOLLERANZA...’<br />

siyvaruli da anarqia italia 1973<br />

filmis moqmedeba 30-ian wlebis italiaSi xdeba. tonino, Worfliani glexi naRvliani<br />

gamometyvelebiT, musolinis mosaklavad romSi Cadis. iq misi sakontaqto piri salomea,<br />

sicocxliT savse mozardi gogona, romelic bordelSi muSaobs da cxovrobs. salome<br />

toninos Tavis biZaSvilad asaRebs da mas mkvlelobis momzadebaSi exmareba. Zalian male<br />

toninos erT-erTi axalgazrda meZavi tripolina Seuyvardeba. tonino saroskipodan<br />

tripolinas ganTavisuflebas SeZlebs da or dRes masTan erTad gaatarebs. riT dasruldeba<br />

es siyvaruli, salomes politikuri survilebi da Tavdasxmis gegma?<br />

Filmography (selected)<br />

1963 The Lizards<br />

1965 Let’s Talk About Men<br />

1967 Don’t Sting the Mosquito<br />

1968 The Belle Starr Story<br />

1972 The Seduction of Mimi<br />

1973 Love and Anarchy<br />

1974 Everything Ready, Nothing<br />

Works<br />

Director:<br />

Lina Wertmüller<br />

Screenplay:<br />

Lina Wertmüller<br />

Cinematography:<br />

Giuseppe Rottuno<br />

Production Design:<br />

Gianni Giovagnoni<br />

Costumes:<br />

Enrico Job<br />

Editing:<br />

Franco Fraticelli<br />

Producer:<br />

Billy Baxter, Romano Cardarelli<br />

Cast:<br />

Giancarlo Giannini, Mariangela<br />

Melato<br />

100<br />

1974 Swept Away<br />

1975 Seven Beauties<br />

1978 A Night Full of Rain<br />

1978 Blood Feud<br />

1983 A Joke of Destiny<br />

1984 Softly, Softly<br />

1986 Camorra<br />

1989 As Long as It’s Love<br />

1989 The Tenth One in Hiding<br />

LOVE AND ANARCHY ITALY 1973<br />

124 wT, feradi<br />

124 min, colour<br />

reJisori:<br />

lina vertmiuleri<br />

scenari:<br />

lina vertmiuleri<br />

operatori:<br />

juzepe rotuno<br />

mxatvari:<br />

jani jovanioni<br />

kostiumebi:<br />

enriko jobi<br />

montaJi:<br />

franko fratiCeli<br />

prodiuseri:<br />

bili baqsteri,<br />

romano kardareli<br />

monawileoben:<br />

jankarlo janini,<br />

marianjela melato,<br />

Production:<br />

Euro International Film (EIA)<br />

Italy in the 30s. Tonino, a sad faced, freckled peasant, comes to Rome to kill Mussolini. He has anarchist<br />

connections, and his contact in Rome is Salome, a lively flapper and popular professional at<br />

the bordello where she lives. She introduces him as her cousin, giving him access to the brothel,<br />

and she helps him prepare for the assassination, scheduled a few days after his arrival. Within a day,<br />

he has fallen in love with Tripolina, one of the younger prostitutes. Tonino does the madam a favor,<br />

and, in exchange, Tripolina gets two days off to spend with him. How will this love affair, Salome’s<br />

political will, and the assassination plans play out?<br />

lina vertmiuleri<br />

LINA WERTMÜLLER<br />

1990 Saturday, Sunday and Monday<br />

1992 Ciao, Professore!<br />

1996 The Nymph<br />

1999 Ferdinando and Carolina<br />

Sveicaruli warmomavlobis italieli scenaristi da reJisori<br />

lina vertmiuleri 1926 wels romSi daibada. man romis Teatraluri<br />

akademia daamTavra. vertmiuleri iyo pirveli qali<br />

reJisori, romelic oskarze iyo wardgenili filmisTvis „Svidi<br />

lamazmani“. vertmiuleris filmebi kargad asaxavs mis politikur<br />

Sexedulebebs _ mTavari gmirebi xSirad gulmxurvale<br />

anarqistebi, komunistebi da feministebi arian, ZiriTadi moqmedeba<br />

ki politikuri an socialur-ekonomikuri xasiaTis konfliqtis<br />

garSemo viTardeba.<br />

Lina Wertmüller, an Italian film writer and director of aristocratic Swiss descent<br />

was born in 1926 in Rome. She graduated from Rome Theatre Academy. She<br />

became the first woman ever to be nominated for an Academy Award for Directing<br />

with the film SEVEN BEAUTIES. In general, Wertmüller’s films are highly<br />

reflective of her own political commitments, with the main characters either<br />

dedicated anarchists, communists, feminists, and the main action centered on<br />

conflicts which are political or socioeconomic in nature.


msaxiobi fokusSi: jankarlo janini<br />

ACTOR IN FOCUS: GIANCARLO GIANNINI<br />

L’INNOCENTE<br />

udanaSaulo italia / <strong>safrangeTi</strong> 1976<br />

Director:<br />

Luchino Visconti<br />

Screenplay:<br />

Suso Cecchi D’Amico, Enrico Medioli,<br />

Luchino Visconti<br />

Cinematography:<br />

Pasqualino De Santis<br />

Costumes:<br />

Piero Tosi<br />

Editing:<br />

Ruggero Mastroianni<br />

Producer:<br />

Giovanni Bertolucci, Lucio Trentini<br />

Cast:<br />

Giancarlo Giannini, Laura Antonelli,<br />

Jennifer O’Neill<br />

THE INNOCENT ITALY / FRANCE 1976<br />

125 124 wT, feradi<br />

125 124 min, colour<br />

viskontis ukanaskneli filmi „udanaSaulo“ aristokratuli Sovinizmisa da ormagi<br />

stardartebis istoriaa. mdidari tulio ermili arafers akeTebs sazogadoebisa<br />

da megobrebis Tvalwin sayvarelTan arSiyobis garda. magram rodesac misi gariyuli<br />

meuRle sasiyvarulo urTierTobas gaabams axalgazrda mweralTan, es moarSiye<br />

aristokratisTvis autaneli gaxdeba.<br />

Filmography (selected)<br />

1976 The Innocent<br />

1971 Death in Venice<br />

1969 The Damned<br />

1967 The Stranger<br />

1965 Sandra<br />

1963 The Leopard<br />

1960 Rocco and his Brothers<br />

1957 Le notti bianche<br />

1954 Senso<br />

1951 Bellissima<br />

1948 La terra trema<br />

1943 Obsession<br />

reJisori:<br />

lukino viskonti<br />

scenari:<br />

suso Ceki damiko, enriko<br />

medioli, lukino viskonti<br />

operatori:<br />

paskualino de santisi<br />

kostiumebi:<br />

piero tosi<br />

montaJi:<br />

rujero mastroiani<br />

prodiuseri:<br />

jovani bertoluCi,<br />

luCo trentini<br />

monawileoben:<br />

jankarlo janini, laura<br />

antoneli, jenifer onili<br />

Production:<br />

Rizzoli Film, Les Films Jacques Leitienne,<br />

Imp.Ex.Ci.<br />

Visconti’s final film “Innocent” is a haunting account of aristocratic chauvinism and sexual double<br />

standards in turn of the century Italy. Wealthy Tullio Hermili thinks nothing of squiring his mistress<br />

in full view of his friends and the public. But when his cast-off wife begins an affair with a young<br />

novelist, it is too much for the philandering aristocrat.<br />

lukino viskonti<br />

LUCHINO VISCONTI<br />

(1906 –1976)<br />

italiuri Teatris, operisa da kinos reJisori. daibada<br />

modronis hercogis, CrdiloeTi italiis erT-erT umdidres<br />

ojaxSi. 1940-50-ian wlebSi sxva kinoreJisorebTan erTad Camoayaliba<br />

moZraoba „italiuri neorealizmi“. „cduneba“ (1943) misi<br />

pirveli neorealisturi filmi iyo, romelic araoficialurad<br />

dafuZnebuli iyo jeims keinis romanze „fostalioni yovelTvis<br />

orjer rekavs“, ris gamoc is amerikaSi akrZales. „udanaSaulo“<br />

viskontis ukanaskneli filmia. misi gardacvalebis Semdeg kun-<br />

Zul iskiaze lukino viskontis saxelobis muzeumi daarsda.<br />

Italian theatre, opera and cinema director. He was born into one of Northern<br />

Italy’s richest families as one of the Duke of Modrone’s seven children.<br />

Visconti developed the movement of “Italian neo-realism” together with<br />

other directors such as Vittorio De Sica or Roberto Rossellini in the 1940s<br />

and 1950s. OSSESSION (1943), the first neorealist movie was banned in the<br />

United States, an unofficial adaptation of the novel “The Postman Always<br />

Rings Twice”. THE INNOCENT is his last film.<br />

101


msaxiobi fokusSi: jankarlo janini<br />

ACTOR IN FOCUS: GIANCARLO GIANNINI<br />

PASQUALINO SETTEBELLEZZE<br />

Svidi lamazmani italia 1975<br />

Director:<br />

Lina Wertmüller<br />

Screenplay:<br />

Lina Wertmüller<br />

Cinematography:<br />

Tonnino Delli Colli<br />

Art Direction:<br />

Veljko Despotovic<br />

Costumes:<br />

Enrico Job<br />

Editing:<br />

Franco Fraticelli<br />

Producer:<br />

Arrigo Colombo, Lina Wertmüller<br />

Cast:<br />

Giancarlo Giannini, Fernando Rey,<br />

Shirley Stoler<br />

102<br />

SEVEN BEAUTIES ITALY 1975<br />

115 wT, feradi<br />

115 min, colour<br />

paskualino meore msoflio omis dros armias miatovebs. mas germanelebi Seipyroben<br />

da sakoncentracio banakSi waiyvanen, sadac is yvela Rones xmarobs, rom<br />

gadarCes. xangrZliv fleSbeqebSi vxedavT mas da mis Svid das (Svidi lamazmani),<br />

mis mier erT-erTi dis sayvarlis SemTxveviT mokvlas, mkvlelobis aRiarebasa da<br />

dapatimrebas, mis gaTvlil gadasvlas suliT avadmyofTa TavSesafarSi, pacientis<br />

gaupatiurebas. Tavisi silaCris wyalobiT paskualino oms gadaurCeba da neapolSi<br />

brundeba.<br />

Filmography (selected)<br />

1963 The Lizards<br />

1965 Let’s Talk About Men<br />

1967 Don’t Sting the Mosquito<br />

1968 The Belle Starr Story<br />

1972 The Seduction of Mimi<br />

1973 Love and Anarchy<br />

1974 Everything Ready, Nothing<br />

Works<br />

1974 Swept Away<br />

1975 Seven Beauties<br />

1978 A Night Full of Rain<br />

1978 Blood Feud<br />

1983 A Joke of Destiny<br />

1984 Softly, Softly<br />

1986 Camorra<br />

1989 As Long as It’s Love<br />

1989 The Tenth One in Hiding<br />

reJisori:<br />

lina vertmiuleri<br />

scenari:<br />

lina vertmiuleri<br />

operatori:<br />

tonino deli koli<br />

mxatvari:<br />

velko despotoviCi<br />

kostiumebi:<br />

enriko jobi<br />

montaJi:<br />

franko fratiCeli<br />

prodiuseri:<br />

arigo kolombo,<br />

lina vertmiuleri<br />

monawileoben:<br />

jankarlo janini, fernando<br />

rei, Sirli stoleri<br />

Production:<br />

Medusa Produzione<br />

Jadran Film<br />

Pasqualino, an Italian everyman, deserts the army during World War II. Germans capture him and<br />

send him to a prison camp, where he does just about anything to survive. In lengthy flashbacks, we<br />

see him and his family of seven unattractive sisters (the seven beauties), his accidental murder of<br />

one sister’s lover, his confession and imprisonment, his calculated switch to an insane asylum, his<br />

rape of a patient, and his volunteering to be a soldier to escape confinement. To the chagrin of his<br />

obese German captor, his weak and cowardly character enables him to survive the war and return<br />

to Naples.<br />

lina vertmiuleri<br />

LINA WERTMÜLLER<br />

1990 Saturday, Sunday and Monday<br />

1992 Ciao, Professore!<br />

1996 The Nymph<br />

1999 Ferdinando and Carolina<br />

Sveicaruli warmomavlobis italieli scenaristi da reJisori<br />

lina vertmiuleri 1926 wels romSi daibada. man romis Teatraluri<br />

akademia daamTavra. vertmiuleri iyo pirveli qali<br />

reJisori, romelic oskarze iyo wardgenili filmisTvis „Svidi<br />

lamazmani“. vertmiuleris filmebi kargad asaxavs mis politikur<br />

Sexedulebebs _ mTavari gmirebi xSirad gulmxurvale<br />

anarqistebi, komunistebi da feministebi arian, ZiriTadi moqmedeba<br />

ki politikuri an socialur-ekonomikuri xasiaTis konfliqtis<br />

garSemo viTardeba.<br />

Lina Wertmüller, an Italian film writer and director of aristocratic Swiss descent<br />

was born in 1926 in Rome. She graduated from Rome Theatre Academy. She<br />

became the first woman ever to be nominated for an Academy Award for Directing<br />

with the film SEVEN BEAUTIES. In general, Wertmüller’s films are highly<br />

reflective of her own political commitments, with the main characters either<br />

dedicated anarchists, communists, feminists, and the main action centered on<br />

conflicts which are political or socioeconomic in nature.


msaxiobi fokusSi: jankarlo janini<br />

ACTOR IN FOCUS: GIANCARLO GIANNINI<br />

TRAVOLTI DA UN INSOLITO DESTINO<br />

NELL’AZZURRO MARE D’AGOSTO<br />

ucnauri bedisweriT agvistos laJvardovan<br />

zRvaSi gariyulebi italia 1974<br />

mdidari qali rafaela da misi megobrebi zafxulSi xmelTaSua zRvaSi kruizis<br />

mosawyobad iaxtas iqiraveben. komunist mezRvaurs jenarinos ar moswons rafaela,<br />

Tumca misi gamoxdomebis atana uwevs. erT dResac rafaela iRviZebs da mis megobrebTan<br />

xmeleTze gayvanas moiTxovs. jenarino navs aawyobs, romelic wyalSi gasvlisas<br />

CaZirvas iwyebs. rafaela da jenarino martodmarto aRmoCndebian ukacriel<br />

kunZulze, sadac maT rolebis gacvla mouwevT. qali gadarCenisTvis brZolaSi<br />

mxolod am kacze xdeba damokidebuli.<br />

Filmography (selected)<br />

1963 The Lizards<br />

1965 Let’s Talk About Men<br />

1967 Don’t Sting the Mosquito<br />

1968 The Belle Starr Story<br />

1972 The Seduction of Mimi<br />

1973 Love and Anarchy<br />

1974 Everything Ready, Nothing<br />

Works<br />

Director:<br />

Lina Wertmüller<br />

Screenplay:<br />

Lina Wertmüller<br />

Cinematography:<br />

Giulio Battiferri<br />

Costumes:<br />

Enrico Job<br />

Editing:<br />

Franco Fraticelli<br />

Producer:<br />

Romano Cardarelli<br />

Cast:<br />

Giancarlo Giannini, Mariangela<br />

Melato, Riccardo Salvino<br />

1974 Swept Away<br />

1975 Seven Beauties<br />

1978 A Night Full of Rain<br />

1978 Blood Feud<br />

1983 A Joke of Destiny<br />

1984 Softly, Softly<br />

1986 Camorra<br />

1989 As Long as It’s Love<br />

1989 The Tenth One in Hiding<br />

SWEPT AWAY ITALY 1974<br />

116 wT, feradi<br />

116 min, colour<br />

reJisori:<br />

lina vertmiuleri<br />

scenari:<br />

lina vertmiuleri<br />

operatori:<br />

julio batiferi<br />

kostiumebi:<br />

enriko jobi<br />

montaJi:<br />

franko fratiCeli<br />

prodiuseri:<br />

romano kardareli<br />

monawileoben:<br />

jankarlo janini,<br />

marianjela melato,<br />

rikardo salvino<br />

Production:<br />

Medusa Produzione<br />

A rich woman, Raffaella, and some friends rent a yacht to sail the Mediterranean Sea during summer.<br />

The sailor, Gennarino, who is a communist, does not like this woman but has to bear with her<br />

bad mood. One day she wakes up late in the afternoon and asks to be taken to land where everyone<br />

had gone earlier. Gennarino sets up a boat but during the trip, the boat breaks down. They<br />

spend the night in the middle of the sea. They become stranded on a deserted island where their<br />

roles become reversed. She becomes dependent upon him for survival.<br />

lina vertmiuleri<br />

LINA WERTMÜLLER<br />

1990 Saturday, Sunday and Monday<br />

1992 Ciao, Professore!<br />

1996 The Nymph<br />

1999 Ferdinando and Carolina<br />

Sveicaruli warmomavlobis italieli scenaristi da reJisori<br />

lina vertmiuleri 1926 wels romSi daibada. man romis Teatraluri<br />

akademia daamTavra. vertmiuleri iyo pirveli qali<br />

reJisori, romelic oskarze iyo wardgenili filmisTvis „Svidi<br />

lamazmani“. vertmiuleris filmebi kargad asaxavs mis politikur<br />

Sexedulebebs _ mTavari gmirebi xSirad gulmxurvale<br />

anarqistebi, komunistebi da feministebi arian, ZiriTadi moqmedeba<br />

ki politikuri an socialur-ekonomikuri xasiaTis konfliqtis<br />

garSemo viTardeba.<br />

Lina Wertmüller, an Italian film writer and director of aristocratic Swiss descent<br />

was born in 1926 in Rome. She graduated from Rome Theatre Academy. She<br />

became the first woman ever to be nominated for an Academy Award for Directing<br />

with the film SEVEN BEAUTIES. In general, Wertmüller’s films are highly<br />

reflective of her own political commitments, with the main characters either<br />

dedicated anarchists, communists, feminists, and the main action centered on<br />

conflicts which are political or socioeconomic in nature.<br />

103


104<br />

filmebi sazRvrebs<br />

gareSe<br />

saiubileo klienti<br />

bolo gaseirneba<br />

tramalis kaci<br />

istalgia<br />

moTamaSe<br />

ukeTes Zmas ver inatrebdi<br />

Jana da xmebi<br />

FILMS ACROSS<br />

BORDERS<br />

ANNIVERSARY CLIENT<br />

THE GUARDIAN<br />

THE STEPPE MAN<br />

EASTALGIA<br />

GAMER<br />

THERE WAS NEVER A BETTER BROTHER<br />

JOAN AND THE VOICES


filmebi sazRvrebs gareSe<br />

FILMS ACROSS BORDERS<br />

ANNIVERSARY CLIENT<br />

saiubileo klienti somxeTi <strong>2012</strong><br />

qalma, romelic mxurvale flirtis STabeWdilebiT iRviZebs, araferi icis mamakacis<br />

zraxvebis Sesaxeb da isev yuradRebiT da Tavazianad epyroba ucnob adamians,<br />

romelic ukve sxvas uyvars. da emociebis, moulodnelobebis, Seuracxyofis<br />

niaRvari iwyeba... magram Tavdacvis instinqti qals aiZulebs, Tavisi wesebiT<br />

iTamaSos...<br />

Filmography / filmografia<br />

<strong>2012</strong> Anniversary Client<br />

1999 Armenicum UPSA<br />

1991 Deadline - Seven Days<br />

Director:<br />

Ara Yernjakyan<br />

Screenplay:<br />

Ara Yernjakyan<br />

Cinematography:<br />

Suren Tadevosyan<br />

Music:<br />

Hayk Hakobyan (Hayko)<br />

Production Design:<br />

Rafael Khachaturyan<br />

Editing:<br />

Karen Melkumyan<br />

Sound:<br />

Levon Navasardyan<br />

Producer:<br />

Ara Yernjakyan, Arshaluys<br />

Harutyunyan<br />

Cast:<br />

Luiza Nersisyan, David Katsarava<br />

ANNIVERSARY CLIENT ARMENIA <strong>2012</strong><br />

reJisori:<br />

ara iernjakiani<br />

scenari:<br />

ara iernjakiani<br />

operatori:<br />

suren tadevosiani<br />

musika:<br />

haik hakobiani (haiko)<br />

mxatvari:<br />

rafael xacaturiani<br />

montaJi:<br />

karen melkumiani<br />

xma:<br />

levon navasardiani<br />

prodiuseri:<br />

ara iernjakiani,<br />

arSaluis harutiuniani<br />

monawileoben:<br />

luiza nersisiani,<br />

daviT qacarava<br />

Production<br />

Erkat Production<br />

58 Mashtots ave., Yerevan, Armenia, 0009<br />

Tel. 56-21-66; (091) 43-14-13; (091) 32-60-72<br />

Fax. 56-63-78<br />

erkat@erkat.am<br />

info@erkat.am<br />

The woman, who wakes up under the impression of the passionate flirt, does not know anything<br />

about the intentions of the man and continues her courteous and caring attitude to the stranger<br />

who is already a beloved person. There comes a flow of emotions, unexpectedness, insult... But<br />

the woman’s instinct of self-protection makes her play a game...<br />

ara iernjakiani<br />

ARA YERNJAKYAN<br />

78 wT, feradi<br />

78 min, colour<br />

daibada 1951 wels erevanSi, somxeTSi. daamTavra erevnis politeqnikuri<br />

institutis teqnikuri kibernetikis fakulteti<br />

(1974) da erevnis xelovnebisa da Teatris saxelmwifo institutis<br />

sareJisoro fakulteti (1983). 1982 wels erevanSi<br />

daaarsa saxelmwifo kameruli Teatri. dadgmuli aqvs 50-ze<br />

meti speqtakli, aris 30 piesis, 5 kinoscenaris da samecniero<br />

naSromebis avtori.<br />

Born in 1951 in Yerevan, Armenia. He gratuated from the Technical Cybernetics<br />

Department of the Yerevan Politechnic Institute (1974) and the Directing<br />

Department of the Yerevan State Institute of Art and Theatre (1983).<br />

In 1982, he founded the Yerevan State Chamber Theatre. He has carried out<br />

more then 50 stagings in different theatres. Yernjakyan is the author of<br />

more then 30 plays, 5 movie scripts and scientific works.<br />

105


filmebi sazRvrebs gareSe<br />

FILMS ACROSS BORDERS<br />

BOLO GASEIRNEBA<br />

bolo gaseirneba saqarTvelo <strong>2012</strong><br />

Filmography / filmografia<br />

<strong>2012</strong> The Guardian / Bolo gaseirneba<br />

2011 Stay With Me / Darchi chemtan<br />

2008 Three Houses / Sami sakhli<br />

2002-2006 Hot Dog / Tskheli dzaghli (TV film , in 42<br />

series)<br />

1998 Here Comes the Dawn / Ak tendeba<br />

Director:<br />

Zaza Urushadze<br />

Screenplay:<br />

Uta Beria, Irakli Solomanashvili,<br />

Levan Korinteli<br />

Cinematography:<br />

Konstantine Esadze<br />

Music:<br />

Niaz Diasamidze<br />

Production Design:<br />

Tea Telia<br />

Producer:<br />

Levan Korinteli, Guka Rcheulishvili<br />

Cast:<br />

Mikheil Meskhi, Kakha Abuashvili,<br />

Tazo Tskhakaia, Nutsa Kukhianidze,<br />

Tina Dalakishvili<br />

106<br />

THE GUARDIAN GEORGIA <strong>2012</strong><br />

reJisori:<br />

zaza uruSaZe<br />

scenari:<br />

uta beria, irakli<br />

solomanaSvili, levan<br />

korinTeli<br />

operatori:<br />

konstantine esaZe<br />

musika:<br />

niaz diasamiZe<br />

mxatvari:<br />

Tea Telia<br />

prodiuseri:<br />

levan korinTeli,<br />

guka rCeuliSvili<br />

monawileoben:<br />

mixeil mesxi, kaxa<br />

abuaSvili, Tazo cxakaia,<br />

nuca kuxianiZe, Tina<br />

dalaqiSvili<br />

Production:<br />

Sanguko Films<br />

Millimeter Films<br />

Independent Film Project<br />

After 16 years of imprisonment, 40-years-old Gogliko is released from jail. He doesn’t exactly know<br />

what he did that deserved 16 years of jail time. A free man, a changed country awaits him. His personal<br />

life has drastically altered. His parents have passed and most of his friends have died during<br />

the Civil War period. Gogliko realizes that he will not be able to find his place in this “new” Georgia,<br />

only thing he has to do is to care about his passed friend’s 16-years-old son.<br />

zaza uruSaZe<br />

ZAZA URUSHADZE<br />

88 wT, feradi<br />

88 min, colour<br />

16 wlis Semdeg gogliko cixidan gamodis. is egreT wodebuli „oTxmocdaaTiani<br />

wlebis dakarguli Taobis“ warmomadgenelia. misi cixeSi yofnis dros cxovrebis<br />

stili da urTierTobebi mkveTrad Seicvala. goglikos uWirs awmyosTan Segueba,<br />

am samyaroSi is Tavs zedmetad da usargeblod grZnobs. misi erTaderTii saqme<br />

daRupuli megobris 16 wlis Svilze zrunva xdeba.<br />

1990 To those, Abandoned By Fathers / Mattvis,<br />

vints mamam miatova (short)<br />

1988 Two Rainy Days (short)<br />

1987 Cataplexy (short)<br />

daibada 1966 wels. 1988 wels daamTavra saqarTvelos Teatrisa<br />

da kinos institutis kinosareJisoro fakulteti. 1999 wlamde<br />

muSaobda kinostudia „qarTul filmSi“ reJisorad, 2002-2004<br />

wlebSi iyo saqarTvelos kinematografiis erovnuli centris<br />

direqtori.<br />

Georgian film director, producer and writer. Born in 1966. In 1982-1988<br />

studied film directing at Shota Rustaveli Theatre and Film Georgian State<br />

University. He was a chairman of The Experts Commission of the Georgian<br />

National Film Center in 2001, later on – head of the Georgian National Film<br />

Center (2002-2004).


filmebi sazRvrebs gareSe<br />

FILMS ACROSS BORDERS<br />

ÇÖLÇÜ<br />

tramalis kaci azerbaijani <strong>2012</strong><br />

axalgazrda kaci qalaqebidan Sors, ukacriel tramalebSi cxovrobs da tramalebis<br />

cxovrebis sibrZnes mamisgan swavlobs. mamis sikvdilis Semdeg filmis<br />

gmiri soflidan Camosul axalgazrda qals gaicnobs. am SexvedriT misTvis axali<br />

cxovreba iwyeba.<br />

Filmography / filmografia<br />

<strong>2012</strong> Steppe Man / Çölçü<br />

2011 Free Ghosts (doc.)<br />

2010 Mugam, Spirituals And Others (doc.)<br />

2010 Trace of Gala / Iz Gala (doc.)<br />

2009 Azerbaijan carpets / Azerbaycan Khalchasi<br />

(doc.)<br />

Director:<br />

Shamil Aliyev<br />

Screenplay:<br />

Vidadi Hasanov<br />

Cinematography:<br />

Rafi g Guliyev<br />

Music:<br />

Rauf Aliyev<br />

Production Design:<br />

Rafig Nasirov, Ibrahim Aminov<br />

Editing:<br />

Rafig Guliyev<br />

Sound:<br />

Mehman Nadirov<br />

Producer:<br />

Mushfig Hatamov<br />

Cast:<br />

Bahruz Vagifoghlu, Salome Demuria,<br />

Vidadi Hasanov, Cavidan Mammadli<br />

80 wT, feradi<br />

80 min, colour<br />

2005 Baku- European Lyceum – Planet of Talents /<br />

Bal – Istedadlar Planeti (doc.)<br />

2004 Motherland Starts from the Border / Veten<br />

Serhedden Bashlayir (doc.)<br />

1999 Occasional Meeting / Tesadufi Gorush (short)<br />

1992 Confession / Etiraf<br />

THE STEPPE MAN AZERBAIJAN <strong>2012</strong><br />

reJisori:<br />

Samil alievi<br />

scenari:<br />

vidadi hasanovi<br />

operatori:<br />

rafig gulievi<br />

musika:<br />

rauf alievi<br />

mxatvari:<br />

rafig nazirovi,<br />

ibrahim aminovi<br />

montaJi:<br />

rafig gulievi<br />

xma:<br />

mehman nadirovi<br />

prodiuseri:<br />

muSfig hatamovi<br />

monawileoben:<br />

bahruz vagifoRlu, salome<br />

demuria, vidadi hasanovi,<br />

kavidan mamadli<br />

Production:<br />

Azerbaijanfilm Film Studio<br />

World Sales:<br />

Nurfilm Producer Centre<br />

One steppe man is living far from the cities closely communicating with the nature. His farther<br />

teaches him all wisdom of the steppe life. After his farther death he met with the young woman<br />

who came from the village. Meeting with her is a new page in his life and a huge step into the<br />

big and unfamiliar life ahead...<br />

Samil alievi<br />

SHAMIL ALIYEV<br />

scenaristi, prodiuseri da reJsori Samil alievi 1960 wels<br />

daibada baqoSi, azerbaijanSi. azerbaijanis kulturis saxelmwifo<br />

institutis damTavrebis Semdeg (1989) kinoreJisorad<br />

muSaobda saxelmwifo kinostudia „azerbaijanfilmSi“.<br />

pirveli srulmetraJiani mxtvruli filmi „aRsareba“ (1992)<br />

damoukideblad gadaiRo. amis Semdeg reJisorad muSaobda nacionalur<br />

satelevizio arxebze. aris saprodiusero centris<br />

„nurfilmis“ damaarsebeli da reJisori.<br />

Screenwriter, producer and director Shamil Aliyev was born in 1960 in Baku,<br />

Azerbaijan. After graduating from Azerbaijan State Institute of Culture in<br />

1989, he had worked as a film director at the “Azerbaijanfilm” state-owned<br />

movie studio. His first feature film CONFESSION was shot independently. As<br />

director he further worked on various national TV channels. He is a founder<br />

and director of NURFILM Producer Center.<br />

107


filmebi sazRvrebs gareSe<br />

FILMS ACROSS BORDERS<br />

EASTALGIA<br />

istalgia germania / ukraina / serbeTi <strong>2012</strong><br />

sami qalaqi. sami siyvarulis ambavi. erTi Rame evropaSi.<br />

germaniaSi emigrirebuli Suaxnis ukraineli qali da yofili mokrive serbeTidan<br />

enis barieris gamo izolirebulebi arian germanuli sazogadoebisgan. maT<br />

slavuri kulturis garda kidev erTi ram akavSirebs: maTi Svilebi samSobloSi _<br />

erTi ukrainaSi, meore ki serbeTSi _ arCeven cxovrebas. ra akavebs iq maT?<br />

Filmography / filmografia<br />

<strong>2012</strong> Eastalgia<br />

2010 Dogs of Ukrainka / Sobaki mista Ukrayinka (short)<br />

Director: Daria Onyshchenko<br />

Screenplay: Daria Onyshchenko,<br />

Miroslav Mandic<br />

Cinematography: Erol Zubcevic<br />

Music: Superstrings<br />

Production Design: Markus<br />

Dicklhuber<br />

Costumes: Gloria Ambros<br />

Editing: Wolfgang Weigl<br />

Sound: Andre Bendocchi-Alves,<br />

Claudia Enzmann<br />

Producer: Simon Amberger,<br />

Korbinian Dufter, Rafael Parente,<br />

Anna Palenchuk, Maria Govorukha<br />

Co-Producer: Nenad Dukic<br />

Cast: Nina Nizheradze, Karl<br />

Markovics, Vuk Kostic, Lea Mornar,<br />

Ivan Dobronravov<br />

108<br />

EASTALGIA GERMANY / UKRAINE / SERBIA <strong>2012</strong><br />

reJisori:<br />

daria oniSCenko<br />

scenari:<br />

daria oniSCenko, miroslav<br />

mandiCi<br />

operatori: erol zubCeviCi<br />

musika: Superstrings<br />

mxatvari: markus diklhuberi<br />

kostiumebi: gloria ambrosi<br />

montaJi: volfgang vaigli<br />

xma: andre bendoki-alvesi,<br />

klaudia encmani<br />

prodiuseri: zimon ambergeri,<br />

korbinian dufteri, rafael<br />

parente, ana palenCuki, maria<br />

govoruxa<br />

Tanaprodiuseri: nenad dukiCi<br />

monawileoben: nina niJeraZe,<br />

karl markoviCi, vuk<br />

kostiCi, lea momari, ivan<br />

dobronravovi<br />

Production:<br />

NEUESUPER GmbH & Co. KG<br />

Einsteinstr. 28<br />

81675 Munich, Germany<br />

www.neuesuper.de<br />

435 Films<br />

Filatova Str. 10-A, office 2/14<br />

01042, Kyiv, Ukraine<br />

SEE FILM PRO d.o.o.<br />

Omladinskih brigada 224<br />

11070 Novi Beograd-Belgrade, Serbia<br />

Three cities. Three love stories. One night in Europe.<br />

A middle-aged woman, Ukrainian emigrant, and a former Serbian boxer are separated from German<br />

society by a language barrier. They have a common ground - Slavic culture and their own<br />

children who are still living in Ukraine and Serbia – what makes them stay there?<br />

daria oniSCenko<br />

DARIA ONYSHCHENKO<br />

93 wT, feradi<br />

93 min, colour<br />

daibada 1983 wels kievSi, yofil sabWoTa ukrainaSi. daamTavra<br />

kievis taras SevCenkos saxelobis universitetis bakalavriati<br />

saerTaSoriso kvlevebis mimarTulebiT. swavlis paralelurad<br />

muSaobda msaxiobad TeatrSi „Savi kvadrati“ da Tavisufal<br />

Jurnalistad _ adgilobriv gazeTebSi. 2004 wels dariam<br />

internatura gaiara bremenis Seqspiris TeatrSi, Semdeg swavla<br />

ganagrZo miunxenis televiziisa da kinos umaRles skolaSi,<br />

romelic 2011 wels daamTavra. „istalgia“ misi pirveli srulmetraJiani<br />

mxatvruli filmia.<br />

Born 1983 in Kiev, in the former Soviet Union. She acquired her Bachelor<br />

degree at the Taras Schevchenko University in Kiev (international analytics).<br />

During university studies she was an actress at the theater „Black Square“<br />

and worked as a freelance journalist for different newspapers. In 2004 Daria<br />

was doing an internship at the Shakespear Theater in Bremen. In 2005 she<br />

started her studies at the University of Television and Film in Munich which<br />

she completed in 2011. EASTLAGIA is her debut film.


filmebi sazRvrebs gareSe<br />

FILMS ACROSS BORDERS<br />

GAMER<br />

moTamaSe ukraina 2011<br />

Director:<br />

Oleg Sentsov<br />

Screenplay:<br />

Oleg Sentsov<br />

Cinematography:<br />

Egor Petrik, Gennadiy Veselkov<br />

Production Design:<br />

Evgeniya Vradiy<br />

Editing:<br />

Dmitriy Kundrutskiy<br />

Sound:<br />

Vladimir Kozlov<br />

Producer:<br />

Oleg Sentsov, Olga Zhurzhenko<br />

Cast:<br />

Vladislav Zhuk, Alexander Fedotov,<br />

Janna Buruk<br />

92 wT, feradi<br />

92 min, colour<br />

biWs aleqsi hqvia, magram moTamaSeebis samyaroSi, sadac drois umetes nawils<br />

atarebs, koss eZaxian. kompiuterTan gatarebulma drom Sedegi gamoiRo: patara<br />

ukrainuli soflis saTamaSo klubebSi is sabrZolo TamaSis „qveikis“ upirobo mefe<br />

gaxda masze umcrosi da gamoucdeli moTamaSeebis TvalSi, visac cifrul brZolaSi<br />

amarcxebs. aleqss didi gegmebi aqvs. is saukeTeso moTamaSe gaxdeba da nel-nela<br />

miaRwevs Tavis mizans: msoflio Cempionobas.<br />

Filmography / filmografia<br />

2011 Gaamer<br />

2009 The Horn of a Bull (short)<br />

2008 A Perfect Day for Bananafish (short)<br />

GAMER UKRAINE 2011<br />

reJisori:<br />

oleg sencovi<br />

scenari:<br />

oleg sencovi<br />

operatori:<br />

egor petriki,<br />

genadi veselkovi<br />

mxatvari:<br />

evgenia vradi<br />

montaJi:<br />

dmitri kundrucki<br />

xma:<br />

vladimir kozlovi<br />

prodiuseri:<br />

oleg sencovi,<br />

olga JurJenko<br />

monawileoben:<br />

vladislav Juki, aleqsandr<br />

fedotovi, iana buruki<br />

The boy’s name is Alex, but in the world of gamers where he spends most of his time, he is known<br />

as Koss. The enormous amount of time he spends at the computer screen starts to pay off: in the<br />

games’ clubs in his small Ukrainian village, he is the undisputed king of the shooting game Quake,<br />

admired by the ‘noobs’ - the younger and less experienced players he defeats digitally. But there is<br />

also a different side. The endless games are getting in the way of his study at technical college, to<br />

the great dismay of his single mother. Alex has big plans: he’s going to be the greatest and that will<br />

solve everything. Step-by-step, he approaches his goal: to be world champion.<br />

oleg sencovi<br />

OLEG SENTSOV<br />

Production:<br />

Cry Cinema<br />

1-th Konnoy Armii 37, p.18.<br />

95000 Simferopol, Ukraine<br />

daibada 1976 wels simferopolSi, ukrainaSi. 1993-98 wleb-<br />

Si swavlobda kievis ekonomikis saxelmwifo universitetSi,<br />

Semdeg moskovis umaRlesi sascenaro da sareJisoro kursebi<br />

daamTavra. „moTamaSe“ misi pirveli srulmetraJiani mxatvruli<br />

filmia.<br />

Born in 1976 in Simferopol, Ukraine. Studeid at the Kiev National Economic<br />

University (1993-98) and followed courses for script writing and directing<br />

in Moscow. GAMER is his first feature film.<br />

109


filmebi sazRvrebs gareSe<br />

FILMS ACROSS BORDERS<br />

Director:<br />

Murad Ibragimbekov<br />

Screenplay:<br />

Murad Ibragimbekov, Pavel Finn<br />

Cinematography:<br />

Ivan Gudkov<br />

Music:<br />

Alexei Aigi<br />

Production Design:<br />

Anna Lazareva<br />

Editing:<br />

Tatyana Egorycheva,<br />

Svetlana Guralskaya<br />

Sound:<br />

Aleksandr Kopeykin<br />

Producer:<br />

Murad Ibragimbekov, Alexandr<br />

Shvidkoy, David Shufutinsky<br />

Cast:<br />

Nino Ninidze, Sergey Puskepalis,<br />

Evgeny Tsyganov<br />

110<br />

90 wT, feradi<br />

90 min, colour<br />

I NE BYLO LUCHSHE BRATA<br />

ukeTes Zmas ver inatrebdi ruseTi / azerbaijani / bulgareTi 2011<br />

filmis moqmedeba 1970-iani wlebis baqoSi viTardeba. Zmebi, jalili da simurgi,<br />

erTmaneTisgan Zalian gansxvavdebian. ufrosi Zma jalili daojaxebulia, fostaSi<br />

muSaobs da futkrebs uvlis. is zomieria da mSvidi, gansxvavebiT umcrosi Zmisgan,<br />

romelic miznis misaRwevad ki ar ocnebobs, aramed moqmedebs.<br />

Filmography / filmografia<br />

2011 There Was Never a Better Brother / I ne bylo<br />

luchshe brata<br />

2007 3 Girls / Tri devushki<br />

2003 Oil / Neft (short)<br />

2002 Istinnye proishestviya<br />

1996 Muzhchina dlya molodoy zhenshchiny<br />

1992 Vals zolotykh teltsov<br />

reJisori:<br />

murad ibragimbekovi<br />

scenari:<br />

murad ibragimbekovi,<br />

pavel fini<br />

operatori:<br />

ivan gudkovi<br />

musika:<br />

aleqsei aigi<br />

mxatvari:<br />

ana lazareva<br />

montaJi:<br />

tatiana egoriCeva,<br />

svetlana guralskaia<br />

xma:<br />

aleqsandr kopeikini<br />

prodiuseri:<br />

murad ibragimbekovi,<br />

aleqsandr Svidkoi,<br />

david Sufutinski<br />

monawileoben:<br />

nino niniZe, sergei<br />

puskepalisi, evgeni<br />

ciganovi<br />

Production:<br />

IBRUS<br />

15 Druzhinnikovskaya, bld.1<br />

Moscow, 123242, Russia<br />

Phone: +7 (499) 255-94-98<br />

World Sales:<br />

IBRUS<br />

THERE WAS NEVER A BETTER BROTHER RUSSIA / AZERBAIJAN / BULGARIA 2011<br />

This story of two, temperamentally different brothers takes place in the Azerbaijani capital of Baku<br />

in the 1970s. The elder brother, Jalil, is a married postal worker who keeps bees as a hobby. Like<br />

those creatures, he approaches life with measured care. Younger brother Simurg is by nature more<br />

adventurous and, in contrast to his sibling, is capable of going after his goals, not just dreaming<br />

about them.<br />

murad ibragimbekovi<br />

MURAD IBRAGIMBEKOV<br />

daibada 1965 wels baqoSi, azerbaijanSi. 1989 wels daamTavra<br />

moskovis kinematografiis institutis sareJisoro fakulteti.<br />

pirveli filmebi mamis, mweral maqsud ibragimbekovis nawarmoebebis<br />

mixedviT gadaiRo, maT Soris „oqros verZebis valsi“<br />

(1992). kidev erTi, amjerad mixail zoSCenkos mixedviT<br />

gakeTebuli ekranizaciis, „namdvili ambebis“ (2002) Semdeg sakuTari<br />

scenariT gadaiRo filmi „sami qaliSvili“ (2007). murad<br />

ibragimbekovis moklemetraJiani filmi „navTobi“ veneciis<br />

kinofestivalis „vercxlis lomiT“ dajildovda 2003 wels.<br />

films „ukeTes Zmas ver inatrebdi“ isev maqsud ibragimbekovis<br />

romani udevs safuZvlad.<br />

Born in 1965 in Baku, Azerbaijan. He graduated in film direction from Moscow’s<br />

VGIK (1989). He shot his first features based on the literary work of his<br />

father, writer Maksud Ibragimbekov, including THE WALTZ OF THE GOLDEN<br />

CALVES (Vals zolotykh teltsov, 1992). After another literary adaptation, this<br />

time True Stories (Istinnye proishestviya, 2000) by Mikhail Zoschenko, he<br />

came out with the comedy Three Girls (Tri devushki, 2007) shot according<br />

to his own script. His short film Oil (Neft) was awarded a Silver Lion in<br />

Venice in 2003.


filmebi sazRvrebs gareSe<br />

FILMS ACROSS BORDERS<br />

ZHANNAN EV DZAJNER<br />

Jana da xmebi somxeTi 2011<br />

Filmography / filmografia<br />

2011 Joan and the Voices<br />

2007 Bojo (animation)<br />

Director:<br />

Mikayel Vatinyan<br />

Screenplay:<br />

Mikayel Vatinyan, Armine Anda<br />

Cinematography:<br />

Tammam Hamza<br />

Music:<br />

Arthur Manukyan<br />

Editing:<br />

Tammam Hamza, Arthur Petrosyan<br />

Sound:<br />

Paruir Baghyan<br />

Producer:<br />

Armine Anda<br />

Cast:<br />

Armine Anda, Mikayel Vatinyan<br />

67 wT, feradi<br />

67 min, colour<br />

omis Semdgomi somxeTi. Jana qveynis sxvadasxva kuTxeSi iwyebs mogzaurobas. avTenturi<br />

bunebis wiaRSi mis gzas kveTs xalxi, xmebi da bgerebi, romlis mosmenac Janas<br />

omis Semdeg sicocxlis gagrZelebis survils uRviZebs. is eZebs adamians, romelmac<br />

uxmo.<br />

JOAN AND THE VOICES ARMENIA 2011<br />

reJisori:<br />

miqael vaTiniani<br />

scenari:<br />

miqael vaTiniani,<br />

armine anda<br />

operatori:<br />

Tamam hamza<br />

musika:<br />

artur manukiani<br />

montaJi:<br />

Tamam hamza,<br />

artur petrosiani<br />

xma:<br />

paruir baRiani<br />

prodiuseri:<br />

armine anda<br />

monawileoben:<br />

armine anda,<br />

miqael vaTiniani<br />

Post-war Armenia. Joan starts a journey traveling all over the country. Through the authentic nature,<br />

the people she meets on her way, the voices and sounds she listens to, Joan finds herself<br />

longing to perceive the world anew after the war. While she is looking for the person whose voice<br />

had called her to him.<br />

miqael vaTiniani<br />

MIKAYEL VATINYAN<br />

Production:<br />

Hoshkee Film<br />

Address: 6-24 Orbeli str.<br />

Tel.: 374-10-27-39-35<br />

e-mail: armineaa@yahoo.com<br />

www.facebook.com/joanandthevoices<br />

daibada 1972 wels erevanSi, somxeTSi. daamTavra erevnis Teatrisa<br />

da kinos saxelmwifo instituti. misi pirveli animacia<br />

Bojo ramdenime priziT dajildovda. miqael vaTinianis sadebiuto<br />

filmis „Jana da xmebis“ proeqtma goteborgis saerTaSoriso<br />

kinofestivalis aziuri proeqtebis marketis granti moipova.<br />

mogvianebiT filmis ganviTarebisaTvis da post-produqciisTvis<br />

reJisorma agreTve goteborgis kinofestivalis fondis<br />

dafinanseba miiRo. filmis premiera busanis saerTaSoriso<br />

kinofestivalis msoflios kinos sakonkurso seqciaSi Sedga.<br />

Born in 1972 in Yerevan, Armenia.. Studied directing at the Yerevan State<br />

Institute of Theatre and Cinema. His animated short film Bojo received several<br />

awards. Joan and the Voices, his first feature film project received Goteborg<br />

IFF Fund Award in Asian Project Market (former PPP). Later it received<br />

development and postproduction grants from GIFFF. The film had its world<br />

premiere in World cinema competition of Busan IFF.<br />

111


112<br />

qarTuli<br />

panorama<br />

daviwyebuli mefe<br />

demokratiis Suqura<br />

gogona goridan<br />

inglisuris maswavlebeli<br />

laitmotivi<br />

manqana, romelic yvelafers<br />

gaaqrobs<br />

monotonuri uferoba<br />

omis nakvalevi<br />

ori kviriT adre<br />

focxoeweri<br />

vixsenebT balanCins<br />

GEORGIAN<br />

PANORAMA<br />

FORGOTTEN KING<br />

BEACON OF DEMOCRACY<br />

THE GIRL FROM GORI<br />

ENGLISH TEACHER<br />

LEITMOTIF<br />

THE MACHINE WHICH MAKES<br />

EVERYTHING DISAPPEAR<br />

MONOTONOUS<br />

THE TRACES OF THE WAR<br />

TWO WEEKS BEFORE<br />

ALL DAY STROLLING<br />

REMEMBERING BALLANCHINE


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

DAVITSKEBULI MEPE<br />

daviwyebuli mefe saqarTvelo <strong>2012</strong><br />

Filmography / filmografia<br />

<strong>2012</strong> Forgotten King<br />

2011 My Dad’s Girlfriend<br />

2011 I`m Just a Message (Short)<br />

2009 e-Turnity (Short)<br />

2009 Didgori: Land of Sacrificed Knights (Short)<br />

Director:<br />

Nikoloz Khomasuridze<br />

Screenplay:<br />

Nikoloz Khomasuridze<br />

Cinematography:<br />

Igor Tochilnikov, Jon Edwards<br />

Music:<br />

Chabuka Amiranashvili<br />

Production Design:<br />

Alessandro Marvelli<br />

Costumes:<br />

Tamara Barnoff<br />

Editing:<br />

Pasha Maisuradze<br />

Sound:<br />

Jeffrey Alan Jones<br />

Producer: George Kavtaradze,<br />

Nikoloz Khomasuridze a<br />

Cast: David Katsarava, Salome<br />

Paghava, Badri Kakabadze, George<br />

Megrelishvili, Paata Mkheidze,<br />

Salome Gasviani, Kakha Mikiashvili,<br />

Elgudja Burduli, Givi Chuguashvili,<br />

Ani Imnadze, Givi Japaridze, Kartlos<br />

Maradishvili, Gogi Turqiashvili, Nodar<br />

Mamulashvili, David Chalatashvili<br />

FORGOTTEN KING GEORGIA <strong>2012</strong><br />

reJisori:<br />

nikoloz xomasuriZe<br />

scenari:<br />

nikoloz xomasuriZe<br />

operatori:<br />

igor toCilnikovi,<br />

jon edvardsi<br />

musika:<br />

Wabuka amiranaSvili<br />

mxatvari: alesandro marveli<br />

kostiumebi:<br />

Tamar barnovi<br />

montaJi:<br />

paSa maisuraZe<br />

xma:<br />

jefri alan jonsi<br />

prodiuseri:<br />

giorgi qavTaraZe, nikoloz<br />

xomasuriZe<br />

monawileoben:<br />

daviT qacarava, salome<br />

faRava, badri kakabaZe,<br />

giorgi megreliSvili, paata<br />

mxeiZe, salome gasviani,<br />

kaxa miqiaSvili, elguja<br />

burduli, givi CuguaSvili,<br />

ani imnaZe, givi jafariZe,<br />

qarTlos maradiSvili,<br />

gogi TurqiaSvili, nodar<br />

mamulaSvili, daviT<br />

CalaTaSvili<br />

Production:<br />

Nikoloz Films<br />

nikoloz@nikolozfilms.com<br />

www.nikolozfilms.com<br />

Well known film producer Demetre Orbeli and his wife Elene visited his homeland Tbilisi, Georgia<br />

in 11.11.11 which is the best day for time traveling in the past. In the hotel they were attacked by<br />

nazi killers but were saved by Monk Warriors who bring them to unbossomed Giorgi’s Castle. Giogri<br />

and Demetre travel in the past through centuries to find out the truth about the real descendant<br />

of the Royal family of The Kingdom of Georgia and the mystic facts which were hidden in history<br />

during the centuries . . .<br />

nikoloz xomasuriZe<br />

NIKOLOZ KHOMASURIDZE<br />

110 wT, feradi<br />

110 min, colour<br />

cnobili prodiuseri demetre orbeli Tavis colTan, elenesTan erTad samSoblos,<br />

saqarTvelos stumrobs 2011 wlis 11 noembers. 11.11.11 sakraluri ricxvia<br />

da saukeTeso droa warsulSi samogzaurod. sastumroSi maT nacisti mkvlelebi<br />

daesxmian Tavs, magram col-qmars meomari berebi gadaarCenen da giorgis cixe-simagreSi<br />

waiyvanen. giorgi da demetre warsulSi mogzaurobas iwyeben samefo ojaxis<br />

namdvili memkvidris vinaobis dasadgenad. maTTvis cnobili xdeba mistikuri<br />

faqtebi, romlebic saukuneebis ganmavlobaSi dafaruli iyo...<br />

daibada 1977 wels TbilisSi. rva wlis ganmavlobaSi saqarTveloSi<br />

iuristad muSaobis Semdeg holivudSi gadavida, sadac<br />

los-anjelesis kinoskola daamTavra 2008 wels.<br />

Born in 1977 in Tbilisi, Georgia. After eight years as a lawyer in Georgia, he<br />

moved to the Hollywood, where he attended the Los Angeles Film School,<br />

graduating in 2008.<br />

113


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

DEMOKRATIIS SHUKURA<br />

demokratiis Suqura saqarTvelo <strong>2012</strong><br />

Director:<br />

Goga Khaindrava<br />

Editing:<br />

Shalva Phirtskhalava<br />

Sound:<br />

Nikoloz Phaniashvili<br />

Producer:<br />

Levan Khaindrava,<br />

Gorgaslan Khaindrava<br />

Voice over:<br />

Zurab Karumidze<br />

114<br />

55 wT, feradi - S/T<br />

55 min, colour – b/w<br />

1987 wlis 21 marts gaeros generalurma asambleam JenevaSi miiRo deklaracia terorizmis<br />

Sesaxeb, sadac ganmarta saxelmwifo terorizmis mniSvneloba da gansaz-<br />

Rvra misi damaxasiaTebeli niSnebi, esenia: TvalTvali, SekrebaTa darbeva, mediaze<br />

kontroli, cema, wameba, falsificirebuli braldebebi, saCvenebeli sasamarTloebi,<br />

SekveTili mkvlelobebi, ukanono dapatimrebebi, masobrivi dapatimrebebi, samoqalaqo<br />

uflebebisa da Tavisuflebebis ugulebelyofa, kanonebis da konstituciis<br />

SeCereba terorizmTan brZolis sababiT.<br />

rogor iCina Tavi saxelmwifo terorizmis niSnebma qveyanaSi, romelsac sul cota<br />

xnis win demokratiis Suquras uwodebdnen?<br />

Filmography / filmografia<br />

<strong>2012</strong> Beacon of Democracy<br />

2006 Confessions<br />

1997 Graveyard of Dreams<br />

1990 Georgia – awakening of the nation (III channel<br />

of French TV)<br />

BEACON OF DEMOCRACY GEORGIA <strong>2012</strong><br />

reJisori:<br />

goga xaindrava<br />

montaJi:<br />

Salva fircxalava<br />

xma:<br />

nikoloz faniaSvili<br />

prodiuseri:<br />

levan xaindrava,<br />

gorgaslan xaindrava<br />

mTxrobeli:<br />

zurab qarumiZe<br />

On March 1987 United Nation Geneva Assembly pass resolution on terrorism. One of the preambles<br />

defined state terrorism.<br />

George W. Bush called Mikhail Saakashvili “beacon of Democracy”, while Saakashvili regime’s governing<br />

style has established way of life where human oppression, everyday repression, repossession<br />

of real and personal property, brutal crackdown on peaceful demonstrations, control of news<br />

media, show trails and murder became casual things.<br />

goga xaindrava<br />

GOGA KHAINDRAVA<br />

Documentary / dokumenturi<br />

daibada 1956 wels TbilisSi. 1979 wels daamTavra saqarTvelos<br />

teqnikuri universitetis geologiis fakulteti, 1986 wels ki<br />

_ saqarTvelos Teatrisa da kinos saxelmwifo instituti.<br />

Born in 1956 in Tbilisi, Georgia. In 1979 graduated from Georgian Technical<br />

University, department of Geology, in 1986 - Georgian State Institute of<br />

Theatre and Film, cinema department.


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

GOGONA GORIDAN<br />

gogona goridan saqarTvelo / germania <strong>2012</strong><br />

Director:<br />

Eka Papiashvili<br />

Screenplay:<br />

Eka Papiashvili, Carsten Böhnke<br />

Cinematography:<br />

Carsten Böhnke<br />

Editing:<br />

Andy Preisner<br />

Sound:<br />

Urs Hauck<br />

Producer:<br />

Carsten Böhnke<br />

Cast:<br />

Nanuka Moseshvili, Ilia Sabiashvili,<br />

Lia Beriashvili<br />

14 wT, feradi<br />

14 min, colour<br />

maRaroelebis sofeli 2008 wlis omis Semdeg. patara daTos bavSvebi misi rusuli<br />

warmomavlobis gamo emijnebian. mis klasSi oseTidan ltolvili gogona, Tamari<br />

gadmodis da mas swored daTos gverdiT svamen merxze. Tamari daTos uambobs, rom<br />

rusebis Tavdasxmis dros misi ZaRli mokvda. pasuxad gabrazebuli biWi mTels mis<br />

ferad fanqrebs amtvrevs. mogvianebiT, roca Serigebis yvela cda uSedego aRmoCndeba<br />

da biWs imis fulic ar aqvs, rom axali fanqrebi uyidos Tamars, daTos sxva<br />

raRacis mofiqreba uwevs...<br />

Filmography / filmografia<br />

<strong>2012</strong> The Girl from Gori / Gogona Goridan<br />

THE GIRL FROM GORI GEORGIA / GERMANY <strong>2012</strong><br />

reJisori:<br />

eka papiaSvili<br />

scenari:<br />

eka papiaSvili,<br />

karsten bionke<br />

operatori:<br />

karsten bionke<br />

montaJi:<br />

endi praisneri<br />

xma:<br />

urs hauki<br />

prodiuseri:<br />

karsten bionke<br />

monawileoben:<br />

nanuka moseSvili, ilia<br />

sabiaSvili, lia beriaSvili<br />

Production:<br />

Greenstonefilms<br />

Lugostrasse 1<br />

79100 Freiburg, Germany<br />

Shortly after the war of 2008 in a Georgian mining village: Little Dato is an outsider and ignores<br />

the other children of the village as they tend to confront him with his Russian background.<br />

On top of that, when the girl Tamar, a South Ossetian war refugee, arrives in her new<br />

class, she is told to take a seat right beside the Russian boy. Dato’s antipathy towards Tamar<br />

knows no limits once she tells the class that her dog was killed during a Russian attack. However,<br />

after having destroyed Tamar´s color markers, the boy´s attempts to reconcile with her<br />

are rejected, which prompts him to realize that he has indeed gone too far. Seeing that he<br />

does not have enough money to buy Tamar a new packet of markers, Dato is urged to come<br />

up with something better….<br />

eka papiaSvili<br />

EKA PAPIASHVILI<br />

daibada 1976 wels. fraiburgSi swavlobda germanul da evropul<br />

eTnologias. mogvianebiT moxalised muSaobda fraiburgis<br />

Stadtteater-Si. sxvadasxva TeatrebSi da filmebze reJisoris<br />

asistentad muSaobis Semdeg, eswreboda dani levisa da kristian<br />

vagneris leqciebs. „gogona goridan“ misi sadebiuto filmia,<br />

romelmac oberhauzenis moklemetraJiani filmebis 58-e festivalis<br />

sapatio jildo miiRo.<br />

Born in 1976. Studied in Freiburg German and European Ethnology before<br />

making a Directed internship at Stadtteater Freiburg completed. After<br />

assistant director at different stages and at film productions underwent<br />

training as a screenwriter and director took lessons from Dani Levy and<br />

Chriastian Wagner. For her debut film THE GIRL FROM GORI she received an<br />

honorable mention at the 58th Oberhausen Short Film festival.<br />

115


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

INGLISURIS MASTSAVLEBELI<br />

inglisuris maswavlebeli saqarTvelo <strong>2012</strong><br />

Filmography / filmografia<br />

/Joint documentaries/<br />

<strong>2012</strong> English Teacher / Inglisuris mastsavlebeli<br />

2008 Altznei<br />

2005 How Maya Nadiradze Has Become a Mother<br />

of Many Children / Rogor gakhda maia nadiradze<br />

mravalshviliani deda<br />

2005 Bridge / Khidi<br />

Director:<br />

Nino Orjonikidze, Vano Arsenishvili<br />

Cinematography:<br />

Vano Arsenishvili<br />

Music:<br />

Gia Yancheli<br />

Producer:<br />

Nino Orjonikidze, Vano Arsenishvili<br />

116<br />

ENGLISH TEACHER GEORGIA <strong>2012</strong><br />

reJisori:<br />

nino orjonikiZe,<br />

vano arseniSvili<br />

operatori:<br />

vano arseniSvili<br />

kompozitori:<br />

gia yanCeli<br />

prodiuseri:<br />

nino orjonikiZe,<br />

vano arseniSvili<br />

Production:<br />

Artefact Production<br />

www. artefact.ge<br />

Bradley Nelson from South Africa is one of those thousand teachers who have been invited<br />

in Georgia for the “Linguistic revolution”. He found out about Presidential program through<br />

the web. To in big participate in big changes, Bradley comes to the small village in Samegrelo<br />

but… There is no even sign or will of any changes. Villagers are occupied solving completely<br />

different problems then proofing their English skills.<br />

nino orjonikiZe<br />

NINO ORJONIKIDZE<br />

vano arseniSvili<br />

VANO ARSENISHVILI<br />

56 wT, feradi<br />

56 min, colour<br />

samxreTafrikeli bredli nelsoni erT-erTia im aTasi maswavleblidan, romlebic<br />

saqarTveloSi “lingvisturi revoluciis” mosaxdenad moiwvies. saprezidento programis<br />

Sesaxeb man internetiT Seityo. “did cvlilebebSi” monawileobis misaRebad<br />

bredli samegrelos patara sofelSi Cadis, Tumca iq cvlilebebis arc niSnebi Cans<br />

da arc survili… soflis mcxovreblebi sul sxva gamowvevebis winaSe dganan.<br />

2004 Azilants / Azilantebi<br />

2003 Message to the Government / Gzavnili mtavrobis<br />

sakhelze<br />

2003 X Days in a Guardroom / X dghe hauptvakhtshi<br />

2003 Post-Soviet Georgia / Post-sabchota sakartvelo<br />

2002 Police Academy / Politsiis akademia<br />

2002 Verge / Zghvari<br />

2002 Trace / Kvali<br />

Documentary / dokumenturi<br />

londonis goldsmitis universitetis damTavrebis Semdeg muSaobda<br />

televiziaSi dokumenturi filmebis reJisorad da prodiuserad.<br />

2008 wels vano arseniSvilTan erTad daafuZna dokumenturi<br />

kinos saprodiusero kompania „artefaqt prodaqSeni“.<br />

After graduating from Goldsmiths, University of London, she worked as a producer<br />

and director of documentary Films for TV. Since 2008 she’s running the<br />

producing company ARTEFACT PRODUCTIONS with Vano Arsenishvili.<br />

daamTavra Tbilisis Teatraluri instituti animaciis reJisoris<br />

specialobiT da venis kinoakademia kinoreJisoris specialobiT<br />

(mixael hanekes jgufi). 2008 wels nino orjonikiZesTan<br />

erTad daafuZna dokumenturi kinos saprodiusero kompania<br />

„artefaqt prodaqSeni“.<br />

After graduating from animation faculty of Tbilisi Theatrical Institute Vano Arsenishvili<br />

carried on his studies in the group of Michael Haneke at Vienna Film<br />

Academy (majoring in film direction). He is a co-founder of producing company<br />

ARTEFACT PRODUCTIONS.


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

LEITMOTIF<br />

laitmotivi saqarTvelo / aSS <strong>2012</strong><br />

Director:<br />

Rati Oneli, David Seva<br />

Screenplay:<br />

David Seva, Rati Oneli<br />

Cinematography:<br />

Vicente Pouso<br />

Production Design:<br />

Mari Avali<br />

Producer:<br />

Jacob Gali, Alexander Zurich<br />

Cast:<br />

Maureen Van Trease<br />

118<br />

LEITMOTIF GEORGIA / USA <strong>2012</strong><br />

18 wT, S/T<br />

18 min, b/w<br />

saSualo skolis musikis introvert maswavlebels, izabels, Tavisi kolega marki<br />

moswons. qals vneba da uaryofis SiSi stanjavs, magram marks grZnobebs ver umxels<br />

da mxolod Cumad uTvalTvalebs.<br />

Filmography / filmografia<br />

<strong>2012</strong> Leitmotif (short)<br />

reJisori:<br />

rati oneli, daviT seva<br />

scenari:<br />

daviT seva, rati oneli<br />

operatori:<br />

visente pauzo<br />

mxatvari:<br />

mari avali<br />

prodiuseri:<br />

iakob gali,<br />

aleqsandre zuriCi<br />

monawileoben:<br />

maurin van trizi<br />

With support from:<br />

New York Foundation for the Arts<br />

Isabelle, an introverted high-school music teacher, is infatuated with her colleague, Mark. Unable<br />

to openly share her feelings she stalks Mark, she is tormented by her desire and fear of rejection.<br />

daviT seva<br />

DAVID SEVA<br />

rati oneli<br />

RATI ONELI<br />

daibada TbilisSi. daamTavra moskovis saxelmwifo kinoinstituti<br />

(VGIK) kinoreJisoris specialobiT. gadaRebuli aqvs ramdenime moklemetraJiani<br />

filmi. aqvs agreTve TeatrSi muSaobis gamocdileba.<br />

2001 wels sacxovreblad SeerTebul StatebSi gadavida. amJamad<br />

muSaobs Tbilissa da SeerTebul StatebSi, vest-portSi.<br />

Born in Tbilisi, Georgia. He graduated from VGIK – Russian State Institute<br />

of Cinema, with specialty in directing. He directed several short films and<br />

theater productions. In 2000, he moved to the United States, where he lives<br />

and works in Tbilisi and Westport, CT.<br />

daibada 1977 wels saqarTveloSi. 14 wlidan cxovrobs amerikis<br />

SeerTebul StatebSi. SeerTebuli Statebisa da evropis universitetebSi<br />

swavlobda literaturas, istoriasa da aRmosavleTmcodneobas<br />

arabulis specialobiT. amJamad cxovrobs da<br />

muSaobs niu-iorkSi.<br />

Born in 1977 in Georgia and first came to the US when he was fourteen. He<br />

studied literature, history, Asian Studies, specializing in Arabic, at various<br />

universities both in the US and Europe. Since 2000, he lives and works in<br />

New York City.


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

MANKANA, ROMELITS KVELAPERS GAAKROBS<br />

manqana, romelic yvelafers gaaqrobs<br />

saqarTvelo / germania <strong>2012</strong><br />

Filmography / filmografia<br />

<strong>2012</strong> Machine, That Makes Everything Dissapear<br />

Director:<br />

Tinatin Gurchiani<br />

Cinematography:<br />

Andreas Bergmann<br />

Editing:<br />

Nari Kim, Doreen Ignaszewski<br />

Sound:<br />

Michael Krajczok<br />

Producer:<br />

Tamar Gurchiani<br />

97 wT, feradi _ ST<br />

97 min, colour - B/W<br />

saqarTvelo, 2011 weli. filmis reJisori kastings acxadebs 15-23 wlis axalgazrdebisTvis.<br />

gancxadebas bevri xalxi exmaureba: zogs Tavisi sentimentaluri istoriebis<br />

gaziareba unda, zogi ki miznebis misaRwevad ikrebs Zalas. filmi imis<br />

Sesaxeb, Tu ra mSvenieri (da rTuli) SeiZleba iyos cxovreba, roca gmirad gaxdomaze<br />

ocnebob. am filmis protagonistebi cxovroben da gmirobaze ocneboben,<br />

realobas gaurbian an Tavaweulebi xvdebian mas. isini arian moxucebi da Zalian<br />

axalgazrdebi, vinc axla iwyebs cxovrebas. magram maT Ziebis poezia aerTianebs.<br />

reJisori:<br />

TinaTin gurCiani<br />

operatori:<br />

andreas bergmani<br />

montaJi:<br />

nari kimi, dorin ignaSevski<br />

xma:<br />

mixael kraiCoki<br />

prodiuseri:<br />

Tamar gurCiani<br />

THE MACHINE WHICH MAKES EVERYTHING DISAPPEAR<br />

GEORGIA / GERMANY <strong>2012</strong><br />

Georgia 2011. A film director announces a casting for 15-23 year old youth. Here are many people<br />

who answer the call: some are ready to share their sentimental stories or seek the strength to carry<br />

out their major resolutions... A film about how beautiful life can be - and how difficult - when you<br />

dream of being a hero. The protagonists of this film live and dream this heroism, whether they run<br />

from reality or face it head-on. They are old and they are very young, just beginning their lives. But<br />

they are all united in the poetry of searching.<br />

TinaTin gurCiani<br />

TINATIN GURCHIANI<br />

Documentary / dokumenturi<br />

Production:<br />

Alethea<br />

TTFilm<br />

daibada TbilisSi. swavlobda xatvas, fsiqologias da cekvas.<br />

Tbilisis ivane javaxiSvilis saxelmwifo universitetis bakalavriatis<br />

da fraiburgisa da gracis universitetebSi magistraturis<br />

dasrulebis Semdeg, kinoreJisuras swavlobda konrad<br />

volfis kinosa da televiziis universitetSi, babelsbergSi.<br />

Born in Tbilisi, Georgia. Studied painting, dance and psychology. After diploma<br />

at the Ivane Javakhishvili Tbilisi State University and a postgraduate<br />

study at the Faculty of Psychology at Albert-Ludwigs University Freiburg/<br />

Germany and the University of Graz, Austria, study of Film and TV Director<br />

at the Film and Television University Konrad Wolf (HFF), Babelsberg, Germany.<br />

119


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

MONOTONURI UPEROBA<br />

monotonuri uferoba saqarTvelo <strong>2012</strong><br />

Director:<br />

Mamuka Akhalaia<br />

Screenplay:<br />

Mamuka Akhalaia<br />

Cinematography:<br />

Irakli Akhalkatsi<br />

Editing:<br />

Irakli Akhalkatsi<br />

Sound:<br />

Irakli Akhalkatsi<br />

Music:<br />

Mikheil Mdinaradze<br />

Producer:<br />

Mamuka Akhalaia<br />

Cast:<br />

Gigi Samsonadze, Mamuka Akhalaia<br />

120<br />

MONOTONOUS GEORGIA <strong>2012</strong><br />

11 wT, S/T<br />

11 min, B/W<br />

filmi gadaRebulia dRiuris saxiT. kadrebiT iqmneba aura, romelic mogviTxrobs,<br />

Tu rogor daikarga mTavari gmiri droSi. naCvenebia misi azrs moklebuli, erTferovani<br />

cxovreba, sadac araferi icvleba, yvela(feri) monotonuria.<br />

Filmography / filmografia<br />

<strong>2012</strong> I’m making a film (short)<br />

<strong>2012</strong> Monotonous (short)<br />

2009 Alone under the Sky (short)<br />

2009 Grandma (short)<br />

2008 Disorder (short)<br />

reJisori:<br />

mamuka axalaia<br />

scenari:<br />

mamuka axalaia<br />

operatori:<br />

irakli axalkaci<br />

montaJi:<br />

irakli axalkaci<br />

xma:<br />

irakli axalkaci<br />

prodiuseri:<br />

mamuka axalaia<br />

monawileoben:<br />

gigi samsonaZe,<br />

mamuka axalaia<br />

Contact:<br />

Mamuka Akhalaia<br />

Phone: +995 593 448930<br />

The film is a diary. The frames re-create an aura that tell us about a man lost-in-time. Parallel is<br />

drawn between pointless living of character and a society that becomes rubbish. Paradox is that<br />

nothing changes and everything is monotonous.<br />

mamuka axalaia<br />

MAMUKA AKHALAIA<br />

daibada 1983 wels galSi. aris ramdenime moklemetraJiani mxatvruli<br />

filmis avtori.<br />

Born in 1983 in Gali, Georgia. Directed several short and experimental films.


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

OMIS NAKLVALEVI<br />

omis nakvalevi saqarTvelo <strong>2012</strong><br />

Filmography / filmografia<br />

<strong>2012</strong> The Traces of the War / Omis naklvalevi<br />

Director:<br />

Toma Chagelishvili<br />

Screenplay:<br />

Toma Chagelishvili<br />

Cinematography:<br />

Bakar Sharashenidze<br />

Producer:<br />

Zurab Bendianishvili, Vika<br />

Kavzharadze, Marina Memshvildishvili<br />

26 wT, feradi<br />

26 min, colour<br />

2008 wels ruseT-saqarTvelos omma ori megobari erTmaneTs daaSora. isini sxvadasxva<br />

mxares ibrZodnen. axla miSa devnilia da TbilisSi cxovrobs, Temo _ cxinvalSi,<br />

sakuTar saxlSi. ramdenime wlis Semdeg isini sxva TanamebrZolebTan erTad<br />

stambolSi xvdebian erTmaneTs... filmi im adamianebis Sesaxeb mogviTxrobs, romlebic<br />

gadatanili omis miuxedavad cdiloben, erTmaneTisaken gzebi isev moZebnon.<br />

THE TRACES OF THE WAR GEORGIA <strong>2012</strong><br />

reJisori:<br />

Toma CageliSvili<br />

scenari:<br />

Toma CageliSvili<br />

operatori:<br />

baqar SaraSeniZe<br />

musika:<br />

mixeil mdinaraZe<br />

prodiuseri:<br />

zurab bendianiSvili,<br />

vika qavJaraZe, marina<br />

meSvildiSvili<br />

In 2008 Russian-Georgian war separated two friends. They were fighting on different sides of barricades.<br />

Nowadays Misha is a refugee and lives in Tbilisi; Temo stayed in Tskhinvali, in his own house.<br />

Years later, they meet in Istanbul, alongside with other battle buddies… The film tells the story of<br />

the people who try to find a way to each other despite the war they survived.<br />

Toma CageliSvili<br />

TOMA CHAGELISHVILI<br />

Documentary / dokumenturi<br />

daibada 1972 wels. daamTavra Tbilisis ivane javaxiSvilis<br />

saxelobis saxelmwifo universiteti. 2000 wlidan muSaobs samauwyeblo<br />

kompaniaSi ”rusTavi2”. gadaRebuli aqvs 30-ze meti<br />

satelevizio dokumenturi filmi saqarTvelos me-20 saukunis<br />

istoriis Sesaxeb. 2010 wels fond ”interniusTan” TanamSromlobiT<br />

gadaiRo dokumenturi seriali ”evropis mezoblebi”.<br />

2010 wlidan aris dokumenturi filmebis studiis ”Ti-studia”<br />

damfuZnebeli.<br />

Born in 1972. Graduated from Tbilisi Ivane Javakhishvili State University.<br />

Since 2000 works for broadcasting company RUSTAVI 2. Chagelishvili is an<br />

author and director of more than 30 TV documentaries about XX century’s<br />

history of Georgia. In 2010 in collaboration with INTERNEWS foundation,<br />

he directed documentary series NEIGHBOURS OF EUROPE. In 2010 he<br />

founded documentary production company T-STUDIO.<br />

121


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

ORI KVIRIT ADRE<br />

ori kviriT adre saqarTvelo 2011<br />

Director:<br />

Papuna Mosidze<br />

Screenplay:<br />

Papuna Mosidze<br />

Cinematography:<br />

Gela Chinchaladze<br />

Production design:<br />

Giorgi Karalashvili<br />

Editing:<br />

Temo Ezugbaia, Papuna Mosidze<br />

Sound:<br />

Irakli Katsarava<br />

Producer:<br />

Papuna Mosidze<br />

Cast:<br />

David Brocky, Levan Sturua<br />

122<br />

28 wT, feradi<br />

28 min, colour<br />

25 wlis gio TbilisSi moxuc bebiasTan erTad cxovrobs. uperspeqtivobisa da yoveldRiuri<br />

erTferovnebisgan Tavis dasaRwevad mas germaniaSi wasvla aqvs gadawyvetili.<br />

7000 evro is Tanxaa, romelic man vizis misaRebad ramdenime dReSi unda<br />

iSovos.<br />

Filmography / filmografia<br />

2011 Before 2 weeks (short)<br />

2009 Dance, dance (short)<br />

2003 In the illuminator (short)<br />

2002 All right (short)<br />

TWO WEEKS BEFORE GEORGIA 2011<br />

reJisori:<br />

papuna mosiZe<br />

scenari:<br />

papuna mosiZe<br />

operatori:<br />

gela CinCalaZe<br />

mxatvari:<br />

giorgi yaralaSvili<br />

xma:<br />

irakli qacarava<br />

montaJi:<br />

Temo ezugbaia,<br />

papuna mosiZe<br />

prodiuseri:<br />

papuna mosiZe<br />

monawileoben:<br />

daviT brocki,<br />

levan sturua<br />

25-years-old Tbilisian young man Gio lives with his grandma. He is fed-up with routine of everyday<br />

life and decides to leave for another country – Germany. But he should have amount of 7000 Euros<br />

on his bank account for to apply for the German visa.<br />

papuna mosiZe<br />

PAPUNA MOSIDZE<br />

daibada 1983 wels TbilisSi. 2005 wels daamTavra Tbilisis<br />

Teatrisa da kinos saxelmwifo universitetis kinosareJisoro<br />

fakulteti.<br />

Born in 1983 in Tbilisi. In 2005 Graduated from Tbilisi State university of<br />

Theatre and Film, film directing department.


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

POTSKHOETSERI<br />

focxoeweri saqarTvelo <strong>2012</strong><br />

Filmography / filmografia<br />

<strong>2012</strong> All Day Strolling / Potskhoetseri<br />

Director:<br />

Aleksandre Kakabadze<br />

Cinematography:<br />

Aleksandre Kakabadze<br />

Producer:<br />

Aleksandre Kakabadze<br />

29 wT, feradi<br />

29 min, colour<br />

filmi saqarTvelos mTebSi erT miyruebul dasaxlebaze mogviTxrobs. adre daba<br />

focxoewerSi muSebi cxovrobdnen, romlebic msoflioSi yvelaze maRal TaRovan<br />

kaSxals aSenebdnen _ sabWoTa kavSiris erT-erT yvelaze ambiciur proeqts. sab-<br />

WoTa kavSiris daSlis Semdeg dasaxleba TiTqmis gaukacurda. ase iyo bolo dromde,<br />

vidre naxevrad dangreul saxlebSi mudmivi sacxovreblis saZebnelad Casuli<br />

devnilebi ar Sesaxldnen.<br />

ALL DAY STROLLING GEORGIA <strong>2012</strong><br />

reJisori:<br />

aleqsandre kakabaZe<br />

operatori:<br />

aleqsandre kakabaZe<br />

prodiuseri:<br />

aleqsandre kakabaZe<br />

ALL DAY STROLLING is a film about an isolated community in the mountains in Georgia. The Potskho<br />

settlement was built to accommodate the construction workers on one of the most ambitious<br />

Soviet projects; the highest arch dam in the world. After the collapse of the USSR the settlement<br />

was almost abandoned, until recently when, against a background of ruins a motley of buildings<br />

have begun to appear along with refugees sent there to find permanent homes. The film takes<br />

audience on a meander through this lost place in the remote area of a post-Soviet state.<br />

aleqsandre kakabaZe<br />

ALEKSANDRE KAKABADZE<br />

Documentary / dokumenturi<br />

daibada 1981 wels TbilisSi. swavlobda moskovis lomonosovis<br />

saxelobis saxelmwifo universitetSi Jurnalistikis<br />

fakultetze, mogvianebiT ki swavla ganagrZo londonis<br />

goldsmitis universitetSi. bolo aTi wlis ganmavlobaSi re-<br />

Jisori sxvadasxva qarTul telekompaniebSi memontaJed, operatorad<br />

da reportiorad muSaobda. “focxoeweri” aleqsandre<br />

kakabaZis pirveli filmia.<br />

Born in 1981 in Tbilisi, Georgia. Before applying for a MA at Goldsmiths University<br />

of London, he completed BA in Journalism at Lomonosov Moscow<br />

State University. For the last ten years he worked as a video editor, cameraman<br />

and reporter at various Georgian TV companies. ALL DAY STROLLING<br />

is Aleksandre Kakabadze’s debute film.<br />

123


qarTuli panorama<br />

GEORGIAN PANORAMA<br />

VIKHSENEBT BALANCHINS<br />

vixsenebT balanCins saqarTvelo <strong>2012</strong><br />

Director:<br />

Olga Zhgenti<br />

Screenplay:<br />

Olga Zhgenti<br />

Cinematography:<br />

Temur Surmanidze<br />

Sound:<br />

Irakli Putkaradze<br />

Producer:<br />

George A. Santulli<br />

Cast:<br />

Peter Martins, Francia Russel, Kent<br />

Stowell, Peter Boal, Vida Brown<br />

Olinick , Barbara Milberg Fisher,<br />

Karin von Aroldingen, Kay Mazzo,<br />

Susan Pilarre, Suki Shorer, Nancy R.<br />

Reynolds, Barbara Horgan<br />

124<br />

58 wT, feradi / S-T<br />

58 min, colour / b-w<br />

dokumenturi filmi gamoCenil qoreograf jorj balanCinze, romlis saxeli XX<br />

saukunis amerikuli sabaleto xelovnebis simbolod iqca. filmSi monawileoben<br />

balanCinis yofili mowafeebi, mocekvaveebi da kolegebi _ dRes ukve cnobili<br />

amerikeli baletmaisterebi da pedagogebi. isini balanCinis cxovrebisa da Semoqmedebis<br />

sxvadasxva aspeqtze saubroben: ratom aRiareben balanCins qalebis qoreografad,<br />

roca man mamakacebisTvis brwyinvale dadgmebi Seqmna? ratom iyo msoflioSi<br />

aRiarebuli xelovani pirad cxovrebaSi warumatebeli? rogor aisaxa sabaleto<br />

dadgmebSi Semoqmedis piradi drama? rogor damkvidrda xelovani ucxo samyaros<br />

eTno-kulturul sivrceSi? filmi ori nawilisgan Sedgeba. mayurebels vTavazobT<br />

pirvel films: „balanCinis da baletis Sesaxeb“.<br />

Filmography / filmografia<br />

<strong>2012</strong> I remember – Baadur Tzuladze (doc.)<br />

<strong>2012</strong> Remembering Ballanchine (doc.)<br />

2011 The Fate of the Soldier and Scriptwriter Suliko<br />

Zhgenti (doc.)<br />

2011 Zourab Nijaradze (doc.)<br />

2011 Dmitri Eristavi (I’am from Tbilisi) (doc.)<br />

2008 John Steinbeck and “A Russian journal” (doc.)<br />

2005 Knut Hamsun’s Caucasian Mysteries (doc.)<br />

REMEMBERING BALLANCHINE GEORGIA <strong>2012</strong><br />

reJisori:<br />

oliko JRenti<br />

scenari:<br />

oliko JRenti<br />

operatori:<br />

Temur surmaniZe<br />

montaJi:<br />

oliko JRenti<br />

xma:<br />

irakli futkaraZe<br />

prodiuseri:<br />

jorj santuli<br />

monawileoben:<br />

piter martinsi, fransia<br />

raseli, kent stouveli,piter<br />

boali, vida braun oliniki,<br />

barbara milberg fiSeri,<br />

karin von aroldingeni, qei<br />

mazo, suzan pilari, suki<br />

Soreri, nensi reinoldsi,<br />

barbara horgani<br />

Documentary about renowned choreographer George Ballanchine whose name became a symbol<br />

of the XX century’s American Ballet. The film contains interviews of Ballanchine’s former students,<br />

dancers and colleagues, now well known American Balletmeisters and choreographers. They talk<br />

about different aspects of Ballanchine’s life and art; Why he was mostly known as a women’s choreographer<br />

while he made brilliant performances for men? Why the well-known choreographer<br />

in the whole world had a very unsuccessful personal life? What influence his unpleasant life had<br />

over his art? How he established himself in the ethno-cultural industry that is a completely different<br />

world from his comfort zone ? Film is separated in two parts. Here we will present first part of<br />

it – ABOUT BALLANCHINE AND BALLET.<br />

oliko JRenti<br />

OLGA ZHGENTI<br />

Documentary / dokumenturi<br />

dokumenturi filmebis avtori da reJisori. 1990 wels<br />

daamTavra Tbilisis ivane javaxiSvilis saxelobis saxelmwifo<br />

universitetis xelovnebaTmcodneobis fakulteti. muSaobda<br />

saqarTvelos televiziaSi kinogadacemebis avtorad, Tbilisis<br />

SoTa rusTavelis Teatrisa da kinos universitetis wamyvan<br />

mecnier-TanamSromlad; aris xelovnebaTmcodneobis doqtori,<br />

gamoqveynebuli aqvs 30-mde statia kinos istoriisa<br />

da xelovnebis sakiTxebze. leqciebs kiTxulobs Tbilisis ivane<br />

javaxiSvilis saxelobis saxelmwifo universitetsa da baTumis<br />

xelovnebis universitetSi.<br />

Author and Director of several documentaries. Graduated from the Department<br />

of History and Theory of Art at Tbilisi Ivane Javakhishvili State<br />

University. Worked as the author of the film programs in Georgian Tele-<br />

Radio Corporation, the leading Research Fellow of Rustaveli University of<br />

Theatre and Film of Georgia; PhD in Art History; Olga wrote over 30 articles<br />

about Film history and Art.


qarTuli kulturfilmi<br />

saqarTvelos erovnuli arqivis saganZuridan<br />

dilis aTi wuTi<br />

kolmeurnis higiena<br />

miwis Zaxili<br />

rasac dasTes, imas moimki<br />

(agrominimumi)<br />

GEORGIAN KULTURFILM<br />

TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />

LIVE PERFORMANCE: ENSEMBLE CONSILIA<br />

musikaluri Tanxleba: ansambli CONSILIA<br />

TEN MINUTES OF MORNING<br />

COLLECTIVE FARMER’S HYGIENE<br />

THE EARTH IS CALLING<br />

WHAT GOES AROUND COMES<br />

AROUND (AGRO MINIMUM)<br />

125


qarTuli kulturfilmi:<br />

sxeuli / manqana<br />

nino ZanZava<br />

kinos uxmo periodSi gadaRebuli oTxi moklemetraJiani<br />

filmi, romelsac festivalis programis farglebSi ixilavT,<br />

gaerTianebulia koncefciiT „sxeuli / manqana“.<br />

maTgan ori, kote miqaberiZisa da vasil dolenkos „rasac<br />

dasTes, imas moimki“ (1930) da siko doliZis „miwis Zaxili“<br />

(1928) axalgazrda socialisturi respublikisTvis Zalian<br />

aqtualur Temas, koleqtiur meurneobebSi samuSao procesis<br />

meqanizacias da Sromis axlebur ganawilebas exeba.<br />

oric, vaxtang SveliZis „kolmeurnis higiena“ (1934) da<br />

aleqsandre jaliaSvilis „dilis aTi wuTi“ (1932) sxeulis<br />

gajansaRebis sakiTxebSi saxelmwifo politikas asaxavs.<br />

filmebis sawyisi masalebi daculia saqarTvelos erovnuli<br />

arqivis kinofotofonodokumentebis centralur arqivSi.<br />

es filmebi arqivs sxvadasxva dros dokumenturi<br />

da samecniero-qronikaluri filmebis studiidan gadaeca,<br />

rogorc mudmivad Sesanaxi dokumentebi. oTxive filmi<br />

saWiroebs sakonservacio samuSaoebis Catarebas.<br />

kulturfilmi: Janri da ideologia<br />

meoce saukunis meti wili saqarTvelom totalitaruli<br />

reJimis arsebobis pirobebSi ganvlo. cnobilia, rom komunisturi<br />

mmarTveloba informaciis SezRudvisa da korufciis<br />

safuZvelze idga, xalxis marTvis principis erTerTi<br />

umniSvnelovanesi komponenti xalxisTvis istoriuli<br />

simarTlis damalva da faqtebis miCumaTeba iyo. mmarTvelobis<br />

stabilurad SenarCunebis garanti da masebiT manipulaciis<br />

saukeTeso iaraRi ara mxolod terori, aramed<br />

axali istoriis Seqmna iyo. saamisod reJimi sxvadasxva<br />

xerxs mimarTavda, maT Soris erT-erT yvelaze mZlavr da<br />

STamagonebel wyaros _ informaciis gavrcelebis masobriv<br />

saSualebebs (radio, presa, televizia) da xelovnebas.<br />

1922 wels ganaTlebis saxalxo komisarTan, anatoli lunaCarskisTan<br />

saubarSi vladimer ilias Ze lenini ityvis, rom<br />

kino yvelaze mniSvnelovani xelovnebaa. Semdeg am citatas<br />

yvela aitacebs: gamomcemloba „iskustvo“ am saTauriT<br />

dabeWdavs wigns, sabWoTa da arasabWoTa kinomcodneebi<br />

leninis sityvebs yvela SesaZlo konteqstSi gamoiyeneben,<br />

magram, rac mTavaria, sabWoTa kultura aTwleulebis ganmavlobaSi<br />

swored am lozungiT ivlis kinoindustriis ga-<br />

Zlierebisa da gamarjvebis gzaze.<br />

mainc ras niSnavda leninis cnobili fraza da ratom ani-<br />

Webda sabWoTa beladi kinematografias aseT did mniSvnelobas?<br />

1920-iani wlebis dasawyisSi kino ukve warmoadgenda<br />

ideologiis gatarebis erT-erT yvelaze mZlavr<br />

iaraRs, romelsac evropuli saxelmwifoebi am saxiT<br />

pirveli msoflio omis dawyebidan iyenebdnen. leninis<br />

davalebiT, komunisturi ideebiT gamsWvalul axal filmebs<br />

axali sabWoTa realoba unda aesaxa. Tumca, anatoli<br />

126<br />

lunaCarski aseve werda, rom kinoze saubrisas lenini, pirvel<br />

rigSi, dokumentur kinoJanrebs gulisxmobda: „Tuki<br />

geqnebaT kargi qronika, seriozuli da saganmanaTleblo<br />

suraTebi, arauSavs, mayureblis mosazidad raime usargeblo<br />

filmic rom aCvenoT... ra Tqma unda, cenzura mainc<br />

saWiroa. kontrrevoluciuri da uzneo filmebi ar unda<br />

dauSvaT.“ dokumentur kinos imTaviTve propagandistuli<br />

miznebis samsaxuri miaweres. garda amisa, mas saganmanaTleblo<br />

xasiaTic unda hqonoda. amaSi ki rusebma, pirvel rig-<br />

Si, germaniis magaliTs mibaZes.<br />

aTian wlebSi germaniaSi Cndeba axali kinoJanri, romelic<br />

dokumenturi kinos nairsaxeobas warmoadgens da romelsac<br />

germaniis garda yvelgan, sadac am Janris filmebs<br />

iRebdnen, kulturfilmi erqva (Kulturfilm). kulturfilmebis<br />

aRzevebis periodi nacistebis xelisuflebaSi yofnis xanas<br />

emTxveva. dasawyisSi kulturfilmebis daxmarebiT moxerxda<br />

kinos, rogorc konstruqciuli kulturuli Zalis<br />

legitimacia. amaSi yvelaze didi wvlili saganmanaTleblo<br />

seqtorma Seitana, romelic cdilobda mozardebze<br />

kinos mavnebluri zegavlena Seesustebina da sxva tipis<br />

kinematografi SeeTavazebina axalgazrda mayureblisTvis.<br />

Tumca male Janris SesaZleblobebiT politikuri Zalebic<br />

dainteresdnen. kulturfilmebis warmoebaSi nacionalistur-militaristuli<br />

da saganmanaTleblo miznebi erTmaneTs<br />

gadaejaWva.<br />

1920-iani wlebis bolos germaniaSi ramdenime sabWoTa re-<br />

Jisors mieca mogzaurobis da iqaur kinoindustriasTan<br />

gacnobis saSualeba. berlinSi ramdenime weli gaatares<br />

nikolai lebedevma da vladimir erofeevma. saganmanaTleblo<br />

da kulturuli xasiaTis filmebidan maT ufro eTnografiuli,<br />

saeqspedicio da geografiuli filmebi moewonaT<br />

da sabWoTa kavSirSi dabrunebis Semdeg maTi aqtiuri<br />

propagandirebac daiwyes.<br />

im droisTvis sabWoTa kavSiri kulturfilmebis warmoebiT<br />

germanias ver Seedreboda, Tumca, iseve rogorc<br />

nacisturma, sabWoTa reJimmac kargad gaacnobiera kulturfilmebis<br />

potenciali sakuTari Zalauflebis gamyarebis<br />

procesSi.<br />

mdgomareoba saqarTveloSi<br />

1926 wels saqarTvelos sabWoTa centraluri aRmasrulebeli<br />

komitetisa da saqarTvelos sabWoTa respublikis<br />

saxalxo komisarTa sabWos dadgenilebis mixedviT, kinosuraTebisa<br />

da kinoqronikebis gadaRebis ufleba mxolod<br />

saqarTvelos saxelmwifo kinomrewvelobis saaqcio sazogadoeba<br />

saxkinmrewvs gadaeca. xolo yvela sxva arsebul<br />

saxelmwifo da sazogadoebriv organizacias, iseve rogorc<br />

kerZo pirebs, saxkinmrewvis unebarTvod gadaRebis


ufleba aekrZala. ufro metic, dadgenileba savaldebulo<br />

iyo da „damnaSave“ pasuxs administraciuli wesiT agebda.<br />

am dadgenilebis miRebamde erTi wliT adre, saqarTvelos<br />

ssr farglebSi kinosuraTebis gaqiravebis ufleba eqskluziurad<br />

mieniWa ganaTlebis saxalxo komisariats. yvela<br />

sxva organizacia ki, romelic kinosuraTebis gaqiravebas<br />

awarmoebda, daixura.<br />

saxkinmrewvis sruli monopoliis pirobebSi, saxelmwifo<br />

sakuTar Tavs aniWebda uflebamosilebas totalurad<br />

gaekontrolebina kinoindustriis procesebi, mTlianad<br />

ganesazRvra erovnuli kinematografis politika da ideologia.<br />

damoukidebeli reJisorebis, miT ufro dokumentalistebis<br />

da kerZo firmebis muSaoba imTaviTve gamoiricxa.<br />

mTeli sabWoTa kinowarmoebisTvis mniSvnelovan movlenad<br />

iqca 1928 wlis 15-21 martis sruliad sakavSiro partiuli<br />

kreba, romelic kinematografiis sakiTxebs mimoixilavda.<br />

am krebaze miRebul direqtivebze aages lokalurma kinoindustriebma<br />

TavianTi xuTwledis gegmebi. partiam<br />

mkafiod dasaxa kinematografiis ganviTarebis kursi. mTavar<br />

miznebs Soris iyo: kinos masebTan daaxloeba; misi<br />

maqsimaluri gamoyeneba kulturul revoluciaSi. partia<br />

kinos uyurebda, rogorc masebis politikuri aRzrdis,<br />

propagandis, partiis lozungebisa da amocanebis miRwevis<br />

meqanizms. mas unda aRebeWda sabWoTa yofis da sab-<br />

WoTa mSeneblobis aqtualuri sakiTxebi. am yvelafridan<br />

gamomdinare, unda momxdariyo kinoproduqciis Sinaarsis<br />

Zireuli Secvla. daiwyo muSaoba „repertuaris gajansaRebaze“.<br />

mxatvrul filmebTan erTad, yvela CamoTvlili miznis<br />

misaRwevad, saWiro gaxda dokumenturi kinos, kinoqronikisa<br />

da kulturfilmebis wina planze wamoweva. maT gansakuTrebuli<br />

roli mieniWa partiis mier dasaxuli amocanebis<br />

miRwevis saqmeSi.<br />

1928 wlamde gamoSvebuli produqciis mixedviT, saqarTvelos<br />

saxkinmrewvi meoTxe adgils ikavebda sakavSiro<br />

kinowarmoebaSi. procentulad misi produqcia yvela<br />

sakavSiro kinoorganizaciis mier warmoebuli produqtis<br />

daaxloebiT 12%-s Seadgenda.<br />

mas Semdeg, rac socialisturi respublikebis adgilobriv<br />

kinomrewvelobebs da, maT Soris, qarTul saxkinmrewvs<br />

dokumentur-qronikaluri seqciis Seqmna/gaZliereba daevala,<br />

nel-nela daiwyo kulturfilmebis bumi mTeli kavSiris<br />

maStabiT, sadac ase uwodebdnen TiTqmis yvelafers,<br />

rac mxatvruli kinos sazRvrebs scildeboda. 20-iani<br />

wlebis bolos da 30-iani wlebis dasawyisSi axalgazrda kinoenTuziastebma<br />

saqarTvelos kinostudiis bazaze bevri<br />

kulturfilmi Seqmnes, romlebic dRes Janris SesaniSnav<br />

magaliTebad SeiZleba miviCnioT.<br />

sxeuli / manqana<br />

meqanizaciisadmi sabWoTa midgoma oficialurad deklarirebuli<br />

iyo, rogorc „Sromis Semsubuqeba“, „muSaTa klasis<br />

materialuri da kulturuli donis amaRleba“, „Sromis<br />

pirobebis gaumjobeseba da ganviTarebis tempis daCqareba“.<br />

sabWoTa ideologebi amtkicebdnen, rom gansxvavebiT<br />

kapitalisturi meqanizaciisgan, socialisturi midgoma<br />

sakiTxisadmi ar gulisxmobda kapitalis Zalauflebis<br />

Sromaze gabatonebas, aramed piriqiT, muSaTa klasis<br />

keTildReobisken da adamianTa eqsploataciis gamoricxvisken<br />

iyo mimarTuli.<br />

koleqtivizaciis safuZvelze Seqmnil meurneobebSi 1920ian<br />

wlebSi manqanuri sistemis gamoyenebis propaganda<br />

iwyeba, romelSic aqtiurad erTveba dokumenturi da mxatvruli<br />

kino. am Temis ganzogadebul da, albaT, yvelaze<br />

popularul saxes sergei eizenSteinis separatori warmoadgens,<br />

romelsac misi filmis, „generaluri xazis“ Semdeg<br />

bevri daesesxeba, maT Soris Cveni programis erT-erTi<br />

suraTis, „miwis Zaxilis“ reJisori, siko doliZe. separatoris<br />

imijs is Tavis ufro gviandel filmSi „ukanasknel<br />

jvarosnebSi“ gamoiyenebs.<br />

sxva reJisorebTan erTad, kote miqaberiZisa da siko<br />

doliZis programaSi warmodgenili ori adreuli namuSevari<br />

traqtorebis, kombainebis da sxva teqnikis danergvis<br />

meTodebs da am meTodebis saWiroebas aRwers. aseTi filmebis<br />

mTavari paTosi, pirvel rigSi, glexisa da mSromeli<br />

adamianisTvis mZime samuSaoebze energiisa da drois xarjvis<br />

dazogvaa. teqnikis gafetiSeba dasavleTevropul<br />

kinoavangardSi, modernistul mxatvrobaSi da literaturaSic<br />

xdeboda, Tumca, gansxvavebiT dasavluri xedvisgan,<br />

sabWoTa kinoSi manqaniT aRfrTovaneba ideologiur datvirTvas<br />

atarebs.<br />

manqanuri sistemebis agitaciis paralelurad, sabWoTa<br />

kinematografSi jansaRi da kargad movlili sxeulis<br />

propaganda mimdinareobs. „WuWyTan brZola“ da janmrTelobaze<br />

gaaskecebuli zrunva kulturuli revoluciis<br />

nawili xdeba. fizkultura yoveli samagaliTo sab-<br />

WoTa moqalaqis cxovrebis wesad unda qceuliyo da ase<br />

ganemtkicebina saxelmwifos winaSe TiToeuli moqalaqis<br />

pasuxismgeblobis da qveynis samsaxuris SegrZneba. axali,<br />

Zlieri adamianis Seqmnis mcdelobaSi sabWoTa reJimi germanuli<br />

nacisturi ideologiis politikasac ki emsgavseba.<br />

swored fizkulturis da sanitarul-higienuri normebis<br />

dacvis mniSvnelobas exmianeba erovnuli arqivis<br />

mier warmodgenili programis meore nawili (aleqsandre<br />

jaliaSvilis „dilis aTi wuTi“, vaxtang SveliZis „kolmeurnis<br />

higiena“).<br />

sistemas aTasobiT manqana-kombaini sWirdeboda, iseve, rogorc<br />

kargad funqcionirebadi, gamarTuli manqana-sxeuli.<br />

imas, rom sxeuli manqanaa, Sromis samecniero organizaciis<br />

fuZemdebeli, frederik teilori da amerikeli inJineri<br />

henri fordic werdnen, Tumca ruseTSi ufro Sors midian.<br />

sabWoTa kavSirSi Sromis samecniero organizaciis mTavari<br />

Teoretikosis da Sromis centraluri institutis fuZemdeblisTvis,<br />

aleqsei gastevisTvis adamianis organizmi ara<br />

ubralod manqana, aramed „cocxali manqanaa“. warmoebis interesebidan<br />

gamomdinare, mas kargad unda movuaroT.<br />

madlobas vuxdiT dimitri jaliaSvils aleqsandre<br />

jaliaSvilis fotos mowodebisTvis da gia gersamias vaxtang<br />

SveliZis fotos mowodebisTvis<br />

127


GEORGIAN KULTURFILM:<br />

BODY /MACHINE<br />

NINO DZANDZAVA<br />

Four Georgian short films which were shot in the silent era will<br />

be screened in the frameworks of the Festival are united under<br />

the concept Body/Machine. Two of the films made by Kote<br />

Mikaberidze and Vasil Dolenko, WHAT GOES AROUND COMES<br />

AROUND (1930) and Siko Dolidze’s THE EARTH IS CALLING (1928)<br />

are dedicated to the urgent problems of a young socialist republic,<br />

namely mechanization of labor in collective farms (kolkhozy)<br />

and modern distribution of labor force. The two other films,<br />

Vakhtang Shvelidze’s COLLECTIVE FARMER’S HYGIENE and Alexandre<br />

Jaliashvili’s TEN MINUTES OF MORNING reflect the physical<br />

health care state policy in those years.<br />

Original physical materials and film copies are kept in Central<br />

Archive of Audiovisual Documents of The National Archives of<br />

Georgia. The films were moved to the Archives from documentary<br />

and science and newsreel film studio for the permanent storage.<br />

All four films need to be preserved.<br />

KULTURFILM: GENRE AND IDEOLOGY<br />

Most of the 20th century, Georgia as a country, went through<br />

a period of totalitarian regime. It is a well-known fact that the<br />

communist government stood on the foundation of corruption<br />

and restriction of information. The government was hiding historical<br />

truth and hushing up valued facts. Not only terror but also<br />

creation of a new history was a guarantee for manipulating the<br />

masses and preserving power by stably the communists. To that<br />

end the communist regime used a variety of methods including<br />

the most powerful and inspiring one – mass media (radio, press,<br />

TV) and art.<br />

In 1922 Vladimir Lenin said in a conversation with the first commissar<br />

of culture & popular education in the Soviet Government,<br />

Anatoly Lunacharsky that, “of all the arts, for us the cinema is the<br />

most important”. The coined phrase which became hugely popular<br />

overnight was then used by publishing house, ISSKUSTVO as a<br />

title of its book; numerous Soviet and non-Soviet cinema experts<br />

used these words in all contexts, but what’ s more important, Soviet<br />

culture guided itself with this slogan for dozens of years on<br />

the way to development and success of Soviet cinema industry.<br />

What did a Soviet leader Lenin’s famous expression about cinema<br />

mean and why he emphasized the importance of cinema? As early<br />

as the 1920’ies cinema was used as the biggest and most powerful<br />

propaganda instrument to advance the ideology. European<br />

states have used the cinema for the very same reasons since the<br />

beginning of WWI. By orders of Lenin’s new films inspired by the<br />

communist ideas were to reflect a new Soviet reality. Although<br />

Anatoly Lunacharsky wrote that while talking about films, Lenin<br />

primarily meant documentary newsreels: […] If you have a good<br />

newsreel, serious and educational pictures, then it does not matter<br />

if, for public attraction purposes, you have some kind of use-<br />

128<br />

less picture of the more or less usual type. Of course, censorship<br />

is necessary in any case. Counter revolutionary and immoral films<br />

should have no place”. So, from the outset a documentary film<br />

had been given instructions to serve for propaganda purposes.<br />

In addition, it must have been also educational. In this respect,<br />

the Russians followed the example of Germans in the first place.<br />

New documentary film genre emerged in Germany in early teens<br />

of the 20th century. It had common German term in every country:<br />

KULTURFILM. The rise of Kulturfilm coincides with a period of<br />

Nazi regime in Germany. In the beginning kulturfilms helped cinema<br />

to be legalized as a constructive cultural force. Educational<br />

section contributed greatly to the process. Attempting to ease<br />

harmful impact of cinema on the youth, educators made every<br />

effort to offer them different types of films. However, soon after, a<br />

vast majority of the genre attracted a lot of attention from political<br />

powers and thus nationalistic-militarist and educational aims<br />

came together in kulturfilms’ production.<br />

Several Soviet filmmakers, including Nikolai Lebedev and<br />

Vladimir Erofeev, were given the opportunity to visit Germany in<br />

the end of 1920-ies and learn about Germans’ cinema industry<br />

there. They lived in Berlin for a couple of years and developed<br />

a particular liking for ethnographic, geographic films and films<br />

about expeditions among the documentaries of educational and<br />

cultural character. After coming back to the Soviet Union they<br />

started promoting the films with great enthusiasm.<br />

During those times the Soviet Union could not be matched with<br />

Germany when it comes to kulturfilms production but like the Nazis<br />

it soon became well aware of the great potential and influence of<br />

this film genre in the transition of strengthening Soviet power.<br />

SITUATION IN GEORGIA<br />

Upon a resolution issued by the Soviet Central Executive Committee<br />

and Council of Peoples’ Commissars of Georgia, rights<br />

to shoot feature films and newsreels were granted only to the<br />

joint company of the Georgian State Film Production Company,<br />

“Sakhkinmretsvi”. All other state and private organizations as well<br />

as all independent film producers were forbidden to make films<br />

without consent of the Sahkinmretsvi studio. Moreover, the mentioned<br />

resolution was obligatory and in case of a violation, the<br />

offender could be subjected to administrative penalty.<br />

The year before the adoption of the resolution, a right to film distribution<br />

was exclusively granted to the People’s Commissariat<br />

for Education. All other organizations engaged in renting films<br />

were closed down.<br />

In this monopolistic environment created by the resolution the<br />

State was authorized to impose total control over cinema pro-


duction processes and define national policy and ideology of<br />

cinematography. Thus, it was clear that all independent filmmakers,<br />

private film companies and documentary filmmakers were<br />

completely excluded from this area.<br />

The Communist Party meeting on 15-21 March in 1928, among<br />

other agendas it also discussed cinema industry issues which<br />

turned out to be a significant event for the cinema industry. Local<br />

industries developed their five year plan according to the directives<br />

of party. The Communist Party clearly outlined a course for<br />

development of the Soviet cinema. Among the major aims were:<br />

to bring cinema closer to masses and increase its function maximally<br />

in cultural revolution. The party perceived cinema as a tool<br />

for rising political awareness of masses and for achieving the Party’s<br />

objectives and making it its real motto. Therefore, contents of<br />

film production should have undergone fundamental changes.<br />

Industry took a task of “revitalizing a repertoire”.<br />

To achieve the aims listed above it was necessary to promote<br />

documentary cinema and kulturfilms along with feature films.<br />

The latter were recognized as significant in fulfilling the Party’s<br />

aims.<br />

According to a number of films produced before 1928 Sakhkinmretsvi<br />

occupied the fourth place in overall Soviet cinema industry,<br />

amounting to almost 12% of all production in Soviet cinema<br />

organizations.<br />

Instructions given to the local film companies of all Soviet republics<br />

including Sakhkinmretsvi, to create and develop documentary-newsreel<br />

section, resulted in kulturfilms boom across<br />

the Soviet Union, where almost everything that went beyond<br />

feature films was called kulturfilm. Between the late 20-ies and<br />

beginning of 30-ies young cinema enthusiasts created numerous<br />

kulturfilms at the Georgian State film studio. Today they can be<br />

considered the excellent examples of this genre.<br />

BODY/MACHINE<br />

Soviet approach to mechanization was officially declared as<br />

something that “eases labor”, “raises material and cultural levels of<br />

a working class” and “improves labor conditions and accelerates<br />

development”. Soviet ideologists claimed that unlike capitalist<br />

mechanization the Soviet approach did not imply domination by<br />

capital over labor; rather on the contrary, it aimed at social wellbeing<br />

of a working class and attempted to completely exclude<br />

exploitation of peoples. Along with other Soviet filmmakers two<br />

early films by Kote Mikaberidze and Siko Dolidze describe need<br />

for new tractors, combines and other modern equipment and introduction<br />

of new techniques. Main idea of these films is in the<br />

first place, saving human energy and time. Treating technique as<br />

fetish was familiar theme in western European avant-garde cine-<br />

ma, modern art and literature. However, unlike western approach<br />

Soviet cinematography’s enthusiasm and excitement about machinery<br />

and automation has ideological connotations.<br />

The 1920-ies witnessed huge propaganda about use of mechanized<br />

procedures in collective farms created in the course of collectivization.<br />

Documentary and feature films actively joined the<br />

campaign. A generalized and perhaps the most popular image<br />

of this new theme in Soviet cinema history is Sergei Eisenstein’s<br />

milk separator that would be borrowed by many cinematographers<br />

after his GENERAL LINE. One of them is a filmmaker Siko<br />

Dolidze whose film THE EARTH’S IS CALLING will be screened<br />

within the frameworks of our programme. He used separator’s<br />

image in his later film, LAST CRUSADERS.<br />

Healthy, clean and well-kept body is being promoted in early Soviet<br />

movies along with agitation about mechanized work. “Fighting<br />

dirt” and hundredfold increase of health care becomes a part<br />

of cultural revolution. Physical exercises should have become a<br />

lifestyle for every ideal citizen and in this way reinforce a sense of<br />

homeland service and responsibility in each of them. In their efforts<br />

to create a new and strong human being the Soviet regime<br />

became analogous to that of Nazi Germany. The second part of<br />

the program offered by the National Archive (TEN MINUTES IN<br />

THE MORNING by Aleksandre Jaliashvili and COLLECTIVE FARM-<br />

ER’S HYGIENE by Vakhtang Shvelidze) covers the importance of<br />

physical exercises and bodily activities and following hygienic<br />

rules.<br />

The new system needed thousands of machines and combines<br />

just like it needed a well-functioning and organized body/machine.<br />

Even a founder of scientific management of labour, Frederick<br />

Taylor and American engineer Henry Ford observed that a human<br />

body was a machine, although Russians went much further.<br />

For a lead Soviet theoretician of scientific organization of labor<br />

and founder of Central Institute for Labour, Aleksei Gastev, human<br />

body was not a mere machine, but living machine deserving<br />

good care for the benefit of production.<br />

We thank Dimitri Jaliashvili for providing a photo of Alexandre<br />

Jaliashvilli and Gia Gersamia for providing a photo of Vakhtang Shvelidze<br />

129


qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />

GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />

DILIS ATI TSUTI<br />

dilis aTi wuTi saqarTvelos ssr 1931<br />

Director:<br />

Alexandre Jaliashvili<br />

130<br />

28 wT 21 wm, S/T, uxmo<br />

28 min 21 sec, b/w, silent<br />

tanvarjiSTan gaerTianebuli nayofieri Sroma produqtiulobis amaRlebis ZiriTadi<br />

gzaa, iseve rogorc – „axali adamianis“ Seqmnis saukeTeso saSualeba. ufro metic,<br />

fizikuri Zliereba qveyanas socialisturi respublikebis mtrebTan brZolaSi daexmareba.<br />

filmis Tematika exmianeba komunisturi partiis survils, gaefarTovebina<br />

fizikuri kulturis datvirTva mTeli qveynis masStabiT. aleqsandre jaliaSvilma<br />

amave sakiTxs miuZRvna momdevno filmi, „fizkultura skolaSi“ (1931).<br />

Filmography / filmografia<br />

Documentary films:<br />

1966 Alice’s Birthday<br />

1965 One Day with the Bennets<br />

1953 Basketball Union Competition<br />

1953 Sukhumi<br />

1952 Rhythmic Gymnastics<br />

1952 In Georgia’s Subtropics<br />

1951 Football<br />

1951 Soviet Georgia<br />

1950 21 December in Gori<br />

1949 Transformers of Nature<br />

1949 Lake Ritza<br />

1949 Pushkin in Georgia<br />

1948 Followers of Michurin<br />

1947 Hero of Socialist Labor<br />

1947 White Fox<br />

1947 Soviet Georgia<br />

reJisori:<br />

aleqsandre jaliaSvili<br />

kinostudia:<br />

saxkinmrewvi<br />

Production:<br />

Sakhkinmretsvi<br />

TEN MINUTES OF MORNING GEORGIAN SSR 1931<br />

Prolific labour combined with gymnastics represents the basic means of increasing public productiveness<br />

and one of the major forms of creation of New Man. Moreover, physical strength will assist the<br />

young Socialist Republics in fighting against their enemies. The subject was dictated by the Central<br />

Committee of Communist Party wishing to broaden the scale and representation of physical culture<br />

throughout the country. Encouraging people into more intensive gymnastics training is also shown in<br />

Alexandre Jaliashvili’s next film “Physical Culture in Schools” (1931).<br />

aleqsandre (sandro)<br />

jaliaSvili<br />

ALEXANDRE (SANDRO)<br />

JALIASHVILI<br />

(1905-1981)<br />

1946 Khram Hydro Electro Station<br />

1932 Way to Labor<br />

1931 Physical Culture at School<br />

1931 Ten Minutes of Morning<br />

Feature Films:<br />

1941 The Watchman Cabin<br />

1925 wels aleqsandre jaliaSvili saxkinmrewvis laboratoriaSi<br />

iwyebs muSaobas muSa-fiqsaJistad. mogvianebiT, kinomsaxiobTa<br />

skolis kursdamTavrebuli, kinostudiaSi msaxiobad<br />

ayavT. mTavari rolebi iTamaSa mixeil kalatoziSvilis or akr-<br />

Zalul filmSi: „usinaTlo“(1930) da „lursmani CeqmaSi“ (1931).<br />

paralelurad, jaliaSvili reJisoris asistentad muSaobs da<br />

1930-iani wlebis dasawyisSi iRebs instruqciuli xasiaTis dokumentur<br />

filmebsa da kulturfilmebs. 1943 wels samuSaod<br />

sverdlovskis kinostudiaSi gadayavT, sadac aleqsandre medvedkinis<br />

filmis, „ganTavisuflebuli miwis“ reJisorad imuSava.<br />

1946 wels Tbilisis kinostudiaSi brundeba.<br />

In 1925 Alexandre Jaliashvili joined a laboratory of “Sakhkinmretsvi” (Georgian<br />

State Film Production Company) as a fixer. After graduating from Cinema<br />

Actors’ School, he gets actor’s position at the film studio Sakhkinmretsvi.<br />

He was a leading actor in Mikheil Kalatozishvili’s two forbidden films: BLIND<br />

WOMAN (1930) and NAIL IN THE BOOT (1931). Simultaneously he worked as<br />

a director’s assistant and made several instructive documentaries and kulturlfilms<br />

in the beginning of 1930-ies. In 1943 he was moved to Sverdlovsk<br />

Film Studio where he made Alexandr Medvedkins’s LIBERATED LAND. In<br />

1946 he returned to the Tbilisi Film Studio.


qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />

GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />

KOLMEURNIS HIGIENA<br />

kolmeurnis higiena saqarTvelos ssr 1934<br />

Director:<br />

Vakhtang Shvelidze<br />

Cinematography:<br />

Boris Pumpjanski<br />

Art Director:<br />

Shalva Mamaladze<br />

17 wT 13 wm, S/T, uxmo<br />

17 min 13 sec, b/w, silent<br />

saqarTvelos jansaxkomis (janmrTelobis saxalxo komisariati) SekveTiT gadaRebuli<br />

filmi „kolmeurnis higiena“ samagaliTo sabWoTa adamianis ideologiur saxes<br />

warmoaCens da mayurebels _ pirvel rigSi, soflad mcxovreb glexs _ axali,<br />

kulturuli cxovrebis dawyebisken mouwodebs. „kulturuli cxovrebis umTavresi<br />

piroba higienis dacvaa“, ambobs axalgazrda aqtivisti qali da am miTiTebas glexebisgan<br />

Semdgar auditorias ganumartavs. higienis normebis damkvidrebis ukeT<br />

Cvenebis mizniT reJisori arc SiSveli sxeulis gadaRebas erideba. iseve, rogorc<br />

am periodis sxva dokumentur filmebSi („dilis aTi wuTi“), jansaRi sxeulis ideis<br />

kultivacia vizualuri reprezentaciis TanxlebiT xdeba.<br />

Filmography / filmografia<br />

Documentary films<br />

1934 Hygiene of Kolkhoznik<br />

1931 Zoo-minimum<br />

1930 Forests of Abkhazia<br />

1930 Sheep Breeding in Georgia<br />

1930 Poultry Rising in Georgia<br />

reJisori:<br />

vaxtang SveliZe<br />

operatori:<br />

boris pumpianski<br />

mxatvari:<br />

Salva mamalaZe<br />

qronikis seqtoris<br />

nawarmoebi<br />

COLLECTIVE FARMER’S HYGIENE GEORGIAN SSR 1934<br />

The film was commissioned by Georgia’s Health Commissariat. It shows an ideological image of<br />

an exemplary soviet citizen. in the beginning the film addresses rural peasantrs to live a cultural<br />

life. “Cultural life’s core principle is to follow hygiene rules”, – these are the words of a young<br />

activist woman, the film’s heroine, who explains the meaning of cultural life and hygiene to her<br />

rural audience. There is various shots of the naked human body that the director uses as an emphasis<br />

to the film’s main idea. Like in many other documentaries of this period (for instance, “Ten<br />

Minutes of Morning”) film authors develop the idea of healthy bodies together with it’s visual<br />

representation.<br />

vaxtang SveliZe<br />

VAKHTANG SHVELIDZE<br />

Production:<br />

of Chronicle Section<br />

reJisor vaxtang SveliZeze Zalian cota ram aris cnobili. ar<br />

viciT misi dabadebisa da gardacvalebis TariRebi, kinoSi moRvaweobis<br />

zusti wlebi, sruli filmografia... 1928 wlisTvis vaxtang<br />

SveliZes saxkinmrewvSi reJisoris TanaSemwed muSaobis xuTwliani<br />

staJi hqonda. am periodSi man imuSava filmebze: „qariSxlis<br />

win“, „amoki“, „bora“, „komunaris Cibuxi“. 50-ian wlebSi misi gvari<br />

Semdegi filmebis filmografiul monacemebSi figurirebs: siko<br />

doliZis „eTeris simRera“ (1956), nikoloz saniSvilis „abezara“<br />

(1956) da mixeil Wiaurelis „oTaraanT qvrivi“ (1957).<br />

There’s too little to know about filmmaker Vakhtang Shvelidze, the date of his<br />

birth or death, the exact years of his filmmaking career and full filmography…<br />

By 1928 he had five years worth of working experience as a film director’s assistant.<br />

During these years he worked on the following films: BEFORE TEMPEST,<br />

AMOK, BORA, and COMMUNARD’S PIPE. In the 50-ies his name surfaces in filmography<br />

data of the following films: ETHERI’S SONG by Siko Dolidze (1956),<br />

THORN IN FLESH by Nikoloz Sanishvili (1956) and OTAR’S WIDOW by Mikheil<br />

Chiaureli (1957).<br />

131


qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />

GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />

MITSIS DZAKHILI<br />

miwis Zaxili saqarTvelos ssr 1928<br />

Director:<br />

Siko Dolidze<br />

Cinematography:<br />

Shalva Gegelashvili<br />

132<br />

20 wT 16 wm, S/T, uxmo<br />

20 min 16 sec, b/w, silent<br />

filmi sabWoTa qveynis industrializaciis adreul periods asaxavs. is unda daxmareboda<br />

sabWoTa xelisuflebas Sromis nayofierebis amaRlebasa da socialisturi reformis<br />

ganxorcielebaSi soflis meurneobis xaziT. filmi gadaRebulia saxkinmrewvis<br />

1928-1929 wlebis proeqtis farglebSi, romlis mixedviTac kinostudia specialurad<br />

soflis mayureblebisTvis uSvebda kinosuraTebs. filmis siuJeti viTardeba ori soflis<br />

kolmeurneobis socialisturi Sejibris fonze, romelmac ufro Sromismoyvare,<br />

ufro didi mosavlis momyvani mSromelebis jgufi unda gamoavlinos.<br />

Filmography / filmografia<br />

Documentary films<br />

1957 When Georgia Blossomed<br />

1951 Soviet Georgia<br />

1950 Georgian Horsemen<br />

1946 25 Anniversary of Soviet<br />

Georgia<br />

1931 For Pshavi<br />

1929 Strengthen the Soviet<br />

Councils<br />

1929 Break through Miursal<br />

1929 Soviet Ceylon<br />

1929 XII Year of October<br />

1929 A Day in Karachai<br />

1928 The Earth Is Calling<br />

Feature films<br />

1982 Kukaracha<br />

1979 Is a Human a Man?!<br />

1975 Escape at Dawn<br />

1970 Gardens of Semiramide<br />

1967 City Awakes Early<br />

1966 Meeting Past<br />

1963 Lake Paliastomi<br />

THE EARTH IS CALLING GEORGIAN SSR 1928<br />

reJisori:<br />

siko doliZe<br />

operatori:<br />

Salva gegelaSvili<br />

kinostudia:<br />

saxkinmrewvi<br />

Production:<br />

Sakhkinmretsvi<br />

The film describes early period of the soviet industrialization. It aims to assist soviet government in<br />

raising labor productivity and implementing socialist reforms in agriculture. The film is made within<br />

the frameworks of 1928-1929 Sakhkinmretsvi program, the objective of which was to shoot films<br />

mainly for rural audience. The story of the film tells about the socialist competition between two<br />

communes. The competition reveals the most industrious and successful harvester of all group of<br />

workers.<br />

memarcxene poetTa da mweralTa jgufis wevri, ibeWdeboda JurnalSi<br />

„memarcxeneoba“. 22 wlis asakSi muSaoba daiwyo kinostudia<br />

„saxkinmrewvSi“. 1928 wels daevala dokumentur-qronikaluri kinos<br />

ganyofilebis xelmZRvaneloba. ganyofileba saqarTveloSi<br />

momxdar mniSvnelovan ambebs ekranze asaxavda. 1929 wels kinostudiam<br />

daamtkica siko doliZis scenari mxatvruli filmisTvis<br />

„zvavTa mxareSi“ da reJisori dokumenturi seqciidan mxatvruli<br />

filmebis ganyofilebaSi gadavida. am etapidan moyolebuli siko<br />

doliZem 50 welze met xans imuSava qarTul kinoSi.<br />

siko doliZe<br />

SIKO DOLIDZE<br />

(1903-1983)<br />

1959 Last Day, First Day<br />

1958 Fatima<br />

1956 Song of Eteri<br />

1954 The Dragonfly<br />

1944 Shield of Jurghai<br />

1940 Friendship<br />

1936 Dariko<br />

1933 Last Crusaders<br />

1931 In the Country of Avalanches<br />

A member of the leftist poets and writers group, Siko Dolidze published his texts in<br />

a magazine called MEMARTSKHENEOBA. He joined the Studio Sakhkinmretsvi at<br />

the age of 22. In 1928 he became Head of Documentary-Newsreel Films Department.<br />

The department was responsible for producing and reflecting important<br />

current events in Georgia on screen. In 1929 the Studio approved his screenplay<br />

for a feature film, ZVAVTA MKHARESHI (In the Land of Avalanches). That same year<br />

he was moved to the Studio Sakhkinmretsvi’s Feature Films Department. Siko<br />

Dolidze worked in the Georgian cinema industry for more than 50 years.


qarTuli kulturfilmi _ saqarTvelos erovnuli arqivis saganZuridan<br />

GEORGIAN KULTURFILM – TREASURES FROM THE NATIONAL ARCHIVES OF GEORGIA<br />

RASATS DASTES, IMAS MOIMKI<br />

rasac dasTes, imas moimki (agrominimumi)<br />

saqarTvelos ssr 1930<br />

Director:<br />

Kote Mikaberidze<br />

Editing:<br />

Vasil Dolenko<br />

Conematpgraphy:<br />

N. Agdgomelashvili<br />

25 wT, S/T. uxmo<br />

25 min, b/w, silent<br />

kote miqaberiZis filmografia mxatvruli suraTebis garda dokumentur da animaciur<br />

filmebsac moicavs. maT Soris aris montaJis reJisori vasil dolenkos TanaavtorobiT<br />

Seqmnili ornawiliani narkvevi soflis meurneobis socialisturi gardaqmnis<br />

Temaze „rasac dasTes, imas moimki“. imas, rac bevri sxva dokumentalistis SemTxvevaSi<br />

sabWoTa ideologiuri narativis tradiciul CarCoebs ar scdeba, miqaberiZe poeziad<br />

aqcevs, ufro metic, Zaladobriv poeziad, romelmac mayurebeli unda monusxos, aRafrTovanos,<br />

romelmac teqnikuri progresis monapovris gamoyenebis survili unda<br />

gaaRvivos masSi _ meti mosavali axali manqanebiTa da kombainebiT.<br />

Filmography / filmografia<br />

Documentary films<br />

1952 Delegation of Albania in Georgia<br />

1930 What Goes Around Comes Around<br />

Feature films<br />

1941 Outpost<br />

1939 To Be Son-in-Law is Late<br />

1936 Kajeti<br />

1932 Hassan<br />

1929 My Grandmother<br />

reJisori:<br />

kote miqaberiZe<br />

montaJi:<br />

vasil dolenko<br />

operatori:<br />

n. aRdgomelaSvili<br />

qronikis seqtoris<br />

nawarmoebi<br />

WHAT GOES AROUND COMES AROUND (AGRO MINIMUM)<br />

GEORGIAN SSR 1930<br />

Kote Mikaberidze’s filmography includes not only feature films but also documentaries and<br />

animated movies. The following film made in cooperation with an editor Vasil Dolenko, WHAT<br />

GOES AROUND COMES AROUND, is a short about socialist transformations in agriculture. What<br />

does not go beyond a mere soviet ideological narrative in many documentary filmmakers’<br />

production of those years, Kote Mikaberidze turns into poetry, more than that into aggressive<br />

poetry, which must captivate and fascinate the audience. It must rouse the desire and use of<br />

technical achievements in it – more products with new technique and combined machines.<br />

kote (konstantine)<br />

miqaberiZe<br />

KOTE (KONSTANTINE)<br />

MIKABERIDZE<br />

(1896-1973)<br />

Production:<br />

of Chronicle Section<br />

iseve, rogorc am periodis bevr sxva kinematografists, miqaberiZesac<br />

Teatraluri warsuli hqonda. Tumca, aman xeli ar SeuSala,<br />

Semoqmedebis dasawyisSive gaekritikebina „Teatri kinoSi“. miqaberiZis<br />

kinokariera 1921 wels iwyeba. Tavdapirvelad is kinostudia<br />

saxkinmrewvis msaxiobia, mogvianebiT ki Tavad iwyebs filmebis<br />

gadaRebas. miqaberiZes ekuTvnis ramdenime ararealizebuli<br />

filmis scenari („rTveli“, „nacarqeqia“, „kako-yaCaRi“) da akr-<br />

Zaluli filmi „Cemi bebia“ (1929). samwliani patimrobis (1957-1960)<br />

Semdeg kinostudiaSi dubliaJis reJisorad muSaobda.<br />

Like many film directors of that period Kote Mikaberidze came from the theatrical<br />

scene. Though, it did not prevent him from criticizing an idea of “theatre<br />

in a film”. His career in cinema started in 1921. First he worked as an actor at<br />

Sakhkinmretsvi Studio and later became a director. Several of his screenplays<br />

that were never shot include, - HARVEST, IDLER (NATSARKEKIA), KAKO THE<br />

ROBBER, and forbidden film, MY GRANDMOTHER (1929) belong to Kote Mikaberidze.<br />

After he served a three year sentence imprisonment (1957-1960) he<br />

went back to film studio as a dubbing editor.<br />

133


134<br />

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yvelaze Zvirfasi<br />

soso bliaZe<br />

The Most Precious<br />

Soso Bliadze<br />

28’25’’<br />

1.1.1.5<br />

maria siCanini<br />

1.1.1.5<br />

Maria Sichanini<br />

5’21’’<br />

erTxel parkSi<br />

vaxtang jajaniZe<br />

Once Upon a Time in the Park<br />

Vakhtang Jajanidze<br />

2’43’’<br />

gardacvalebis cnoba<br />

levan sixaruliZe<br />

Cause of Death<br />

Levan Sikharulidze<br />

6’24’’<br />

saxli<br />

giorgi muxaZe<br />

Home<br />

Giorgi Mukhadze<br />

9’<br />

Piscium Cyprinus<br />

giorgi qavTaraZe<br />

Piscium Cyprinus<br />

Giorgi Kavtaradze<br />

6’56’’<br />

instinqti<br />

salome vefxvaZe<br />

Instinct<br />

Salome Vepkhvadze<br />

3’47’’<br />

miwa xar<br />

guram baqraZe<br />

From Dust Were You Made<br />

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10’43’’<br />

Jangis kaci<br />

giorgi TavarTqilaZe<br />

Rustman<br />

Giorgi Tavartkiladze<br />

34’43’’<br />

135


136<br />

animaciuri filmebis saerTaSoriso<br />

festivali `Tofuzi <strong>2012</strong>"<br />

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FLY MILL<br />

Anu-Laura Tuttelberg, Estonia<br />

mfrinavi wisqvili<br />

anu-laura tutelbergi, estoneTi<br />

7’17’’, <strong>2012</strong>, Animated Objects<br />

Production: Estonian academy of Arts<br />

saukeTeso eqsperimentuli filmi / THE BEST<br />

EXPERIMENTAL FILM<br />

SHIFT<br />

Max Hattler, Germany / UK<br />

monacvleoba<br />

maqs hatleri, germania / didi britaneTi<br />

3’, <strong>2012</strong>, Animated Objects<br />

Production: www.maxhattler.com<br />

bavSvebis mier Seqmnili saukeTeso filmi / THE<br />

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SANTA CLAUS<br />

Borjomi ART school, Georgia<br />

Tovlis babu<br />

borjomis xelovnebis skola, saqarTvelo<br />

1’48’’, 2011, 2D, Production: Mifasi Film<br />

saukeTeso debiuti / THE BEST DEBUT<br />

TRIP<br />

Radostina Neykova, Vladislav Budinov, Bulgaria<br />

mogzauroba<br />

radostina neikova, vladislav budinovi, bulgareTi<br />

8’, 2011, Live Action, Photocopies<br />

Production: Audiovisual Orpheys<br />

saukeTeso teqnika / THE BEST TECHNIQUE<br />

PETIT BATEAU, FROM COTTON THREAD TO T-SHIRT<br />

Pierre-Emmanuel Lyet, France<br />

patara navi, bambis damzadebidan – maisuramde<br />

pier-emanuel lie, <strong>safrangeTi</strong><br />

2’10’’, <strong>2012</strong><br />

Production: Doncvoilà Productions<br />

saukeTeso filmi ufrosebisTvis / THE BEST<br />

FILM FOR ADULTS<br />

TRAM<br />

Michaela Pavlatova, France<br />

tramvai<br />

mixaela pavlatova, <strong>safrangeTi</strong><br />

7’, <strong>2012</strong><br />

Production: Sacrebleu Productions<br />

saukeTeso studenturi filmi / THE BEST STU-<br />

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MEAT<br />

Ivan Mirko Senjanovic, Croatia<br />

xorci<br />

ivan mirko senianoviCi, xorvatia<br />

7’15’’, <strong>2012</strong>, Animated Objects<br />

Production: Academy of Fine Arts, Zagreb<br />

saukeTeso internet-filmi / THE BEST INTER-<br />

NET FILM<br />

Mr. BOBA<br />

Giorgi Gabunia, Georgia<br />

boba<br />

giorgi gabunia, saqarTvelo<br />

3’30’’, 2011<br />

saukeTeso musika / THE BEST MUSIC<br />

CHORD-STRING<br />

Mansour el Sherif, Egypt<br />

simi-Zafi<br />

mansur el Serifi, egvipte<br />

3’20’’, 2010, Clay,Animated Objects<br />

Production: kaet water<br />

saukeTeso filmi bavSvebisTvis / THE BEST<br />

FILM FOR CHILDREN<br />

JINGLE ALL THE WAY<br />

Chel White, USA<br />

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22’19’’, 2011, Animated Objects<br />

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Jang Jae-Woon, South Korea<br />

Rrublis puri<br />

ian iae-voni, samxreTi korea<br />

78x7’, 2011, Animated Objects<br />

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OH WILLY…<br />

Emma De Swaef, Marc James Roels, Belgium<br />

oh vili...<br />

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16’35’’, <strong>2012</strong>, Animated Objects<br />

Production: Beast Animation<br />

saukeTeso scenari / THE BEST SCRIPT<br />

DOMESTIC FITLESS<br />

Hardi Volmer, Estonia<br />

Sinauri uZlureba<br />

hardi volmeri, estoneTi<br />

13’, 2011<br />

Production: OÜ Nukufilm<br />

137


138<br />

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35 ylupi romi<br />

saSiSi meTodi<br />

buba<br />

haiuta da berli - epilogi<br />

warmoidgino argentina<br />

rRveva: cxovreba Cemi<br />

dazianebuli tviniT<br />

bagirze mosiarule<br />

samSoblos tkbili kvamli<br />

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35 SHOTS OF RUM<br />

A DANGEROUS METHOD<br />

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HAYUTA AND BERL – EPILOGUE<br />

IMAGINING ARGENTINA<br />

RUPTURE: LIVING WITH MY BROKEN<br />

BRAIN<br />

THE TIGHTROPE<br />

SWEET SMOKE OF THE FATHERLAND


specialuri Cveneba<br />

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35 RHUMS<br />

35 ylupi romi <strong>safrangeTi</strong> / germania 2008<br />

Director:<br />

Claire Denis<br />

Screenplay:<br />

Claire Denis, Jean-Pol Fargeau<br />

Cinematography:<br />

Agnès Godard<br />

Music:<br />

Tindersticks<br />

Production Design:<br />

Arnaud de Moleron<br />

Costumes:<br />

Judy Shrewsbury<br />

Editing:<br />

Guy Lecorne<br />

Sound:<br />

Martin Boissau<br />

Producer:<br />

Karl Baumgartner, Bruno Pésery<br />

Co-Producer:<br />

Christoph Friedel,<br />

Claudia Steffen<br />

Cast:<br />

Alex Descas, Mati Diop, Nicole Dogue,<br />

Grégoire Colin<br />

100 wT, feradi<br />

100 min, colour<br />

mamasa da qaliSvils Soris urTierTobas momxiblavi axalgazrda kacis gamoCena<br />

arTulebs.<br />

Filmography / filmografia<br />

2011 To the Devil (short)<br />

2009 White Material<br />

2008 35 Shots of Rum<br />

2005 Vers Mathilde (doc.)<br />

2004 The Intruder<br />

2002 Ten Minutes Older: The Cello (segment “Vers<br />

Nancy”)<br />

2002 Friday Night<br />

2001 Trouble Every Day<br />

1999 Beau travail<br />

1996 Nénette et Boni<br />

1995 À propos de Nice, la suite (segment “Nice, Very<br />

Nice”)<br />

1994 J’ai pas sommeil<br />

1994 Boom-Boom<br />

1991 Contre l’oubli (segment “Pour Ushari Ahmed<br />

Mahmoud, Soudan”)<br />

1991 Keep It for Yourself (short)<br />

1990 S’en fout la mort<br />

1989 Man No Run (doc.)<br />

1988 Chocolate<br />

35 SHOTS OF RUM FRANCE / GERMANY 2008<br />

reJisori:<br />

kler deni<br />

scenari:<br />

kler deni, Jan-pol fargo<br />

operatori:<br />

anies godari<br />

musika:<br />

Tindersticks<br />

mxatvari:<br />

arno de moleroni<br />

kostiumebi:<br />

judi Srusberi<br />

montaJi:<br />

gi lekorni<br />

xma:<br />

marten buaso<br />

prodiuseri:<br />

karl baumgartneri,<br />

bruno peseri<br />

Tanaprodiuseri:<br />

kristof frideli,<br />

klaudia Stefeni<br />

monawileoben:<br />

aleqs deska, mati diopi,<br />

nikol dogu, greguar<br />

koleni<br />

The relationship between a father and daughter is complicated by the arrival of a handsome young<br />

man.<br />

kler deni<br />

CLAIRE DENIS<br />

Production:<br />

Soudaine Compagnie<br />

in co-production with:<br />

Pandora Filmproduktion<br />

Arte France Cinéma<br />

World Sales:<br />

Wild Bunch<br />

daibada 1949 wels parizSi. ekonomikis swavlaze gulacruebulma<br />

denim kinos Seswavla daiwyo da 1971 wels cnobili franguli<br />

kinoskola La Femis daamTavra. karieris dasawyisSi is du-<br />

San makavievis, kosta gavrasis, Jak rivetis, jim jarmuSisa da<br />

vim vendersis asistentad muSaobda. 1988 wels pirveli filmi<br />

`Sokoladi~ gadaiRo. aris mravali nacionaluri da saerTaSoriso<br />

premiis nominanti da laureati.<br />

Born in1948 in Paris, France. After a disappointing experience of studying<br />

economics, Claire Denis enrolled in the Institut des Hautes Études Cinématographiques<br />

(now École Nationale Supérieure des Métiers de l’Image<br />

et du Son) where she graduated in 1971. At the beginning of her film career,<br />

she worked as an assistant director to Dušan Makavejev, Costa Gavras,<br />

Jacques Rivette, Jim Jarmusch and Wim Wenders. Claire Denis made her<br />

debut feature film CHOCOLATE in 1988.<br />

139


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

A DANGEROUS METHOD<br />

saSiSi meTodi didi britaneTi / germania / kanada / Sveicaria 2011<br />

Filmography / filmografia<br />

<strong>2012</strong> Cosmopolis<br />

2011 A Dangerous Method<br />

2007 Eastern Promises<br />

2005 A History of Violence<br />

2002 Spider<br />

1999 eXistenZ<br />

1996 Crash<br />

1993 M. Butterfly<br />

1991 Naked Lunch<br />

1988 Dead Ringers<br />

Director:<br />

David Cronenberg<br />

Screenplay:<br />

Christopher Hampton<br />

Cinematography:<br />

Peter Suschitzky<br />

Music:<br />

Howard Shore<br />

Production Design:<br />

James McAteer<br />

Costumes:<br />

Denise Cronenberg<br />

Editing:<br />

Ronald Sanders<br />

Sound:<br />

Wayne Griffin, Michael O’Farrell<br />

Producer:<br />

Jeremy Thomas<br />

Co-Producer:<br />

Marco Mehlitz, Martin Katz<br />

Cast:<br />

Keira Knightley, Viggo Mortensen,<br />

Michael Fassbender<br />

140<br />

1986 The Fly<br />

1983 The Dead Zone<br />

1983 Videodrome<br />

1981 Scanners<br />

1979 The Brood<br />

1979 Fast Company<br />

1977 Rabid<br />

1975 Shivers<br />

1970 Crimes of the Future<br />

1969 Stereo<br />

99 wT, feradi<br />

99 min, colour<br />

filmis moqmedeba pirveli msoflio omis wina periodSi viTardeba da analizuri<br />

fsiqologiis damaarseblis, karl iungis, misi maswavleblis, fsiqoanalizis Semoqmedis<br />

zigmund froidisa da sabina Spilrainis, Tavdapirvelad iungis pacientis,<br />

SemdgomSi ki eqimisa da pirveli qali-fsiqoanalitikosis rTul urTierTobebs aRwers.<br />

reJisori:<br />

devid kronenbergi<br />

scenari:<br />

kristofer hemptoni<br />

operatori:<br />

peter suSicki<br />

musika:<br />

hovard Sori<br />

mxatvari:<br />

jeims makatiri<br />

kostiumebi:<br />

deniz kronenbergi<br />

montaJi:<br />

ronald sandersi<br />

xma:<br />

vein grifini, maikl<br />

o’fareli<br />

prodiuseri:<br />

jeremi Tomasi<br />

Tanaprodiuseri:<br />

marko melitci,<br />

martin katci<br />

monawileoben:<br />

kira naiTli, maikl<br />

fasbenderi, vigo<br />

mortenseni<br />

A DANGEROUS METHOD UK / GERMANY / CANADA / SWITZERLAND 2011<br />

Set on the eve of World War I, A DANGEROUS METHOD describes the turbulent relationships between<br />

Carl Jung, founder of analytical psychology, Sigmund Freud, founder of the discipline of<br />

psychoanalysis, and Sabina Spielrein, initially a patient of Jung and later a physician and one of the<br />

first female psychoanalysts.<br />

devid kronenbergi<br />

DAVID CRONENBERG<br />

Production:<br />

Recorded Picture Company Ltd. (London)<br />

in co-production with:<br />

Lago Film (Berlin)<br />

Prospero Pictures (Toronto)<br />

Millbrook Pictures (Zürich)<br />

World Sales:<br />

Hanway Films<br />

kanadeli reJisori, scenaristi da msaxiobi. daibada 1943 wels<br />

torontoSi. kronenbergi kinoSi „bodi-hororis“ saxeliT<br />

cnobili Janris erT-erT Semqmnelad iTvleba. mis filmebSi<br />

fsiqologiuri, rogorc wesi, fizikurs ukavSirdeba da aRwers<br />

adamianis SiSebs, romelic sxeulis transformacias, infeqciebs<br />

da daavadebas ukavSirdeba. mxatvruli filmebis garda kronenbergi<br />

satelevizio serialebs, reklamebsa da moklemetraJian<br />

filmebsac iRebs. 2006 wels kanis kinofestivalze mas „re-<br />

JisorTa orkvireulis“ jildo „oqros etli“ gadaeca.<br />

Canadian filmmaker, screenwriter and actor. Born in 1943 in Toronto, Canada.<br />

He is one of the principal originators of what is commonly known as<br />

the body horror genre. David Conenberg’s unique cinematic vision often<br />

incorporate themes of flesh, parasites and horror caused by mutation or a<br />

medical affliction. Cronenberg directed several television spots, commercials,<br />

and short films. In 2006 he was awarded the Carrosse d’Or of Quinzaine<br />

des realisateurs in Cannes.


gio cincaZe<br />

nana janeliZe<br />

oTaxSi nel-nela binddeboda.<br />

gio instrumentTan ijda, me naxevrad damtvreul taxtze.<br />

binis siRrmeSi gios deda xmaurobda yofiT sagnebTan.<br />

Cumad visxediT da velodiT, rom gamoCndeba. ar unda dagvefrTxo.<br />

bindi nel-nela SemoiRvara da mTeli oTaxi Seavso. sul<br />

rom Camobnelda da siCume melaniviT dagubda, gamoCnda da<br />

fexakrefiT Caiara.<br />

mSvidi da sevdiani iyo. Soridan mosuli, odnav miRlili,<br />

mSvenieri.<br />

Cven isev gaunZrevlad visxediT. jer xels ver Seavlebdi.<br />

mere kvlav Semobrunda da giom frTxilad fleita da kontrabasi<br />

daadevna.<br />

TandaTan gansxeulda da Seimosa, nazi sxividan dedoflad<br />

iqca.<br />

mere dabrZanda da mSvidad moyva Tavis ambavs...<br />

antigones Tema iyo. aseTi nazi da sevdiani Tema me aRar<br />

Semxvedria. is gio cincaZem gamoiZaxa Soreuli sivrceebidan.<br />

antigone...<br />

giosTan erT filmze da or speqtaklze vimuSave.<br />

filmSi kompozitori uyurebs gamosaxulebas da gamosaxuleba<br />

karnaxobs yvelafers. speqtaklSi ki ufro rTulad<br />

aris saqme. speqtakli-menipea ”antigone... minda gamosvla<br />

wamidan” musikalurad yvelaze mravalferovani da didtaniani<br />

iyo. Tan amocanac sxvagvari iyo. gvindoda dramaturgia,<br />

msaxiobis ostatoba, sityva, musika da plastika<br />

GIO TSINTSADZE<br />

IN MEMORIAM<br />

Nana Janelidze<br />

gaxseneba<br />

It was getting dark in the room.<br />

Gio was sitting at the instrument, I occupied the place on a half broken<br />

sofa. In the depth of the apartment Gio’s mother was busy doing something.<br />

We kept silent waiting. We needed not to scare it away.<br />

Gradually dusk poured into the room and filled it. When it got completely<br />

dark and heavy there it appeared and passed noiselessly across the room.<br />

It was calm and sad, having come from the far, a bit tired and beautiful.<br />

We kept motionless. We did not dare to touch it yet. It turned around<br />

again. Gio smoothly matched a flute and contra-bass. It slowly got embodied<br />

and dressed up, turning into a queen from a gentle ray.<br />

Then it sat down and told her story..<br />

It was a theme of Antigone. It was so gentle and sad. I have never heard<br />

that sadness ever since. Gio Tsintsadze called it from far-off spaces.<br />

Antigone...<br />

I worked with Gio on a film and two stage plays.<br />

While making a film a composer looks at images which dictate everything<br />

to him. However, it gets more complicated with stage plays.<br />

Dramatic piece „Antigone...I want to escape from the second“was the<br />

most diverse and voluminous in respect of musical themes. The aims too<br />

were different. We tried to give equal significance to dramaturgy, artist’s<br />

mastery, words, music and plastics in the same piece. Hence I needed<br />

speqtaklSi Tanabari datvirTvis yofiliyo. amitom musika<br />

bevri mWirdeboda da sul mWirdeboda. yoveldRe davdiodi<br />

giosTan saxlSi erTaderTi “mizniT” _ yvela bgera da noti<br />

Camomebertya, rac masSi ireoda.<br />

kars aRebda stumarTmoyvare, xmauriani, mudam aRSfoTebuli<br />

(ramiT, an sxva ramiT), flostebiani.<br />

da iwyeboda.<br />

me vuyvebodi epizodebs, vukiTxavdi monologebs, gavdiodi<br />

qoreografiul nawyvetebs, vaCvenebdi mizanscenebs...<br />

da giosTan, rogorc mediumTan, mofrinavdnen uzustesi<br />

musikaluri arsebebi. dRemde gamoucnobia, ra SelocvebiT<br />

iwvevda gio Temebs, melodiebs, haers, siCumes. es iyo jadosnoba.<br />

axlac CemTvis es speqtakli sayvarelia Tundac<br />

musikaluri qsovilis gamo.<br />

Semdeg gios kidev erTi da didi siyvaruli ewvia. mas saocari<br />

niWi hqonda Seyvarebis. siyvaruli da Semoqmedeba ki<br />

ucnaur kavSirSia erTmaneTTan – orive eWviania da arafers<br />

ar patiobs. mxolod is unda mefobdes.<br />

siyvarulma gio aavso da cota xans moaduna. filmma, romelzedac<br />

Cven erTad vmuSaobdiT ar apatia “Ralati” da Cven<br />

erTad aRar gvimuSavia.<br />

rasakvirvelia, giom araferi icoda amis Sesaxeb da Cven sul<br />

vmegobrobdiT.<br />

* * *<br />

albaT, axlac antigonesTan saubrobs mTvaris siTeTreSi da<br />

xandaxan fletas da simebianis picikatos daiswrebs.<br />

more music and I needed it continuously. I used to visit Gio everyday in<br />

those times trying to shake down every sound and every note mingling<br />

in his head.<br />

He used to open the door in his slippers, hospitably, noisily and always<br />

worried about something.<br />

And there it started...<br />

I would tell him episodes, read monologues, show choreography and<br />

scenes... And to him, as a medium, would fly over the exact musical creatures.<br />

It has been mystery for me so far how and with what prayers he<br />

invited themes, melodies, air, silence... It was a real sorcery. That play still<br />

remains my favourite even because of its musical fabric.<br />

Then Gio fell in love again. He had extraordinary talent of falling in love.<br />

Love and creative work are strangely interconnected: both are jealous<br />

and unforgiving. One of them must reign.<br />

Love filled Gio and made him a bit careless for a little while. But the film<br />

we were making together did not forgive him „betrayal“. We had not<br />

worked ever since.<br />

Surely Gio did not know anything. We remained great friends.<br />

* * *<br />

Probably he enjoys long talks with Antigone in the moon’s whiteness<br />

with the help of flute and string pizzicato now.<br />

141


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

BUBA<br />

buba saqarTvelos ssr 1930<br />

Filmography / filmografia<br />

1934 Cheerless / Uzhmuri<br />

1930 Buba (documentary)<br />

Director:<br />

Nutsa Ghoghoberidze<br />

Screenplay:<br />

Nutsa Ghoghoberidze<br />

Cinematography:<br />

Sergey Zabozlaev<br />

Production Design:<br />

Davit Kakabadze<br />

142<br />

39 wT, S/T<br />

39 min, B-W<br />

dokumenturi filmi raWaze. filmis saxelwodeba raWis erT-erTi maRalmTiani<br />

soflis saxelidanaa aRebuli. masSi mTaSi mcxovrebi mosaxleobis gaWirvebuli<br />

cxovreba da sabWoTa kavSiris aRmSeneblobaa naCvenebi.<br />

Jurnal „cxeli Sokoladis“ mier gamocemuli filmis<br />

cifruli versiis musikis avtoria gio cincaZe<br />

Composer for the magazine “Tskheli Shokoladi” digital version of the<br />

film: Gio Tsintsadze<br />

BUBA GEORGIAN SSR 1930<br />

reJisori:<br />

nuca RoRoberiZe<br />

scenari:<br />

nuca RoRoberiZe<br />

operatori:<br />

sergei zabozlaevi<br />

mxatvari:<br />

daviT kakabaZe<br />

Production:<br />

Norma Productions<br />

info@norma.co.il<br />

972-3-5609311<br />

www.norma.co.il/<br />

World Sales:<br />

Urban Distribution International<br />

Tel.: +49 157 74749724<br />

hello@wolf-con.com<br />

A Documentary film about one of the regions in Georgia – the Racha region. The title of the film is<br />

similar to the name of one of the villages in the high mountains in Racha. BUBA is a documentary<br />

film about the poorest society living in the mountains and about the rising of the SSSR.<br />

nuca<br />

(nino) RoRoberiZe<br />

NUTSA (NINO)<br />

GHOGHOBERIDZE<br />

daibada 1902 wels sofel kaxSi (saingilo), misi qaliSvilobis<br />

gvaria xuciSvili. 1917 wels reJisoris ojaxi kaxeTSi, codniskarSi<br />

gadasaxlda. nuca RoRoberiZe swavlobda Tbilisis gimnaziaSi,<br />

Semdeg Tbilisis saxelmwifo universitetis filologiis<br />

fakultetze, xolo 1923-1925 wlebSi swavla gaagrZela germaniaSi,<br />

ienis universitetSi. 1926-1937 wlebSi moRvaweobda saxkinmrewvSi<br />

jer TanareJisorad, xolo Semdeg _ reJisorad.<br />

Born in Kakhi (Saingilo) village in 1902. Nutsa Ghoghoberidze’s family<br />

moved to Kakheti, village Tsodniskari in 1917. She studied philology in<br />

Tbilisi State University. In 1923-1925 Nutsa Ghoghoberidze continued her<br />

studies in Germany, Jena University. In 1926-1937, she worked at the Soviet<br />

film producing company SAKHKINMRETSVI as Assistant Director and later<br />

served as Director.


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

HAYUTA VE BERL – EPILOGUE<br />

haiuta da berli - epilogi israeli <strong>2012</strong><br />

Director:<br />

Amir Manor<br />

Screenplay:<br />

Amir Manor<br />

Cinematography:<br />

Guy Raz<br />

Music:<br />

Ruth Dolores Weiss<br />

Production Design:<br />

Rotem Cohen, Barak Vazan<br />

Costumes:<br />

Yaron Arye<br />

Editing:<br />

Iris Ozer<br />

Sound:<br />

Nimrod Eldar<br />

Producer:<br />

Assaf Amir<br />

Cast:<br />

Yosef Carmon, Rivka Gur<br />

96 wT, feradi<br />

96 min, colour<br />

xandazmul wyvils _ haiutas da berls _ Tanamedrove israelTan da socialur<br />

cvlilebebTan Segueba uWirs. mravalwliani brZolis Semdeg maT ar eTmobaT Zveli<br />

ocnebebi da revoluciuri gegmebi israelSi socialuri saxelmwifos Seqmnis<br />

Sesaxeb. mtkivneuli imedgacrueba wyvils gadaawyvetinebs, erT Rames TavianTi bina<br />

datovon da ukanasknel mogzaurobas Seudgnen.<br />

Filmography / filmografia<br />

<strong>2012</strong> Hayuta and Berl – Epilogue<br />

2007 Reds (short)<br />

HAYUTA AND BERL – EPILOGUE ISRAEL <strong>2012</strong><br />

reJisori:<br />

amir manori<br />

scenari:<br />

amir manori<br />

operatori:<br />

gai razi<br />

musika:<br />

ruT dolores vaisi<br />

mxatvari:<br />

rotem koeni, barak vazani<br />

kostiumebi:<br />

iaron arie<br />

montaJi:<br />

iris ozeri<br />

xma:<br />

nimrod eldari<br />

prodiuseri:<br />

asaf amiri<br />

monawileoben:<br />

iozef kamroni, rivka guri<br />

Hayuta and Berl, an elderly couple, find it hard to adjust to today’s Israel and to the social changes<br />

surrounding them. After years of struggle, the two refuse to let go of their dreams and their revolutionary<br />

plans to build a welfare state in Israel. Over the course of a painful night of disillusionment,<br />

the two decide to leave their apartment for one last journey.<br />

amir manori<br />

AMIR MANOR<br />

Production:<br />

Norma Productions<br />

info@norma.co.il<br />

972-3-5609311<br />

www.norma.co.il/<br />

World Sales:<br />

Urban Distribution International<br />

Tel.: +49 157 74749724<br />

hello@wolf-con.com<br />

gaizarda riSon lezionSi, israelSi. Jurnalistad muSaobda<br />

ierusalimSi, socialur da ekonomikur sakiTxebze werda Jurnal<br />

Kol Ha’ir-isTvis. Semdeg muSaobda satelevizio programa<br />

Ovda-Si, paralelurad werda yoveldRiuri gazeTisTvis Ma’ariv.<br />

amir manorma daamTavra Tel-avivis universitetis kinosa da<br />

televiziis fakulteti. misi saSualometraJiani filmi „wiTlebi“<br />

ierusalimis kinofestivalze pirveli priziT aRiniSna 2007<br />

wels. „haiuta da berli _ epilogi“ misi pirveli srulmetraJiani<br />

mxatvruli filmia. filmis premiera wels veneciis kinofestivalze<br />

Sedga programaSi „veneciis dReebi“.<br />

Amir Manor grew up in Rishon Lezion. He worked in Jerusalem as a journalist<br />

for a magazine called Kol Ha’ir covering socio-economic issues. After<br />

leaving the magazine, he went on to work on television programme Ovda,<br />

also reporting for renowned Israeli daily Ma’ariv. Amir is a graduate of the<br />

Film and Television Department at Tel Aviv University. His medium-length<br />

film, Reds, earned him first prize for the Best Drama at the Jerusalem Film<br />

Festival in 2007. HAYUTA AND BERL – EPILOGUE is his first feature film.<br />

143


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

IMAGINING ARGENTINA<br />

warmoidgino argentina espaneTi / didi britaneTi / aSS 2003<br />

Filmography / filmografia<br />

2003 Imagining Argentina<br />

1996 Joseph Conrad’s The Secret Agent<br />

1995 Carrington<br />

Director:<br />

Christopher Hampton<br />

Screenplay:<br />

Christopher Hampton<br />

Cinematography:<br />

Guillermo Navarro<br />

Music:<br />

George Fenton<br />

Production Design:<br />

Bárbara Pérez-Solero<br />

Costumes:<br />

Sabina Daigeler<br />

Editing:<br />

George Akers<br />

Sound:<br />

Dennis McTaggart<br />

Producer:<br />

Diane Isaacs, Geoffrey C. Lands,<br />

Michael Peyser, Santiago Pozo<br />

Co-Producer:<br />

José María Cunillés, Isabel Mulá<br />

Cast:<br />

Antonio Banderas, Emma Thompson,<br />

Leticia Dolera, María Canals, Rubén<br />

Blades<br />

144<br />

107 wT, feradi<br />

107 min, colour<br />

lourens Torntonis romanis mixedviT. filmis moqmedeba argentinaSi, 1970-iani<br />

wlebis buenos-airesSi viTardeba. qveynis saTaveSi sisxliani samxedro diqtaturaa,<br />

romelic opozicionerebs itacebs da aqrobs. ase ikargeba erT dRes sesiliac,<br />

disidenti Jurnalisti. rodesac misi qmari, Teatris reJisori rubeni sesilias<br />

Zebnas iwyebs, is moulodnelad aRmoaCens, rom momavlis ganWvretis unari gauCnda<br />

da SeuZlia dainaxos, ra bedi elis dapatimrebulebs.<br />

IMAGINING ARGENTINA SPAIN / UK / USA 2003<br />

reJisori:<br />

kristofer hemptoni<br />

scenari:<br />

kristofer hemptoni<br />

operatori:<br />

giermo navaro<br />

musika:<br />

jorj fentoni<br />

mxatvari:<br />

barbara peres-solero<br />

kostiumebi:<br />

sabina daigeleri<br />

montaJi:<br />

jorj akersi<br />

xma:<br />

denis maktagarti<br />

prodiuseri:<br />

daian isaaksi, jefri<br />

landsi, maikl peiseri,<br />

santiago poco<br />

Tanaprodiuseri:<br />

xose maria kunilesi,<br />

izabel mula<br />

monawileoben:<br />

antonio banderasi, ema<br />

Tompsoni, letisia dolera,<br />

maria kanalsi, ruben<br />

bleidsi<br />

The movie is set during the Dirty War in 1970s Buenos Aires, Argentina, where the military government<br />

is abducting those opposed to its rule. Cecilia, a dissident journalist, is kidnapped by the secret<br />

police to join the ranks of the ‘disappeared’. As her husband Carlos, a theatre director, begins to<br />

search frantically for her, he realizes that he has acquired psychic power that enables him to predict<br />

the future. This not only puts him in high demand by those who have also lost a loved one, it helps<br />

Carlos to foresee what happens to his wife and other detainees.<br />

kristofer hemptoni<br />

CHRISTOPHER HAMPTON<br />

Production:<br />

Multivideo<br />

Arenas Entertainment<br />

Myriad Pictures<br />

Green Moon Productions<br />

Imagining Argentina Productions Ltd.<br />

Mike’s Movies<br />

Tide Rock Entertainment<br />

World Sales:<br />

Arenas Entertainment (USA)<br />

britaneli dramaturgi, scenaristi da kinoreJisori. amerikuli<br />

kinoakademiis “oskaris” mflobeli saukeTeso scenarisTvis<br />

(„saxifaTo kavSirebi“, 1988, reJisori stiven frirzi). 1966<br />

wels hemptoni gaxda Tanamedrove epoqis yvelaze axalgazrda<br />

dramaturgi, romlis piesa londonis vest-endis TeatrebSi<br />

daidga. mas mere is aqtiurad da warmatebiT moRvaweobs sxvadasxva<br />

sferoSi. aris 30-ze meti filmis scenaris avtori. rogorc<br />

kinoreJisors gadaRebuli aqvs sami mxatvruli filmi.<br />

British playwright, screen writer and film director. Born in 1946 in Portugal.<br />

Academy Award winner for the Screenplay of DANGEROUS LIAISONS<br />

(1988, directed by Stephen Frears). In 1966 Hampton became the youngest<br />

writer to have a play performed in the West End in the modern era. Since<br />

then he has been active and successful in many fields. As a scriptwriter<br />

Hampton has gained the reputation with his brilliant adaptations of Joseph<br />

Conrad, Choderlos de Laclos, Colette, Graham Greene, Ian McEwen,<br />

Anita Brookner and many more. He has directed three feature films.


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

RUPTURE: LIVING WITH MY BROKEN BRAIN<br />

rRveva: cxovreba Cemi dazianebuli tviniT didi britaneTi 2011<br />

2007 wels mariam d’abom mwvave insulti da mZime operacia gadaitana. sabednierod,<br />

is gadaurCa urTules avadmyofobas. sakuTarma gamocdilebam STaagona msaxiobs<br />

dokumenturi filmis gadaReba, romelic mayurebels gamojanmrTelebis saku-<br />

Tar „recepts“ sTavazobs. usaxavs imeds maT, vinc izolirebulia adamianebisgan,<br />

romelTac ar esmiT es rTuli mdgomareoba. pirvel pirSi moTxrobili piradi<br />

istoria adamianebs Zalas aZlevs da gadarCenis survils uRviZebs. filmSi mariam<br />

d’abo xvdeba da saubrobs sxva cnobil adamianebTan, vinc Tavis droze gadaitana<br />

insulti. maT Soris arian The Observer-is yofili redaqtori robert makkrumi da<br />

jaz-gitaristi da qvinsi jonsis musikaluri prodiuseri pet martinsi.<br />

Filmography / filmografia<br />

2011 Rupture: A Matter of Life or Death (doc.)<br />

2008 Revolution Revisited<br />

2000 I Dreamed of Africa<br />

1999 My Life So Far<br />

1995 Lumiere and Company (one if 41 directors)<br />

Director:<br />

Hugh Hudson<br />

Screenplay:<br />

Hugh Hudson<br />

Music:<br />

Vangelis<br />

Editing:<br />

Gigi Cone Welch, Francesco Dafano<br />

Sound:<br />

Richard Pryke, Timothy Siddall<br />

Producer:<br />

Maryam d’Abo, Hugh Hudson<br />

Cast:<br />

Maryam d’Abo,<br />

Nigel Havers (narrator, voice)<br />

146<br />

70 wT, feradi<br />

70 min, colour<br />

1989 Lost Angels<br />

1985 Revolution<br />

1984 Greystoke: The Legend of Tarzan, Lord of the Apes<br />

1981 Chariots of Fire<br />

1975 Fangio<br />

1967 The Tortoise and te Hare (short)<br />

reJisori:<br />

hiu hadsoni<br />

scenari:<br />

hiu hadsoni<br />

musika:<br />

vangelisi<br />

montaJi:<br />

jiji kon velCi,<br />

fransisko dafano<br />

xma:<br />

timoTi sidali,<br />

riCard praiki<br />

prodiuseri: mariam d’abo,<br />

hiu hadsoni<br />

monawileoben: mariam<br />

d’abo, naijel haversi<br />

(mTxrobeli)<br />

Production:<br />

HUDSON FILM LTD<br />

24 St Leonard’s Terrace<br />

London SW3 4QG<br />

Tel: +44 207 7300002<br />

http://www.hudsonfilmltd.co.uk/<br />

info@hudsonfilmltd.co.uk<br />

RUPTURE: LIVING WITH MY BROKEN BRAIN UNITED KINGDOM 2011<br />

Maryam d’Abo suffered a subarachnoid hemorrhage in 2007 and is lucky to be alive. Her experience<br />

inspired this film and leads the viewer on a personal journey of recovery, giving a sense of<br />

hope to those who are isolated by their condition that is not seen therefore often misunderstood.<br />

Many first hand stories celebrate man’s life force and his will to survive. The film concerns all human<br />

beings, dealing with the fragility of the extraordinary brain of which we know surprisingly little.<br />

Maryam d’Abo talks to others who have suffered brain injury, including Robert McCrum, former<br />

literary editor of The Observer; Pat Martino, jazz guitarist and music producer Quincy Jones.<br />

hiu hadsoni<br />

HUGH HUDSON<br />

daibada 1936 wels londonSi. kinokariera hadsonma memonta-<br />

Jed muSaobiT daiwyo parizSi. londonSi dabrunebis Semdeg<br />

dokumenturi filmebis sakuTari kompania daaarsa. hadsonis<br />

1981 wels gadaRebulma istoriulma dramam „cecxlovani<br />

etlebi“ oskaris oTx, maT Soris, saukeTeso filmis nominaciaSi<br />

gaimarjva. imave wels moipova kanis kinofestivalis ori<br />

da baftas sami prizi. „cecxlovani etlebis“ musika berZen<br />

kompozitor vangeliss ekuTvnis, iseve rogorc musika filmisTvis<br />

„rRveva: cxovreba Cemi dazianebuli tviniT“. 2003 wels<br />

britaneli reJisori mariam d’aboze daqorwinda.<br />

Born in 1936 in London. Hudson started his cinematography career in Paris<br />

as an editor. After moving in London, he headed a documentary film company.<br />

Hudsons first filmmaking job was as a second unit director on Alan<br />

Parker’s MIDNIGHT EXPRESS. In 1981 hudson directed historical drama<br />

CHARIOTS OF FIRE. The film won 4 Oscar, including best picture; two prizes<br />

at the Cannes Film Festival and three prizes at BAFTA. Music for the film was<br />

written by Greek composer Vangelis, who is also a composer for RUPTURE:<br />

LIVING WITH MY BROKEN BRAIN. In 2003 Hudson married Maryam d’Abo.


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

THE TIGHTROPE<br />

bagirze mosiarule <strong>safrangeTi</strong> / italia <strong>2012</strong><br />

„rogor gavxadoT Teatri xelSesaxebi, realuri? komediis an tragediis dadgma<br />

advilia, magram yvelaze mniSvnelovani am ors Soris danis piriviT viwro bagirze<br />

gavlaa...“ Teatris didi reJisori piter bruki sakuTar Svils saimon bruks 40 wlis<br />

ganmavlobaSi pirvelad daTanxmda gadaeRo, rac fardis miRma xdeboda da eCvenebina<br />

msaxiobebTan muSaobis meTodi. es unikaluri da piraduli filmi uorqSopis intimur<br />

garemoSi miRebul filosofiur gamocdilebas, bagirze siarulis xelovnebas<br />

gvaziarebs.<br />

Filmography / filmografia<br />

<strong>2012</strong> Indian Summer (doc.)<br />

<strong>2012</strong> The Tightrope (doc.)<br />

2011 Annie Nightingale: Bird on the Wireless (TV<br />

doc.)<br />

2008 Generation 68 (doc.)<br />

2005 La légende vraie de la tour Eiffel (TV movie)<br />

2005 Jungle Magic (doc.)<br />

Director:<br />

Simon Brook<br />

Screenplay:<br />

Peter Brook, Simon Brook<br />

Cinematography:<br />

Alexis Kavyrchine<br />

Music:<br />

Franck Krawczyk, Toshi Tsuchitori<br />

Editing:<br />

Josie Milievic, Barbara Bossuet<br />

Producer:<br />

Peter Brook, Simon Brook, Jean-Pierre<br />

Eklou Attisso<br />

Cast:<br />

Peter Brook, Franck Krawczyk, Toshi<br />

Tsuchitori, Marie-Hélène Estienne,<br />

Hayley Carmichael, Jos Houben,<br />

Micha Lescot, Marcello Magni,<br />

Khalifa Natour, Yoshi Oida, Abdou<br />

Ouologuem, Cesar Sarachu, Shantala<br />

Shivalingappa, Emily Wilson, Lydia<br />

Wilson<br />

148<br />

THE TIGHTROPE FRANCE / ITALY <strong>2012</strong><br />

86 wT, feradi<br />

86 min, colour<br />

2003 Cleopatra’s Lost City (TV doc.)<br />

2002 Brook by Brook (TV doc.)<br />

2001 Karos d’Éthiopie, les amoureux du fleuve (TV<br />

movie)<br />

1998 L’amazone (doc.)<br />

1995 Alice (short)<br />

1991 Minus One (short)<br />

reJisori: saimon bruki<br />

scenari: piter bruki,<br />

saimon bruki<br />

operatori: aleqsis<br />

kavirSini<br />

musika: frenk kravCiki, toSi<br />

cuCitori<br />

montaJi: iosi mileviCi,<br />

barbara bosue<br />

prodiuseri: piter bruki,<br />

saimon bruki, Jan-pier eklu<br />

atiso<br />

monawileoben: piter<br />

bruki, frenk kravCiki,<br />

toSi cuCitori, meri-elen<br />

estieni, heili karlmaikli,<br />

ios ubeni, miSa lesko,<br />

marCelo mani, xalifa<br />

naturi, ioSi oida, abdu<br />

ulogemi, sezar saraCu,<br />

Santala Sinalingapa, emili<br />

uilsoni, lidia uilsoni<br />

Production:<br />

Brook Productions<br />

Cinemaundici<br />

World Sales:<br />

Film Distribution<br />

www.filmsdistribution.com<br />

“How does one make theater real? It is so easy to fall into tragedy or comedy. What is important<br />

above all is to be on this strict razor edge of the tightrope...” For the very first time in 40 years, Peter<br />

Brook, one of the major directors of contemporary theater, has agreed to raise the curtain and allow<br />

his son Simon Brook to film behind the scenes and to reveal the secrets of his approach. This<br />

unique and personal film takes us beyond the intimacy of a workshop, into a philosophical experience,<br />

on a tightrope.<br />

saimon bruki<br />

SIMON BROOK<br />

ingliseli reJisori, scenaristi, msaxiobi da prodiuseri. daibada<br />

londonSi. ganaTleba miiRo parizsa da londonSi. dramis<br />

centrSi samsaxiobo xelovnebis erTwliani kursis Semdeg, pariz-<br />

Si gadavida sacxovreblad, sadac muSaobda kompaniis menejerad,<br />

deiv brubekis, miurei luisis ansamblis da pina bauSis evropuli<br />

turebis organizebaze. 1991 wlidan iRebs dokumentur da mxatvrul<br />

filmebs. misi filmebi mraval festivalze iyo naCvenebi da<br />

nominirebuli. saimon bruki britanuli tele- da kinoakademiis<br />

da didi britaneTis reJisorTa gildiis wevria.<br />

Born in London and was educated in Paris and London. After training for a<br />

year as an actor at the Drama Center, he moved to Paris where he worked<br />

as Company Manager for the European tours of the Dave Brubeck Quartet,<br />

Murray Luis Dance Company and Pina Bausch. Since 1991 he has been directing<br />

documentaries and fiction. His films have been selected at numerous<br />

festivals worldwide. Simon Brook is a member of the British Academy<br />

of Film and Television Arts and the Director’s Guild of Great Britain.


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

ZOETE ROOK VAN HET VADERLAND<br />

samSoblos tkbili kvamli niderlandebi <strong>2012</strong><br />

filmi sam adamians gvacnobs evropis sami gansxvavebuli regionidan: kataloniis<br />

mTian sofelSi mcxovrebi viqtorino espaneTis samoqalaqo oms da frankos<br />

diqtaturas ixsenebs; litvis erT-erTi soflis mkvidri agota, romelic oTxi<br />

okupaciis momswrea, Tavisi mamis, metyevis Sesaxeb yveba, romelic cimbirSi<br />

gadaasaxles imisTvis, rom partizanebi ar gasca; afxazeTSi mcxovrebi aivazi,<br />

somxuri warmomavlobis mwyemsi, ltolvilobaze, stalinis represiebze da qar-<br />

Tul-afxazur omze gviambobs.<br />

Filmography / filmografia<br />

<strong>2012</strong> Sweet Smoke of the Fatherland / Zoete rook<br />

van het vaderland<br />

2008 In the Holy Fire of Revolution 2004 The Road<br />

to Kremlin (co-directed with Jos de Putter)<br />

2008 Anna, seven years in the frontline<br />

Director:<br />

Masha Novikova<br />

Screenplay:<br />

Masha Novikova<br />

Cinematography:<br />

Vladas Naudzius<br />

Editing:<br />

Patrick Minks<br />

Sound:<br />

Rik Meier, Tom Bijnen<br />

Producer:<br />

Frank van den Engel<br />

Executive producer:<br />

Willemijn Cerutti<br />

150<br />

80 wT, feradi<br />

80 min, colour<br />

2007 In Memoriam Alexander Litvinenko<br />

2007 Between Heaven and Earth / Tussen hemel<br />

en aarde<br />

2005 Three Comrades / Drie kameraden<br />

2005 Fallen Angel<br />

2004 Greca Crossed the River<br />

reJisori:<br />

maSa novikova<br />

scenari:<br />

maSa novikova<br />

operatori:<br />

vladas nauZiusi<br />

montaJi:<br />

patrik minski<br />

xma:<br />

rik maieri, tom biineni<br />

prodiuseri:<br />

vilemin Ceruti<br />

Production:<br />

Zeppers Film & TV<br />

Joh. Verhulststraat 174<br />

Amsterdam<br />

1075 HC Netherlands<br />

tel: +31 206 758 594<br />

willemijn@zeppers.nl<br />

SWEET SMOKE OF THE FATHERLAND NETHERLANDS <strong>2012</strong><br />

Three old people from very different European locales – Catalonia, Lithuania and Abkhazia –<br />

saw wars come and go. They chose to keep aloof, cultivate the soil and clean up the mess. Archive<br />

footage of war and resistance, from Franco’s Spain to partisans in the Lithuanian woods,<br />

interlace the portraits of the protagonists. They are poor and live isolated in the places where<br />

they, and often their parents, were born, while their children and all fellow villagers have migrated<br />

to the city years ago. This makes the film not only a story about war, but also about old<br />

age and loneliness.<br />

maSa novikova<br />

MASHA NOVIKOVA<br />

daibada 1956 wels moskovSi. moskovis universitetSi swavlobda<br />

rusul enasa da literturas. 1988 wlidan amsterdamSi<br />

cxovrobs da muSaobs. maSa novikovas Jurnalisturi dokumenturi<br />

filmebi araerTi saerTaSoriso kinofestivalis priziT<br />

aris aRniSnuli. maT Soris aris filmebi gari kasparovis<br />

politikuri brZolisa da ruseTSi mokluli Jurnalistis, ana<br />

politkovskaias Sesaxeb.<br />

Born in 1956 in Moscow. She studied Russian language and literature at<br />

the Moscow University. Since 1988 Masha Novikova is living and working<br />

as publicist and translator in Amsterdam (the Netherlands). She became<br />

known with and received prizes at a number of international festivals for<br />

journalistic documentaries, among them, about the battle Gary Kasparov<br />

fought for a new Russia and about journalist Anna Politkovskaya that was<br />

killed in 2006.


specialuri Cveneba<br />

SPECIAL SCREENINGS<br />

LA BAIE DU RENARD<br />

meliis yure <strong>safrangeTi</strong> 2009<br />

kldiani zRvis napiri. kldeebs Soris moCvenebasaviT moCans mozardis silueti.<br />

is yureSi mdidruli iaxtis Semosvlas akvirdeba. gembanze bednieri wyvilia. iaxta<br />

Ruzas uSvebs yureSi. axalgazrda qali Zalian lamazia. mozardi daRamebamde<br />

uTvalTvalebs wyvils. masSi TvalnaTeli gardatexa xdeba. ras izams biWi RamiT?<br />

is xom aseTi umweo Cans.<br />

Filmography / filmografia<br />

<strong>2012</strong> Lisieres / On the Edge<br />

2009 La Baie du Renard / Fox Bay<br />

Director:<br />

Grégoire Colin<br />

Screenplay:<br />

Grégoire Colin<br />

Cinematography:<br />

Léo Hinstin<br />

Production Design:<br />

Cyril Vincent<br />

Editing:<br />

Thomas Marchand<br />

Sound:<br />

Pierre Carrasco<br />

Producer:<br />

Antonin Dedet, Ardavan Safaee<br />

Cast:<br />

Michel Goma, Elisa Sednaoui, Pierre<br />

Torreton<br />

FOX BAY FRANCE 2009<br />

reJisori:<br />

greguar koleni<br />

scenari:<br />

greguar koleni<br />

operatori:<br />

leo instini<br />

mxatvari:<br />

kiril vensani<br />

montaJi:<br />

toma marSani<br />

xma:<br />

pier karaso<br />

prodiuseri:<br />

antonin dede, ardavan safai<br />

monawileoben:<br />

miSel goma, elisa sednavi,<br />

pier toretoni<br />

Production:<br />

Tsilaosa films<br />

Grégoire Colin – Ardavan Safaee<br />

Tsilaosafilms@gmail.com<br />

NEON PRODUCTION<br />

Antonin Dedet<br />

contact@neon.fr<br />

LES FILMS DE PIERRE<br />

Pierre Torreton<br />

Hughes.charbonneau@lesfilmsdepierre.com<br />

A cliff overhanging the sea. A teenager’s silouhette between the rocks. He is watching the entrance<br />

of a luxurious yatch in the bay. On board, a couple, they seem happy. They are dropping<br />

the anchor in the cove. The young woman is very beautiful. The teenager is spying on her as<br />

night is falling. An obvious emotion has grown in him. What will he do at night? He looks so<br />

powerless and envious.<br />

greguar koleni<br />

GRÉGOIRE COLIN<br />

12 wT, feradi<br />

12 min, colour<br />

daibada 1975 wels safrangeTSi. msaxiobi, prodiuseri, scenaristi<br />

da reJisori.<br />

greguar kolenma pirvelad 20 wlisam daiwyo eqsperimentuli<br />

filmebis gadaReba da scenarebis wera, amave dros TamaSobda<br />

damoukidebeli reJisorebis (Jak riveti, erik zonka, benua<br />

Jako, katrin bria) filmebSi. 2008 wels sakuTari saprodiusero<br />

kompania Tsilaosa Films daaarsa, sadac ori moklemetraJiani<br />

filmi „meliis yure“ da „zRvarze“ gadaiRo.<br />

Born in 1975 in Paris. French actor, producer, screenwriter and director.<br />

In his twenties, he directed experimental films and wrote his first scenarios.<br />

At the same time, he was acting with independent auteurs (Jacques Rivette,<br />

Erick Zonca, Benoit Jacquot, Catherine Breillat…). In 2008, he created<br />

his production company Tsilaosa Films.<br />

151


152<br />

PITCH.DOC<br />

saqarTvelo, <strong>2012</strong><br />

PITCH.DOC<br />

GEORGIA, <strong>2012</strong>


Pitch.Doc 6-7 dekemberi<br />

goeTes instituti, zandukelis 16, Tbilisi.<br />

4-5 dekemberi, mosamzadebeli kursi monawile proeqtebisaTvis (literaturis muzeumi, Warnturias 8)<br />

industriuli saxis RonisZieba Pitch.Doc Tbilisis saerTaSoriso kinofestivalis farglebSi yovelwliurad tardeba. proeqtis<br />

farglebSi xorcieldeba dokumenturi kinoproeqtebis daxvewa da wardgena saerTaSoriso komiisiis winaSe. monawile qveynebia:<br />

saqarTvelo, somxeTi da azerbaijani. wels, dokumenturi filmebis proeqtebs aseve waradgenen proeqtis ganviTarebis kursis<br />

CAUCADOC-is monawileebi. saukeTeso proeqts gadaecema saqarTvelos kinematografiis erovnuli centris mier dawesebuli fuladi<br />

jildo.<br />

proeqtebis oficialur wardgenas afasebs saerTaSoriso komisia, romelic dokumentalistebis, saerTaSoriso fondebis warmomadgenlebisa<br />

da teleredaqtorebisgan kompleqtdeba. proeqtebis oficialur wardgenas win uZRvis 2-dRiani mosamzadebeli<br />

kursi.<br />

proeqti dafinansebulia saqarTvelos kinematografiis erovnuli centris, evrokavSirisa da CexeTis ganviTarebis saagentos mier.<br />

proeqtis partniorebi arian literaturis muzeumi da goeTes instituti.<br />

proeqtis organizatoria saqdok filmi.<br />

monawile proeqtebi:<br />

abreSumis rkinigza (samuSao saTauri) _ reJisori: martin diCiko, aSS<br />

kavkasiuri nagazi mglis winaaRmdeg _ reJisori Toma CageliSvili, prodiuseri viqtoria qavJaraZe, saqarTvelo<br />

madona _ reJisori nino gogua, prodiuseri naTia guliaSvili, saqarTvelo<br />

me var… _ reJisori/prodiuseri nini WaWia, saqarTvelo<br />

Cveni atlantida _ reJisori/prodiuseri, arTur suqisiani, somxeTi<br />

F5 _ reJisori/prodiuseri aleqsandre qoriZe, saqarTvelo<br />

CAUCADOC-is saxelosnos monawileebi<br />

www.sakdoc.ge<br />

Pitch.Doc December 6-7<br />

GOETHE INSTITUTE, 16 ZANDUKELI STREET<br />

December 4-5 training for participant projects (Literature Museum, 8 Chanturia str.)<br />

Pitch.Doc is an annual event held in frames of Tbilisi International Film Festival. Event is orginised by Sakdoc Film. Pitching is open for documentary film<br />

projects from: Georgia, Azerbaijan, Armenia. Participant projects are prepared for the pitch on special training held prior to the presentation. 4th edition of<br />

the Pitch.Doc is also open for the CAUCADOC participants. Money prize from Georgian National Film Center will be awarded for the Best Pitch.<br />

International and local commissioning editors, documentary filmmakers and film fund representatives attend pitching session.<br />

Project is financed by: Georgian National Film Center, EU Eastern Partnership Culture programme and Czech Development Agency. Project Partners: Goethe<br />

Institute, Literature Museum.<br />

Orginised by SAKDOC FILM.<br />

Participant projects:<br />

I am … - Director/producer Nini Chachia, Georgia<br />

Our Atlantis - Director/producer Arthur Sukiasyan, Armenia<br />

The Silk Railroad [working title] - Director/producer Martin Dicicco, USA<br />

Madona - Director Nino Gogua, Producer Natia Guliashvili, Georgia<br />

Caucasian shepherd dog vs wolf - Director Toma Chagelishvili, Producer Viktoria Kavzharadze, Georgia<br />

F5 – Director/producer Alexander Koridze, Georgia<br />

CAUCADOC workshop participants<br />

www.sakdoc.ge<br />

153


dokumenturi kinoproeqtis ganviTarebis kursi<br />

2-8 dekemberi<br />

CAUCADOC-is kursi gankuTvnilia kinoreJisorebisa da prodiuserebisTvis somxeTidan, azerbaijanidan da saqarTvelodan, romlebic<br />

sakuTari dokumenturi filmebis proeqtebis ganviTarebisa da warmoebis etapze imyofebian. kursi moicavs orkvirian saxelosnos<br />

da uwyvet onlain konsultacias. mowveuli da adgilobrivi trenerebis daxmarebiT kursis ganmavlobaSi gundebi saku-<br />

Tari filmebis ideebis daxvewaze imuSaveben. kursis mizania monawileebma imuSaon ara marto filmis Sinaarssa da formaze, aramed<br />

SeimuSaon dafinansebis da warmoebis strategia. kursis bolos gundebs SesaZlebloba miecemaT Tbilisis saerTaSoriso kinofestivalis<br />

farglebSi Pitch.Doc-ze (6-7 dekemberi, goeTes instituti) filmis proeqti warudginon mowveul teleredaqtorebsa da<br />

kinofondebis warmomadgenlebs. warmatebuli proeqtis avtorebi miiReben stipendias evropuli dokumenturi kinos mniSvnelovan<br />

RonisZiebebze dasaswrebad 2013 wels.<br />

<strong>2012</strong> wlis CAUCADOC-is kursSi monawile proeqtebi da maTi avtorebi:<br />

rCeulebi _ reJ. arman iericiani, prod. iulia grigorianci, somxeTi<br />

wminda Zroxa _ reJ. imamadin hasanovi, prod. andra popesku, azerbaijani<br />

miwa _ reJ. alakbar alievi, prod. liina paakspuu, azerbaijani/estoneTi<br />

biblioTeka _ reJ. ana cimintia, prod. mixeil svaniZe, saqarTvelo/litva.<br />

saxli ori CrdiliT _ reJ. xane poRosiani, prod. aSot gareginiani, somxeTi<br />

pirimze, Cemi siyvaruli _ reJ. sofo tabataZe, prod. levan asabaSvili, saqarTvelo/germania<br />

cocxlebi da micvalebulebi _ reJ. eldar albertsoni, prod. gurban buniaTovi, azerbaijani<br />

lokokinis kvali _ reJ. nika Seki da sarik hovsepiani, prod. SuSan qoCariani, somxeTi<br />

roca aRar xar axalgazrda _ reJ. cira gvasalia, saqarTvelo<br />

trenerebi: pavel kostomarovi, rada SeSiCi, hana rezkova, helena zaicova, salome jaSi<br />

CAUCADOC miznad isaxavs samxreT kavkasiaSi dokumenturi kinos ganviTarebas Seuwyos xeli. mas erToblivad axorcielebs Cexuri<br />

arasamTavrobo organizacia “adamiani gaWirvebaSi”, “saqdok filmi” da “internius somxeTi” proeqti dafinansebulia evrokavSiris<br />

aRmosavleT partniorobis programisa da CexeTis ganviTarebis saagentos mier.<br />

sakontaqto piri anna ZiapSipa 577 443272 anna@sakdoc.ge<br />

www.caucadoc.com / www.sakdoc.ge<br />

CAUCADOC PROJECT DEVELOPMENT WORKSHOP<br />

DEC 2-8<br />

CAUCADOC project development course is designed for directors and producers from Armenia, Azerbaijan and Georgia who are in the development or<br />

production stage of their documentaries. The course consists of two week-long workshops and continuous online support. During the course, the teams<br />

will develop their film ideas with the support of international and local tutors, focusing on the content and form of their projects as well as on the production<br />

strategy. In conclusion of the course, the teams will have the opportunity to present their projects to commissioning editors and film funders at Pitch.<br />

Doc (Dec 6-7 at Goethe Institute, Zandukeli 16) held during Tbilisi International Film Festival. The most promising teams will also be provided with scholarship<br />

to attend important European documentary film festivals.<br />

Projects of CAUCADOC <strong>2012</strong><br />

THE CHOSEN ONES – dir. Arman Yeritsyan, prod. Yulia Grigoryants, Armenia<br />

HOLY COW – dir. Imammaddin Hasanov, prod. Andra Popesku, Azerbaijan<br />

LAND – dir. Alakbar Aliyev, prod. Liina Paakspuu, Azerbaijan/Estonia<br />

BIBLIOTEKA – dir. Ana Tsimintia, prod. Mikhein Svanidze, Georgia/Lithuania<br />

HOUSE WITH TWO SHADDOWS – dir. Khane Poghosyan, prod. Ashot Gareginyan, Armenia<br />

PIRIMZE MY LOVE – dir. Sophia Tabatadze, prod. Levan Asabashvili, Georgia/Germany<br />

THE LIVING AND THE DEAD – dir. Eldar Albertsson, prod. Gurban Bunyatov, Azerbaijan<br />

SNAIL TRACE – dir. Nika Shek, Sarik Hovsepyan, prod. Sushan Kocharyan, Armenia<br />

WHEN YOU ARE NO LONGER YOUNG – dir. Tsira Gvasalia, Georgia<br />

Tutors: Pavel Kostomarov, Rada Šešić, Hana Rezková, Helena Zajícová, Salomé Jashi<br />

CAUCADOC is a project run by Czech NGO People in Need, Sakdoc Film and Internews Armenia. It aims to support documentary filmmaking in South<br />

Caucasus. The project is funded by the EU Eastern Partnership Culture programme and Czech Development Agency. It uses the 14-year experience of the<br />

People in Need’s international human rights documentary film festival One World.<br />

contact person Anna Dziapshipa +995 577 443272 anna@sakdoc.ge<br />

www.caucadoc.com / www,sakdoc.ge<br />

154


7 dekemberi, <strong>2012</strong><br />

16:30-18:30<br />

saqarTvelos erovnuli kinocentri. z. gamsaxurdias sanapiro #4<br />

CAUCADOC, saqarTvelos kinematografiis erovnul centrTan erTad, atarebs mrgval magidas Temaze:<br />

damoukidebeli dokumenturi kino tele-ekranebze<br />

dokumenturi kinos dakveTa da Sesyidva<br />

mrgvali magida aerTianebs kerZo da sazogadoebrivi mauwyeblebis warmomadgenlebs.<br />

mrgvali magidis farglebSi, HBO rumineTis warmoebis menejeri, aurelian nika monawileebs<br />

sakuTari telekompaniis gamocdilebas gauziarebs.<br />

December 7, <strong>2012</strong><br />

16:30-18:30<br />

Georgian National Film Center, 4 Z. Gamsakhurdias Sanapiro, 4th floor<br />

CAUCADOC in partnership with Georgian National Film Center presents a ROUND TABLE discussion:<br />

BRINGING INDEPENDENT DOCUMENTARIES TO TV SCREENS<br />

Introducing commissioning, pre-sales and licensing of documentaries<br />

The round table gathers representatives of private and public broadcasters and includes a case study of HBO Romania presented<br />

by the company’s original production manager Aurelian Nica.<br />

155


156<br />

saZieblebi<br />

INDICES


filmebis<br />

saZiebeli<br />

1. 1.1.1.5 ...........................................................135<br />

2. 19 Tebervali .............................................. 34<br />

3. 35 ylupi romi .............................................139<br />

4. GQ ................................................................ 37<br />

5. Piscium Cyprinus ...........................................135<br />

6. angelozTa wili ......................................... 69<br />

7. aRlumi ........................................................ 60<br />

8. bagirze mosiarule ...................................148<br />

9. barbara ........................................................ 49<br />

10. bina ............................................................. 88<br />

11. boba ...........................................................137<br />

12. bolo gaseirneba ......................................106<br />

13. buba ...........................................................142<br />

14. bude ........................................................... 44<br />

15. gaiRimeT .................................................... 23<br />

16. gamomgonebeli kaci .................................. 35<br />

17. gardacvalebis cnoba ..............................135<br />

18. gasali ........................................................ 36<br />

19. gerhard rixteri xatvisas ...................... 90<br />

20. gogona goridan .......................................115<br />

21. gorakebs miRma .......................................... 52<br />

22. daviwyebuli mefe ....................................113<br />

23. dasavleTis fronti, 1918 ........................ 79<br />

24. deda afrika _ miriam makeba .................... 91<br />

25. demokratiis Suqura ................................114<br />

26. dilis aTi wuTi .......................................130<br />

27. dRe, rodesac qali gavxdi ...................... 94<br />

28. dRis brwyinvaleba .................................... 20<br />

29. erTxel parkSi .........................................135<br />

30. espaneTi ...................................................... 26<br />

31. vakuumi ........................................................ 27<br />

32. vika venera sabnis piri ............................. 41<br />

33. vixsenebT balanCins .................................124<br />

34. zRva ganTiadisas ...................................... 76<br />

35. TeTri sisxli ............................................ 30<br />

36. Tovlis babu .............................................137<br />

37. Tolia ........................................................ 19<br />

38. inglisuris maswavlebeli .......................116<br />

39. instinqti ..................................................135<br />

40. istalgia ...............................................22,108<br />

41. kari ............................................................. 15<br />

42. katinkas wveuleba ..................................... 24<br />

43. keisari unda mokvdes ............................... 50<br />

44. kolmeurnis higiena .................................131<br />

45. laitmotivi ..............................................118<br />

46. los anjelesis qalTa bandebi ................ 83<br />

47. madam de... .................................................. 78<br />

48. maisis oTxi dRe ........................................ 70<br />

49. manqana, romelic yvelafers gaaqrobs ..119<br />

50. mebaRe ........................................................ 97<br />

51. meliis yure ..............................................151<br />

52. miwa xar .....................................................135<br />

53. miwis Zaxili .............................................132<br />

54. mkvdari kaci da bednierad yofna ........... 53<br />

55. mogzauroba ..............................................137<br />

56. moTamaSe ...................................................109<br />

57. monacvleoba .............................................137<br />

58. monotonuri uferoba .............................120<br />

59. moulodneli gaCereba .............................. 55<br />

60. mocarti _ <strong>supervarskvlavi</strong> .................... 86<br />

61. mfrinavi wisqvili ....................................137<br />

62. nakvalevi ................................................... 82<br />

63. omis nakvalevi .........................................121<br />

64. operacia libertadi ................................. 59<br />

65. ori kviriT adre .......................................122<br />

66. oh vili... ...................................................137<br />

67. patara navi, bambis damzadebidan _<br />

maisuramde ......................................................137<br />

68. pepela ........................................................ 39<br />

69. pina ............................................................. 92<br />

70. pulsari ..................................................... 63<br />

71. puri ........................................................... 33<br />

72. Jana da xmebi .............................................111<br />

73. Jangis kaci ...............................................135<br />

74. Juli d jimi .............................................. 75<br />

75. rasac dasTes, imas moimki<br />

(agrominimumi) .................................................133<br />

76. realoba ...................................................... 64<br />

77. rogor iRebda samira „saklaso<br />

dafebs“ ............................................................. 96<br />

78. roza ........................................................... 65<br />

79. rRveva: cxovreba Cemi dazianebuli<br />

tviniT ..............................................................146<br />

80. saavtoro meTodi ..................................... 31<br />

81. sazamTro ................................................... 43<br />

82. saiubileo klienti ..................................105<br />

83. salami kinos .............................................. 95<br />

84. sami sicocxle: aqsel Springeri ............. 89<br />

85. samoTxe: siyvaruli .................................. 61<br />

86. samyaro aniS kapuris TvaliT ................ 84<br />

87. samSoblos tkbili kvamli ......................150<br />

88. sanam Rame gagvyrides .............................. 62<br />

89. saraevos Svilebi ...................................... 21<br />

90. sastumro mekongi ..................................... 85<br />

91. saSiSi meTodi ...........................................140<br />

92. saxli (ruslan magomadovi) ....................... 32<br />

93. saxli (giorgi muxaZe) ...............................135<br />

94. saxlidan Sors .......................................... 42<br />

95. sebe ............................................................ 67<br />

96. siamovneba ................................................... 77<br />

97. simaRlis SiSi ............................................ 57<br />

98. simi-Zafi ...................................................137<br />

99. sircxvili .................................................. 68<br />

100. siyvaruli (slavomir fabicki) ............... 25<br />

101. siyvaruli (mixael haneke) ....................... 46<br />

102. siyvaruli da anarqia ............................100<br />

103. sunTqva .................................................... 48<br />

104. tramalis kaci ........................................107<br />

105. tramvai ...................................................137<br />

106. udanaSaulo ............................................101<br />

107. ukeTes Zmas ver inatrebdi ...................110<br />

108. usircxvilod .......................................... 51<br />

109. ucnauri bedisweriT agvistos<br />

laJvardovan zRvaSi gariyulebi .................103<br />

110. focxoeweri ............................................123<br />

111. Rrublis puri ........................................137<br />

112. yvela wavida ............................................ 28<br />

113. yvelaze Zvirfasi ...................................135<br />

114. Savi TuTa ................................................. 40<br />

115. SemoWra .................................................... 17<br />

116. Seyvarebebi .............................................. 58<br />

117. Svidi lamazmani ......................................102<br />

118. Sinauri uZlureba ..................................137<br />

119. Sobas gilocavT ...................................... 74<br />

120. Sobis saCuqari .......................................137<br />

121. Cven gvyavs papi ....................................... 54<br />

122. warmoidgino argentina .........................144<br />

123. werili ..................................................... 38<br />

124. Wama Zili sikvdili ................................. 47<br />

125. xarisTava ................................................. 66<br />

126. xorci ......................................................137<br />

127. jurRmuli ............................................... 71<br />

128. havri ........................................................ 56<br />

129. haiuta da berli _ epilogi ..................143<br />

157


158<br />

INDEX OF FILMS<br />

ENGLISH TITLES<br />

1. 1.1.1.5 ............................................................................... 135<br />

2. 35 Rum .............................................................................. 139<br />

3. 4 Days in May ....................................................................70<br />

4. A Dangeroiuos Method ............................................. 140<br />

5. All Day Strolling ............................................................ 123<br />

6. Anniversary Client ....................................................... 105<br />

7. Away ....................................................................................42<br />

8. Barbara ................................................................................49<br />

9. Beacon of Democracy ................................................ 114<br />

10. Beloved ............................................................................58<br />

11. Beyond The Hills ...........................................................52<br />

12. Black Mulberry ...............................................................40<br />

13. Bread ..................................................................................33<br />

14. Breathing .........................................................................48<br />

15. Buba ............................................................................... 142<br />

16. Bullhead ...........................................................................66<br />

17. Caesar Must die .............................................................50<br />

18. Calm at Sea .....................................................................76<br />

19. Cause of Death ........................................................... 135<br />

20. Certain People ................................................................24<br />

21. Chaika ...............................................................................19<br />

22. Children of Sarajevo ....................................................21<br />

23. Chord-String ................................................................ 137<br />

24. Cloud Bread ................................................................. 137<br />

25. Collective Farmer’s Hygiene ................................... 131<br />

26. Domestic Fitless ......................................................... 137<br />

27. Drei Leben: Axel Springer ..........................................89<br />

28. Eastalgia .................................................................. 22,108<br />

29. Eat Sleep Die ..................................................................47<br />

30. English Teacher .......................................................... 116<br />

31. Everybody’s Gone .........................................................28<br />

32. Far from Heaven ............................................................83<br />

33. Fear of Falling .................................................................57<br />

34. February 19 ......................................................................34<br />

35. Fly Mill............................................................................. 137<br />

36. Forgotten King ........................................................... 113<br />

37. Fox Bay .......................................................................... 151<br />

38. From Dust Were You Made ..................................... 135<br />

39. Gamer ............................................................................ 109<br />

40. Gassal .................................................................................36<br />

41. Gerhard Richter Painting ...........................................90<br />

42. GQ ......................................................................................37<br />

43. Happy Christmas ..........................................................74<br />

44. Hayuta and Berl – Epilogue ................................... 143<br />

45. Hello Cinema ..................................................................95<br />

46. Home (Ruslan Magomadov) .....................................32<br />

47. Home (Giorgi Mukhadze) ........................................ 135<br />

48. How Samira Made the Blackboards .......................96<br />

49. Imagining Argentina ................................................ 144<br />

50. Inside..................................................................................71<br />

51. Instinct ........................................................................... 135<br />

52. Invasion .............................................................................17<br />

53. Inventor Man ..................................................................35<br />

54. Jingle All the Way ....................................................... 137<br />

55. Joan and the Voices .................................................. 111<br />

56. Jules and Jim .................................................................75<br />

57. Keep Smiling ..................................................................23<br />

58. Le Havre ...........................................................................56<br />

59. Le Plaisir ...........................................................................77<br />

60. Leitmotif ....................................................................... 118<br />

61. Love (Michael Haneke) ...............................................46<br />

62. Love (Slawomir Fabicki) ...............................................25<br />

63. Love and Anarchy ....................................................... 100<br />

64. Mama Africa – Miriam Makeba ................................91<br />

65. Meat ............................................................................... 137<br />

66. Mekong Hotel ................................................................85<br />

67. Monotonous ................................................................ 120<br />

68. Mozart Superstar ..........................................................86<br />

69. Mr. Boba ....................................................................... 137<br />

70. Oh Willy… .................................................................... 137<br />

71. Once Upon a Time in the Park .............................. 135<br />

72. Opération Libertad .......................................................59<br />

73. Paradise: Love ................................................................61<br />

74. Petit Bateau, From Cotton Thread To T-Shirt .... 137<br />

75. Pina ....................................................................................92<br />

76. Piscium Cyprinus ....................................................... 135<br />

77. Pulsar ................................................................................63<br />

78. Reality ...............................................................................64<br />

79. Remembering Ballanchine .................................... 124<br />

80. Rose ...................................................................................65<br />

81. Rupture: Living With My Broken Brain .............. 146<br />

82. Rustman ........................................................................ 135<br />

83. Santa Claus .................................................................. 137<br />

84. Sebbe .................................................................................67<br />

85. Seven Beauties ........................................................... 102<br />

86. Shame ...............................................................................68<br />

87. Shameless .......................................................................51<br />

88. Shift ................................................................................ 137<br />

89. Spain ..................................................................................26<br />

90. Stopped on Track ..........................................................55<br />

91. Sweet Smoke of the Fatherland ........................... 150<br />

92. Swept Away ................................................................. 103<br />

93. Ten Minutes of Morning .......................................... 130<br />

94. The Angels’ Share ..........................................................69<br />

95. The Author’s Method ..................................................31<br />

96. The Butterfly ...................................................................39<br />

97. The Day I Became a Woman .....................................94<br />

98. The Dead Man and Being Happy ............................53<br />

99. The Door ..........................................................................15<br />

100. The Earrings of Madame de... ................................78<br />

101. The Earth Is Calling ................................................. 132<br />

102. The Flat ..........................................................................88<br />

103. The Gardener ...............................................................97<br />

104. The Girl from Gori .................................................... 115<br />

105. The Guardian ............................................................ 106<br />

106. The Innocent ............................................................. 101<br />

107. The Letter ......................................................................38<br />

108. The Machine Which Makes Everything<br />

Disappear ............................................................................. 119<br />

109. The Most Precious ................................................... 135<br />

110. The Nest .........................................................................44<br />

111. The Parade ....................................................................60<br />

112. The Shine of a Day .....................................................20<br />

113. The Steppe Man ....................................................... 107<br />

114. The Tightrope ........................................................... 148<br />

115. The Trace .......................................................................82<br />

116. The Traces of the War ............................................. 121<br />

117. The Western Front 1918 ...........................................79<br />

118. The World According to Kapoor ...........................84<br />

119. There Was Never a Better Brother ..................... 110<br />

120. Till Night Do Us Part ..................................................62<br />

121. Tram ............................................................................. 137<br />

122. Trip ................................................................................. 137<br />

123. Two Weeks Before ................................................... 122<br />

124. Vacuum ..........................................................................27<br />

125. Vika Venus Duvel Cover ...........................................41<br />

126. Watermelon .................................................................43<br />

127. We Have the Pope ......................................................54<br />

128. What Goes Around Comes Around<br />

(Agro minimum) ................................................................ 133<br />

129. White Blood ..................................................................30


INDEX OF FILMS<br />

ORIGINAL TITLES<br />

1. 1.1.1.5 .............................................................................. 135<br />

2. 35 Rhums ......................................................................... 139<br />

3. A Dangeroiuos Method ............................................. 140<br />

4. Ag Gan ................................................................................30<br />

5. Amour .................................................................................46<br />

6. Anniversary Client ....................................................... 105<br />

7. Äta Sova Dö ......................................................................47<br />

8. Atmen .................................................................................48<br />

9. Avtorskiy metod ..............................................................31<br />

10. Az ajtó ...............................................................................15<br />

11. Barbara .............................................................................49<br />

12. Bez wstydu ......................................................................51<br />

13. Bolo gaseirneba ......................................................... 106<br />

14. Buba ............................................................................... 142<br />

15. Cesare deve morire ......................................................50<br />

16. Chaika ...............................................................................19<br />

17. Chiri ...................................................................................82<br />

18. Chord-String ................................................................ 137<br />

19. Cloud Bread ................................................................. 137<br />

20. Çölçü ............................................................................... 107<br />

21. Davitskebuli Mepe ..................................................... 113<br />

22. Demokratiis shukura ................................................ 114<br />

23. Der Glanz des Tages .....................................................20<br />

24. Die Wohnung .................................................................88<br />

25. Dilis ati tsuti ................................................................. 130<br />

26. Djeca .................................................................................21<br />

27. Dom tsia ...........................................................................32<br />

28. Domestic Fitless ......................................................... 137<br />

29. Drei Leben: Axel Springer ..........................................89<br />

30. Dupa Dealuri ..................................................................52<br />

31. Eastalgia .................................................................. 22,108<br />

32. Ekmek ...............................................................................33<br />

33. El Muerto y Ser Feliz ....................................................53<br />

34. Ertkhel parkshi ............................................................ 135<br />

35. February 19 .....................................................................34<br />

36. Film d’amore e d’anarchia,<br />

ovvero ‘stamattina alle 10 in via dei Fiori<br />

nella nota casa di tolleranza...’ ...................................... 100<br />

37. Fly Mill ........................................................................... 137<br />

38. Gaighimet .......................................................................23<br />

39. Gamer ............................................................................ 109<br />

40. Gamomgonebeli katsi .................................................35<br />

41. Gardatsvalebis tsnoba ............................................. 135<br />

42. Gassal ................................................................................36<br />

43. Gerhard Richter Painting ...........................................90<br />

44. Gogona goridan ......................................................... 115<br />

45. GQ ......................................................................................37<br />

46. Habemus Papam ..........................................................54<br />

47. Halt auf freier Strecke ..................................................55<br />

48. Hayuta Ve Berl – Epilogue ....................................... 143<br />

49. I ne bylo luchshe brata ............................................ 110<br />

50. Imagining Argentina ................................................ 144<br />

51. Inglisuris mastsavlebeli ........................................... 116<br />

52. Instinkti ......................................................................... 135<br />

53. Invasion ............................................................................17<br />

54. Jingle All the Way ....................................................... 137<br />

55. Joyeux Noël ....................................................................74<br />

56. Jules et Jim ......................................................................75<br />

57. Katinkas kalas ................................................................24<br />

58. Kolmeurnis higiena ................................................... 131<br />

59. Kvelaze dzvirpasi ....................................................... 135<br />

60. L.A. Gangs de Femmes ...............................................83<br />

61. La Baie du Renard ...................................................... 151<br />

62. La mer à l’aube ..............................................................76<br />

63. Le Havre ...........................................................................56<br />

64. Le Monde selon Anish Kapoor .................................84<br />

65. Le Plaisir ...........................................................................77<br />

66. Leitmotif ....................................................................... 118<br />

67. Lek wysokosci ................................................................57<br />

68. Les Bien-aimes ...............................................................58<br />

69. L’innocente ................................................................... 101<br />

70. Madame de... ..................................................................78<br />

71. Mama Africa – Miriam Makeba ................................91<br />

72. Mankana, romelits kvelapers gaakrobs ............. 119<br />

73. Meat ............................................................................... 137<br />

74. Mekong Hotel .................................................................85<br />

75. Milosc ................................................................................25<br />

76. Mitsa khar ...................................................................... 135<br />

77. Mitsis dzakhili ............................................................. 132<br />

78. Monotonuri uperoba ............................................... 120<br />

79. Mozart Superstar ..........................................................86<br />

80. Mr. Boba ........................................................................ 137<br />

81. Nameh ..............................................................................38<br />

82. Oh Willy… ..................................................................... 137<br />

83. Omis naklvalevi .......................................................... 121<br />

84. Opération Libertad ......................................................59<br />

85. Ori kvirit adre .............................................................. 122<br />

86. Parada ...............................................................................60<br />

87. Paradies: Liebe ...............................................................61<br />

88. Pasqualino Settebellezze ........................................ 102<br />

89. Pepela ...............................................................................39<br />

90. Petit Bateau, From Cotton Thread To T-Shirt .......... 137<br />

91. Pina ....................................................................................92<br />

92. Piscium Cyprinus ....................................................... 135<br />

93. Poka noch ne razluchit ...............................................62<br />

94. Potskhoetseri .............................................................. 123<br />

95. Pulsar ................................................................................63<br />

96. Rasats dastes, imas moimki (agrominimumi) . 133<br />

97. Reality ...............................................................................64<br />

98. Roozi ke zan shodam ..................................................94<br />

99. Roza ...................................................................................65<br />

100. Rundskop ......................................................................66<br />

101. Rupture: Living With My Broken Brain ............ 146<br />

102. Sakhli ........................................................................... 135<br />

103. Salaam Cinema ...........................................................95<br />

104. Samira cheghoneh ‘Takhté siah’ rol sakht .........96<br />

105. Santa Claus ................................................................ 137<br />

106. Sazamtro .......................................................................43<br />

107. Sebbe ..............................................................................67<br />

108. Shame ............................................................................68<br />

109. Shavi tuta .....................................................................40<br />

110. Shift .............................................................................. 137<br />

111. Spanien ..........................................................................26<br />

112. The Angels’ Share .......................................................69<br />

113. The Gardener ...............................................................97<br />

114. The Tightrope ........................................................... 148<br />

115. Tram ............................................................................. 137<br />

116. Travolti da un insolito destino<br />

nell’azzurro mare d’agosto ........................................... 103<br />

117. Trip ................................................................................ 137<br />

118. V Put’ ................................................................................42<br />

119. Vacuum ..........................................................................27<br />

120. Vier Tage im Mai .........................................................70<br />

121. Vika venera pododeal’nik ........................................41<br />

122. Vikhsenebt Balanchins .......................................... 124<br />

123. Vse ushli .........................................................................28<br />

124. Westfront 1918 ............................................................79<br />

125. Yeralti ..............................................................................71<br />

126. Yuva .................................................................................44<br />

127. Zhangis katsi ............................................................. 135<br />

128. Zhannan ev Dzajner ............................................... 111<br />

129. Zoete rook van het vaderland ............................. 150<br />

159


160<br />

reJisorebis<br />

saZiebeli<br />

1. abdulaevi, xaiam ....................................... 30<br />

2. akini, levan ............................................... 24<br />

3. alievi, elmadin ........................................ 30<br />

4. alievi, Samil .......................................... 107<br />

5. arseniSvili, vano ................................... 116<br />

6. asitaSvili, Tengiz .................................. 39<br />

7. axalaia, mamuka ........................................ 120<br />

8. baqraZe, guram ......................................... 135<br />

9. begici, aida ................................................ 21<br />

10. belci, korina ......................................... 90<br />

11. bliaZe, soso ........................................... 135<br />

12. borisi, axim fon ..................................... 70<br />

13. bruki, saimon ......................................... 148<br />

14. budinovi, vladislav ........................... 137<br />

15. gabunia, giorgi ..................................... 137<br />

16. garone, mateo ......................................... 64<br />

17. godo, matie ............................................. 86<br />

18. goldfingeri, arnon .............................. 88<br />

19. gurCiani, TinaTin ................................. 119<br />

20. demirkubuzi, zeki .................................. 71<br />

21. deni, kler .............................................. 139<br />

22. denhardti, sebastian ............................. 89<br />

23. doliZe, siko ......................................... 132<br />

24. dragoeviCi, srjan .................................. 60<br />

25. drezeni, andreas .................................... 55<br />

26. efendievi, emin ........................................ 44<br />

27. vadimovi, nikola .................................... 59<br />

28. vaTiniani, miqael .................................. 111<br />

29. vendersi, vim ........................................... 92<br />

30. vertmiuleri, lina ...................100,102,103<br />

31. vefxvaZe, salome ................................... 135<br />

32. virasetakuli, apiCatpong ..................... 85<br />

33. viskonti, lukino ................................. 101<br />

34. volmeri, hardi ..................................... 137<br />

35. zaidli, ulrix ........................................ 61<br />

36. zverkovi, omari ...................................... 41<br />

37. TavarTqilaZe, giorgi .......................... 135<br />

38. iae-voni, ian ............................................ 137<br />

39. ibragimbekovi, murad ........................... 110<br />

40. iernjakiani, ara .................................... 105<br />

41. inje, merve .............................................. 36<br />

42. kavase, naomi ............................................ 82<br />

43. kakabaZe, aleqsandre ............................ 123<br />

44. karioni, kristian ................................... 74<br />

45. kaurismeki, aki ........................................ 56<br />

46. kaurismeki, mika ...................................... 91<br />

47. knige, iobst ............................................ 89<br />

48. kovi, tica ................................................ 20<br />

49. koleni, greguar .................................... 151<br />

50. konopka, bartoS ..................................... 57<br />

51. kotetiSvili, tato ................................ 43<br />

52. kronenbergi, devid .............................. 140<br />

53. kunio, jorjo ......................................... 27<br />

54. lamore, stefani ..................................... 83<br />

55. lie, pier-emanuel ................................ 137<br />

56. louCi, ken ............................................... 69<br />

57. magomadovi, ruslan ............................... 32<br />

58. manori, amir .......................................... 143<br />

59. markoviCi, karl ...................................... 48<br />

60. marCevski, filip ..................................... 51<br />

61. maqquini, stiv .......................................... 68<br />

62. maxmalbafi, maisam ................................... 96<br />

63. maxmalbafi, mohsen .............................95,97<br />

64. menTeSaSvili, zura ................................ 35<br />

65. merzlikini, andrei ................................ 37<br />

66. meSkini, marzie ........................................ 94<br />

67. miqaberiZe, kote ................................... 133<br />

68. movaseRi, majid ...................................... 38<br />

69. moreti, nani ............................................ 54<br />

70. mosiZe, papuna ........................................ 122<br />

71. munjiu, kristian .................................... 52<br />

72. muxaZe, giorgi ....................................... 135<br />

73. najafi, babak ........................................... 67<br />

74. neikova, radostina ............................... 137<br />

75. novikova, maSa ........................................ 150<br />

76. oldenburgi, manfred ............................ 89<br />

77. oneli, rati ........................................... 118<br />

78. oniSCenko, daria ...............................22,108<br />

79. onore, kristof ..................................... 58<br />

80. orjonikiZe, nino .................................. 116<br />

81. ofulsi, maqs .......................................77,78<br />

82. oqriaSvili, giorgi ................................ 39<br />

83. pabsti, georg vilhelm .......................... 79<br />

84. pavlatova, mixaela ............................... 137<br />

85. papiaSvili, eka ...................................... 115<br />

86. petcoldi, kristian .............................. 49<br />

87. pixleri, gabriela .................................. 47<br />

88. JRenti, oliko ...................................... 124<br />

89. razmaZe, gabriel .................................... 40<br />

90. rebolo, xavier ....................................... 53<br />

91. roelsi, mark jeims .............................. 137<br />

92. roskami, mixael r. .................................. 66<br />

93. sabo, iStvan ............................................. 15<br />

94. salomonoviCi, ania ................................. 26<br />

95. saruxanova, ana ........................................ 42<br />

96. seva, daviT ............................................ 118<br />

97. sevindi, korai ......................................... 33<br />

98. senianoviCi, ivan mirko ........................ 137<br />

99. sencovi, oleg ....................................... 109<br />

100. svefi, ema de ........................................ 137<br />

101. siCanini, maria ..................................... 135<br />

102. sixaruliZe, levan ................................ 135<br />

103. smaJovski, voicex .................................. 65<br />

104. stepaniani, Tamara ................................ 34<br />

105. stokmani, aleqs ..................................... 63<br />

106. taviani, vitorio .................................. 50<br />

107. taviani, paolo ...................................... 50<br />

108. triufo, fransua .................................. 75<br />

109. tutelbergi, anu-laura .................... 137<br />

110. uaiti, Cel ........................................... 137<br />

111. uruSaZe, zaza ...................................... 106<br />

112. fabicki, slavomir ................................ 25<br />

113. farajanovi, giorgi .............................. 28<br />

114. frimeli, rainer ................................... 20<br />

115. qavTaraZe, giorgi ............................... 135<br />

116. RoRoberiZe, nuca ............................... 142<br />

117. Saxnazarovi, ivan .................................. 31<br />

118. Serifi, mansur el .............................. 137<br />

119. SveliZe, vaxtang .................................. 131<br />

120. Sverfeli, hainc peter ......................... 84<br />

121. Slendorfi, folker ............................ 76<br />

122. CageliSvili, Toma .............................. 121<br />

123. cincaZe, dito ....................................... 17<br />

124. Wyonia, rusudan .................................... 23<br />

125. xaindrava, goga ................................... 114<br />

126. ximenesi, migel anxel ........................... 19<br />

127. xlebnikovi, boris ................................. 62<br />

128. xomasuriZe, nikoloz ......................... 113<br />

129. jaliaSvili, aleqsandre .................... 130<br />

130. jajaniZe, vaxtang ................................ 135<br />

131. hadsoni, hiu ........................................ 146<br />

132. haneke, mixael ........................................ 46<br />

133. hatleri, maqs ...................................... 137<br />

134. hemptoni, kristofer ......................... 144


INDEX OF<br />

DIRECTORS<br />

1. Abdoullayev, Khayyam ................................................. 30<br />

2. Akhalaia, Mamuka .......................................................120<br />

3. Akin, Levan ....................................................................... 24<br />

4. Aliyev, Elmaddin ............................................................. 30<br />

5. Aliyev, Shamil ................................................................107<br />

6. Arsenishvili, Vano .........................................................116<br />

7. Asitashvili, Tengiz ........................................................... 39<br />

8. Bakradze, Guram ..........................................................135<br />

9. Begic, Aida ........................................................................ 21<br />

10. Belz, Corinna ................................................................. 90<br />

11. Bliadze, Soso ................................................................135<br />

12. Borries, Achim von ...................................................... 70<br />

13. Brook, Simon ...............................................................148<br />

14. Budinov, Vladislav .....................................................137<br />

15. Carion, Christian ........................................................... 74<br />

16. Chagelishvili, Toma ...................................................121<br />

17. Chkonia, Rusudan ....................................................... 23<br />

18. Colin Grégoire .............................................................151<br />

19. Covi, Tizza ........................................................................ 20<br />

20. Cronenberg, David ....................................................140<br />

21. Cugno, Giorgio ............................................................. 27<br />

22. Dehnhardt, Sebastian ................................................ 89<br />

23. Demirkubuz, Zeki ........................................................ 71<br />

24. Denis, Claire ..................................................................139<br />

25. Dolidze, Siko ................................................................132<br />

26. Dragojević, Srđan ........................................................ 60<br />

27. Dresen, Andreas ........................................................... 55<br />

28. Efendiyev, Emin ............................................................ 44<br />

29. Fabicki, Sławomir ......................................................... 25<br />

30. Frimmel, Rainer ............................................................. 20<br />

31. Gabunia, Giorgi ..........................................................137<br />

32. Garrone, Matteo ........................................................... 64<br />

33. Gogoberidze, Nutsa ..................................................142<br />

34. Goldfinger, Arnon ........................................................ 88<br />

35. Goudeau, Mathias ....................................................... 86<br />

36. Gurchiani, Tinatin ......................................................119<br />

37. Hampton, Christopher .............................................144<br />

38. Haneke, Michael ........................................................... 46<br />

39. Hattler, Max ..................................................................137<br />

40. Honoré, Christophe .................................................... 58<br />

41. Hudson, Hugh ............................................................146<br />

42. Ibragimbekov, Murad ...............................................110<br />

43. Ince, Merve .................................................................... 36<br />

44. Jajanidze, Vakhtang ..................................................135<br />

45. Jaliashvili, Alexandre ................................................130<br />

46. Jang, Jae-Woon ...........................................................137<br />

47. Jiménez, Miguel Angel .............................................. 19<br />

48. Kakabadze, Aleksandre ...........................................123<br />

49. Kaurismäki, Aki ............................................................. 56<br />

50. Kaurismäki, Mika .......................................................... 91<br />

51. Kavtaradze, Giorgi .....................................................135<br />

52. Kawase, Naomi ............................................................. 82<br />

53. Khaindrava, Goga ......................................................114<br />

54. Khlebnikov, Boris ......................................................... 62<br />

55. Khomasuridze, Nikoloz ............................................113<br />

56. Knigge, Jobst ................................................................. 89<br />

57. Konopka, Bartosz ......................................................... 57<br />

58. Kotetishvili, Tato ........................................................... 43<br />

59. Lamorré, Stephanie .................................................... 83<br />

60. Loach, Ken ...................................................................... 69<br />

61. Lyet, Pierre-Emmanuel ............................................137<br />

62. Magomadov, Ruslan ................................................... 32<br />

63. Makhamlbaf, Maysam ................................................ 96<br />

64. Makhamlbaf, Mohsen .......................................... 95,97<br />

65. Manor, Amir .................................................................143<br />

66. Marczewski, Filip ........................................................... 51<br />

67. Markovics, Karl .............................................................. 48<br />

68. McQueen, Steve ........................................................... 68<br />

69. Menteshashvili, Zura .................................................. 35<br />

70. Merzlikin, Andrei .......................................................... 37<br />

71. Meshkini, Marziyeh ..................................................... 94<br />

72. Mikaberidze, Kote .....................................................133<br />

73. Moretti, Nanni ............................................................... 54<br />

74. Mosidze, Papuna ........................................................122<br />

75. Movasseghi, Majid ...................................................... 38<br />

76. Mukhadze, Giorgi ......................................................135<br />

77. Mungiu, Cristian ........................................................... 52<br />

78. Najafi, Babak .................................................................. 67<br />

79. Neykova, Radostina ..................................................137<br />

80. Novikova, Masha ........................................................150<br />

81. Okriashvili, Giorgi ........................................................ 39<br />

82. Oldenburg, Manfred ................................................... 89<br />

83. Oneli, Rati .....................................................................118<br />

84. Onyshchenko, Daria ............................................22,108<br />

85. Ophüls, Max ............................................................. 77,78<br />

86. Orjonikidze, Nino .......................................................116<br />

87. Pabst, Georg Wilhelm ................................................. 79<br />

88. Papiashvili, Eka ...........................................................115<br />

89. Paradzhanov, Georgiy ................................................ 28<br />

90. Pavlatova, Michaela ..................................................137<br />

91. Petzold, Christian ......................................................... 49<br />

92. Pichler, Gabriela ........................................................... 47<br />

93. Razmadze, Gabriel ...................................................... 40<br />

94. Rebollo, Javier ............................................................... 53<br />

95. Roels, Marc James .....................................................137<br />

96. Roskam, Michaël R. ..................................................... 66<br />

97. Salomonowitz, Anja .................................................... 26<br />

98. Sarukhanova, Anna ..................................................... 42<br />

99. Schlöndorff, Volker ...................................................... 76<br />

100. Schwerfel, Heinz Peter ............................................ 84<br />

101. Seidl, Ulrich ................................................................. 61<br />

102. Senjanovic, Ivan Mirko ..........................................137<br />

103. Sentsov, Oleg ............................................................109<br />

104. Seva, David ................................................................118<br />

105. Sevindi, Koray ............................................................. 33<br />

106. Shakhnazarov, Ivan .................................................. 31<br />

107. Sherif, Mansour El ...................................................137<br />

108. Shvelidze, Vakhtang ...............................................131<br />

109. Sichanini, Maria .......................................................135<br />

110. Sikharulidze, Levan .................................................135<br />

111. Smarzowski, Wojciech ............................................. 65<br />

112. Stepanyan, Tamara ................................................... 34<br />

113. Stockman, Alex .......................................................... 63<br />

114. Swaef, Emma De .......................................................137<br />

115. Szabó, István ................................................................ 15<br />

116. Tavartkiladze, Giorgi ...............................................135<br />

117. Taviani, Paolo .............................................................. 50<br />

118. Taviani, Vittorio .......................................................... 50<br />

119. Truffaut, François ....................................................... 75<br />

120. Tsintsadze, Dito ........................................................... 17<br />

121. Tuttelberg, Anu-Laura ...........................................137<br />

122. Urushadze, Zaza ......................................................106<br />

123. Vatinyan, Mikayel ....................................................111<br />

124. Vepkhvadze, Salome ..............................................135<br />

125. Visconti, Luchino .....................................................101<br />

126. Volmer, Hardi ............................................................137<br />

127. Wadimoff, Nicolas ..................................................... 59<br />

128. Weerasethakul, Apichatpong ............................... 85<br />

129. Wenders, Wim ............................................................. 92<br />

130. Wertmüller, Lina .....................................100,102,103<br />

131. White, Chel ................................................................137<br />

132. Yernjakyan, Ara ........................................................105<br />

133. Zhgenti, Olga ...........................................................124<br />

134. Zverkov, Omari ........................................................... 41<br />

161


162<br />

festivalis saorganizacio jgufi<br />

THE FESTIVAL TEAM<br />

generaluri direqtori<br />

General Director<br />

gaga CxeiZe<br />

Gaga Chkheidze<br />

direqtori<br />

Director<br />

nino anjafariZe<br />

Nino Anjaparidze<br />

sazogadoebasTan urTierTobis menejeri<br />

PR Manager<br />

inga nikagosiani<br />

Inga Nikagosian<br />

maia ratiSvili<br />

Maia Ratishvili<br />

direqtoris asistenti<br />

Assistant Director<br />

joi ngoma<br />

Joy Ngoma<br />

asistenti<br />

Assistant<br />

daviT gabunia<br />

Davit Gabunia<br />

germanul-franguli programis<br />

koordinatori<br />

German-French program coordinator<br />

naTia miqelaZe-baxsoliani<br />

Natia Mikeladze-Bakhsoliani<br />

TamTa goCitaSvili<br />

Tamta Gochitashvili<br />

mari kveselava<br />

Mari Kveselava<br />

qarTuli programis koordinatori<br />

GEORGIAN PANORAMA program<br />

coordinator<br />

nino suramelaSvili<br />

Nino Suramelashvili<br />

PITCH.DOC programis<br />

koordinatori<br />

PITCH.DOC program coordinator<br />

ana ZiapSipa<br />

Anna Dziapshipa<br />

salome jaSi<br />

Salome Jashi<br />

DAB programis koordinatori<br />

DAB program coordinator<br />

qeTi asaTiani<br />

Keti Asatiani<br />

moklemetraJiani filmebis konkursis<br />

koordinatori<br />

Short Film Competition coordinator<br />

nino gamrekeli<br />

Nino Gamrekeli<br />

katalogis redaqtorebi<br />

Catalogue Editors<br />

nino suramelaSvili<br />

Nino Suramelashvili<br />

qeTevan kiknaZe<br />

Ketevan Kiknadze<br />

programis da firebis koordinatori<br />

Program and Print coordinator<br />

ana qobulaZe<br />

Anna Kobuladze<br />

stumrebTan urTierToba<br />

Hospitality manager<br />

Tako robaqiZe<br />

Tako Robakidze<br />

naTia trapaiZe<br />

Natia Trapaidze<br />

Jiuris koordinatori<br />

Jury Secretary<br />

sofo vekua<br />

Sophie Vekua<br />

akreditaciis da RonisZiebebis<br />

koordinatori<br />

Events and Accreditation manager<br />

salome gofoZe<br />

Salome Gopodze<br />

Targmanebis koordinatori<br />

Coordinator of Translations<br />

Tamar buxraSvili<br />

Tamar Bukhrashvili<br />

filmebis Targmna<br />

Translation of films<br />

zurab amiranaSvili<br />

Zurab Amiranashvili


nino andriaZe<br />

Nino Andriadze<br />

daviT gabunia<br />

Davit Gabunia<br />

eka gamyreliZe<br />

Eka Gamkrelidze<br />

Tamar gurCiani<br />

Tamar Gurchiani<br />

Tina gurCiani<br />

Tina Gurchiani<br />

nino Tarxan-mouravi<br />

Nino Tarkhan-Mouravi<br />

nino suramelaSvili<br />

Nino Suramelashvili<br />

mari javaxiSvili<br />

Mari Javakhishvili<br />

Tamar janaSia<br />

Tamar Janashia<br />

subtitrireba<br />

Subtitles<br />

gogi yajriSvili<br />

Gogi Kajrishvili<br />

daviT Tarxan-mouravi<br />

Davit Tarkhan-Mouravi<br />

ofisis menejeri<br />

Office Manager<br />

Tornike bardaveliZe<br />

Tornike Bardavelidze<br />

buRalteri<br />

Accountant<br />

elene JorJikaSvili<br />

Elene Zhorzhikashvili<br />

filmebis SerCeva<br />

Selection of Films<br />

nino anjafariZe<br />

Nino Anjaparidze<br />

vano arseniSvili<br />

Vano Arsenishvili<br />

nino mxeiZe<br />

Nino Mkheidze<br />

nino orjonikiZe<br />

Nino Orjonikidze<br />

arCil SubaSvili<br />

Archil Shubashvili<br />

gaga CxeiZe<br />

Gaga Chkheidze<br />

qeTi jafariZe<br />

Keti Japaridze<br />

veb-administratori<br />

Web Administrator<br />

Tornike bardaveliZe<br />

Tornike Bardavelidze<br />

teqnikuri mxardaWera<br />

Technical Support<br />

goCa axalaia<br />

Gocha Akhalaia<br />

Tornike bardaveliZe<br />

Tornike Bardavelidze<br />

sergo kurtaniZe<br />

Sergo Kurtanidze<br />

simon turiaSvili<br />

Simon Turiashvili<br />

mirza fxakaZe<br />

Mirza Pkhakadze<br />

gogi qamuSaZe<br />

Gogi Kamushadze<br />

fotografi<br />

Photographer<br />

zinka barnovi<br />

Zinka Barnov<br />

moxaliseebi<br />

Volunteers<br />

guram baqraZe<br />

Guram Bakradze<br />

goCa gaboZe<br />

Gocha Gabodze<br />

mariam gabriCiZe<br />

Mariam Gabrichidze<br />

salome vefxvaZe<br />

Salome Vepkhvadze<br />

margo zubaSvili<br />

Margo Zubashvili<br />

Tamuna TvaraZe<br />

Tamuna Tvaradze<br />

levan maisuraZe<br />

Levan Maisuradze<br />

beqa miqaberiZe<br />

Beka Mikaberidze<br />

giorgi muxaZe<br />

Giorgi Mukhadze<br />

taso focxiSvili<br />

Taso Potskhishvili<br />

guram RonRaZe<br />

Guram Ghonghadze<br />

kaki WiraqaZe<br />

Kaki Chirakadze<br />

sandro xuciSvili<br />

Sandro Khutsishvili<br />

163


164<br />

Cveni gansakuTrebuli<br />

madloba<br />

besarion abesaZes<br />

vano arseniSvils<br />

baCana afxazavas<br />

qeTi babunaSvils<br />

gia bazRaZes<br />

ilia beqaurs<br />

arsen geldiaSvils<br />

iamze gvaTuas<br />

erika gregors<br />

ulrix gregors<br />

qeTevan egaZes<br />

Stefan vakvics<br />

Jil karasos<br />

Tamar kvesitaZes<br />

nuci kircxalias<br />

guga kotetiSvils<br />

levan koRuaSvils<br />

Tornike lorTqifaniZes<br />

revaz maxaTaZes<br />

marina mizandars<br />

nino orjonikiZes<br />

Temur ugulavas<br />

maia fanjikiZes<br />

aleqsandre farulavas<br />

erekle furcelaZes<br />

aka qavTaraZes<br />

irina qurTiSvils<br />

veriko SarabiZes<br />

Tamar Sengelias<br />

ia Sengelias<br />

boris Sulmans<br />

Tamar CixraZes<br />

Salva CubiniZes<br />

giorgi wiqariSvils<br />

irakli Wanturias<br />

THANKS AND<br />

APPRECIATION TO<br />

Besarion Abesadze<br />

Bachana Apkhazava<br />

Vano Arsenishvili<br />

Keti Babunashvili<br />

Gia Bazghadze<br />

Ilia Bekauri<br />

Gilles Carasso<br />

Irakli Chanturia<br />

Tamar Chikhradze<br />

Shalva Chubinidze<br />

Ketevan Egadze<br />

Arsen Geldiashvili<br />

Erika Gregor<br />

Ulrich Gregor<br />

Iamze Gvatua<br />

Aka Kavtaradze<br />

Nutsi Kirtskhalia<br />

Levan Koghuashvili<br />

Guga Kotetishvili<br />

Irina Kurtishvili<br />

Tamar Kvesitadze<br />

Tornike Lortkipanidze<br />

Revaz Makhatadze<br />

Marina Mizandari<br />

Nino Orjonikidze<br />

Maia Panjikidze<br />

Alexandre Parulava<br />

Erekle Purtseladze<br />

Veriko Sharabidze<br />

Ia Shengelia<br />

Tamar Shengelia<br />

Boris Shulman<br />

Giorgi Tsikarishvili<br />

Temur Ugulava<br />

Stephan Wackwitz

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